Black Sexual Economies

2019 ◽  
Keyword(s):  
Black People ◽  
Life And Death ◽  
Sexual Identities ◽  
Cultural Productions ◽  
Sexual Labor ◽  
Complex Mechanisms ◽  
And Gender ◽  
Erotic Capital ◽  
Sexual Economies

This book is a compilation of contemporary and previously unpublished scholarship on Black sexualities. The sixteen essays work to untangle the complex mechanisms of dominance and subordination as they are attached to political and socioeconomic forces, cultural productions, and academic lenses that assess sexuality as it intersects with race. Some of the essays trace the historical and contemporary markets for sexual labor and systems of erotic capital. Other essays illuminate how forces of commodification, exploitation, and appropriation, which render black sexualities both desirable and deviant, also provide the spaces, networks, and relationships that have allowed black people to revise, recuperate, and re-articulate their sexual identities, erotic capital, and gender and sexual expressions and relations. The collection focuses on three themes linked by the major theory of black sexual economy: sex labor and race play; drag and hypersexual performance; and the erotics of life and death.

African Americans and the Crisis of Modernity

2018 ◽  
Vol 41 (1-2) ◽  
pp. 53-60
Author(s):  
Eric S. King
Keyword(s):  
African Americans ◽  
Gender Inequality ◽  
Black People ◽  
Black Family ◽  
The Sun ◽  
Economic Problems ◽  
And Gender ◽  
Crisis Of Modernity

This article examines Lorraine Hansberry’s play A Raisin in the Sun by exploring the conflict between a traditionally Southern, Afro-Christian, communitarian worldview and certain more destabilizing elements of the worldview of modernity. In addition to examining the socio-economic problems confronted by some African Americans in the play, this article investigates the worldviews by which these Black people frame their problems as well as the dynamics within the relationships of a Black family that lives at the intersection of racial, class, and gender inequality in Chicago during the latter 1950s.

Introduction

2017 ◽  
Author(s):  
Patrick Colm Hogan
Keyword(s):  
Queer Theory ◽  
Social Constructionism ◽  
The Other ◽  
Sexual Identities ◽  
The Third ◽  
Sexuality And Gender ◽  
And Gender ◽  
Sexual Part ◽  
The One ◽  
And Behavior

The introduction first sets out some preliminary definitions of sex, sexuality, and gender. It then turns from the sexual part of Sexual Identities to the identity part. A great deal of confusion results from failing to distinguish between identity in the sense of a category with which one identifies (categorial identity) and identity in the sense of a set of patterns that characterize one’s cognition, emotion, and behavior (practical identity). The second section gives a brief summary of this difference. The third and fourth sections sketch the relation of the book to social constructionism and queer theory, on the one hand, and evolutionary-cognitive approaches to sex, sexuality, and gender, on the other. The fifth section outlines the value of literature in not only illustrating, but advancing a research program in sex, sexuality, and gender identity. Finally, the introduction provides an overview of the chapters in this volume.

Research on Diversity in Sexual Identities

2019 ◽  
pp. 380-396
Author(s):  
Pawan Singh
Keyword(s):  
Sexual Behavior ◽  
Social Relationships ◽  
Social Identities ◽  
First Century ◽  
Sexual Identities ◽  
Alternative Sexualities ◽  
Sexuality And Gender ◽  
Nineteenth And Twentieth Centuries ◽  
Global Diffusion ◽  
And Gender

If the elaboration of LGB identities is predicated on the development of binary sexuality in the nineteenth and twentieth centuries around normal and abnormal, heterosexual and homosexual, or Western and non-Western, research at the dawn of the twenty-first century has turned decidedly to the fluidity of sexuality and the various ways that sexual behavior is situated in social relationships and as social identities. This chapter turns to the persistence of alternative sexualities outside of or beyond the construction LGB, interrogating the links between sexuality and gender, the various reactions to the global diffusion of homosexuality (and homophobia) as cultural forms predicated on Western binaries, and the possibilities inherent in a world of diversely constituted sexualities.

scholarly journals Turkey’s queer times: an introduction

2021 ◽  
pp. 1-14
Author(s):  
Cenk Özbay ◽  
Kerem Öktem
Keyword(s):  
Knowledge Production ◽  
Gender And Sexuality ◽  
The Body ◽  
Sexual Rights ◽  
Public Attention ◽  
State Institutions ◽  
Sexual Identities ◽  
Queer Culture ◽  
Muslim Majority ◽  
And Gender

Today Turkey is one of the few Muslim-majority countries in which same-sex sexual acts, counternormative sexual identities, and expressions of gender nonconformism are not illegal, yet are heavily constrained and controlled by state institutions, police forces, and public prosecutors. For more than a decade Turkey has been experiencing a “queer turn”—an unprecedented push in the visibility and empowerment of queerness, the proliferation of sexual rights organizations and forms of sociabilities, and the dissemination of elements of queer culture—that has engendered both scholarly and public attention for sexual dissidents and gender non-conforming individuals and their lifeworlds, while it has also created new spaces and venues for their self-organization and mobilization. At the point of knowledge production and writing, this visibility and the possible avenues of empowerment that it might provide have been in jeopardy: not only do they appear far from challenging the dominant norms of the body, gender, and sexuality, but queerness, in all its dimensions, has become a preferred target for Islamist politics, conservative revanchism, and populist politicians.

Urban Social Hauntings: Disappearing Gravestone Murals in Gentrifying Brooklyn

2021 ◽  
pp. 026377582110595
Author(s):  
Amaka Okechukwu
Keyword(s):  
New York ◽  
Urban Space ◽  
Black People ◽  
Urban Landscape ◽  
Economic Value ◽  
Urban Decline ◽  
Life And Death ◽  
Spatial Production ◽  
Black Life ◽  
Visual Record

This article concerns the disappearance of gravestone (or “rest in peace”) murals in gentrifying Brooklyn, New York. Social hauntings reveal the unresolved violence of Black disposability and dispossession, as it manifests in the urban landscape in periods of urban decline and gentrification; gravestone murals are forms of “wake work” that attend to social haunting, accounting for Black life and death in urban place. This article first considers the wake work of gravestone murals, that they are memorials, archives of collective memory, spaces of worldmaking, and resistance to anti-Black violence. Because gravestone murals illustrate how Black people produce meaning in the urban landscape, they are also forms of Black spatial production. The article then explores the emergence of newer, stylized murals as aesthetic commodities that bring social and economic value to urban space, while commodifying Black life and death. The disappearance of gravestone murals, a visual record of the urban crisis, indicates the transformation of Black urban space in the 21st century.

The Oxford Handbook of Queer Cinema

2021 ◽  
Keyword(s):  
Cultural Production ◽  
The United States ◽  
Gender And Sexuality ◽  
Television Programs ◽  
Cultural Productions ◽  
Queer Cinema ◽  
Sexuality And Gender ◽  
History Of ◽  
Cross Dressing ◽  
And Gender

Queer media is not one thing but an ensemble of at least four moving variables: history, gender and sexuality, geography, and medium. Although many scholars would pinpoint the early 1990s as marking the emergence of a cinematic movement in the United States (dubbed by B. Ruby Rich the “new queer cinema”), films and television programs that clearly spoke to LGBTQ themes and viewers existed at many different historical moments and in many different forms: cross-dressing, same-sex attraction, comedic drag performance; at some points, for example, in 1950s television, these were not undercurrents but very prominent aspects of mainstream cultural production. Addressing “history” not as dots on a progressive spectrum but as an uneven story of struggle, the writers in this volume stress that queer cinema did not appear miraculously at one moment but arrived on currents throughout the century-long history of the medium. Likewise, while queer is an Anglophone term that has been widely circulated, it by no means names a unified or complete spectrum of sexuality and gender identity, just as the LGBTQ+ alphabet soup struggles to contain the distinctive histories, politics, and cultural productions of trans artists and genderqueer practices. Across the globe, media-makers have interrogated identity and desire through the medium of cinema through rubrics that sometimes vigorously oppose the Western embrace of the pejorative term queer, foregrounding instead indigenous genders and sexualities or those forged in the Global South or those seeking alternative epistemologies. Finally, though “cinema” is in our title, many scholars in this collection see this term as an encompassing one, referencing cinema and media in a convergent digital environment. The lively and dynamic conversations introduced here aspire to sustain further reflection as “queer cinema” shifts into new configurations.

Japan in the 1950s: Symbolic Victims

Alegal ◽  
2018 ◽  
pp. 15-37
Author(s):  
Annmaria M. Shimabuku
Keyword(s):  
Middle Class ◽  
Interwar Period ◽  
Mixed Race ◽  
The State ◽  
Sexual Slavery ◽  
Cultural Productions ◽  
Imperial Period ◽  
The Family ◽  
Sexual Labor

Chapter 1 presents a genealogy of sexual labor in Japan from licensed prostitution and the so-called “comfort woman” system of sexual slavery in the imperial period, through the state-organized system of prostitution for the Allied forces in the immediate postwar, and to the full-fledged emergence of independent streetwalkers thereafter. It links protest against private prostitution in the interwar period to aversion toward the streetwalker in the postwar period through an examination of Tosaka Jun’s Japanese Ideology. There, he defined Japanism as the symbolic communion between the family and state and showed how Japanists attacked private prostitution for purportedly interfering with the integrity of both. What was at stake was the ability of a budding middle class to manage the reproduction of labor power for the biopolitical state. Through Tosaka, this chapter delineates a mechanism of social defence amongst the middle class that targeted life thought to be unintelligible to the state such as the streetwalker and her mixed-race offspring. Further, it shows how this occurred through cultural productions such as anti-base reportage that focused obsessively on the figure of the streetwalker.

scholarly journals Mortality and years of life lost to suicide in Rio Grande do Norte, Brazil, 2000-2015

2019 ◽  
Vol 41 ◽  
pp. e45972
Author(s):  
Emelynne Gabrielly de Oliveira Santos ◽  
Kelly Graziani Giacchero Vedana ◽  
Isabelle Ribeiro Barbosa
Keyword(s):  
Ecological Study ◽  
Black People ◽  
Rio Grande ◽  
The Elderly ◽  
Support Needs ◽  
Years Of Life Lost ◽  
Historical Series ◽  
And Gender ◽  
Epidemiological Profile ◽  
Epidemiological Characteristics

Analyze the epidemiological profile of and years of life lost to suicide in Rio Grande do Norte, Brazil, from 2000 to 2015. This is an ecological study in which data on death were sourced from the Mortality Information System. Years of Potential Life Lost were calculated over the historical series. A total of 2,266 deaths by suicide were analyzed, identified during the period, with the most frequent cases being those occurring at home, by hanging, among men, black people, single people and the elderly. More Years of Potential Life Lost were counted in the economically active age group (30-39 years old). Thus, recognizing the epidemiological characteristics of suicide in Rio Grande do Norte may guide more effective actions and strategies targeting risk populations and reinforces the need for further studies focusing on regions with the highest rates in the state. Moreover, mental health care must be adapted to age and gender, besides approaching social support needs and feeling of belonging.

Black Cultural Production after Civil Rights

2019 ◽  
Keyword(s):  
Civil Rights ◽  
Civil Rights Movement ◽  
Cultural Production ◽  
Black People ◽  
Black Politics ◽  
Civil Rights Era ◽  
Black Liberation ◽  
Political Debates ◽  
Black Art ◽  
And Gender

Through its analysis of film, drama, fiction, visual culture, poetry, and other cultural -artifacts, Black Cultural Production after Civil Rights offers a fresh examination of how the historical paradox by which unprecedented civil rights gains coexist with novel impediments to collectivist black liberation projects. At the beginning of the 1970s, the ethos animating the juridical achievements of the civil rights movement began to wane, and the rise of neoliberalism, a powerful conservative backlash, the co-optation of “race-blind” rhetoric, and the pathologization and criminalization of poverty helped to retrench black inequality in the post-civil rights era. This book uncovers the intricate ways that black cultural production kept imagining how black people could achieve their dreams for freedom, despite abject social and political conditions. While black writers, artists, historians, and critics have taken renewed interest in the historical roots of black un-freedom, Black Cultural Production insists that the 1970s anchors the philosophical, aesthetic, and political debates that animate contemporary debates in African American studies. Black cultural production and producers help us think about how black people might achieve freedom by centralizing the roles black art and artists have had in expanding notions of freedom, democracy, equity, and gender equality. Black cultural production continues to engage in social critique and transformation and remains an important site for the (re)making of black politics.

scholarly journals A LITERATURA COMO MECANISMO DE LUTA PELO RECONHECIMENTO SOCIAL DE MULHERES NEGRAS NA OBRA UM DEFEITO DE COR

Afro-Ásia ◽  
2017 ◽  
Author(s):  
Luciana Da Trindades Prestes ◽  
Emília Maria Da Trindade Prestes
Keyword(s):  
Black Women ◽  
Black People ◽  
Literary Work ◽  
Social Recognition ◽  
Brazilian Literature ◽  
Race And Gender ◽  
The Social ◽  
De Se ◽  
Women Literature ◽  
And Gender

<p class="abstract">O texto descreve e analisa a obra <em>Um defeito de cor </em>(2006), da brasileira Ana Maria Gonçalves, considerado um dos livros mais importantes da literatura do século XXI. A ideia é demonstrar, por meio das memórias de Kahinde/Luísa, uma mulher negra, ex-escrava, cega e à beira da morte, como a atual literatura produzida por escritoras afrodescendentes, ao plasmar em suas obras um modelo original de raça e de gênero, permite explorar a história sob um ângulo diferente daquele usualmente adotado pela literatura tradicional, possibilitando novas representações valorativas e a superação de estereótipos preconceituosos e excludentes relacionados com raça e gênero. A obra em análise, por transcender as narrativas tradicionais e ser portadora de mensagens capazes de traduzir desejos de valorização, superação de condições concretas de existência e de emancipação de pessoas oprimidas, abre caminho para descentralizar os discursos conservadores que fomentaram, historicamente, estereótipos preconceituosos e invisibilizaram as identidades de indivíduos negros e as lutas para conquistar direitos historicamente negados. Consideramos que esta literatura histórica contemporânea e crítica é capaz de se converter em um poderoso mecanismo de luta em favor do reconhecimento social da raça negra, particularmente da mulher.</p><p class="abstract"><strong>Palavras-chave</strong>: Literatura de mulheres negras - histórias de escravas - reconhecimento social de negras.</p><p class="abstract"><strong>Abstract</strong></p><p class="abstract">The text describes and analyzes the work Um defeito de Cor (2006) by the Brazilian author Ana Maria Gonçalves, considered one of the most important books of 21st century Brazilian literature. The idea is to demonstrate, through the memories of Kahinde / Luisa, a black woman, ex-slave, blind and on the verge of death, how the current literature produced by Afro-descendant women writers, by translating into their works an original model of race and gender, allows us to explore history from a different angle than those models usually adopted in traditional literature, making possible new representations of value and overcoming biased and exclusionary stereotypes related to race and gender.  By transcending traditional narratives, carrying messages capable of translating desires for valorization and overcoming the concrete conditions of existence and emancipation of oppressed people, the literary work under analysis paves the way for decentralizing conservative discourses that historically fostered prejudiced stereotypes and made invisible the identities of black people and their struggles to conquer historically denied rights. We consider that this historical and critical literature can become a powerful mechanism of struggle in favor of the social recognition of the black race, particularly women.</p><p class="abstract"><strong>Keywords</strong>: Black women literature - slave stories - black people - social recognition.</p>

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