“Södertälje Is a Theater”

Author(s):  
Jennifer Mack

Chapter 4 focuses on both permanent spaces and temporary spatial practices associated with weddings and funerals. Urban spaces have become backdrops for a roleplaying game with an ever-attentive audience, as Syriacs metamorphose between audience members and stage actors and continually reinscribe social expectations about personal bodily and social propriety.

Author(s):  
M.S. Parvathi ◽  

Burton Pike (1981) terms the cityscapes represented in literature as word-cities whose depiction captures the spatial significance evoked by the city-image and simultaneously, articulates the social psychology of its inhabitants (pp. 243). This intertwining of the social and the spatial animates the concept of spatiality, which informs the positionality of urban subjects, (be it the verticality of the city or the horizonality of the landscape) and determines their standpoint (Keith and Pile, 1993). The spatial politics underlying cityscapes, thus, determine the modes of social production of sexed corporeality. In turn, the body as a cultural product modifies and reinscribes the urban landscape according to its changing demographic needs. The dialectic relationship between the city and the bodies embedded in them orient familial, social, and sexual relations and inform the discursive practices underlying the division of urban spaces into public and private domains. The geographical and social positioning of the bodies within the paradigm of the public/private binary regulates the process of individuation of the bodies into subjects. The distinction between the public and the private is deeply rooted in spatial practices that isolate a private sphere of domestic, embodied activity from the putatively disembodied political, public sphere. Historically, women have been treated as private and embodied and the politics of the demarcated spaces are employed to control and limit women’s mobility. This gendered politics underlying the situating practices apropos public and private spaces inform the representations of space in literary texts. Manu Joseph’s novels, Serious Men (2010) and The Illicit Happiness of Other People (2012), are situated in the word-cities of Mumbai and Chennai respectively whose urban spaces are structured by such spatial practices underlying the politics of location. The paper attempts to problematize the nature of gendered spatializations informing the location of characters in Serious Men and The Illicit Happiness of Other People.


2019 ◽  
Vol 44 (4) ◽  
pp. 45-54
Author(s):  
Adel M. Remali ◽  
Ashraf M. Salama ◽  
Florian Wiedmann

South Asian communities have lived in Scotland since the late nineteenth century, experiencing a substantial growth in the post-war period. This paper contributes a new understanding of the spatial practices of South Asian communities in the city of Glasgow based on statistics and surveys. The authors aim to address the gap in literature by analysing patterns of location and trends across the city region over the census period of 2011. The study furthermore integrates a walking tour assessment generated by checklists and a recording scheme. The attributes of cultural identity, economic diversity and socio-spatial practice of six urban spaces within three selected neighbourhoods are examined. Two urban spaces were chosen from each neighbourhood to interpret the diversity of land uses along each case study and the social interaction as well as economic activities of South Asian residents. This suggests that the idea of a coherent 'Asian community' obscures differences and generates assumptions regarding residential behaviour and 'in-group' identities. The research, therefore, provides an enhanced understanding of how these distinctive communities interact with a built environment, which has not been designed to cater certain spatial practices.


2021 ◽  
Vol 43 (2) ◽  
Author(s):  
Raf De Bont

AbstractNumbers of European hamsters (Cricetus cricetus) in the Dutch Province of Limburg have been subject to much scrutiny and controversy. In the late nineteenth century, policymakers who considered them too numerous (and invasive) set up eradication programs. In the second half of the twentieth century, even when its domestic relative (Mesocricetus auratus) increasingly circulated as a pet in urban spaces, the numbers of European hamsters in the rural areas collapsed. Large-scale preservation campaigns and reintroduction programs ensued. According to some media, all this has turned the European hamster into the most expensive undomesticated animal of the Netherlands. A whole network of institutions became involved to save the species – ranging from local activist organizations, over zoos and universities, to federal ministries and international organizations. The interactions between the Dutch and ‘their’ hamsters, this article argues, were inscribed in various forms of biopolitics. The article highlights the changing discursive framings and spatial practices that have shaped the management of Cricetus cricetus over time and calls attention to the diversity of living and non-living agents that produced the multispecies choreographies of the present-day Limburg landscape. Finally, it alerts us to the (sometimes-paradoxical) kinds of agency that reside in the numbers of non-human animals.


2019 ◽  
pp. 120633121986126
Author(s):  
José Francisco Vergara-Perucich

This article reflects on the potential of urban design to contribute to spatializing the theory of agonistic democracy grounding this reflection by three specific urban practices that have emerged from cracks in the democratic system under neoliberalism: a protest, a community-developed square, and an artistic intervention in the public space. The analysis of these practices valorizes the role of urban design as a potential methodology for contesting the consensus of democracy from the very praxis of shaping urban spaces illustrating how urban design practices can contribute to democratizing society. “How do urban design practices contribute to the discussion of democracy under neoliberalism?” The spatial practices analyzed were observed in three different neoliberal cities: marches in Santiago de Chile, an informal public space in Madrid’s downtown, and an artistic intervention near Euston in London. Finally, the article constructs an agenda for a democratic contestation using urban design resulted from these explorations of spaces of dissensus.


Author(s):  
Isolde De Villiers

In Maphango v Aengus Lifestyle Properties (Pty) Ltd 2012 5 BCLR 449 (CC) the question before the Constitutional Court was when a landlord may legally cancel contracts of lease and evict tenants. In answering this question the court had to consider the constitutional protection against arbitrary evictions in section 26(3) and the provisions of the Rental Housing Act 50 of 1999. The applicants sought a declaratory order that the landlord had terminated their leases unlawfully, because the termination had been intended to double (and in some instances more than double) the rent. The applicants argued that this escalation violated contractual and legislative provisions governing the procedure and conditions under which a landlord can increase the amount of a rental. The Constitutional Court found in favour of the tenants and postponed the appeal to allow any of the parties to lodge a complaint at the Gauteng Rental Housing Tribunal. The narrow focus of this note is the manner in which the Constitutional Court in the Maphango case interpreted the concept of "practice" in the Rental Housing Act and how this in turn corresponds to perceptions of urban spaces. The inquiry is informed by the spatial justice turn and relies on the works of Michel de Certeau, Henri Lefebvre and Doreen Massey


2020 ◽  
Vol 8 (3) ◽  
pp. 240-250 ◽  
Author(s):  
Julia Martínez-Ariño

In this article, I argue that the spatial practices of the contemporary Jewish organisations in Barcelona’s medieval Jewish neighbourhood represent claims for public recognition. As a small and quite invisible minority within the diverse city population, Jewish groups increasingly claim that their presence in the city should be recognised by political authorities and ordinary citizens alike. They do so through a series of spatial practices around the medieval Jewish neighbourhood, which include (1) heritage production, (2) the renaming of streets and (3) the temporary marking of urban spaces with Jewish symbols. I have grouped these practices under the umbrella concept of ‘place-recovering strategies’ because all of them attempt to ‘recover’ the lost urban environments inhabited by their Jewish predecessors before they were expelled from the Iberian Peninsula in the fourteenth and fifteenth centuries. By recovering I do not mean a mere passive restoring of urban spaces and places but rather a creative process in which historical narratives and myths of the past play a crucial role. Drawing on qualitative fieldwork, I argue that these place-recovering strategies are part of a quest for the visibility, legitimacy and recognition of Jews.


Author(s):  
Anthony Macías

I am writing this analytical appreciation of cultura panamericana, or pan-American culture, to propose a wider recognition of how its historical linkages and contemporary manifestations confront colonialism, honor indigenous roots, and reflect multiple, mixed-race identities. Although often mediated by transnational pop-culture industries, expressive cultural forms such as art and music articulate resonant themes that connect US Latinos and Latinas to Latin Americans, pointing the way toward a hemispheric imaginary. In US murals, for example, whether in the Chicago neighborhood of Pilsen or the Los Angeles neighborhood of Highland Park, pan-American expressive culture offers alternative representations by embracing indigeneity, and it creates a sense of place by tropicalizing urban spaces.


Author(s):  
Lara Deeb ◽  
Mona Harb

South Beirut has recently become a vibrant leisure destination with a plethora of cafés and restaurants that cater to the young, fashionable, and pious. What effects have these establishments had on the moral norms, spatial practices, and urban experiences of this Lebanese community? From the diverse voices of young Shi'i Muslims searching for places to hang out, to the Hezbollah officials who want this media-savvy generation to be more politically involved, to the religious leaders worried that Lebanese youth are losing their moral compasses, this book provides a sophisticated and original look at leisure in the Lebanese capital. What makes a café morally appropriate? How do people negotiate morality in relation to different places? And under what circumstances might a pious Muslim go to a café that serves alcohol? This book highlights tensions and complexities exacerbated by the presence of multiple religious authorities, a fraught sectarian political context, class mobility, and a generation that takes religion for granted but wants to have fun. The book elucidates the political, economic, religious, and social changes that have taken place since 2000, and examines leisure's influence on Lebanese sociopolitical and urban situations. Asserting that morality and geography cannot be fully understood in isolation from one another, the book offers a colorful new understanding of the most powerful community in Lebanon today.


2016 ◽  
Vol 7 (1) ◽  
pp. 123-135
Author(s):  
Alison Schofield

Jodi Magness’ proposal that an altar existed at Qumran leaves some unanswered questions; nevertheless, her conclusions are worthy of consideration. This study examines her claim that the residents at Qumran had an altar, modeled off of the Wilderness Tabernacle, through the lens of critical spatial theory. The conceptual spaces of some of the Dead Sea Scrolls, such as The Damascus Document and The Community Rule, as well as the spatial practices of the site of Qumran do not rule out – and even support – the idea that Qumran itself was highly delimited and therefore its spaces hierarchized in such a way that it could have supported a central cultic site.


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