Juristische, politische und ethische Dimensionen der Aufarbeitung des Völkermords an den Herero und Nama

2020 ◽  
Vol 38 (1) ◽  
pp. 50-54
Author(s):  
Julia Böcker

Germany struggles to deal with its past colonial atrocities. From 1904 to 1908, the Empire has committed the first genocide of the 20th century in Africa; descendants of Herero and Nama in Namibia bear the consequences until today. Why full responsibility is still missing: the interdisciplinary approach identifies legal, political and ethical dimensions. The essential point is to recommend a political apology. If victim communities are included, this can be a powerful transitional justice tool even if the violence dates long back. With the return of art and human remains and with a remembrance culture, more instruments of conflict transformation are introduced.

Author(s):  
Lev M. Dameshek ◽  
◽  
Margarita D. Kushnareva ◽  

The article considers the activities of Ivan Kraft, the governor of Yakutsk Oblast, on the incorporation of North-East Siberia into the single economic, administrative and sociocultural space of the Russian Empire. The aim of the study is to analyze Kraft's contribution to the construction and arrangement of the Amur-Yakutsk Highway at the beginning of the 20th century. To reach this aim, the authors broadly use archival sources that have not been previously published and introduced into academic discourse. The topic has theoretical and applied relevance. It has not been sufficiently studied in the historiography of North-East Siberia and is the subject of scholarly and political discussions. The key method in the study is an interdisciplinary approach to the research problem, which is at the intersection of history and economics. The authors used content analysis for a quantitative and qualitative study of these sources based on the principle of historicism and consistency. The authors determined that, in connection with the design of the Amur Railway, the Amur-Yakutsk Highway received the status of a strategic infrastructure object in the macroregion. The authors note that Kraft was the initiator of the construction of the route from Yakutsk to the Amur. The governor conducted a number of scientific and engineering surveys of the most convenient route and made applications for financing the construction of the highway. Kraft made a strategic decision to attract private companies with large capital for the construction. The Upper Amur Gold Mining Company and the Heirs of A. I. Gromova company helped build highway sections with a total length of more than 500 km, equip stations, establish telegraph communications, and construct river crossings. At the beginning of the 20th century, in the framework of modernization measures, Kraft considered Yakutsk Oblast as a mining region. This became the basis for raising the question of Yakutia's access to the Trans-Siberian Railway. The close cooperation of the government, in the person of Kraft, with large enterprises of the region was the basis for the project of constructing a railway line to Yakutsk. In conclusion, the authors note that the processes of incorporation of the Asian borderlands of Russia into the economic, administrative and sociocultural space of the state that Governor of Yakutsk Oblast Ivan Kraft began at the beginning of the 20th century were reflected in the modern policy of the Russian Federation. The Amur-Yakutsk Mainline was put into operation in 2015. At present, the problem of building a bridge across the Lena in the Yakutsk area is still relevant. In 2019, President of the Russian Federation Vladimir Putin signed orders to begin the construction of the bridge. This will create an international transit corridor between Europe and the Asia-Pacific region.


Author(s):  
John D. Brewer

This chapter explores the relationship between religion and politics through the lens of religious peacebuilding. Instead of asking the usual question of what happens to politics when it is infused with religion, it explores what happens to religion when it becomes politicized. Politicized religion distorts the meaning and practice of religion, one consequence of which is to constrain the potential for religious peacebuilding. Instead of becoming part of the solution in conflict transformation, politicized religion becomes part of the problem. The chapter goes on to discuss the far greater role religion has played in transitional justice.


Author(s):  
И. В. Покатилова ◽  
А. Ф. Лукина

Актуальность темы связана с новыми методологическими подходами в исследовании современной культуры Якутии начала 21 века. Авторы попытались применить метод междисциплинарного подхода в исследовании образной географии Якутии начала 21 века на примере проекта «Образная карта - маршрут Таттинского улуса». Город и село в 20 веке являются разными средами обитания современного человека. В первой среде зарождается креативная культура, а во второй - дольше сохраняется традиционная культура. Трансформация традиционной культуры в начале 20 века в городе Якутске привело к зарождению нового креативного типа культуры, а в конце 20 века в постсоветском пространстве формируется образная география конкретного региона или улуса, стянув пространство ландшафта и памятников культурного наследия, что ярко прослеживается на материале Таттинского улуса. The relevance of the topic is related to new methodological approaches in the study of modern culture of Yakutia in the early 21st century. The authors tried to apply the method of an interdisciplinary approach in the study of the figurative geography of Yakutia of the early 20th century by the example of the project "Figurative map - the route of Tatta ulus". City and village in the 20th century are different environments of a modern man. In the first environment, creative culture is born, and in the second, traditional culture is preserved longer. Transformation of traditional culture at the beginning of the 20th century in Yakutsk city led to the birth of a new creative type of culture, and at the end of the 20th century, in the post-Soviet space, a figurative geography of a specific region is formed, pulling together the space of the landscape and cultural heritage monuments, which is clearly seen in the material of Tatta ulus.


2019 ◽  
Vol 13 (1) ◽  
pp. 70-87
Author(s):  
Sanja Bahun

Art production and art reception play a vital role in transitional societies. However, their actual operation and patterns of impact often appear ‘messy’ to those who use and evaluate art in transitional contexts: an artwork can serve as a catalyst for peace building and transitional justice processes, but it can also obstruct such processes, or impart ambiguous meanings to them; and its modes of operation (including the art producers’ awareness of their role in transitional justice processes), its reception trends and its influence on transitional society all vary over time. Framed by transitional justice theory and an interdisciplinary approach that incorporates the insights of psychosocial cultural studies, comparative arts and the phenomenology of embodiment, this article scrutinizes this ambivalent operation in relation to the fluctuating sphere of reception in the region of the former Yugoslavia since the establishment of the International Criminal Tribunal for the former Yugoslavia (ICTY) in 1993. The author juxtaposes art practices widely different in terms of expression, format, scope, reach and ambition, but comparable insofar as they all operate in the ‘open’ and appeal to senses and repetition engagement to create patterns of affiliation. These include various types of popular music (turbo-folk, rock, hip-hop, soft pop) and the public intervention activities of the Serbian DAH Theatre and pan-regional art and theory collective Monument Group. The article argues for the development of hermeneutic and axiological thinking that befits the complex functioning of art in transition: nuanced and multilevelled, challenging inherited hierarchies and paradigms while appreciating the prolonged life/impact of art practices and the sensorial, cognitive and ideological variation in their reception. It proposes moving beyond the binary assessments and adopting a more dynamic approach to the evaluation of artworks in transition for the benefit of both scholars and practitioners in the field.


Author(s):  
N. Kuban ◽  
İ. T. Güven ◽  
M. Pretelli

<p><strong>Abstract.</strong> By rapidly increasing the production of energy and widely extending the usage of electricity in the 20th century, hydroelectric plants and dams have radically affected the social, technological and industrial aspects of the period. Therefore, as an integral part of industrial heritage, the cultural assets of these energy facilities are required to be preserved. As a requirement of this hypothesis, it is necessary: to develop management strategies for these assets; to provide scientific data and information on these buildings / facilities; to define criteria of ‘planned conservation’ with long-term preventive measures in order to provide the continuation of the original function as long as possible. Hydroelectric plants are a common subject of interest for several disciplines, such as: engineering, hydrology, ecology, geo-sciences and remote sensing. Therefore, the conservation of the plants also requires the interdisciplinary study and collaboration of these disciplines.</p><p>Within the study, the considerations of an interdisciplinary approach – such as dam safety, ecological concerns and energy requirements – are presented, and examples from different countries are examined through the framework of architectural conservation, considering cases of dam failures, intended removal of dams and upgrading of facilities. Preventive measures for the planned conservation of hydro electrical facilities such as: constant maintenance of technical components; management of the sediment accumulated in the reservoirs; methods of analysis for the structure of the embankment are introduced briefly, concentrating on gravity dams, in order to provide conclusions for the conservation of Sarıyar Dam and Hydroelectric Plant (1956) in Turkey.</p>


Author(s):  
Roselyn A. Campbell

The North Asasif Necropolis, adjacent to the New Kingdom temple of Hatshepsut at Deir el Bahari, has been the subject of several excavations over the past century, first by H.E. Winlock in the early 20th century, and since 2013 by the Asasif Project. Most of the tombs in the necropolis are rock-cut tombs of honored officials dating to the Middle Kingdom. One of these officials, named Khety, was buried in a tomb designated by Winlock as MMA 508 (also known as Theban Tomb 311), though the tomb was subsequently reused for another burial (or burials) during the Third Intermediate Period. Though Winlock excavated this tomb in the early 20th century, he left much archaeological material behind, and systematic documentation of this excavation debris by the Asasif Project has yielded a wealth of information. This study focuses specifically on the human remains recovered from MMA 508 during the 2019 season. Despite the commingled nature of the MMA 508 assemblage, much information has been gleaned from the human remains. The remains of at least twenty individuals, including infants and children as well as adults, were recovered from the tomb debris. Evidence for systemic physiological stress and infection was observed in some of the remains, and both male and female individuals were identified. Various aspects of body treatment testify to the elite status of the individuals interred in this tomb. The relatively high percentage of sub-adult remains may support theories that the tombs in this part of the necropolis were sometimes used as multi-generational family tombs. Further study of the human remains from MMA 508 may shed light on burial practices from the Middle Kingdom and Third Intermediate Period.


Author(s):  
Vanessa Grotti ◽  
Marc Brightman

AbstractIn this chapter we consider the afterlife of the remains of unidentified migrants who have died while attempting to cross the Mediterranean from Albania and North Africa to Italy. Drawing on insights from long-term, multi-sited field research, we outline paths taken by human remains and consider their multiple agencies and distributed personhood through the relational modalities with which they are symbolically and materially engaged at different scales of significance. The rising number of migrant deaths related to international crossings worldwide, especially in the Mediterranean, has stimulated a large body of scholarship, which generally relies upon a hermeneutics of secular transitional justice and fraternal transnationalism. We explore an alternative approach by focusing on the material and ritual afterlife of unidentified human remains at sea, examining the effects they have on their hosting environment. The treatment of dead strangers (across the double threshold constituted by the passage from life to death on the one hand and the rupture of exile on the other) raises new questions for the anthropology of death. We offer an interpretation of both ad hoc and organized recovery operations and mortuary practices, including forensic identification procedures, and collective and single burials of dead migrants, as acts of hospitality. Hosting the dead operates at different scales: it takes the politically charged form of memorialization at the levels of the state and the local community; however, while remembrance practices for dead strangers emphasize the latter’s status as a collective category, forensic technologies of remembrance are directed toward the reconstruction of (in)dividual personhood. These ritual and technological processes of memorialization and re-attachment together awaken ghosts of Italian fascism and colonialism.


2021 ◽  
Vol 3 (2) ◽  
pp. 99-110
Author(s):  
S. K. Suraganov ◽  

The ornamental motif of Koshkar Muyiz – the legacy of the Ancient times – remains key in the traditional art of felt craft. The horn-shaped figures of the Kazakhs had been a centerpiece of scholarly discourses of Kazakh, Russian and Soviet science over the entire 20th century. The first attempts to find their meaning were made by the German ethnologist R. Karutz (1911), the Russian researchers S. Dudin (1928), B. Kuftin (1926), E. Schneider (1927), and others. The horn-shaped motif had been reviewed in the works of archaeologists, art historians and ethnographers since the second half of the 20th century. Scientists determined the time of its origin, its geography, and attempted to translate its semantic content. It was found that the curvilinear motif had not appeared earlier than the New Stone Age, but in the Bronze Age, it had developed in the form of various styled designs. This motif obviously played a key role in the ornamental complex of the Turkic-Mongol peoples. Based on the interdisciplinary approach, the author offers a number of reasons to explain its viability, including the internal form of the word - name of the ornamental motif, which is epic in nature since it can cause a special aesthetic reaction in viewers. The ornamental motif seems to play the role of a “figure of memories” and have the status of a “substantiative past”. It is preserved as a linguistic objectification (name) in an extra-linguistic format as well, in the form of an Iconic Model of a transcultural anagram that reproduces the ancient ideological content with symbolic and magical scope. Acting as a canon, the Koshkar Muyiz motif is a sort of a “Signature of the Era” with its artistic charm and is constructively based on the line called the “Line of Beauty” by William Hogarth.


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