Atatürk’s unfinished revolution – The Turkish student movement and left-wing Kemalism in the 1960s

2019 ◽  
pp. 97-118
Author(s):  
Berna Pekesen
Keyword(s):  
Student Movement ◽  
Left Wing ◽  
The 1960S

The Genesis and Internal Dynamics of El Salvador's People's Revolutionary Army, 1970–1976

2014 ◽  
Vol 38 (01) ◽  
pp. 102-129
Author(s):  
ALBERTO MARTÍN ÁLVAREZ ◽  
EUDALD CORTINA ORERO
Keyword(s):  
Latin America ◽  
El Salvador ◽  
Early Years ◽  
Left Wing ◽  
Internal Dynamics ◽  
Internal Coherence ◽  
The 1960S

AbstractUsing interviews with former militants and previously unpublished documents, this article traces the genesis and internal dynamics of the Ejército Revolucionario del Pueblo (People's Revolutionary Army, ERP) in El Salvador during the early years of its existence (1970–6). This period was marked by the inability of the ERP to maintain internal coherence or any consensus on revolutionary strategy, which led to a series of splits and internal fights over control of the organisation. The evidence marshalled in this case study sheds new light on the origins of the armed Salvadorean Left and thus contributes to a wider understanding of the processes of formation and internal dynamics of armed left-wing groups that emerged from the 1960s onwards in Latin America.

Arte ConTexto

2020 ◽  
Vol 2 (3) ◽  
pp. 29-52
Author(s):  
Antonio Bellisario ◽  
Leslie Prock
Keyword(s):  
Public Space ◽  
Political Violence ◽  
Pictorial Representation ◽  
The Political ◽  
Left Wing ◽  
Political Dimension ◽  
Political Views ◽  
Socialist Government ◽  
The 1960S ◽  
The Military

The article examines Chilean muralism, looking at its role in articulating political struggles in urban public space through a visual political culture perspective that emphasizes its sociological and ideological context. The analysis characterizes the main themes and functions of left-wing brigade muralism and outlines four subpolitical phases: (i) Chilean mural painting’s beginnings in 1940–1950, especially following the influence of Mexican muralism, (ii) the development of brigade muralism for political persuasion under the context of revolutionary sociopolitical upheaval during the 1960s and in the socialist government of Allende from 1970 to 1973, (iii) the characteristics of muralism during the Pinochet dictatorship in the 1980s as a form of popular protest, and (iv) muralism to express broader social discontent during the return to democracy in the 1990s. How did the progressive popular culture movement represent, through murals, the political hopes during Allende’s government and then the political violence suffered under the military dictatorship? Several online repositories of photographs of left-wing brigade murals provide data for the analysis, which suggests that brigade muralism used murals mostly for political expression and for popular education. Visual art’s inherent political dimension is enmeshed in a field of power constituted by hegemony and confrontation. The muralist brigades executed murals to express their political views and offer them to all spectators because the street wall was within everyone's reach. These murals also suggested ideas that went beyond pictorial representation; thus, muralism was a process of education that invited the audience to decipher its polysemic elements.

Tito Caula’s photographic imaginary and mid-century Caraqueño modernity

2021 ◽  
Vol 8 (1) ◽  
pp. 57-79
Author(s):  
Russell White
Keyword(s):  
Twentieth Century ◽  
North American ◽  
The United States ◽  
Consumer Society ◽  
Left Wing ◽  
Shopping Malls ◽  
Urban Forms ◽  
Economic Boom ◽  
The 1960S ◽  
Physical Changes

The photography of the Argentinian photographer Francisco ‘Tito’ Caula tracked some of the key social and physical changes that Caracas underwent during the middle decades of the twentieth century. This period saw the country transition from dictatorship to democracy. Caula’s advertising photographs together with his images of spectacular spaces and buildings such as the Sabana Grande and the Centro Simón Bolívar presented Caracas as a mecca of mid-century ‘petro-modernity’ (LeMenager 2014). In contrast to late nineteenth- and early-twentieth-century modernity, which was predominantly European in influence, Caraqueño modernity at mid-century was more cosmopolitan, taking particular inspiration from the United States. Caula’s photographs speak to the process of Americanization, defined as the adoption of North American cultural products, urban forms and patterns of living that Venezuela underwent during the years Caula spent in the country. Venezuela witnessed an economic boom in the 1960s and 70s, which was fuelled by the US acquisition of Venezuelan oil. In Venezuela, the boom facilitated the growth of a consumer society as well as the development of such quintessentially North American urban forms as freeways, shopping malls, drive-in movie theatres, suburbs and skyscrapers. It was also accompanied by the adoption of violent security tactics by the state’s security apparatus and the political marginalization of the radical left. Given that Caula held left-wing views, it is perhaps surprising that his photographs (at least those that have been published) do not explore the tensions at the heart of the Pacto de Punto Fijo, instituted to ensure that the transition from dictatorship to democracy would hold following elections in 1958. The celebration of North American influence within Caula’s photographs puts them in dialogue with critical perspectives that have seen US cultural influence rather more negatively. Moreover, their celebration of prosperity and their presentation of Caracas as an exciting city means that, for some, they have taken on a nostalgic hue.

Conclusion

2015 ◽  
Author(s):  
Udi Greenberg
Keyword(s):  
United States ◽  
The United States ◽  
West Germany ◽  
Student Movements ◽  
Left Wing ◽  
State Institutions ◽  
Small Organizations ◽  
New Vision ◽  
The 1960S ◽  
New Generation

This chapter considers the new vision of democracy ushered in by the generation of the 1960s. Unlike the architects of the postwar order, left-wing students challenged, rather than celebrated, the legitimacy of elected institutions and party politics. Parliaments were merely stages for oligarchies, tools for self-perpetuating elites. In both West Germany and the United States, students claimed that state institutions inevitably reinforced rigid hierarchies and oppressive norms. A “true” democracy could not be built by state agencies. Rather, it would emerge from “autonomy,” from small organizations, student movements, NGOs, and, later, human rights organizations. When the frustration and anger of this new generation exploded in protest in the late 1960s, German émigrés were among its main targets. Student journals and pamphlets frequently attacked and ridiculed the leading thinkers of the older generation. Such criticism was especially ferocious in West Germany, where returning émigrés came to represent Cold War ties with an amoral and depraved United States.

Origins of the present crisis?

2018 ◽  
Author(s):  
Rory Scothorne ◽  
Ewan Gibbs
Keyword(s):  
Intellectual Development ◽  
World Systems ◽  
Left Wing ◽  
Labour Movement ◽  
Current State ◽  
National Question ◽  
1960S And 1970S ◽  
Soviet Invasion ◽  
The 1960S ◽  
Political Economic

The current state of the radical left and, more broadly, politics in Scotland has its roots in the unique set of political, economic and intellectual conditions found in the 1960s and 1970s. Where mainstream accounts of the origins and development of Scottish nationalism - and its increasing popularity on the left - emphasise political and economic origins in these decades, this chapter emphasises the equally crucial intellectual developments of the period. Khruschev’s ‘secret speech’, ‘de-Stalinization’ and the Soviet invasion of Hungary in 1956 engendered a growing plurality of perspectives on the European left, and it was under these new conditions that the British left increasingly questioned Stalinist orthodoxies, and established critiques of labourism and the ‘British Road to Socialism’. The search for alternatives to the classical Marxist, social democratic and Soviet canons led to a new theoretical heterodoxy, bringing Gramscian and world-systems theories to the fore along with a more politically ambiguous conception of the ‘national question’. This chapter integrates an analysis of the intellectual development of left-wing Scottish nationalism with a consideration of the growth of its influence within the labour movement during the 1960s and 1970s.

15. The Rise of Anti-Establishment Parties

2020 ◽  
pp. 307-326
Author(s):  
Mara Morini
Keyword(s):  
Comparative Approach ◽  
European Politics ◽  
Right Wing ◽  
Left Wing ◽  
Cultural Changes ◽  
New Parties ◽  
And Migration ◽  
The 1960S ◽  
Nationalist Parties ◽  
Extreme Right Parties

This chapter examines the rise of radical right-wing nationalist parties and radical anti-globalization, anti-austerity left-wing parties in Europe. Anti-establishment parties are not new; they have always been a feature of European politics. The ground was not seeded for their development and expansion, however, until social and cultural changes that began in the 1960s combined with the economic and migration crises of the 2000s. The chapter discusses historic anti-establishment parties and the new parties that have emerged over the last two decades. It discusses the nature of anti-establishment parties and describes contemporary radical-left and extreme-right parties. The label of ‘populism’ as applied to these parties is analysed. Using a comparative approach, the chapter examines why there has been a growth of support for anti-establishment parties and attitudes in the last decades, focusing on the development of a ‘populist moment’ in contemporary representative democracies.

Accordion Conjuntos and the Commercialization of Panamanian Música Típica

2020 ◽  
pp. 87-122
Author(s):  
Sean Bellaviti
Keyword(s):  
Internal Migration ◽  
Rural Areas ◽  
Cultural Preservation ◽  
Significant Part ◽  
Left Wing ◽  
Rural People ◽  
Commercial Radio ◽  
Popular Classes ◽  
The 1960S ◽  
Creative Interventions

Moving through the 1940s to the late 1960s, chapter 3 examines música típica’s sudden and wholehearted embrace by Panama’s popular classes. This boom was produced in significant part by massive internal migration of rural people both to the capital and other parts of the interior, the transformative effect of the arrival of cash-based economies in rural areas, the advent of commercial radio, and the creative interventions of pioneering musicians. All these changes, the author shows, stimulated the rapid commercialization of the genre, which further galvanized calls for cultural preservation even as performance opportunities for commercial música típica conjuntos grew dramatically. The chapter closes with an examination of how música típica’s broad acceptance by Panama’s popular classes and its continued connection with the country’s interior led to its development as a form of popular musical nationalism that, by the end of the 1960s, found favor among the leaders of Panama’s left-wing revolutionary government.

Revolutionary Angst

German Angst ◽  
2020 ◽  
pp. 195-241
Author(s):  
Frank Biess
Keyword(s):  
Student Movement ◽  
The Political ◽  
Left Wing ◽  
Political Debate ◽  
The West ◽  
Student Activities ◽  
Student Activists ◽  
Private Lives ◽  
Emotional Culture ◽  
Fear And Anxiety

This chapter analyzes the impact of the West German student movement on the history of fear and on emotional culture more generally. The “68ers” propagated an expressive emotional culture that partly displaced the older repressive emotional culture. The student movement celebrated the public display of emotions and enabled a new significance of emotions within political activism and for individual subjectivities. The chapter brings into focus the specific role that fear and anxiety played in shaping the political outlooks and subjectivities of student activities. While historians have often emphasized the optimism that drove the student movement, activists’ fears and disappointments resulted, in part, from their far-reaching, even utopian, ambitions. Fears also resulted from student activists’ confrontation with police and popular violence. Students’ politicization of sexuality turned personal relationships into a source of anxiety because many activists found it difficult to reconcile their political views with their private lives. Finally, the chapter analyzes conservative fears of revolution, as they were expressed by the conservative Bund Freiheit der Wissenschaft that sought to contain the influence of left-wing forces within the universities. The dialectic of fear that had already shaped the interplay between democratic fears and fears of democracy in the earlier period intensified further. Revolutionary fears and fears of revolution structured the political debate in the West German 1960s and beyond.

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