scholarly journals FUNCTIONAL TRANSFORMATION OF WEST MORAVA VALLEY DISTRICT SETTLEMENTS

Author(s):  
Ivana Penjisević ◽  
Jovan Dragojlović

The existing territorial layout and the current demographic situation in the settlements of West Morava Valley District during the late 20th century and at the beginning of the 21st century are the result of the synchronized action of the process of industrialization, deagrarization and urbanization. They conditioned the selective transformation of urban and rural space, which led to the concentration of the population in urban and suburban settlements and the depopulation of the rural part of the West Morava Valley District. Within the studied region, the hierarchy of municipal centers, subcenters and communities of settlements was observed. Based on important theoretical and methodological assumptions and indicators, the paper analyzes the functional transformation of the settlements of West Morava Valley in the period between 1971- 2011. It was determined by certain quantitative methods that the changes went in the direction of reducing the share of purely agrarian settlements and increasing the share of industrial and service settlements.

2020 ◽  
Vol 10 (2) ◽  
pp. 28-33
Author(s):  
Ivana Penjišević ◽  
Jovan Dragojlović

The existing territorial layout and the current demographic situation in the settlements of West Morava Valley District during the late 20th century and at the beginning of the 21st century are the result of the synchronized action of the process of industrialization, deagrarization and urbanization. They conditioned the selective transformation of urban and rural space, which led to the concentration of the population in urban and suburban settlements and the depopulation of the rural part of the West Morava Valley District. Within the studied region, the hierarchy of municipal centers, subcenters and communities of settlements was observed. Based on important theoretical and methodological assumptions and indicators, the paper analyzes the functional transformation of the settlements of West Morava Valley in the period between 1971-2011. It was determined by certain quantitative methods that the changes went in the direction of reducing the share of purely agrarian settlements and increasing the share of industrial and service settlements.


Afghanistan ◽  
2019 ◽  
Vol 2 (2) ◽  
pp. 171-194
Author(s):  
Warwick Ball

The Silk Road as an image is a relatively new one for Afghanistan. It appeals to both the pre-Islamic and the perceived Islamic past, thus offering an Islamic balance to previous identities linked to Bamiyan or to the Kushans. It also appeals to a broader and more international image, one that has been taken up by many other countries. This paper traces the rise of the image of the Silk Road and its use as a metaphor for ancient trade to encompass all contacts throughout Eurasia, prehistoric, ancient and modern, but also how the image has been adopted and expanded into many other areas: politics, tourism and academia. It is argued here that the origin and popularity of the term lies in late 20th century (and increasingly 21st century) politics rather than any reality of ancient trade. Its consequent validity as a metaphor in academic discussion is questioned


2021 ◽  
Author(s):  
Morgan Meis ◽  
J.M. Tyree

Wonder, Horror, Mystery is a dialogue between two friends, both notable arts critics, that takes the form of a series of letters about movies and religion. One of the friends, J.M. Tyree, is a film critic, creative writer, and agnostic, while the other, Morgan Meis, is a philosophy PhD, art critic, and practicing Catholic. The question of cinema is raised here in a spirit of friendly friction that binds the personal with the critical and the spiritual. What is film? What’s it for? What does it do? Why do we so intensely love or hate films that dare to broach the subjects of the divine and the diabolical? These questions stimulate further thoughts about life, meaning, philosophy, absurdity, friendship, tragedy, humor, death, and God. The letters focus on three filmmakers who challenged secular assumptions in the late 20th century and early 21st century through various modes of cinematic re-enchantment: Terrence Malick, Lars von Trier, and Krzysztof Kieślowski. The book works backwards in time, giving intensive analysis to Malick’s To The Wonder (2012), Von Trier’s Antichrist (2009), and Kieślowski’s Dekalog (1988), respectively, in each of the book’s three sections. Meis and Tyree discuss the filmmakers and films as well as related ideas about philosophy, theology, and film theory in an accessible but illuminating way. The discussion ranges from the shamelessly intellectual to the embarrassingly personal. Spoiler alert: No conclusions are reached either about God or the movies. Nonetheless, it is a fun ride.


2019 ◽  
Vol 62 (5) ◽  
pp. 7-26
Author(s):  
Rimma I. Sokolova

The article discusses such a new phenomenon of modernity as the rehabilitation of utopia, which has not yet become widespread, but it is a serious symptom of the crisis of civilization in Russia and in the West. It is shown that attempts to rehabilitate utopia are associated with the situation of crisis, uncertainty, unpredictability caused by the ongoing transformations of the modern epoch. Under these conditions, the utopia is not only a reflection of the existing situation but also an opportunity for the formation of new ideas and the reduction of uncertainty. Many astute researchers in both the West and Russia demonstrate a positive attitude towards utopia, as they see the opportunities offered by utopia, especially in times of crisis. It is noted that in Russia there is a gradual overcoming of the negative attitude to utopia, which was associated with the collapsed socialist system. A summary history of utopia shows that utopia is a significant factor in history that accompanies the development of mankind throughout history. Despite this, in the earlier decades of the 20th century and the beginning of 21st century the “death of utopia” was declared, it was driven by ideological and political reasons and by globalization in general. Meanwhile, at present its importance is again actualized in relation to the complex international situation. Therefore, both in the West and in Russia there is a growing demand for the ideal concepts of the future of human existence in the form of utopia.


Author(s):  
Elvan Ozkavruk Adanir ◽  
Berna Ileri

Orientalism is a Western and Western-centric broad field of research that studies the social structures, cultures, languages, histories, religions, and geographies of countries to the east of Europe. The term took on a secondary, detrimental association in the 20th century which looks down on the East. However, this chapter will not dwell on the definition of Orientalism that is debated the most; instead, it will discuss the positive contribution of Orientalism to Western culture. Even though the West otherizes the East in daily life, when it comes to desire, vanity, luxury, and flamboyance without hesitating a moment it adopts these very elements from the Eastern culture. It could be said that this adaptation brings these societies closer in one way or another. The highly admired fashion of Orientalism in the West starting from the 17th century until the 21st century will be the focus of this study.


2020 ◽  
pp. 1097184X2094325
Author(s):  
Dr. Carol Harrington

Coined in late 20th-century men’s movements, “toxic masculinity” spread to therapeutic and social policy settings in the early 21st century. Since 2013, feminists began attributing misogyny, homophobia, and men’s violence to toxic masculinity. Around the same time, feminism enjoyed renewed popularization. While some feminist scholars use the concept, it is often left under-defined. I argue that talk of toxic masculinity provides an intriguing window into gender politics in any given context. However, feminists should not adopt toxic masculinity as an analytical concept. I consider the term’s origins, history, and usage, arguing that it appears in individualizing discourses that have historically targeted marginalized men. Thus, accusations of toxic masculinity often work to maintain gender hierarchies and individualize responsibility for gender inequalities to certain bad men.


Author(s):  
Anton Franks

As ways of making meaning in drama strongly resemble the ways that meanings are made in everyday social life, forms of drama learn from everyday life and, at a societal level, people in everyday life learn from drama. Through history, from the emergence of drama in Western culture, the learning that results at a societal level from the interactions of everyday social life and drama have been noted by scholars. In contemporary culture, electronic and digitized forms of mediation and communication have diversified its content and massively expanded its audiences. Although there are reciprocal relations between everyday life and drama, aspects of everyday life are selected and shaped into the various cultural forms of drama. Processes of selection and shaping crystallize significant aspects of everyday social relations, allowing audiences of and participants in drama to learn and to reflect critically on particular facets of social life. In the 20th century, psychological theories of learning have been developed, taking note of the sociocultural relationships between drama, play, and learning. Learning in and through drama is seen as being socially organized, whole person learning that mobilizes and integrates the bodies and minds of learners. Making signs and meanings through various forms of drama, it is interactive, experiential learning that is semiotically mediated via physical activity. Alongside the various forms of drama that circulate in wider culture, sociocultural theories of learning have also influenced drama pedagogies in schools. In the later part of the 20th century and into the 21st century, drama practices have diversified and been applied as a means of learning in a range of community- and theater-based contexts outside of schooling. Practices in drama education and applied drama and theater, particularly since the late 20th century and into the early 21st century, have been increasingly supported by research employing a range of methods, qualitative, quantitative, and experimental.


2015 ◽  
Vol 18 (4) ◽  
pp. 47-60
Author(s):  
Thuy Trung Luu

In the history of Vietnamese drama, Saigon was one of the places absorbing Western drama from the early time. Although drama in Saigon-Ho Chi Minh City didn’t develop in a smooth and straight way, it was a continuous and unbroken process. This process brought in strong development of drama in Ho Chi Minh city in two decades of the late 20th century and the early 21st century. However, in recent years, drama in Ho Chi Minh City seems to proceed slowly, which reflects some irrational aspects from drama script, performance art to performance operation. Therefore, it’s high time to review the whole history of drama in Saigon-Ho Chi Minh City to collect experiences for the steady development of drama in this City in the future.


Author(s):  
TI Aisyah ◽  
Herdi Sahrasad ◽  
Muhammad Ridwan ◽  
Muhamad Asrori Mulky ◽  
Dedy Tabrani ◽  
...  

This article argues that a number of Western orientalists tried to impress that Islam and the West could not meet, imaged that all the Islamic ones seemed to be unable to meet all the nuances of the West, as all the western images imaged always contradict Islam. Such tensions continue to this day. Towards the end of the 20th century, Islamism or Islamic fundamentalism has retreated or failed in maintaining political power in the Islamic world. But the enforcement of Shari'ah in society, remains a central theme of the demands of these Islamic fundamentalists. Thus, their target as a group is no longer just a country, but also a society. The political experiments of Islam, however, as shown in Algeria, Sudan, Iran and Afghanistan have failed and are out of date, but anyway, by the beginning of the 21st century Islamism or Islamic fundamentalism has been revived, marked by the WTC bomb 9/11 and other terror attacks in Indonesia, Europe, the US etc.


2020 ◽  
pp. 259-291
Author(s):  
Vilija Schoroškaitė ◽  
Loreta Vaicekauskienė

By focusing on public communication, the current study aims to investigate how the concepts of solidarity and equality have influenced the norms of public communication in the West (Scandinavia) and what differences can be found in the context of Lithuania, where the late modernity did not follow the same patterns as in Western societies. This comparative study takes a diachronic approach to the use of the pronouns du/De and tu/Jūs and other address forms in Danish and Lithuanian. We examine these forms in view of democratization processes and the decreasing level of formality in the two societies. The question in focus is how address forms are used in Lithuanian and Danish dialogues in TV-series, which represent everyday communication between strangers in the second half of the 20th century and the 21st century. The empirical data for the research consists of two Danish series ”Ka' De li' østers?” (1967) and ”Bedrag” (2016-2019), as well as two Lithuanian TV-series ”Petraičių šeimoje” (1964-1972) and ”Giminės. Gyvenimas tęsiasi 3” (2017). The study covers almost six last decades and analyzes different forms of address that speakers use to meet the appropriate level of formality in daily conversations. The results have revealed significant differences in  the development of Lithuanian and Danish societies and formal communication. The data indicates that Danish dialogues have become less formal over time, public communication emphasizes equality of interlocutors and does not mark differences in social status. Communication between Lithuanians remains formal; the results suggest that the choice of strategies in Lithuanian dialogues between strangers correspond to those used by Danes in the second half of the 20th century. However, it may be assumed that the process of informalisation in Lithuanian public communication is still in progress.


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