scholarly journals El impacto del contexto histórico en la escenificación de Julius Caesar (Deborah Warner, 2005) y Troilus and Cressida (Declan Donnellan, 2008) : Estudio comparado

2013 ◽  
Vol 22 ◽  
Author(s):  
Marina Coma
Keyword(s):  
21St Century ◽  
Historical Context ◽  
Political Context ◽  
Reception Theory ◽  
Julius Caesar ◽  
Cultural Materialism ◽  
Troilus And Cressida ◽  
The Way

El artículo analiza cómo los recursos escénicos imbrican el contexto histórico de las representaciones con las cuestiones fundamentales de los textos shakesperianos, utilizando como ejes teóricos los principios propuestos por el materialismo cultural y la teoría de la recepción. Se estudiará el caso concreto de las representaciones de Julius Caesar (dirigida por Deborah Warner en 2005) y de Troilus and Cressida (dirigida por Declan Donnellan en 2008), analizando cómo ambos directores hacen referencias directas al contexto político internacional del siglo XXI para apoyar, resaltar, rechazar o cuestionar diversos aspectos propuestos en los textos shakesperianos.This article analyzes the way staging mechanisms interweave the historical context of the performances and the fundamental questions raised by the Shakespearean texts based on the theoretical principles of cultural materialism and reception theory. The analysis will specifically focus on the performances of Julius Caesar (directed by Deborah Warner in 2005) and Troilus and Cressida (directed by Declan Donnellan in 2008), and it will study how both directors make explicit references to the international political context of the 21st century in order to support, highlight, reject, or question several aspects appearing in Shakespearean texts.

scholarly journals Japan’s political solution in Vietnam from March 1945 to August 1945

2016 ◽  
Vol 19 (4) ◽  
pp. 82-93
Author(s):  
Ca Van Phan
Keyword(s):  
Historical Context ◽  
Standing Position ◽  
Political Context ◽  
Japanese Government ◽  
The Political ◽  
Colonial Administration ◽  
Coup D'etat ◽  
French Colonial ◽  
The Relationship ◽  
The Way

After the coup d'etat of the French colonial administration in Indochina ending the period of Japan-France co-governing, the Japanese government publicized its policy to support the foundation of Vietnam’s “independence”. However, the overall view of the political context of the time, the establishment of the Bao Dai-Tran Trong Kim government is a Japanese solution to Vietnam’s situation in the post-coup d'etat period. This solution stemmed from the plans of the Japanese ruling authorities and the specific historical context in Vietnam at that time. For Japan, the ultimate goal which needed to be reached after the coup was not to affect the effort of the war. For France, not only they lost colonies but also their standing position was underestimated in the eyes of the colonists. For the relationship between Japan and Vietnam, the nature and its motive would change in the way as it should have been.

Michael Bogdanov’s Iconoclastic Approach to Political Shakespeare

2019 ◽  
Vol 35 (02) ◽  
pp. 99-111
Author(s):  
Darren Freebury-Jones
Keyword(s):  
New York ◽  
Julius Caesar ◽  
History Plays ◽  
Cultural Materialism ◽  
Wars Of The Roses ◽  
Unpublished Manuscripts ◽  
Insight Into ◽  
Shed Light ◽  
The Way

Between 1986 and 1989, Michael Bogdanov directed The Wars of the Roses (an ambitious seven-play Shakespeare cycle that won him the Olivier Award for Best Director in 1990), introducing an accessible and pertinent Shakespeare to 1980s audiences and paving the way for later politicized versions of Shakespeare’s plays – such as, recently, the New York Public Theater’s 2017 production of Julius Caesar. Following Bogdanov’s death in 2017, the time seems right for a new appraisal of his work as a radical, political director. The collection of Bogdanov’s personal papers at the Shakespeare Birthplace Trust offers a unique opportunity to gain an insight into the director’s mind. The papers include annotated scripts, production records, prompt books, reviews, programmes, unpublished manuscripts, and two volumes of The Director’s Cut – documents spanning Bogdanov’s entire theatrical career. In this article Darren Freebury-Jones engages with these materials, as well as the influences of theoretical movements such as cultural materialism on the director’s approach, in order to shed light on the ways in which Bogdanov stimulated and inspired new readings of Shakespeare’s history plays.

Market Reforms in Russia: Can the Vicious Circle Be Teared Open?

2004 ◽  
pp. 114-128
Author(s):  
V. Nimushin
Keyword(s):  
Economic Policy ◽  
Comparative Analysis ◽  
Historical Context ◽  
Vicious Circle ◽  
Modern World ◽  
Market Reforms ◽  
Main Task ◽  
Forward Movement ◽  
Socially Responsible ◽  
The Way

In the framework of broad philosophic and historical context the author conducts comparative analysis of the conditions for assimilating liberal values in leading countries of the modern world and in Russia. He defends the idea of inevitable forward movement of Russia on the way of rationalization and cultivation of all aspects of life, but, to his opinion, it will occur not so fast as the "first wave" reformers thought and in other ideological and sociocultural forms than in Europe and America. The author sees the main task of the reformist forces in Russia in consolidation of the society and inplementation of socially responsible economic policy.

Lesse Greeke? Homer in Jonson and Shakespeare

2016 ◽  
Vol 23 (1) ◽  
pp. 101-126 ◽  
Author(s):  
Robert S. Miola
Keyword(s):  
William Shakespeare ◽  
Free Will ◽  
Ben Jonson ◽  
Dark Side ◽  
Julius Caesar ◽  
Troilus And Cressida ◽  
English Translations ◽  
Love's Labor's Lost ◽  
And Function

Throughout their careers both Jonson and Shakespeare often encountered Homer, who left a deep impress on their works. Jonson read Homer directly in Greek but Shakespeare did not, or if he did, he left no evidence of that reading in extant works. Both Jonson and Shakespeare encountered Homer indirectly in Latin recollections by Vergil, Horace, Ovid and others, in English translations, in handbooks and mythographies, in derivative poems and plays, in descendant traditions, and in plentiful allusions. Though their appropriations differ significantly, Jonson and Shakespeare both present comedic impersonations of Homeric scenes and figures – the parodic replay of the council of the gods (Iliad 1) in Poetaster (1601) 4.5 and the appearance of “sweet warman” Hector (5.2.659) in the Masque of the Nine Worthies (Love's Labor's Lost, 1588–97). Homer's Vulcan and Venus furnish positive depictions of love and marriage in The Haddington Masque (1608) as do his Hector and Andromache in Julius Caesar (1599), which features other significant recollections. Both Jonson and Shakespeare recall Homer to explore the dark side of honor and fame: Circe and Ate supply the anti-masque in the Masque of Queens (1609), and scenes from Chapman's Iliad supply the comical or tragical satire, Troilus and Cressida (c. 1601). Both poets put Homer to abstract and philosophical uses: Zeus's chain and Venus's ceston (girdle), allegorized, appears throughout Jonson's work and function as central symbols in Hymenaei (1606); Homer's depiction of the tension between fate and free will, between the omnipotent gods and willing humans, though mediated, inflects the language and action of Coriolanus (c. 1608). Ben Jonson and William Shakespeare practice a kind of inventive imitatio which, according to classical and neo-classical precept, re-reads classical texts in order to make them into something new.

Remembering the Past in Nineteenth-Century Scotland

2014 ◽  
Author(s):  
James J. Coleman
Keyword(s):  
Nineteenth Century ◽  
National Identity ◽  
19Th Century ◽  
21St Century ◽  
Collective Memories ◽  
The Past ◽  
Prevailing View ◽  
The Way

At a time when the Union between Scotland and England is once again under the spotlight, Remembering the Past in Nineteenth-Century Scotland examines the way in which Scotland’s national heroes were once remembered as champions of both Scottish and British patriotism. Whereas 19th-century Scotland is popularly depicted as a mire of sentimental Jacobitism and kow-towing unionism, this book shows how Scotland’s national heroes were once the embodiment of a consistent, expressive and robust view of Scottish nationality. Whether celebrating the legacy of William Wallace and Robert Bruce, the reformer John Knox, the Covenanters, 19th-century Scots rooted their national heroes in a Presbyterian and unionist view of Scotland’s past. Examined through the prism of commemoration, this book uncovers collective memories of Scotland’s past entirely opposed to 21st-century assumptions of medieval proto-nationalism and Calvinist misery. Detailed studies of 19th-century commemoration of Scotland’s national heroes Uncovers an all but forgotten interpretation of these ‘great Scots’ Shines a new light on the mindset of nineteenth-century Scottish national identity as being comfortably Scottish and British Overturns the prevailing view of Victorian Scottishness as parochial, sentimental tartanry

Lamarck’s Two Legacies: A 21st-Century Perspective on Use-Disuse and the Inheritance of Acquired Characters

2015 ◽  
Vol 3 (5) ◽  
Author(s):  
Eva Jablonka ◽  
Ehud Lamm
Keyword(s):  
21St Century ◽  
Cultural Evolution ◽  
Historical Context ◽  
Physiological Model ◽  
Future Generations ◽  
Biological Plasticity ◽  
Inheritance Of Acquired Characters ◽  
The Law ◽  
Acquired Characters

<p class="p1"><span class="s1"><strong>Abstract </strong></span>| Lamarck has left many legacies for future generations of biologists<span class="s2"><strong>. </strong></span>His best known legacy was an explicit suggestion, developed in the <em>Philosophie zoologique </em>(PZ), that the effects of use and disuse (acquired characters) can be inherited and can drive species transformation.This suggestion was formulated as two laws, which we refer to as the law of biological plasticity and the law of phenotypic continuity<span class="s2"><strong>. </strong></span>We put these laws in their historical context and distinguish between Lamarck’s key insights and later neo-Lamarckian interpretations of his ideas<span class="s2"><strong>.</strong></span>We argue that Lamarck’s emphasis on the role played by the organization of living beings and his physiological model of reproduction are directly relevant to 21st-century concerns, and illustrate this by discussing intergenerational genomic continuity and cultural evolution.</p>

Vis and Seruitus

2018 ◽  
Author(s):  
S. J. Lawrence
Keyword(s):  
Julius Caesar ◽  
The Way ◽  
Valerius Maximus

This chapter examines the representation of oratory in chapter 8.9 Quanta Vis Sit Eloquentiae: ‘How Great is the Force of Eloquence’, of Valerius Maximus’ Facta et Dicta Memorabilia. While Valerius’ text is frequently used as a source of fragments of Republican oratory, this chapter argues that readers need to be acutely aware of the way that these extracts are framed in the structure of the wider chapter, as Valerius is certainly an author with his own, distinctive ideas. This is evidenced by the fact that traditional exemplary models of oratory such as Cicero and Demosthenes are ignored in 8.9. Valerius instead creates a dark vision of Republican oratory that links eloquence inextricably to the loss of freedom and the development of tyranny and despair under Julius Caesar and his heirs.

Millennials as Emerging Adults

2018 ◽  
Author(s):  
Barbara J. Risman
Keyword(s):  
Social Science ◽  
Emerging Adulthood ◽  
Human Development ◽  
Emerging Adults ◽  
21St Century ◽  
Millennial Generation ◽  
Historical Context ◽  
Growing Up ◽  
Traditional Beliefs ◽  
Gender Revolution

This chapter begins by providing a historical context for the Millennial generation. Growing up is different in the 21st century than before; it takes much longer. Given how many years youth take to explore their identities before they emerge into adulthood with stable jobs and committed partners, the chapter reviews what we now about “emerging adulthood” as a stage of human development. The chapter also highlights a debate in social science as to whether Millennials are entitled narcissists or a new civically engaged generation that will re-energize America. The chapter concludes with an overview of another debate, whether Millennials are pushing the gender revolution forward or returning to more traditional beliefs.

scholarly journals “Why Not Nuevo Mexicano Studies?”: Interrogating Latinidades in the Intermountain West, 1528–2020

Genealogy ◽  
2021 ◽  
Vol 5 (3) ◽  
pp. 68
Author(s):  
Ed A. Muñoz
Keyword(s):  
Oral History ◽  
21St Century ◽  
Historical Context ◽  
South Florida ◽  
Intermountain West ◽  
Institutional Processes ◽  
Historical Essay ◽  
Material Conditions ◽  
Group Diversity ◽  
Shed Light

While there has been an explosion of scholarly interest in the historical and contemporary social, economic, and political status of U.S. Latinx individuals and communities, the majority focuses on traditional Southwestern U.S., Northeastern U.S., and South Florida rural/urban enclaves. Recent “New Destinations” research, however, documents the turn of the 21st century Latinx experiences in non-traditional white/black, and rural/urban Latinx regional enclaves. This socio-historical essay adds to and challenges emerging literature with a nearly five-century old delineation of Latinidad in the Intermountain West, a region often overlooked in the construction of Latina/o identity. Selected interviews from the Spanish-Speaking Peoples in Utah Oral History and Wyoming’s La Cultura Hispanic Heritage Oral History projects shed light on Latinidad and the adoption of Latinx labels in the region during the latter third of the 20th century centering historical context, material conditions, sociodemographic characteristics, and institutional processes in this decision. Findings point to important implications for the future of Latinidad in light of the region’s Latinx renaissance at the turn of the 21st century. The region’s increased Latino proportional presence, ethnic group diversity, and socioeconomic variability poses challenges to the region’s long-established Hispano/Nuevo Mexicano Latinidad.

Argentine New Theatre: The Coming of Age of Popular Tradition

1989 ◽  
Vol 14 (2) ◽  
pp. 165-174 ◽  
Author(s):  
Claudia Kaiser-Lenoir
Keyword(s):  
Mass Culture ◽  
Coming Of Age ◽  
Political Context ◽  
Social Sector ◽  
Central Question ◽  
The Social ◽  
Dynamic Links ◽  
The Way ◽  
Popular Drama

In order to assess Argentine New Theatre and traditional popular drama as comprising a phenomenon of convergence and continuity, one needs first to examine both forms in their relationship to hegemonic culture. Culture is viewed here not in monolithic terms, but rather as defined by its organic ties to a specific socio-political context. Consequently, the central question to be addressed is the way those ties become explicit in the artistic products themselves and, most importantly, in their functionality within the social sector they are inserted in. That functionality defines the ideological line between popular and mass culture, and determines the dynamic links between the New Theatre and traditional dramatic forms, in spite of obvious differences in discourse.

Sign in / Sign up

Export Citation Format

Share Document