The Impact of Contracts on Ship Design Preparation

2012 ◽  
Vol 28 (02) ◽  
pp. 87-95
Author(s):  
Kenneth W. Fisher

The implementation of vessel designs is usually achieved through contracts for ship construction or conversion. Accordingly, the design process and the design organization's product have to anticipate and take into account the constraints and requirements of the contracts that control the use of the design, as well as the contract that initiates the design process. This paper addresses the most common contractual factors that have to be considered during preparation of ship designs.

2021 ◽  
Vol 156 (A4) ◽  
Author(s):  
A S Piperakis ◽  
D J Andrews

Alongside deploying weapons and sensors what makes a warship distinct is its survivability, being the measure that enables a warship to survive in a militarily hostile environment. The rising cost of warship procurement, coupled with declining defence budgets, has led to cost cutting, often aimed at aspects, such as survivability, which may be difficult to quantify in a manner that facilitates cost capability trade-offs. Therefore, to meet ever-reducing budgets, in real terms, innovation in both the design process and the design of individual ships is necessary, especially at the crucial early design stages. Computer technology can be utilised to exploit architecturally orientated preliminary design approaches, which have been conceived to explore innovation early in the ship design process and the impact of such issues as survivability. A number of survivability assessment tools currently exist; however, most fail to integrate all the constituent elements of survivability (i.e. susceptibility, vulnerability and recoverability), in that they are unable to balance between the component aspects of survivability. Some of these tools are qualitative and therefore less than ideal in specifying survivability requirements, others are aimed towards the more detailed design stages where implementing changes is heavily constrained or even impractical. This paper presents a survivability assessment approach combining various tools used by UCL and the UK Ministry of Defence, as well as a new approach for recoverability assessment. The proposed method attempts to better integrate and quantify survivability in early stage ship design, which is facilitated by the UCL derived, architecturally focused, design building block approach. The integrated survivability method is demonstrated for a set of naval combatant concept designs and for two replenishment ship studies to test the robustness of the proposed approach.


2005 ◽  
Vol 21 (03) ◽  
pp. 186-194
Author(s):  
Howard Moyst ◽  
Biman Das

This paper reviews a ship design and construction case study in the context of the published literature on the design process and its impact on construction. The objective was to explore the factors that impact design and construction lead time and cost. Design and construction managers constantly experience pressure to accelerate the construction start time in an environment characteristic of frequent design changes and rework. Often the construction of the first ships of a series will aggressively overlap the design phase. This investigation assessed a case study that illustrated that as the degree of overlap between design and construction increases, design changes increased ship construction costs and duration. This negates the advantage of trying to reduce lead time by overlapping phases. Before strategies of overlapping are utilized, shipbuilders need to better understand the details of the design process and its integration with other functions to improve design quality and reduce the impact of design changes on manufacturing and construction. It is recommended that when overlapping strategies are considered, design changes and their impact on construction be factored into the decision. A better strategy would be to eliminate design quality issues and design and construction rework.


Author(s):  
D Andrews

As a former senior designer of naval vessels and, more recently, a leading researcher in ship design, the author has previously presented a description of the ship design process in terms of the important decisions a ship designer makes in concept exploration. Such decision are made consciously or unconsciously in order to produce a new design or, preferably, any design option. It has been contended in many publications that the first real decision that a ship designer makes, in order to proceed, is the selection of the “style” of the design study or of a specific design option. This term was adopted in order to cover, not just a host of design issues and standards implicit in a given study, but also, at this very initial step, the overall characteristics of any particular study. So the term style could be said to be doubly important. The current paper considers the nature of the early ship design process for complex multi-functional vessels and then retraces the origins of the particular use of the term, where it was seen as the last of the five elements in Brown and Andrews’ 1980 encapsulation of the ship design issues that matter to the naval architect, incorporated in the term “S to the 5th”. This leads on to consideration of the various aspects of design style, many of which could be considered “transversals” as they apply across the naval architectural sub-disciplines and to the component material sub-systems comprising a ship. One of the distinctive advantages of the architecturally driven ship synthesis or Design Building Block approach is that it can address many of these style issues in the earliest descriptions of an emergent design study. Examples, drawing on a range of built Royal Navy ship designs, are presented to show their top-level style characteristics, followed by a series of ship design research studies illustrating how the impact of specific component style aspects can be investigated in early stage ship design, using the UCL Design Building Block approach. Finally, recent research led investigations into integrating ship style into early stage ship design are summarized to demonstrate why the choice of “style” is seen to be The Key Ship Design Decision.


Brodogradnja ◽  
2021 ◽  
Vol 72 (3) ◽  
pp. 61-80
Author(s):  
Nastia Degiuli ◽  
◽  
Andrea Farkas ◽  
Ivana Martić ◽  
Ivan Zeman ◽  
...  

One of the main goals of the ship design process is the reduction of the total resistance, which is nowadays even more highlighted due to increasingly stringent rules related to ship energy efficiency. In this paper, the investigation of the impact of the bow on the total resistance of a yacht is carried out for three models by towing tank tests and numerical simulations. The verification and validation studies are performed, and satisfactory agreement is achieved. Also, a comparison of three turbulence models for the prediction of the total resistance of a yacht is made. The flow around the models of the yacht is analysed and it is demonstrated that bulbous bow causes the reduction of wave elevations. Experimental and numerical results indicate that the decrease in the total resistance due to bulbous bow can be up to 7%. Finally, the applicability of CFD within the ship design process is presented.


2018 ◽  
Vol Vol 160 (A1) ◽  
Author(s):  
D Andrews

As a former senior designer of naval vessels and, more recently, a leading researcher in ship design, the author has previously presented a description of the ship design process in terms of the important decisions a ship designer makes in concept exploration. Such decision are made consciously or unconsciously in order to produce a new design or, preferably, any design option. It has been contended in many publications that the first real decision that a ship designer makes, in order to proceed, is the selection of the “style” of the design study or of a specific design option. This term was adopted in order to cover, not just a host of design issues and standards implicit in a given study, but also, at this very initial step, the overall characteristics of any particular study. So the term style could be said to be doubly important. The current paper considers the nature of the early ship design process for complex multi-functional vessels and then retraces the origins of the particular use of the term, where it was seen as the last of the five elements in Brown and Andrews’ 1980 encapsulation of the ship design issues that matter to the naval architect, incorporated in the term “S to the 5th”. This leads on to consideration of the various aspects of design style, many of which could be considered “transversals” as they apply across the naval architectural sub-disciplines and to the component material sub-systems comprising a ship. One of the distinctive advantages of the architecturally driven ship synthesis or Design Building Block approach is that it can address many of these style issues in the earliest descriptions of an emergent design study. Examples, drawing on a range of built Royal Navy ship designs, are presented to show their top-level style characteristics, followed by a series of ship design research studies illustrating how the impact of specific component style aspects can be investigated in early stage ship design, using the UCL Design Building Block approach. Finally, recent research led investigations into integrating ship style into early stage ship design are summarized to demonstrate why the choice of “style” is seen to be The Key Ship Design Decision.


Author(s):  
Dongqin Li ◽  
Yifeng Guan ◽  
Qingfeng Wang ◽  
Zhitong Chen

The design of ship is related to several disciplines such as hydrostatic, resistance, propulsion and economic. The traditional design process of ship only involves independent design optimization within each discipline. With such an approach, there is no guarantee to achieve the optimum design. And at the same time improving the efficiency of ship optimization is also crucial for modem ship design. In this paper, an introduction of both the traditional ship design process and the fundamentals of Multidisciplinary Design Optimization (MDO) theory are presented and a comparison between the two methods is carried out. As one of the most frequently applied MDO methods, Collaborative Optimization (CO) promotes autonomy of disciplines while providing a coordinating mechanism guaranteeing progress toward an optimum and maintaining interdisciplinary compatibility. However there are some difficulties in applying the conventional CO method, such as difficulties in choosing an initial point and tremendous computational requirements. For the purpose of overcoming these problems, Design Of Experiment (DOE) and a new support vector regression algorithm are applied to CO to construct statistical approximation model in this paper. The support vector regression algorithm approximates the optimization model and is updated during the optimization process to improve accuracy. It is shown by examples that the computing efficiency and robustness of this CO method are higher than with the conventional CO method. Then this new Collaborative Optimization (CO) method using approximate technology is discussed in detail and applied in ship design which considers hydrostatic, propulsion, weight and volume, performance and cost. It indicates that CO method combined with approximate technology can effectively solve complex engineering design optimization problem. Finally, some suggestions on the future improvements are proposed.


Author(s):  
Camila Freitas Salgueiredo ◽  
Armand Hatchuel

AbstractIs biologically inspired design only an analogical transfer from biology to engineering? Actually, nature does not always bring “hands-on” solutions that can be analogically applied in classic engineering. Then, what are the different operations that are involved in the bioinspiration process and what are the conditions allowing this process to produce a bioinspired design? In this paper, we model the whole design process in which bioinspiration is only one element. To build this model, we use a general design theory, concept–knowledge theory, because it allows one to capture analogy as well as all other knowledge changes that lead to the design of a bioinspired solution. We ground this model on well-described examples of biologically inspired designs available in the scientific literature. These examples include Flectofin®, a hingeless flapping mechanism conceived for façade shading, and WhalePower technology, the introduction of bumps on the leading edge of airfoils to improve aerodynamic properties. Our modeling disentangles the analogical aspects of the biologically inspired design process, and highlights the expansions occurring in both knowledge bases, scientific (nonbiological) and biological, as well as the impact of these expansions in the generation of new concepts (concept partitioning). This model also shows that bioinspired design requires a special form of collaboration between engineers and biologists. Contrasting with the classic one-way transfer between biology and engineering that is assumed in the literature, the concept–knowledge framework shows that these collaborations must be “mutually inspirational” because both biological and engineering knowledge expansions are needed to reach a novel solution.


Author(s):  
Juan Carlos Márquez Cañizares ◽  
Juan-Carlos Rojas

"The use of VR technology within education is an area that has generated great interest in recent years, so this work follows that trend and contains nuances related to user-centred design education. The objective of this work is to identify students’ perceptions of the use of VR technology for ethnographic research. A group of 20 industrial design students from Tecnologico de Monterrey conducted a field investigation, which included interviews and surveys, using HMD with videos and stereoscopic images of a public park in Monterrey, Mexico. Based on the research and information analysis, areas of opportunity were identified and urban furniture proposals for the public park that place were generated. Once the design process was completed, an evaluation instrument was applied to measure, through statistical analysis, the students' perceptions of their experience using technology in the design process; gender, qualification obtained and the relevance of the technology used was also considered."


2021 ◽  
Vol ahead-of-print (ahead-of-print) ◽  
Author(s):  
Prabod Dharshana Munasinghe ◽  
D.G.K. Dissanayake ◽  
Angela Druckman

Purpose The process of fashion design varies between market segments, yet these variations have not yet been properly explored. This study aims to examine the fashion design process as practised at the mass-market level, as this is the most vibrant and the largest market segment in terms of production volumes and sales. Design/methodology/approach It is observed that 15 semi-structured interviews were conducted with mass-market fashion designers. Key activities of the mass-market design process were identified and a comparative analysis was conducted with the general design process. Findings The mass-market design process is found to prioritise profits rather than aesthetic aspects, with the buyer exercising more power than the designer. This hinders creativity, which, in turn, may impede a move towards more environmentally benign designs. Originality/value The clothing industry is responsible for high environmental impacts and many of these impacts arise through decisions made in the design stage. In particular, the mass-market for clothing because of its high volume of sales and fast throughput, accounts for a great deal of the impact. However, little is understood about the design process that is practised in the mass-fashion market. This paper fills the gap by developing a framework that describes the mass-market design process. Understanding the design process will enable progress to be made towards achieving the United Nations Sustainable Development Goal 12: Responsible Consumption and Production.


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