Muse

2017 ◽  
Author(s):  
Felicity Chaplin
Keyword(s):  
Interstitial Space ◽  
Painting And Literature ◽  
Romantic Conception ◽  
Fashion Designers ◽  
Passive Object

The Parisienne is often described as muse, not only to painters, poets and writers, but also fashion designers, musicians and filmmakers. This chapter argues that films treating the Parisienne type as muse reveal that the type exists between representation and reality, inhabiting an interstitial space between art and life. Parisienne muses share recognisable iconographical motifs. They are: fashionable; elusive, insofar as they are not able to be possessed by any man or adequately rendered by any artist; highly constructed aesthetic objects, the result of multiple depictions in painting and literature; and self-fashioning, mainly through attention to costume and gesture. While she inspires male artists, the Parisienne muse cannot be reduced to the modern or Romantic conception of the muse as passive object of male desire or artistic construction. Rather, she conforms more to the classical ideal of the muse as active in relation to the artist as passive receptor of inspiration. This chapter looks at these motifs as they are taken up in three films: Jean Renoir’s Elena et les hommes (1956), Raúl Ruiz’s Klimt (2006), and Woody Allen’s Midnight in Paris (2010).

EXHIBITION AS A GENRE OF PLASTIC ART: "DIOR"

2020 ◽  
pp. 138-150
Author(s):  
Mariya T. Maistrovskaya ◽  
◽  
Keyword(s):  
Visual Art ◽  
Spatial Organization ◽  
Fine Arts ◽  
Environmental Design ◽  
Exhibition Design ◽  
Fine Art ◽  
Museum Of Fine Arts ◽  
Artistic Images ◽  
Fashion Designers

The article is the second part of the research that consider and analyze two exhibitions held in recent years at the A.S. Pushkin Museum of Fine Arts named, “Chanel: according to the laws of art” (2007) and “Dior: under the sign of art” (2011), dedicated to the largest fashion designers of our time. The original concepts and artistic solutions of the exhibition design of these exhibitions became events not only in the fashion world, but also in the art of the exhibitiaon. These exhibitions presented various exhibition solutions, vivid artistic images, expressive spatial organization, conceptual and scenographic arrangement of copyright collections in the context of high fine art. The most important conceptual component of the exhibitions was to present the art of fashion designers, juxtaposing, giving rise to associations and building analogies and contexts with visual art, against which unique collections were exhibited and in the circle. With this single conceptual view of their work, and the single space of the museum in which the exhibitions were held, the artistic and architectural strategy of the exhibitions was diametrically opposite, revealing the palette and variety of artistically expressive means and modern exhibition design. Both exhibitions were created by modern foreign curators and designers and represent talented and creative exposition projects, the analysis of which can be useful for domestic environmental design as vivid examples of the exposition as a genre of plastic art, which is considered the modern museum and exhibition exposition at its highest and creative forms.

Light and Sensitivity: Love in the Time of the Daguerreotype

2015 ◽  
Author(s):  
Katarzyna Czeczot
Keyword(s):  
Male Gaze ◽  
History Of Photography ◽  
Sensitive Material ◽  
History Of ◽  
The Subject ◽  
Definition Of ◽  
Relationship Of ◽  
Point Of Departure ◽  
Passive Object

The article deals with the love of Zygmunt Krasiński to Delfina Potocka. The point of departure is the poet's definition of love as looking and reads Krasiński's relationship with his beloved in the context of two phenomena that fascinated him at the time: daguerreotype and magnetism. The invention of the daguerreotype in which the history of photography and spiritism comes together becomes a pretext for the formulation of a new concept of love and the loving subject. In the era of painting the woman was treated as a passive object of the male gaze; photography reverses this scheme of power. Love ceases to be a static relationship of the subject in love and the passive object – the beloved. The philosophy of developing photographs (and invoking phantoms) allows Krasiński - the writing subject to become like a light-sensitive material that reveals the image of the beloved.

Color Trend Analysis using Machine Learning with Fashion Collection Images

2021 ◽  
pp. 0887302X2199594
Author(s):  
Ahyoung Han ◽  
Jihoon Kim ◽  
Jaehong Ahn
Keyword(s):  
Machine Learning ◽  
Trend Analysis ◽  
Image Data ◽  
Fashion Industry ◽  
Color Palette ◽  
Web Scraping ◽  
Design Variables ◽  
Sales Organizations ◽  
Fashion Designers ◽  
Selection Of

Fashion color trends are an essential marketing element that directly affect brand sales. Organizations such as Pantone have global authority over professional color standards by annually forecasting color palettes. However, the question remains whether fashion designers apply these colors in fashion shows that guide seasonal fashion trends. This study analyzed image data from fashion collections through machine learning to obtain measurable results by web-scraping catwalk images, separating body and clothing elements via machine learning, defining a selection of color chips using k-means algorithms, and analyzing the similarity between the Pantone color palette (16 colors) and the analysis color chips. The gap between the Pantone trends and the colors used in fashion collections were quantitatively analyzed and found to be significant. This study indicates the potential of machine learning within the fashion industry to guide production and suggests further research expand on other design variables.

Stealthy Nanoparticles Protecting Endothelium Barrier from Leakiness by Resisting the Absorption of VE-cadherin

Nanoscale ◽  
2021 ◽  
Author(s):  
Yuan Huang ◽  
Suxiao Wang ◽  
Jin-Zhi Zhang ◽  
Hang-Xing Wang ◽  
Qichao Zou ◽  
...  
Keyword(s):  
Endothelial Cells ◽  
Endothelial Cell ◽  
Interstitial Space ◽  
Cell Interactions ◽  
Vascular Endothelial ◽  
Vascular Endothelial Cadherin ◽  
Cell Cell

Nanomaterial induced endothelial cells leakiness (NanoEL) is caused because nanomaterials enter the interstitial space of endothelial cells and disrupt the endothelial cell-cell interactions by interacting with vascular endothelial cadherin (VE-cad)....

scholarly journals Pathology as a phenomenological tool

2021 ◽  
Author(s):  
Havi Carel
Keyword(s):  
Normal Function ◽  
Phenomenological Method ◽  
Experience Of Illness ◽  
Passive Object

AbstractThe phenomenological method (or rather, methods) has been fruitfully used to study the experience of illness in recent years. However, the role of illness is not merely that of a passive object for phenomenological scrutiny. I propose that illness, and pathology more generally, can be developed into a phenomenological method in their own right. I claim that studying cases of pathology, breakdown, and illness offer illumination not only of these experiences, but also of normal function and the tacit background that underpins it. In particular, I claim that the study of embodiment can be greatly enhanced, and indeed would be incomplete, without attending to bodily breakdown and what I term bodily doubt. I offer an analogy between illness and Husserl’s epoché, suggesting that both are a source of distancing, and therefore motivate a reflective stance.

A multiplicity of prek(s): Enacting a socionatural mosaic in the Cambodian upper Mekong delta

2021 ◽  
pp. 251484862110268
Author(s):  
Jean-Philippe Venot ◽  
Casper B Jensen
Keyword(s):  
Science And Technology Studies ◽  
Agricultural Development ◽  
Mekong Delta ◽  
Mosaic Landscape ◽  
Water Research ◽  
Rice Intensification ◽  
Multiple Uses ◽  
Human Actors ◽  
Irrigation Infrastructure ◽  
Passive Object

In Khmer, the word prek designates a connection between things. In Kandal province in Cambodia, preks crisscross the landscape, connecting rivers with floodplains, supporting rich ecologies and a variety of livelihoods. Drawing on science and technology studies (STS) and critical water research, this paper explores prek(s) as a multiplicity. Rather than taking the prek as a passive object around which various practices occur, we examine how prek(s) are enacted as ontologically different: as irrigation infrastructure, as pathway to rice intensification, as device for Cambodian state-making, and as climate-friendly agricultural development. After analyzing interference patterns between enactments and their scale-making effects in- and outside the Mekong floodplains, we make explicit our own ontological politics. Focused on sustaining multiple uses and ecosystems, “our” prek is a socionatural mosaic landscape where many human and more-than-human actors and practices can coexist. This ontological politics, we suggest, has implications for planetary environmental knowledges and delta management far beyond Kandal’s landscape.

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