scholarly journals “Strokes to the portrait”: the senior member of the Moscow City Duma N. P. Vishnyakov (1844–1927) on his contemporaries and himself (based on the materials of the personal archive)

Author(s):  
Natalia Sergeevna Bylova

This article examines the informative capabilities of the body of materials from the personal archive of N. P. Vishnyakov for reconstructing the history of the senior member of the Moscow City Duma. Leaning on the historiography dedicated to the work with personal archive collections, as well as determining lacunas in the scientific literature, assessment is given to composition of the fund with emphasis on one of the varieties of sources stored therein – “Reminiscences of the Duma”, internal and external criticism of these materials. The example of N. P. Vishnyakov's “Reminiscences of the Duma” demonstrated the experience of development of the methods of archival studies, source studies, historiographical and specific-historical approaches towards examination of personal and family archives. Work with the body of materials from personal archive collections allows introducing the new historical sources into the scientific discourse. Based on the substantive analysis of the texts that comprise the source base of the article, the author attempts to reconstruct the everyday activity of the Moscow Duma, which draws interest of the historians in the context of sociopolitical history, as well as micro-historical analysis. The sources of N. P. Vishnyakov's personal archive bear the imprint of ego-documents, which allow reconstructing the actions “behind the scene” through the prism of personal relations and contracts of the founder, as well as direct participants of the historical process, including the figure of N. P. Vishnyakov.

2018 ◽  
pp. 48-64 ◽  
Author(s):  
Dmitry I. Petin ◽  
◽  
Maksim M. Stelmak ◽  

After the opening in 2012 basis of a Center for Studying History of the Civil War at the premises of the Historical Archive of the Omsk Region, a newsreel, shot in April–May 1919 by French military journalists became well-known to scientific and cultural community. And yet despite great popularity of this unique and ‘live’ historical source among filmmakers and journalists, it remains unstudied by researchers. The article aims to fill the lacuna in order to introduce the French newsreel of the anti–Bolshevik Omsk into scientific use. For this purpose, the authors have carried out an attribution and a historical analysis of the film document. The study incorporates scientific publications and an array of historical sources (including photo documents), which the authors have found in the fonds of archives and libraries. The resulting study follows the footage and identifies buildings and places on the film. It also provides a detailed description of what the buildings housed in 1919, when Admiral Kolchak was in power, and what they house now. It points out the well-known personalities of anti-Bolshevik Omsk (A.V. Kolchak, M. Zhanen, A.I. Dutov). Attribution of the French newsreels depicting Omsk in 1919 allows to reconstruct daily life of a provincial town, which had been for a time the capital of anti-Bolshevik Russia. The chronicle features official aspect of White Omsk, but also some particulars of town life and Omsk urbanism of a hundred years ago, which are of great value for historians. It is noteworthy that visual sources on the Civil War are little used by researchers. The fact enhances the significance of the publication, which may be of interest to military historians studying the Civil War and foreign military intervention, scholars in the history of Siberia, source studies, and history of everyday life.


2014 ◽  
Vol 3 ◽  
pp. 166-182
Author(s):  
Iryna Tsiborovska-Rymarovych

The article has as its object the elucidation of the history of the Vyshnivetsky Castle Library, definition of the content of its fund, its historical and cultural significance, correlation of the founder of the Library Mychailo Servaty Vyshnivetsky with the Book.The Vyshnivetsky Castle Library was formed in the Ukrainian historical region of Volyn’, in the Vyshnivets town – “family nest” of the old Ukrainian noble family of the Vyshnivetskies under the “Korybut” coat of arm. The founder of the Library was Prince Mychailo Servaty Vyshnivetsky (1680–1744) – Grand Hetman and Grand Chancellor of the Grand Duchy of Lithuania, Vilno Voievoda. He was a politician, an erudite and great bibliophile. In the 30th–40th of the 18th century the main Prince’s residence Vyshnivets became an important centre of magnate’s culture in Rich Pospolyta. M. S. Vyshnivetsky’s contemporaries from the noble class and clergy knew quite well about his library and really appreciated it. According to historical documents 5 periods are defined in the Library’s history. In the historical sources the first place is occupied by old-printed books of Library collection and 7 Library manuscript catalogues dating from 1745 up to the 1835 which give information about quantity and topical structures of Library collection.The Library is a historical and cultural symbol of the Enlightenment epoch. The Enlightenment and those particular concepts and cultural images pertaining to that epoch had their effect on the formation of Library’s fund. Its main features are as follow: comprehensive nature of the stock, predominance of French eighteenth century editions, presence of academic books and editions on orientalistics as well as works of the ideologues of the Enlightenment and new kinds of literature, which generated as a result of this movement – encyclopaedias, encyclopaedian dictionaries, almanacs, etc. Besides the universal nature of its stock books on history, social and political thought, fiction were dominating.The reconstruction of the history of Vyshnivetsky’s Library, the historical analysis of the provenances in its editions give us better understanding of the personality of its owners and in some cases their philanthropic activities, and a better ability to identify the role of this Library in the culture life of society in a certain epoch.


2019 ◽  
pp. 357-374
Author(s):  
Maksim M. Stelmak ◽  
◽  
Dmitry I. Petin ◽  

In 2000s there appeared in the Internet video materials on the Civil War in Russia made by military journalists of the Allied Intervention. Most noteworthy of these is a newsreel made by the American military mission in January–February 1919. Of particular interest is it part shot in Omsk. Although it is of great informative value, the researchers have overlooked this historical newsreel; its analysis and scientific attribution have not been made. The authors have rectified this by conducting a study involving various historical sources, scientific literature and memoirs. The study has resulted in the description of buildings and places on the film in accordance with its video sequence. It also provides a detailed explanation on agencies housed in the buildings in 1919, when Admiral A. V. Kolchak’s government was in power, and on their current holders. Attribution of the American newsreel, which captured Omsk in 1919, allows to reconstruct daily life of this provincial city and once-upon-a-time capital of anti-Bolshevik Russia. The analysis highlights subjects that were of most interest to the American allies. The reel shows different sides of everyday life in White Omsk, of the Supreme ruler and of the refugees. At the same time, it provides some specific, yet important to historians, details of Omsk urbanism of a hundred years ago. Visual sources are rarely used by researchers of the Civil War. Thus, the publication is of immediate interest to military historians studying the Civil War and Allied Intervention, as well as experts in the history of Siberia, source studies, and history of everyday life.


Author(s):  
Lyudmila Patrina

The relevance of the study is due to the need to fill the historiographical gap in the study of public libraries activities of pre-revolutionary Russia as an element of the provincial cultural environment. We consider formation and activities history of Tambov public library (opened in the city of Tambov in 1833). Novelty of the work is the introduction of previously unused historical sources in the characteristic of public libraries. The subject of the study are staffing table features, use pattern of the fund, ways of functioning of the stock company in public library, specifics of shares issue and disposition, social composition of readers. An important element of the study is the research of Tambov public library decline problems in post-reform time, reasons for the lack of material resources and attempts to transfer institution to the balance of the Tambov city budget. We note the role of private initiative in the arrangement of library at different stages of its development. We assess the books catalogues published at the institution which are one of the first printed bibliographies of public libraries in Russia. In the framework of literary preferences of library users study, we consider the assessments of the gymnasium director and Tambov Seminary rector, whose tasks included supervision of students’ reading and librarians’ implementation of circulars and decrees of public education minister. Theoretical and concrete historical analysis of Tambov public library allowed to draw conclusions about the significant impact of the library institution on the local cultural environment. We emphasize that the formation of library brought together the structure of provincial society, contributed to the qualitative social and cultural transformations of local population.


2009 ◽  
Vol 17 (1) ◽  
pp. 121-132 ◽  
Author(s):  
Pascale Casanova

One of the most difficult and uncertain areas of research offered the historian of literature today is the attempt to define ‘European literature’ as a corpus and an object of literary and/or historical analysis. The various efforts of the past few years – in the form of anthologies as well as histories of literature – usually remain torn between a unitary presupposition that seems to be the only acceptable political-historical way of justifying the body of European literature and an irreducibly composite – not to say heterogeneous – reality that is not amenable to the representations of Europe as reduced to this superficial unity. If we are to reflect on the modalities and specificities of such a historical undertaking – which has so few equivalents in the world that it is all the harder to model – and shake off political models and representations, it seems to me that we need to work from another hypothesis. One of the few trans-historical features that constitutes Europe, in effect, one of the only forms of both political and cultural unity – one that is paradoxical but genuine – that makes of Europe a coherent whole, is none other than the conflicts3 and competitions that pitted Europe’s national literary spaces against one another in relentless and ongoing rivalry. Starting from this hypothesis, we would then have to postulate that, contrary to commonly accepted political representations, the only possible literary history of Europe would be the story of the rivalries, struggles and power relations between these national literatures. As a consequence, rather than a unity that remains if not problematic at least far from being achieved, it would no doubt be better to speak of an ongoing literary unification of Europe, in other words a process that occurs, occurred and is still occurring – paradoxically – through these struggles. This upside-down history would trace the models and counter-models, the powers and dependences, the impositions and the resistances, the linguistic rivalries, the literary devices and genres regarded as weapons in these specific, perpetual and merciless struggles. It would be the history of literary antagonisms, battles and revolts.


2021 ◽  
pp. 1265-1272
Author(s):  
Igor N. Yurkin ◽  

The article assesses source and archival studies aspects of the V. P. Kozlov’s book “Remove to history ...”: The Peasant Family and Settlement of the Tula Region in the 16th – 20th Centuries. It is the first volume of the study, covering the period up to 1917. The work is devoted to the history and culture of the Yepifan uezd. This uezd is considered in two ways: as a territory, including the villages where the author’s ancestors lived, and as a part of its surroundings. The state of the territory is described for several periods. Via stepwise immersion accompanied by detailing of material, the author advances the restoration of the history of villages and their inhabitants. In the Russian scientific literature, an experience of large-scale and consistent implementation of this approach is a unique case. The author analyzes it theoretically, bringing it into correlation with trends of modern historical science and demonstrating its effectiveness. To study the history of the Yepifan uezd, a significant amount of documents, both published and stored in the archives, has been involved for the first time. V.P. Kozlov divides sources into three classes. In line with his approach used in his works on archeography, he characterizes eight types of sources. Among sources of personal provenance, he underscores oral history documents — records of his relatives’ memoirs collected over the years. He points to the cognitive heterogeneity of these sources: he emphasizes the need to take into account the “author's angles,” notes high reliability of correspondence, especially between relatives. Isolation by V. P. Kozlov of a special class of sacred documentary sources is new. The author refers to these documents as reflecting “relations with the sacred ... beliefs, convictions and symbols” and capturing “the sacrament of human communication with... extrahuman authority.” As an example, he cites his grandmother’s nightly prayers and recordings of miracles of St. Matrona of Moscow. V. P. Kozlov notes an abundance of such sources in the Russian archives. Identifying gaps in sources, he explains the reasons for different preservation of documentary complexes. He dwells on research methods that can partially compensate for the insufficiency of sources. He took some risk in choosing the inhabitants of a small village as main characters of his research. The analysis of source study and archival aspects of his research proves that such work can be successfully carried out even with insufficient sources.


Author(s):  
Andrey Vasil'evich Karagodin ◽  
Mariya Mikhailovna Petrova

The subject of this research is the history of the first of country-style resort appeared on the South Coast of Crimea at the turn of the XIX – XX centuries on the lands of country estates of New Mishor belonged to Shuvalov-Dolgorukov family. The phenomenon of country-style construction on the South Coast of Crimes, which starting point was the foundation of the Novyi Mishor, is viewed in the context of the processes of economic and sociocultural modernization of Russian society, formation of self-identification mechanisms of the emerging “middle class”, and new urban culture. Special attention is given to the period from 1917 to 1920, when the cultural figures left the capital and resided in the villages of Novyi Mishor. Based on examination the body of historical sources, many of which introduced to the scientific discourse for the first time, the author formed the database of villages and countryside residents of Novyi Mishor. A vast array of archival funds, reference literature, sources of personal provenance (memoirs, correspondence), and visual sources was attracted in the course of research. The novelty of consists in establishment of identities and social status of the residents of country resort of Novyi Mishor, determination of a range of sources for its further research, reconstruction of chronology of the development of this resort, details of everyday life and mentality traits of the residents, among which were the prominent figures of culture and art of Russia of that time – writers, actors, painters, scholars, and philanthropists.


Author(s):  
Pertiwih Siahaan ◽  
Budi Agustono

This article discusses the history of the formation of the city of Tarutung. This article answers the problem of how the city of Tarutung developed after the arrival of Western colonialism in the form of religion, military, administration and economy which encouraged the development of Tarutung City. This study uses the historical method through four stages: heuristics (collection of historical sources); verification (source criticism); interpretation (historical analysis and interpretation); and historiography (writing history). Sources as historical data obtained from a number of documents and literature from the colonial to post-colonial period. This study found that the existing Tarutung city was formed into a traditional city which was used as a trading center from a durian tree that grew in the middle of the village with the Batak Toba socio-culture that was implemented before the arrival of Western colonialism. The arrival and colonial influence made the identity of Tarutung City begin to develop both in terms of social, economic, and cultural aspects while maintaining the traditional cultural elements that still exist.


2017 ◽  
Vol 76 (4) ◽  
pp. 483-505
Author(s):  
Paul B. Jaskot ◽  
Ivo van der Graaff

Historical Journals as Digital Sources: Mapping Architecture in Germany, 1914–24 demonstrates how historical journals can provide information for digital mapping and how mapping can tell us something new about the German construction industry in a moment of crisis. Digital maps can expand the art historical research process and raise fundamental art historical research questions. Paul B. Jaskot and Ivo van der Graaff developed a database from all issues of the German journal Deutsche Bauzeitung published in the period 1914–24 and visualized the evidence they collected using geographic information systems (GIS) technology. They assess how well the database works for historical analysis and GIS and discuss the indexical possibilities of the digital mapping of historical sources. The visualization of the database gives form to human actions and structural patterns that can redirect the art historical question from individual objects to what construction can tell us about society as a whole. In the process, such visualization allows us to see a much broader history of German architecture, 1914–24.


Author(s):  
Valda Caksa

The goal of the article is, applying the interdisciplinary approach in the analysis of historical documents and stories about memories, to find out the most important features in the history of Children’s Musical School of Rezekne (1949-1956) managed by Jānis Ūsītis, describing also the personalities of the most important music teachers and composition of pupils.As the soviet ideology prohibited individuals from the role of a free social doer, believing it to be the an easily customizable for the needs of the reforms defined by the elite, the main attention in the article is paid to the everyday life of school staff and its functions in communication with society. The article is methodologically based on the historical analysis of discourse. 


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