scholarly journals "To Unite Telescope and Microscope": Concerning An Attempt to Solve Methodological and Source Studies Problems of Studying the History of the Russian Peasant Family of the Yepifan Uezd in the 16th – 20th Centuries

2021 ◽  
pp. 1265-1272
Author(s):  
Igor N. Yurkin ◽  
Keyword(s):  
Large Scale ◽  
High Reliability ◽  
Archival Studies ◽  
Human Communication ◽  
Documentary Sources ◽  
Russian Scientific ◽  
Source Studies ◽  
History Of ◽  
Peasant Family ◽  
First Time

The article assesses source and archival studies aspects of the V. P. Kozlov’s book “Remove to history ...”: The Peasant Family and Settlement of the Tula Region in the 16th – 20th Centuries. It is the first volume of the study, covering the period up to 1917. The work is devoted to the history and culture of the Yepifan uezd. This uezd is considered in two ways: as a territory, including the villages where the author’s ancestors lived, and as a part of its surroundings. The state of the territory is described for several periods. Via stepwise immersion accompanied by detailing of material, the author advances the restoration of the history of villages and their inhabitants. In the Russian scientific literature, an experience of large-scale and consistent implementation of this approach is a unique case. The author analyzes it theoretically, bringing it into correlation with trends of modern historical science and demonstrating its effectiveness. To study the history of the Yepifan uezd, a significant amount of documents, both published and stored in the archives, has been involved for the first time. V.P. Kozlov divides sources into three classes. In line with his approach used in his works on archeography, he characterizes eight types of sources. Among sources of personal provenance, he underscores oral history documents — records of his relatives’ memoirs collected over the years. He points to the cognitive heterogeneity of these sources: he emphasizes the need to take into account the “author's angles,” notes high reliability of correspondence, especially between relatives. Isolation by V. P. Kozlov of a special class of sacred documentary sources is new. The author refers to these documents as reflecting “relations with the sacred ... beliefs, convictions and symbols” and capturing “the sacrament of human communication with... extrahuman authority.” As an example, he cites his grandmother’s nightly prayers and recordings of miracles of St. Matrona of Moscow. V. P. Kozlov notes an abundance of such sources in the Russian archives. Identifying gaps in sources, he explains the reasons for different preservation of documentary complexes. He dwells on research methods that can partially compensate for the insufficiency of sources. He took some risk in choosing the inhabitants of a small village as main characters of his research. The analysis of source study and archival aspects of his research proves that such work can be successfully carried out even with insufficient sources.

From the history of the military past of composer and conductor Boris Galaev

2020 ◽  
pp. 39-44
Author(s):  
Felix S. Kireev
Keyword(s):  
First World War ◽  
World War ◽  
Documentary Sources ◽  
Musical Activity ◽  
Russian State ◽  
The First World War ◽  
History Of ◽  
The Military ◽  
First Time ◽  
First World

Boris Alexandrovich Galaev is known as an outstanding composer, folklorist, conductor, educator, musical and public figure. He has a great merit in the development of musical culture in South Ossetia. All the musical activity of B.A. Galaev is studied and analyzed in detail. In most of the biographies of B.A. Galaev about his participation in the First World War, there is only one proposal that he served in the army and was a bandmaster. For the first time in historiography the participation of B.A. Galaev is analyzed, and it is found out what positions he held, what awards he received, in which battles he participated. Based on the identified documentary sources, for the first time in historiography, it occured that B.A. Galaev was an active participant in the First World War on the Caucasian Front. He went on attacks, both on foot and horse formation, was in reconnaissance, maintained communication between units, received military awards. During this period, he did not have time to study his favorite music, since, according to the documents, he was constantly at the front, in the battle formations of the advanced units. He had to forget all this heroic past and tried not to mention it ever after. Therefore, this period of his life was not studied by the researchers of his biography. For writing this work, the author uses the Highest Orders on the Ranks of the Military and the materials of the Russian State Military Historical Archive (RSMHA).

Prospects for the Development of Source Studies in Modern Medieval Studies

Istoriya ◽  
2021 ◽  
Vol 12 (6 (104)) ◽  
pp. 0
Author(s):  
Ekaterina Kirillova
Keyword(s):  
Middle Ages ◽  
Research Work ◽  
Scientific Conference ◽  
Medieval Studies ◽  
Russian Scientific ◽  
Source Studies ◽  
History Of ◽  
Source Study ◽  
Academy Of Sciences ◽  
The Middle Ages

Source study is the foundation of the research work of professional historians. It became the subject of the All-Russian Scientific Conference “Source Studies in Contemporary Medieval Studies”, which was held from 28 to 29 June 2021 at the Institute of World History at the Russian Academy of Sciences. The conference, conceived as a platform for regular communication of specialists in the history of the Middle Ages, allowed the participants and numerous listeners to get acquainted with the latest research on the source study of the history of Russia, Europe, the East and America. It included reports summarizing the experience of research and outlining the prospects for further work on key problems of source study of the history of the Middle Ages.

Ivan Kavaleridze`s dramaturgy on the Sumy stage

2021 ◽  
Author(s):  
D.V. Budianskyi
Keyword(s):  
Large Scale ◽  
Musical Comedy ◽  
Historical Figures ◽  
Wide Range ◽  
Socialist Realist ◽  
History Of ◽  
Characteristic Features ◽  
Old Men ◽  
The Impact ◽  
First Time

The characteristic features of I. Kavaleridze’s drama is considered in the article. It is noted that there are signs of the artist’s individuality, attraction to expressionist forms, artistic techniques characteristic for the art of sculpture: symbolism, monumentality, hyperbole. I. Kavaleridze was well versed in the drama laws, understood the specifics of the stage events construction, had a large arsenal of literary means, thanks to which the characters’ monologues and dialogues were extremely expressive and colorful. In his work, he implemented original solutions that were ahead of time. Therefore, many of the artist’s ideas and achievements received due recognition only after his death. I. Kavaleridze’s creative heritage covers a wide range of both purely artistic and general philosophical problems. Among them the formation of the era of modernism and its features in the Ukrainian art of the early XX century, the impact of revolutionary ideas on the work of the 1920s, the role of spiritual leaders of the Ukrainian people T. Shevchenko and G. Skovoroda in the formation of national consciousness, political and ideological pressure on figurative art language and the formation of a socialist-realist canon, etc. The analysis of the productions of I. Kavalerizde’s plays “The First Furrow” and “Gregory and Paraskeva” on the stage of the Mykhailo Shchepkin Sumy Theater of Drama and Musical Comedy in 1970-1972. The article notes that these plays were staged in Sumy for the first time in the history of Ukrainian theater. The premiere of “The First Furrow” (the play was called “Old Men”) took place on March 19, 1970. The figure of the national genius Hryhoriy Skov oroda was als o embodied for the first time on t he stage in Sumy in th e play “Hryhoriy and Paraskeva”. It premiered on October 21, 1972. I. Rybchynsky, Honored Artist of the USSR, performed the production. Creating generalized historical outlines of people’s life, features of life at that time, depicting psychological portraits of people in various, sometimes-dramatic collisions, in the productions of I. Kavaleridze’s plays on the Sumy stage the emphasis was on universal values such as virtue, love. The main character was the Ukrainian people, who nurtured such large-scale historical figures, gave them strength and wisdom for great achievements. Based on publications in periodicals of that time, memoirs of Ukrainian directors, the peculiarities of the director’s interpretation, stenographic and musical design of these plays on the Sumy stage are considered. Considerable attention is paid to the analysis of acting works in I. Kavaleridze’s plays. In particular, the peculiarities of the actor’s embodiment of the image of the national genius Hryhoriy Skovoroda on the stage are presented. It is noted that I. Kavaleridze’s plays, created in a difficult political, social and ideological context, are rightly considered to be highly artistic works of Ukrainian drama. Their staging was carried out on various theatrical stages, including Mykhailo Shchepkin Sumy Theater of Drama and Musical Comedy is an important page of national theatrical art.

“One of the most interesting peoples of the Caucasus...” lectures by Anatoliy Genko of Abkhazians ethnography

2021 ◽  
pp. 107-142
Author(s):  
Yuri D. Anchabadze ◽  
◽  
Keyword(s):  
Soviet Power ◽  
The Caucasus ◽  
Difficult Situation ◽  
Outstanding Scientist ◽  
Valuable Source ◽  
Russian Scientific ◽  
Unique Material ◽  
History Of ◽  
First Time ◽  
Modern Era

The Author for the first time introduces into scientific circulation lectures about Abkhazia by the outstanding scientist, linguist, ethnologist, and kavkazologist A. N. Genko, read by him in the autumn of 1940 to students of the ethnographic Department of the Geographical faculty of Leningrad University. The publication of this unique material is preceded by a preamble that includes the history of the creation of authorized typewriting and its preservation by Genko’s family in the difficult situation of his arrest and death in custody. Text preparation and scientific commentary complement the publication of this valuable source. As the only professional ethnographer who worked in Abkhazia in the late 1920s–1930s, Genko collected information that is invaluable today as unique evidence of the era of actively transformed ethnographic reality, which appears in the history of Abkhazia in the first decades of Soviet power. The scientist had the opportunity to observe the living existence of patriarchal “remnants,” which invariably posed the problem of their functionality in a fairly successfully modernizing Abkhaz society. The text of Genko’s lectures reflects the heuristic interests of ethnographic knowledge of the modern era; it is based on the author’s direct and deep acquaintance with the Abkhaz ethnocultural society, on a voluminous generalization of the material at his disposal, a thorough knowledge of the sources and historiography of the problem. This makes it possible to consider Genko’s lectures as an example of the Russian scientific narrative about Abkhazia in the middle of the last century.

The Shang burials at the Yangjiawan Locality of the Panlongcheng Site in Wuhan

2018 ◽  
Vol 18 (1) ◽  
pp. 81-88 ◽  
Keyword(s):  
Large Scale ◽  
Terminal Phase ◽  
Shang Dynasty ◽  
Wuhan City ◽  
Close Proximity ◽  
History Of ◽  
First Time ◽  
Grave Goods

Abstract In 2013, the Department of Archaeology, School of History of Wuhan University and the Panlongcheng City Ruins Museum excavated seven burials of the Shang Dynasty at Yangjiawan Locality within the Panlongcheng Site in Wuhan City. All the burials were vertical earthen shaft burials. Some of the burials featured waist pits, human and/or animal sacrifices. The grave goods assemblage included artifacts made of bronze, jade, stone, pottery, gold and turquoise. Some of the unearthed objects were seen for the first time in the archaeology of Panlongcheng. The burials can be roughly dated to the terminal phase of the Panlongcheng Site. The Yangjiawan Locality yielded the densest distribution of burials in the Panlongcheng Site. It was an important cemetery of the early to the mid Shang Dynasty. The cemetery was in close proximity to a previously excavated large-scale architectural foundation of the Shang Dynasty. Together, these findings are important information for the understanding of the layout of the Panlongcheng Site.

scholarly journals It’s All in the Reading

Arts ◽  
2020 ◽  
Vol 9 (1) ◽  
pp. 19
Author(s):  
Déirdre Kelly
Keyword(s):  
Contemporary Art ◽  
Mass Production ◽  
Large Scale ◽  
Book Production ◽  
Art Practice ◽  
The Arts ◽  
History Of ◽  
First Time ◽  
The City

It seems inherent in the nature of contemporary artist’s book production to continue to question the context for the genre in contemporary art practice, notwithstanding the medium’s potential for dissemination via mass production and an unquestionable advantage of portability for distribution. Artists, curators and editors operating in this sector look to create contexts for books in a variety of imaginative ways, through exhibition, commission, installations, performance and, of course as documentation. Broadening the discussion of the idea of the book within contemporary art practice, this paper examines the presence and role of book works within the context of the art biennale, in particular the Venice Art Biennale of which the 58th iteration (2019) is entitled ‘May You Live In Interesting Times’ and curated by Ralph Rugoff, with an overview of the independent International cultural offerings and the function of the ‘Book Pavilion’. Venetian museums and institutions continue to present vibrant diverse works within the arena of large-scale exhibitions, recognising the position that the book occupies in the history of the city. This year, the appearance for the first time, of ‘Book Biennale’, opens up a new and interesting dialogue, taking the measure of how the book is being promoted and its particular function for visual communication within the arts in Venice and beyond.

scholarly journals ARCHAEOLOGICAL EXCAVATIONS IN THE LOWER PART OF THE NIZHNIY NOVGOROD KREMLIN (PRELIMINARY RESULTS OF THE 2018-2019 EXCAVATIONS)

2021 ◽  
pp. 322-338
Author(s):  
Н. Н. Грибов ◽  
Т. А. Марьенкина ◽  
Н. В. Иванова
Keyword(s):  
Large Scale ◽  
Historical Context ◽  
Urban Centers ◽  
Preliminary Results ◽  
History Of Development ◽  
History Of ◽  
First Time ◽  
The City ◽  
The Temple ◽  
The Church

В статье представлены предварительные результаты первых масштабных археологических исследований в нижней части Нижегородского кремля. Раскоп, заложенный в зоне воссоздания храма Святого Симеона Столпника, вскрыл культурные отложения двух периодов - XIII - начала XV в. и XVI - середины XVIII в. Впервые средневековая усадебная застройка Нижнего Новгорода зафиксирована на таком элементе волжской долины, как береговой склон. Выдающееся значение для нижегородской археологии имеют обнаружение стратифицированных культурных напластований XIII - начала XV в. и зафиксированный на стратиграфических разрезах перерыв в активном освоении городской территории, соответствующий большей части XV в. Предложена реконструкция истории освоения раскопанного участка. Выяснилось, что связанный с храмом малоизвестный нижегородский Симеоновский монастырь вряд ли существовал до строительства Нижегородского кремля. Наиболее раннее, предположительно, монастырское сооружение, возникшее после исчезновения усадебной застройки XIII - начала XV в., датировано концом XV - серединой XVI в. С этим периодом связано строительство деревянного моста, обеспечивавшего транспортное сообщение между «нагорным» и приречным районами города. Обнаружение остатков этого свайного сооружения существенно корректирует известную реконструкцию застройки кремлевской территории начала XVII в., выполненную по письменным источникам. Дано обоснование времени функционирования обнаруженного некрополя Симеоновского монастыря в пределах середины XVI - начала XVIII в., приведена общая характеристика изученных погребений. В общеисторическом контексте материалы исследований представляют интерес для изучения процессов, сопровождающих превращение удельных городских центров в города Московской Руси. The article presents preliminary results of the first large-scale archaeological research in the lower part of the Nizhniy Novgorod Kremlin. The excavation, laid in the area of the reconstruction of the Church of St. Simeon the Stylite, uncovered cultural layer of two periods - the XIII - early XV centuries and the XVI - mid XVIII centuries. For the first time, the medieval estate development of Nizhniy Novgorod was recorded on such an element of the Volga valley as the coastal slope. The discovery of stratified cultural strata of the XIII - early XV centuries and the break in the active development of urban territory recorded on stratigraphic sections, corresponding to most of the XV century, are of outstanding significance for Nizhniy Novgorod archeology. The reconstruction of the history of development of the excavated site is proposed. It turned out that the little-known Nizhniy Novgorod Simeon monastery associated with the temple hardly existed before the construction of the Nizhniy Novgorod Kremlin. The earliest, presumably, monastic structure that arose after the disappearance of the manor buildings of the XIII -early XV centuries., dated to the end of the XV - mid XVI centuries. This period is associated with the construction of a wooden bridge that provided transport links between the «Nagorny» and riverine districts of the city. The discovery of the remains of this pile structure significantly corrects the well-known reconstruction of the Kremlin territory of the beginning of the XVII century, made according to written sources. The justification for the functioning of the necropolis discovered Simeon monastery in the middle of the XVI century - beginning of the XVIII centuries, the general characteristics of the studied burials. In the general historical context, the research materials are of interest for studying the processes that accompany the transformation of specific urban centers into cities of Muscovite Russia.

scholarly journals Legends and Facts About the Life of M. A. Dostoevsky in Darovoe (1837—1839)

2021 ◽  
Vol 8 (1) ◽  
pp. 42-60
Author(s):  
Albina Bessonova
Keyword(s):  
Holy Spirit ◽  
Oral Tradition ◽  
State Archive ◽  
Fyodor Dostoevsky ◽  
Documentary Sources ◽  
Archival Documents ◽  
The Holy Spirit ◽  
History Of ◽  
First Time ◽  
The Village

The history of the Dostoevsky estate Darovoe, which is an important period in the life of Fyodor Dostoevsky, still contains unresolved issues. The most ambiguous is the fate of the writer's father, who ended his days in Darovoe. The cause of the tragic death of M. A. Dostoevsky and the place of his burial are still controversial. The document from the State Archive of the Tula region, published for the first time, allows to dispel all doubts about the location of the grave of M. A. Dostoevsky. The article examines the history of the issue, including oral tradition, analyzes well-known documentary sources, and the entry in the metric book of the Holy Spirit Church of the village Monogarovо in 1839 confirms the testimony of A. M. Dostoevsky about the burial of his father in the churchyard. The fact of M. A. Dostoevsky's affair with the house serf Ekaterina Alexandrova is questioned, since it was based on rumors and undocumented. The author analyzes the oral tradition phenomenon and its influence on the formation of the image of M. A. Dostoevsky as a cruel landowner killed by peasants out of revenge. New archival documents allow us to revise the stereotypes that have become entrenched in Dostoevsky studies.

scholarly journals “Strokes to the portrait”: the senior member of the Moscow City Duma N. P. Vishnyakov (1844–1927) on his contemporaries and himself (based on the materials of the personal archive)

2021 ◽  
pp. 76-83
Author(s):  
Natalia Sergeevna Bylova
Keyword(s):  
Historical Analysis ◽  
The Body ◽  
Archival Studies ◽  
Historical Sources ◽  
Everyday Activity ◽  
Senior Member ◽  
The Everyday ◽  
Moscow City ◽  
Source Studies ◽  
History Of

This article examines the informative capabilities of the body of materials from the personal archive of N. P. Vishnyakov for reconstructing the history of the senior member of the Moscow City Duma. Leaning on the historiography dedicated to the work with personal archive collections, as well as determining lacunas in the scientific literature, assessment is given to composition of the fund with emphasis on one of the varieties of sources stored therein – “Reminiscences of the Duma”, internal and external criticism of these materials. The example of N. P. Vishnyakov's “Reminiscences of the Duma” demonstrated the experience of development of the methods of archival studies, source studies, historiographical and specific-historical approaches towards examination of personal and family archives. Work with the body of materials from personal archive collections allows introducing the new historical sources into the scientific discourse. Based on the substantive analysis of the texts that comprise the source base of the article, the author attempts to reconstruct the everyday activity of the Moscow Duma, which draws interest of the historians in the context of sociopolitical history, as well as micro-historical analysis. The sources of N. P. Vishnyakov's personal archive bear the imprint of ego-documents, which allow reconstructing the actions “behind the scene” through the prism of personal relations and contracts of the founder, as well as direct participants of the historical process, including the figure of N. P. Vishnyakov.

Pyotr Ilyich Tchaikovsky and Grand Duke Konstantin Konstantinovich: A Posthumous Dialogue

2020 ◽  
Vol 17 (5) ◽  
pp. 496-509
Author(s):  
Grigory A. Moiseev
Keyword(s):  
Russian Federation ◽  
The State ◽  
State Archive ◽  
Musical Work ◽  
Russian Music ◽  
Source Studies ◽  
History Of ◽  
The Russian Federation ◽  
First Time ◽  
Creative Cooperation

Pyotr Ilyich Tchaikovsky and Grand Duke Konstantin Konstantinovich (the august poet K. R.) were linked by many years of friendship and creative cooperation. After the composer’s death (October 25, 1893), K. R. became involved in the process of perpetuating his memory. The posthumous dialogue was manifested in various forms: Grand Duke Konstantin Konstantinovich’s participation in church and secular memorial ceremonies, private commemorations, and his close communication with M.I. Tchaikovsky and V.L. Davydov — the composer’s brother and nephew. In addition, K. R. reexamined his creative and epistolary communication with the composer, whose memory he would pass on to his children. These and other aspects are considered in three sections of the proposed article: 1) “Under the Sign of the Liturgy Op. 41” (this spiritual and musical work runs through the whole life of the Grand Duke); 2) “The Grand Duke and M.I. Tchaikovsky” (a key figure in the “human” aspect); 3) “K. R. Reads ‘The Life of Pyotr Ilyich Tchaikovsky’” (one of the most important findings was a copy of the book ‘The Life of Pyotr Ilyich Tchaikovsky’, which belonged to Grand Duke and bears his notes; they retrospectively reflect the process of in-depth family reading). The article is based on documentary materials from Russian and foreign collections (including the State Archive of the Russian Federation and the Library of Congress, USA), many of which are introduced into scientific use for the first time. The article uses methods of comparative source studies. The materials of the article can be used in a course of the history of Russian music, as well as in a modern commented edition of the epistolary heritage and diaries of P.I. Tchaikovsky, M.I. Tchaikovsky and Grand Duke Konstantin Konstantinovich.

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