scholarly journals Four Reliquary Busts from the former Monastery of Madre de Deus: Study and Conservation

Author(s):  
Diana Cunha ◽  
Carolina Barata ◽  
Alexandre Pais

This article describes the conservation and restoration treatments as well as the historical and analytical study carried out on four reliquary busts from the former Monastery of Madre de Deus, in Lisbon, currently the National Azulejo Museum. These reliquaries belong to a collection composed of forty-five reliquary busts, which represent a unique and practically intact set and has dated busts from the late 16th century until late 17th century. The analytical results obtained suggest that the four busts were produced according to the art treatises of the time and the identified materials meet the materials that would be used in that period.

Author(s):  
Anna Strode

Soon after the Protestant Reformation took place in Livonia in the 16th century, the currents of European humanism came to Livonia. As a result of the historical and religious impact, the level of education increased, enabling an environment for the development of the literature. Soon various Latin poetry texts int. al. 17th-century occasional poetry written by the humanists of Riga started to appear. The aim of the article is to bring to light the components of nuptial (epithalamium, ὑμέναιος/hymenaeus, carmen nuptialis, etc.) poetry written in Riga in the 17th century, as well as by exploring the specific features of occasional poetry to capture readers’ and researchers’ interest in the previously undiscovered cultural heritage. At the beginning of the article, the tradition of nuptial poetry is explained. Then, by examining the basic principles one must take into account in composing occasional poetry based on works of the ancient rhetors – Menander (Μένανδρος Ῥήτωρ, c. 3rd century), pseudo-Dionysius (pseudo-Dionysius/Διονύσιος), Himerius (Ἱμέριος, c. 315–c. 386) and the book “Seven Books on Poetry” (Poetices libri septem, 1561) written by Italian humanist Julius Caesar Scaliger (1484–1558) – a table of the most used topics in nuptial poetry is formed. Afterwards, the poetry written in Riga and its most typical components (didactics, laudation, inducement, foresight, wishes/congratulations and prayers) is compared to the topics offered by previously mentioned theoreticians. Fragments of Latin nuptial poetry written in Riga are included to portray the components of poetry more clearly. All translations of poetry included in the article are made by the author of the article.


2020 ◽  
Vol 147 (2) ◽  
pp. 153-163
Author(s):  
Kirsten Dzwiza

SummaryThere are only a few sequences of ancient magic signs known to us today that have been preserved on multiple artefacts. A previously unnoticed sequence of 17 signs on a gem in the Museum of Fine Arts in Vienna occurs with minor but significant variations on two other gems in the State Museum of Egyptian Art in Munich. The Viennese gem is dated to the 16th century and is documented as a drawing in a 17th century publication. The first Munich gem has been assigned to the Graeco-Roman period. The second gem, which, according to the inventory card of the museum, also belongs to the Graeco-Roman period, is published here for the first time. A comparative study of the three gems and the drawing has lead to a number of new findings, including the re-dating of the Munich gems.


2011 ◽  
Vol 17 (S2) ◽  
pp. 1782-1783
Author(s):  
S Coentro ◽  
V Muralha ◽  
A Lima ◽  
A Pais ◽  
A Silva ◽  
...  

Extended abstract of a paper presented at Microscopy and Microanalysis 2011 in Nashville, Tennessee, USA, August 7–August 11, 2011.


2021 ◽  
Vol 133 (1) ◽  
pp. 3-27
Author(s):  
Sara Matrisciano ◽  
Franz Rainer

All major Romance languages have patterns of the type jaune paille for expressing shades of colour represented by some prototypical object. The first constituent of this pattern is a colour term, while the second one designates a prototypical representative of the colour shade. The present paper starts with a short discussion of the controversial grammatical status of this pattern and its constituents. Its main aim, however, concerns the origin and diffusion of this pattern. We have not found hard and fast evidence that Medieval Italian pigment compounds of the type verderame influenced the rise of the jaune paille pattern, which first appears in French in the 16th century. This pattern continued to be a minority solution during the 17th century, but established itself during the 18th century. In the 19th century, Italian, Spanish and Portuguese adopted the pattern jaune paille, while it did not reach Catalan and Romanian before the 20th century.


2020 ◽  
Vol 5 (05) ◽  
pp. 245-249
Author(s):  
Sachin S. Sheth ◽  
Gangaprasad R. Asore ◽  
Kiran Sudhakar Darade

Karanjadi Taila is medicated oil used in Ayurveda for Indralupta (Alopecia). Indralupta comes under Kshudra Roga which is characterized by loss of hair it can be correlated with Alopecia areata which is having chief complaint of hair loss on body especially on scalp. The aim of the present study is to do physic-chemical standards for the above Taila and its conversion into Karanjadi Taila cream. These two formulations have a special importance from pharmaceutical point of view when compared to usual Tailas or cream. In present article, we are trying to study analytical results of Karanjadi Taila w.s.r. to Karanjadi Taila cream.


2020 ◽  
Vol 26 ◽  
pp. 11-41
Author(s):  
Maciej Ziemierski

17th century testaments of the Królik family from Krakow The article is dedicated to the Królik family from Krakow, who lived in the town from the late 16th century until the first years of the 18th century. The family members initially worked as tailors, later reinforcing the group of Krakow merchants in the third generation (Maciej Królik). Wojciech Królik – from the fourth generation – was a miner in Olkusz. The text omits the most distinguished member of the family, Wojciech’s oldest brother, the Krakow councillor Mikołaj Królik, whose figure has been covered in a separate work. The work shows the complicated religious relations in the family of non-Catholics, initially highly engaged in the life of the Krakow Congregation, but whose members gradually converted from Evangelism to Catholicism. As a result, Wojciech Królik and his siblings became Catholics. This work is complemented by four testaments of family members, with the first, Jakub Królik’s, being written in 1626 and the last one, Wojciech Królik’s, written in 1691.


Author(s):  
Elwira Buszewicz

The main aim of this paper is to analyze several early-modern Neo-Latin poems written by Polish authors; the poems deal (in different ways) with old age. The poets undertake a kind of intertextual game with the reader, applying various stereotypes and clichés. On can speak about a “semiotic landscape” of old age. The authors taken into consideration are Jan Kochanowski, Grzegorz of Sambor, Thomas Treter (16th century) and Maciej Kazimierz Sarbiewski, Albert Ines (17th century).


2019 ◽  
Vol 22 (2) ◽  
pp. 153
Author(s):  
José Seguí Cantos

Resumen: Este trabajo trata de mos­trar un retrato de los profesores más impor­tantes de la Universidad de Valencia en los años de Felipe II y primeros años del reinado de Felipe III. Se describen las distintas trayec­torias vitales de profesores de los estudios de latinidad y de las distintas facultades. La sucesión de maestros y discípulos es la cons­tatación de que en los años finales del siglo XVI y primeros del siglo XVII asistimos en Valencia al paso de la Universidad del huma­nismo a la universidad de la contrarreforma provocado por el relevo en los profesores, la aplicación de los decretos de Trento al ámbito de la cultura, la aparición de las cátedras pa­vordías y la crisis económica que afecta a la ya maltrecha economía de la Universidad.Palabras clave: Universidad Valencia, profesores, humanismo, reforma católica.Abstract: This research intends to show a biographical portrait of the most im­portant professors of the university of Valen­cia during the reign of Philip II and the first years of the reign of Philip III. It focuses on the different vital trajectories of the profes­sors of the studies of Latinity and the various faculties. The succession of professors and disciples is the confirmation that, in the final years of the 16th century and the beginning of the 17th century, Valencia is witnessing the turn of the Humanism university into the Counter-Reformation university. This was mainly caused by the replacement of profes­sors, the application of the decrees of Trent to the field of culture, the emergence of the pavordía chairs and the economic crisis that affected the already battered economy of the university.Keywords: University of Valencia, tea­chers, humanism, catholic reform.


2019 ◽  
Vol 66 (1 SELECTED PAPERS IN ENGLISH) ◽  
pp. 19-31
Author(s):  
Barbara Niebelska-Rajca

The Polish version of the article was published in “Roczniki Humanistyczne,” vol. 59 (2011), issue 1. Modern theoretical-literary treatises, defined as normative poetics, are usually connected with the dominance of the convention and normativism, with obligatory rules, canonical concepts and restrictive directives hampering originality. The present text tries to revise the conviction that convention is a dominant tendency in the development of the old theoretical thought; it tends to show the avant-garde aspects of modern poetics and to present the relations between what is conventional and what is innovative in the most original theoretical texts of late Renaissance and Baroque. Examples of two avant-garde modern poetics—Francesco Patrizi’s theory of wonder formed at the end of the 16th century and the 17th century Emanuele Tesauro’s conceptistic theory—show that tradition and convention are necessary elements of inventive theories. The avant-garde of poetics of the past, contrary to the avant-garde of the 20th century, is not born from the defiance of the earlier theories but is formed by way of modernizing and transforming them. Old inventive theories—despite all the departures from tradition—are still part of the classical paradigm. Hence, the avant-garde character of late-Renaissance and Baroque theoretical reflection consists in a peculiar synergy of convention and novelty.


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