scholarly journals Flipside Theory: Emerging Perspectives in Literary Criticism

Author(s):  
Chinedu Nwadike ◽  
Chibuzo Onunkwo

Literary theories have arisen to address some perceived needs in the critical appreciation of literature but flipside theory is a novelty that fills a gap in literary theory. By means of a critical look at some literary theories particularly Formalism, Marxism, structuralism, post-structuralism, psychoanalysis, and feminism but also Queer theory, New Criticism, New Historicism, postcolonialism, and reader-response, this essay establishes that a gap exists, which is the lack of a literary theory that laser-focuses on depictions of victims of social existence (people who simply for reasons of where and when they are born, where they reside and other unforeseen circumstances are pushed to the margins). Flipside criticism investigates whether such people are depicted as main characters in works of literature, and if so, how they impact society in very decisive ways such as causing the rise or fall of some important people, groups or social dynamics while still characterized as flipside society rather than developed to flipview society. While flipside literary criticism can be done on any work of literature, only works that distinctively provide this kind of plot can lay claim to being flipside works. This essay also distinguishes flipside theory from others that multitask such as Marxism, which explores the economy and class conflict between the proletariat and the bourgeoisie, and feminism, which explores depictions of women (the rich and the poor alike) and issues of sex and gender. In addition, flipside theory underscores the point that society is equally constituted by both flipview society and flipside society like two sides of a coin.

Author(s):  
Jeremy Punt

Queer readings of the Bible are indebted to feminist interpretation but work with a broader and more fluid notion of sex and gender than feminism. Not exhausted by them, queer biblical interpretations typically revolve around two distinct emphases, “queering” or investigations into the social construction of sex and gender, and “queerying” which traces the theoretical and political interests of such constructions, and their involvement in social dynamics and power. This essay explains queer biblical interpretation by showing that queer theory (de)constructs sex and gender; unravels established notions of fixed identity; contests heteronormativity; becomes indecent; outwits or goes beyond ascribed sex and gender; and queers biblical reception. Queer theory exposes sex and gender as powerful systems of convention that require, define, and even prescribe the form and function of sex and gender.


Author(s):  
Page Valentine Regan ◽  
Elizabeth J. Meyer

The concepts of queer theory and heteronormativity have been taken up in educational research due to the influence of disciplines including gender and sexuality studies, feminist theory, and critical race theory. Queer theory seeks to disrupt dominant and normalizing binaries that structure our understandings of gender and sexuality. Heteronormativity describes the belief that heterosexuality is and should be the preferred system of sexuality and informs the related male or female, binary understanding of gender identity and expression. Taken together, queer theory and heteronormativity offer frames to interrogate and challenge systems of sex and gender in educational institutions and research to better support and understand the experiences of LGBTQ youth. They also inform the development of queer pedagogy that includes classroom and instructional practices designed to expand and affirm gender and sexual diversity in schools.


2021 ◽  
Author(s):  
◽  
Helen Marsh

In this thesis I draw on deconstruction theory and queer theory to analyze the current representation of sex, gender, and sexuality in Canadian television. Through this research I found that although Canadian television is portraying an increasing number of queer genders and sexualities, misinformation and stereotypes continue to perpetuate a one-dimensional characterization of people. This research pertains directly to my creative thesis: a pilot episode of a TV series which fraternal twins, Jed and Theodora, grow up with the ability to switch into one another's body. I dive directly into the correlation between sex and gender and the lived experience of being in a body that does not necessarily represent gender. The will both create a new gendered "construction" as well as question the need for gender identifications.


Author(s):  
Laura Sjoberg ◽  
Anna L. Weissman

The term queer theory came into being in academia as the name of a 1990 conference hosted by Teresa de Lauretis at the University of California, Santa Cruz, and a follow-up special issue of the journal differences. In that sense, queer theory is newer to the social sciences and humanities than many of the ideas that are included in this bibliographic collection (e.g., realism or liberalism), both native to International Relations (IR) and outside of it. At the same time, queer theory is newer to IR than it is to the social sciences and humanities more broadly—becoming recognizable as an approach to IR very recently. Like many other critical approaches to IR, queer theory existed and was developed outside of the discipline in intricate ways before versions of it were imported into IR. While early proponents of queer theory, including de Lauretis, Judith Butler, Eve Kosofsky Sedgwick, and Lauren Berlant, had different ideas of what was included in queer theory and what its objectives were, they agreed that it included the rejection of heterosexuality as the standard for understanding sexuality, recognizing the heterogeneity of sex and gender figurations, and the co-constitution of racialized and sexualized subjectivities. Many scholars saw these realizations as a direction not only for rethinking sexuality, and for rethinking theory itself—where “queer is by definition whatever is at odds with the normal, the legitimate, the dominant,” as Halperin has described in Saint Foucault: Towards a Gay Hagiography (Halperin 1995, cited under Queer as a Concept, p. 62). A few scholars at the time, and more now, have expressed skepticism in the face of enthusiasm about a queer theory revolution—arguing that “the appeal of ‘queer theory’ has outstripped anyone’s sense of what exactly it means” (Michael Warner, cited in Jagose’s Queer Theory: An Introduction [Jagose 1997, cited under Textbooks, p. 1]) and that the appeal of the notion of queer theory (“queer is hot”) has overshadowed any intellectual payoff it might have, as explored in the article “What Does Queer Theory Teach Us about X?” (Berlant and Warner 1995, cited under Queer as a Concept). Were this bibliography attempting to capture the history and controversies of queer theory generally, it would be outdated and repetitive. Instead, it focuses on the ways that queer theory has been imported into, and engaged with, in disciplinary IR—looking, along the way, to provide enough information from queer theory generally to make the origins and intellectual foundations of “queer IR” intelligible. In IR, the recognition of queer theory is relatively new, as Weber has highlighted in her article “Why Is There No Queer International Theory?” (Weber 2015, cited under From IR/Queer to Queer IR). The utilization of queer theory in IR scholarship is not new, however. Scholars like Cynthia Weber and Spike Peterson were viewing IR through queer lenses in the 1990s—but that queer theorizing was rendered discursively impossible by assemblages on mainstream/gender IR. This annotated bibliography traces (visible and invisible) contributions to “queer IR,” with links to work in queer theory that informs those moves. After discussing in some detail “queer” as a concept, this essay situates queer theorizing within both social and political theory broadly defined first by engaging aspects of queer global studies including nationalism, global citizenship, homonormativity, and the violence of inclusion, and second by examining the theoretical and empirical contributions of a body of scholarship coming to be known as “queer IR.”


2003 ◽  
Vol 20 (4) ◽  
pp. 371-386 ◽  
Author(s):  
Jayne Caudwell

Past and present participation in the game of football (soccer) by women and girls in the UK is mostly through organizational structures and legal and discursive practices that differentiate players by sex and incidentally gender. In this article, the author argues that the emphasis on sex and gender differentiation in football underpins a sporting system that is unable to move beyond sex as pregiven and the sex/gender distinction. The author engages with feminist–queer theory to illustrate how sex, gender, and desire are regulated in order to uphold social relations of power. The focus on women’s footballing bodies demonstrates how the sexed body is socially constructed to inform gender and sexuality. In addition, the author highlights resistance to the compulsory order woman-feminine-heterosexual and presents examples of rearticulations of sex-gender-desire.


2020 ◽  
Vol 1 (1) ◽  
pp. 21-30
Author(s):  
Alexandra Pugh

Taking Monsieur Vénus (1884) as its focus, this article expands upon the limited critical discourse connecting the work of Rachilde (1860-1953) to queer theory. Monsieur Vénus and queer theory are mutually illuminative: Butler’s theory of performativity allows us to interpret the unstable bodies in Rachilde’s text, while Monsieur Vénus in turn elucidates, or at least exemplifies, some of the questions at the heart of queer studies. For example: can sex exceed the human body? Can a transgender person live a heteronormative life? What is the relationship between queerness and reproduction? In asking such questions, this article grounds a piece of Decadent, fin-de-siècle French literature in the context of queer, feminist and trans studies, and thereby maps the connections between Rachilde’s work and these contemporary cultural conversations. As the author of Pourquoi je ne suis pas féministe (1928), Rachilde rejected progressive social movements. I therefore borrow Lisa Downing’s notion of the ‘proto-queer’ (Downing, ‘Notes on Rachilde’ 16) to guard against the complete recuperation of Rachilde into the queer canon. Regardless of its author’s positionality, however, I am seeking to frame Monsieur Vénus as part of our queer literary heritage. Monsieur Vénus is more playful and provocative than it is political, but Rachilde succeeds in ‘scrambling’ sex and gender in that the two categories become muddled, unfixed and denaturalized.


2018 ◽  
Vol 7 (13) ◽  
pp. 9-44
Author(s):  
María Fernanda Glaser

El ícono de Mistral ha servido como un retrato de la nación chilena, reflejando una variedad de imágenes analizadas desde la teoría literaria, los estudios culturales, los estudios de género, y, recientemente, desde la teoría queer. En los últimos años, hemos sido testigos de la creciente visibilidad de Gabriela Mistral como disidente sexual, producto de la repatriación del legado Atkinson en 2007 y la consecuente divulgación de las cartas a Doris Dana, quien fuera su pareja durante los últimos 12 años de su vida.El presente artículo contribuye a la producción de conocimiento interesado en las posibilidades de reinterpretación de la vida de Gabriela Mistral, desde una revisión de su vida en tanto ícono de la nación. Se analizan las imágenes de Gabriela Mistral que han servido como iconografía de Estado para discutir tanto las políticas visuales como las sexuales, dentro la cultura chilena de los últimos 60 años. Considerando estos momentos históricos, analizaré el sentido de lo queer en la post-vida de Gabriela Mistral, revisando críticamente el uso de este constructo como una aproximación a su biografía en tanto ícono nacional. Finalmente, establezco ciertos derroteros para la intersección de género y nación a través de la representación icónica (alfabetización visual) de mujeres históricas que condensan repertorios discursivos relativos a las mujeres y el poder de Estado. Mistral’s icon has served as a portrait of the Chilean nation, reflecting a variety of images analyzed from literary theory, cultural and gender studies, and, as of late, queer theory. In recent years, we have been witnesses to the growing visibility of Gabriela Mistral as a sexual dissident as a result of the repatriation of Atkinson’s Legacy in 2007 and the consequent release of Mistral’s letters to Doris Dana, who was her partner during the last 12 years of her life.The present article is interested in the possibilities of reinterpreting and revising the life of Gabriela Mistral and her national iconography. The images of Gabriela Mistral that have served as State iconography are used to analyze visual and sexual politics over the last 60 years of Chilean culture. Considering these historic moments, I will analyze the meaning of queer in the afterlife of Gabriela Mistral, critically revising the use of this construct, not only in regards to her biography but as a national icon. Finally, I establish certain milestones in the scholarship concerned with the intersection of gender and nation, through visual representation of historic women who condense discursive repertoires related to women and State power.


Author(s):  
Robert Paul Churchill

This chapter examines the cultural and social contexts in which honor killings occur. Honor killing is a social practice in which complex psychological, interpersonal, and social dynamics are unified and replicated over time. The chapter first illuminates the general features of social practices, then analyzes features critical for honor killing as a social practice, beginning with the salience of norms of honor and shame in what are called honor–shame communities. The chapter analyzes sharaf, an important general honor concept, and ‘ird or ‘ard, the conception of honor relating to sex and gender behaviors, and most important when concerns about honor offenses arise. The latter pertain to the chastity and obedience of females and male responsibilities as guardians of females and as enforcers of communal honor norms. The constitutive features of honor–shame communities are identified, and the interrelationship between collective social elements and individual identity and self-esteem are discussed.


1997 ◽  
Vol 7 (2) ◽  
pp. 183-204 ◽  
Author(s):  
A. Bernard Knapp ◽  
Lynn Meskell

This study takes as its point of departure recent discussions in sociology, anthropology, queer theory, and masculinist and feminist studies on the contextual constitution of sex and gender, with its surrounding debates. We explore the adoption and implications of the body as a phenomenon in archaeology and its connection to power-centred theories. As a case study, we use a body of data comprised of prehistoric Cypriot figurines (Chalcolithic and Bronze Age), and suggest that an archaeology of individuals may be possible in prehistoric contexts. In conclusion, we suggest that archaeologists move beyond rigid, binary categorizations and attempt to prioritize specific discourses of difference by implementing constructions of self or identity


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