Possession

2020 ◽  
pp. 361-383
Keyword(s):  
Seventeenth Century ◽  
The Other ◽  
Public Performance ◽  
Demonic Possession ◽  
Court Records ◽  
Imperial Russia ◽  
Dramatic Form ◽  
Witchcraft Trials

This chapter addresses the appearance of demonic possession in seventeenth-century Muscovite witchcraft trials. Klikushestvo, usually translated as “shrieking” or “possession,” was a particularly dramatic form of magical affliction, one that horrified Russian communities and fascinated onlookers by its nightmarish manifestations. As recorded in both miracle tales and court records, possession was often, but not always, attributed to the malevolent acts of witches and sorcerers. Another disturbing condition in Muscovy and imperial Russia, often but not always observed alongside the other characteristics of klikushestvo and sometimes thrown into general symptomology of possession, was ikota — literally, hiccupping. With their dramatic manifestations, klikushestvo and ikota in the Russian lands and the less dramatic (but no less frightening) forms of demonic possession in the Ukrainian lands involved families and communities in shared collective performances. Performance in this sense does not connote any falsehood; rather it underscores the extent to which possession can never be a truly solitary act. It is theatrical in its essence, a public performance. Collective consensus, a shared assessment between afflicted and witnesses, completed and validated possession cases.

ON OTTOMAN JUSTICE: INTERPRETATIONS IN CONFLICT (1600 - 1800)

2001 ◽  
Vol 8 (1) ◽  
pp. 52-87 ◽  
Author(s):  
Bogaç Ergene
Keyword(s):  
Seventeenth Century ◽  
Early Modern ◽  
Ottoman Empire ◽  
Central Government ◽  
The Other ◽  
Ruling Elite ◽  
Court Records ◽  
Rural And Urban ◽  
Primary Focus ◽  
The Military

AbstractThis essay investigates the ways in which the notion of "justice" was utilized as a mechanism of political legitimization in the early-modern Ottoman Empire. I claim that there existed alternative definitions of justice and that these were instrumental in the struggle between the central government and those official and unofficial power-holders in the administrative and geographical peripheries of the empire. According to the specialized terminology of the Ottoman administrative system, "justice" was the protection of the rural and urban producers against abuses of the military elite. This definition highlighted the personal benevolence of the ruler who claimed to be the sole protector of the weak against oppression. On the other hand, at least some segments of the ruling elite insisted on representing justice as the recognition of the mutual rights and obligations of the sultan and his "servants." Justice, in this context, referred to the protection of privileges and entitlements of those who were thought to deserve them. While using a variety of sources - including treatises on government and ethics composed by the Ottoman literati, documents from regional court records and correspondence between the imperial center and the officials in the provinces - my primary focus is on Evliya Çelebi's seventeenth-century travel-book, Seyahatname, and a well-known seventeenth century chronicle, Tarih-i Naima.

Italian Renaissance Plays in the University of Toronto Library

1966 ◽  
Vol 19 (3) ◽  
pp. 219-228
Author(s):  
Beatrice Corrigan
Keyword(s):  
Seventeenth Century ◽  
The Other ◽  
Italian Renaissance ◽  
Commedia Dell'arte ◽  
Italian Translation ◽  
University Of Toronto ◽  
Dramatic Form ◽  
The University

Since 1963, when I published in Renaissance News (XVI,4, 298-307) a supplement to my Catalogue of Italian Plays, 1500-1700 in the University of Toronto Library (University of Toronto Press, 1961), the collection has been enriched by some fifty plays. Particularly interesting are the first Italian translation of Aristophanes; a group of the musical plays whose vogue grew steadily during the seventeenth century; and a couple of examples, Italian and Latin, of the other new musico-dramatic form of the period, the oratorio. Noteworthy also is Benetti's Scherno di Giove, a curious blending of mythology and commedia dell'arte which survived in the ‘classical’ burlesques of the Victorian theatre.

A Court in Decline? Examining the Regality Court Records of Melrose, Roxburghshire, 1657–84

2020 ◽  
Vol 40 (1) ◽  
pp. 1-16
Author(s):  
Vivienne Dunstan
Keyword(s):  
Seventeenth Century ◽  
Local Community ◽  
Local Population ◽  
Local Area ◽  
Vital Role ◽  
Local Communities ◽  
Court Records ◽  
Seminal Work

McIntyre, in his seminal work on Scottish franchise courts, argues that these courts were in decline in this period, and of little relevance to their local population. 1 But was that really the case? This paper explores that question, using a particularly rich set of local court records. By analysing the functions and significance of one particular court it assesses the role of this one court within its local area, and considers whether it really was in decline at this time, or if it continued to perform a vital role in its local community. The period studied is the mid to late seventeenth century, a period of considerable upheaval in Scottish life, that has attracted considerable attention from scholars, though often less on the experiences of local communities and people.

The Musical Topic of the Mass in B Minor

2018 ◽  
Author(s):  
Daniel R. Melamed
Keyword(s):  
Eighteenth Century ◽  
Seventeenth Century ◽  
Sixteenth Century ◽  
Church Music ◽  
Sacred Music ◽  
The Other ◽  
Entire Spectrum ◽  
Giovanni Pierluigi Da Palestrina ◽  
Early Eighteenth Century

If there is a fundamental musical subject of Johann Sebastian Bach’s Mass in B Minor, a compositional problem the work explores, it is the tension between two styles cultivated in church music of Bach’s time. One style was modern and drew on up-to-date music such as the instrumental concerto and the opera aria. The other was old-fashioned and fundamentally vocal, borrowing and adapting the style of Giovanni Pierluigi da Palestrina, his sixteenth-century contemporaries, and his seventeenth-century imitators. The movements that make up Bach’s Mass can be read as exploring the entire spectrum of possibilities offered by these two styles (the modern and the antique), ranging from movements purely in one or the other to a dazzling variety of ways of combining the two. The work illustrates a fundamental opposition in early-eighteenth-century sacred music that Bach confronts and explores in the Mass.

Temporality and Truth

2013 ◽  
Vol 7 (3) ◽  
pp. 377-389 ◽  
Author(s):  
Daniel W. Smith
Keyword(s):  
Seventeenth Century ◽  
Laws Of Nature ◽  
Continuous Variation ◽  
Pure Form ◽  
The Other ◽  
Other Hand ◽  
The One ◽  
Time Image ◽  
Positive Light

This paper examines the intersecting of the themes of temporality and truth in Deleuze's philosophy. For the ancients, truth was something eternal: what was true was true in all times and in all places. Temporality (coming to be and passing away) was the realm of the mutable, not the eternal. In the seventeenth century, change began to be seen in a positive light (progress, evolution, and so on), but this change was seen to be possible only because of the immutable laws of nature that govern change. It was not until philosophers such as Bergson, James, Whitehead – and then Deleuze – that time began to be taken seriously on its own account. On the one hand, in Deleuze, time, freed from its subordination to movement, now becomes autonomous: it is the pure form of change (continuous variation) that lies at the basis of Deleuze's metaphysics in Difference and Repetition (and is explored more thematically in The Time-Image). As a result, on the other hand, the false, freed from its subordination to the form of the true, assumes a power of its own (the power of the false), which in turn implies a new ‘analytic of the concept’ that Deleuze develops in What Is Philosophy?

Bilingual Heaven: Was There a Distinct Persianate Islam in the Early Modern Ottoman Empire?

2021 ◽  
Vol 6 (1-2) ◽  
pp. 214-241
Author(s):  
Aslıhan Gürbüzel
Keyword(s):  
Seventeenth Century ◽  
Early Modern ◽  
Ottoman Empire ◽  
The Other ◽  
Reform Movement ◽  
Sacred Text ◽  
Native Languages ◽  
Islamic Tradition ◽  
Legal Discourses ◽  
Other World

Abstract What is the language of heaven? Is Arabic the only language allowed in the eternal world of the virtuous, or will Muslims continue to speak their native languages in the other world? While learned scholars debated the language of heaven since the early days of Islam, the question gained renewed vigor in seventeenth century Istanbul against the background of a puritan reform movement which criticized the usage of Persian and the Persianate canon as sacred text. In response, Mevlevī authors argued for the discursive authority of the Persianate mystical canon in Islamic tradition (sunna). Focusing on this debate, this article argues that early modern Ottoman authors recognized non-legal discourses as integral and constitutive parts of the Islamic tradition. By adopting the imagery of bilingual heaven, they conceptualized Islamic tradition as a diverse discursive tradition. Alongside diversity, another important feature of Persianate Islam was a positive propensity towards innovations.

Sexual Harassment in School: The Public Performance of Gendered Violence

1995 ◽  
Vol 65 (2) ◽  
pp. 145-163 ◽  
Author(s):  
Nan Stein
Keyword(s):  
Civil Rights ◽  
Sexual Harassment ◽  
Public Awareness ◽  
Peer To Peer ◽  
Peer Sexual Harassment ◽  
Public Performance ◽  
Gendered Violence ◽  
Court Records ◽  
The Public ◽  
Mixed Messages

In this article, Nan Stein argues that sexual harassment in schools is a form of gendered violence that often happens in the public arena. She presents the narratives of girls and boys about their experience of sexual harassment in schools and finds parallels with cases documented in court records and depositions. While highly publicized lawsuits and civil rights cases may have increased public awareness of the issue, inconsistent findings have sent educators mixed messages about ways of dealing with peer-to-peer sexual harassment. The antecedents of harassment, she suggests, are found in teasing and bullying, behaviors tacitly accepted by parents and teachers. Stein makes a case for deliberate adult intervention and the inclusion of a curriculum in schools that builds awareness of these issues.

Litigating Honor, Defamation, and Shame in Southern Rhodesia

2018 ◽  
Vol 61 (3) ◽  
pp. 79-98
Author(s):  
Allison K. Shutt
Keyword(s):  
The State ◽  
The Other ◽  
Colonial Rule ◽  
Government Employees ◽  
Court Records ◽  
History Of ◽  
Southern Rhodesia ◽  
Special Protection

Abstract:This article reviews the history of defamation cases involving Africans in Southern Rhodesia. Two precedent-setting cases, one in 1938 and the other in 1946, provided a legal rationale for finding defamation that rested on the ability of litigants to prove they had been shamed. The testimony and evidence of these cases, both of which involved government employees, tracks how colonial rule was altering hierarchy and changing definitions of honor, often to the bewilderment of the litigants themselves. Importantly, both cases concluded that African employees of the state deserved special protection from defamation. The article then traces how the rules and ambiguities resulting from the legal logic of the 1938 and 1946 cases gave a wider group of litigants such as clerks, police, clergy, and teachers room to maneuver in the courtroom where they also claimed their professional honor. Such litigants perfectly understood the expectations of the court and performed accordingly by recounting embarrassing, even painful, experiences, all to validate their personal and professional honor in court. Such performances raise the question of how we might use court records to write a history of the emotional costs to people who used astute strategies that rested on dishonorable revelations to win their cases.

Invisible Architectures

2000 ◽  
Vol 13 (1) ◽  
pp. 121-136 ◽  
Author(s):  
Hans-Jörg Rheinberger
Keyword(s):  
Nineteenth Century ◽  
Seventeenth Century ◽  
Historical Development ◽  
Basic Problem ◽  
Life Sciences ◽  
The Other ◽  
Modern Life ◽  
Historical Process ◽  
Strategy I ◽  
The Invisible

The ArgumentIn this essay I will sketch a few instances of how, and a few forms in which, the “invisible” became an epistemic category in the development of the life sciences from the seventeenth century through the end of the nineteenth century. In contrast to most of the other papers in this issue, I do not so much focus on the visualization of various little entities, and the tools and contexts in which a visual representation of these things was realized. I will be more concerned with the basic problem of introducing entities or structures that cannot be seen, as elements of an explanatory strategy. I will try to review the ways in which the invisibility of such entities moved from the unproblematic status of just being too small to be accessible to the naked or even the armed eye, to the problematic status of being invisible in principle and yet being indispensable within a given explanatory framework. The epistemological concern of the paper is thus to sketch the historical process of how the “unseen” became a problem in the modern life sciences. The coming into being of the invisible as a space full of paradoxes is itself the product of a historical development that still awaits proper reconstruction.

scholarly journals Stratigraphy of the wall paintings in the main church of the Praskvica Monastery

Zograf ◽  
2014 ◽  
pp. 153-163
Author(s):  
Dragan Vojvodic
Keyword(s):  
Seventeenth Century ◽  
Sixteenth Century ◽  
Wall Painting ◽  
The Other ◽  
Stylistic Analysis ◽  
Wall Paintings ◽  
The West ◽  
The Third ◽  
Technical Features ◽  
The Church

In the katholikon of the monastery of Praskvica there are remains of two layers of post-Byzantine wall-painting: the earlier, from the third quarter of the sixteenth century, and later, from the first half of the seventeenth century, which is the conclusion based on stylistic analysis and technical features. The portions of frescoes belonging to one or the other layer can be clearly distinguished from one another and the content of the surviving representations read more thoroughly than before. It seems that the remains of wall-painting on what originally was the west facade of the church also belong to the earlier layer. It is possible that the church was not frescoed in the lifetime of its ktetor, Balsa III Balsic.

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