Rights Gone Wrong on the City’s Edge

2021 ◽  
pp. 200-223
Author(s):  
Erik Harms

This chapter states that the village residents, described as being displaced for a new urban zone in Ho Chi Minh City, Vietnam, very much participated in the vision of an aesthetically upgraded city. Using state resettlement policies to examine the fiction that liberal property automatically delivers liberal political rights, the chapter shows how residents adopted the expectation that improvements to the land they occupied would improve their standing as urban citizens. The chapter also exhibits how land-related documents — including petitions, titles, government-issued reclamation orders, and a labyrinthine array of legal papers — simultaneously do and do not have the power to act on the world. In addition to offering a novel way of looking at land fictions in Vietnam, the chapter argues for a reconciliation of what have heretofore been seen as antagonistic Latourian and Marxist perspectives on fetishism. On the one hand, a Latourian perspective would rightly highlight how the land documents in this case engender novel forms of action. But such an approach would only capture part of the story, because the evidence also shows that documents like these also contribute to forms of mystification. This chapter further uses insights from Marx's critique of the commodity form to show the work of nonhuman actors in staging and maintaining the commodity fiction.

Philologia ◽  
2021 ◽  
pp. 98-107
Author(s):  
Iulian Filip ◽  
◽  
◽  

What should a book about theater look like? How about the one about a category of theatrical performances in the ethnological dimension? Research project of the Institute of Romanian Philology B. P. Hasdeu stimulates research into socio-cultural contexts and European connections, and Eugeniu Coseriu urges us to open up universally - each with his own field of research. In the sub-theme National Folklore Corpus, the popular (folkloric) theater is my area of expertise and the Latin phrase Theatrum mundi = The spectacle of the world. The world seen as a spectacle it is the universal concept of theatricality. The definite sign of the theater is the character. In illo tempore, man invented an incredible, saving theater, modeling fictional characters from the most abundant matter - from what he did not know, out of ignorance. For phenomena that man could not explain in the beginning, he shaped ... spirits, supernatural beings, elves. The nebula of imaginary characters fell into two broad categories – the good and the evil ones. In order to understand the diversity of masks and clothing of modern times, it is imperative to accept a scaffolding of archetypal dichotomies, resulting from this modeling of beginnings: life - death, good - evil, beauty - ugly, God - Satan, love - hate , wealth - poverty, Christ - Herod, the wise – the stupid ... All the characters - not just from the theater of any kind - are derived from these archetypal dichotomies, and the triggering axial motives, in which it manifests itself in tension, are love, fertility, fecundity, disease, healing, death, resurrection. The Romanian folk theater is part of the same spectacle of the world, and the eternal scene is on the doorstep of the house with a spinster to be married. More important deduction - this is also the engine that sets the characters and the scene in motion: the love that moves the sky and ... the scene.


Author(s):  
Reza G. Hamzaee ◽  
G. Rod Erfani

Human freedom, and therefore, quality of life in many countries of the world have been restricted and diminished. Economic freedom and a controversial issue of interrelationship between economic and political freedom are empirically examined here. In several empirical estimations, embodying 155 countries of the world, some tight as well as statistically significant relationships are detected between economic freedom, on the one hand, and civil liberties, political rights, and political freedom, on the other.


Author(s):  
Fuji Astuti

The limitation of women’s opportunities in the activities of the performing arts in the past were opportunities associated with the regulation norms in the foundations of Minangkabau customs. Within the social order, Minangkabau custom placed a woman as a person having the autonomy known as Bundo Kanduang, a perfect woman that should be the model for her descendants, the light in the village, the one who can keep the beauty of the country. Because of this, the women’s participation was limited around Rumah Gadang. In Line with the development of the era, the improvement on formal and non-formal education makes the Minangkabau women aware their limitation to participate in the world of performance arts. Nowadays there is a great opportunity for the women to determine their own choices in the performance arts. This opportunity has resulted in the more dominant presence of woman in the Minangkabau performing arts. Particularly in the world of dancing, the initiators of dance creation art have produced the dances with both the masculine and feminine moves which can be performed by Minangkabau women in the world of performing arts. The most interesting thing is there is a widely open opportunity for the women make their own choices. However, all the movements and behaviors of the Minangkabau women should be based on the social norms that are set in the philosophy of sumbang duo baleh and Alua jo patuik Raso jo pareso. Raso dibao naiak, pareso dibawo turun. Keywords: symbolic meaning, sumbang duo baleh, performing arts


1997 ◽  
Vol 2 (4) ◽  
pp. 356-365 ◽  
Author(s):  
Fouad A-L.H. Abou-Hatab

This paper presents the case of psychology from a perspective not widely recognized by the West, namely, the Egyptian, Arab, and Islamic perspective. It discusses the introduction and development of psychology in this part of the world. Whenever such efforts are evaluated, six problems become apparent: (1) the one-way interaction with Western psychology; (2) the intellectual dependency; (3) the remote relationship with national heritage; (4) its irrelevance to cultural and social realities; (5) the inhibition of creativity; and (6) the loss of professional identity. Nevertheless, some major achievements are emphasized, and a four-facet look into the 21st century is proposed.


TEKNOSASTIK ◽  
2018 ◽  
Vol 14 (2) ◽  
pp. 1
Author(s):  
Dina Amelia

There are two most inevitable issues on national literature, in this case Indonesian literature. First is the translation and the second is the standard of world literature. Can one speak for the other as a representative? Why is this representation matter? Does translation embody the voice of the represented? Without translation Indonesian literature cannot gain its recognition in world literature, yet, translation conveys the voice of other. In the case of production, publication, or distribution of Indonesian Literature to the world, translation works can be very beneficial. The position of Indonesian literature is as a part of world literature. The concept that the Western world should be the one who represent the subaltern can be overcome as long as the subaltern performs as the active speaker. If the subaltern remains silent then it means it allows the “representation” by the Western.


2018 ◽  
Vol 41 (1-2) ◽  
pp. 9-18
Author(s):  
Peter Crowley

Northern Ireland’s Troubles conflict, like many complex conflicts through the world, has often been conceived as considerably motivated by religious differences. This paper demonstrates that religion was often integrated into an ethno-religious identity that fueled sectarian conflict between Protestants and Catholics in Northern Ireland during the Troubles period. Instead of being a religious-based conflict, the conflict derived from historical divides of power, land ownership, and civil and political rights in Ireland over several centuries. It relies on 12 interviews, six Protestants and six Catholics, to measure their use of religious references when referring to their religious other. The paper concludes that in the overwhelming majority of cases, both groups did not use religious references, supporting the hypothesis on the integrated nature of ethnicity and religion during the Troubles. It offers grounding for looking into the complex nature of sectarian and seemingly religious conflicts throughout the world, including cases in which religion acts as more of a veneer to deeply rooted identities and historical narratives.


Metahumaniora ◽  
2017 ◽  
Vol 7 (3) ◽  
pp. 293
Author(s):  
Tania Intan

AbstrakSecara alamiah, manusia membutuhkan sarana untuk mengisi waktu luangnyasetelah bekerja keras. Satu media yang murah, mudah dijangkau, dan digemari oleh semuakalangan di seluruh dunia adalah cerita bergambar atau komik yang merupakan bagiandari budaya populer. Pada umumnya, karya paraliteratur-visual ini memang bersifat fiktifdan hanya merupakan peniruan dari kenyataan yang digambarkan secara berlebihan(grotesque). Namun demikian, di dalam komik, sering ditemukan nilai-nilai kehidupanyang bersifat universal dan abadi sehingga dianggap layak sebagai bahan kajian budaya.Naruto, salah satu manga Jepang, dan Astérix, bande dessinée dari Prancis, akan ditelitisebagai representasi dunia Timur dan Barat. Latar sebagai unsur struktural dalam karyakaryafiksi ini ternyata juga menunjukkan kesamaan mendasar, yaitu keberadaan desasebagai tempat hidup para tokohnya. Dalam tulisan ini, akan dibahas pemaknaan lainterhadap lingkungan rural tersebut, yang memiliki andil dalam pembentukan karakterpara tokoh dari kedua komik. Metode kajian komparasi budaya akan digunakan denganpenerapan teori-teori yang relevan. Penelitian singkat ini bertujuan untuk melengkapistudi mengenai komik yang belum banyak dilakukan di Indonesia.Kata kunci: Desa, komik, Naruto, Astérix, Komparasi BudayaAbstractNaturally, humans need a way to fill their spare time after working hard. Acheap, accessible and popular medium by all circles around the world is a picture or comicstory, which is part of popular culture. McCloud (1993:7) defines comics as drawings andembossed symbols in a particular order, aimed at providing information or achievingaesthetic responses from the reader. In general, this visual-paraliterature work isindeed fictitious and merely an imitation of grotesque reality. However, in the comics, itis often found that values of life that are universal and eternal so comics are consideredappropriate as a material of cultural studies. Naruto, one of the Japanese manga, andAstérix, the bande dessinée of France, are examined as a representation of the East andWest. The background as a structural element in these works of fiction also shows the basicsimilarity of the existence of the village as the place of life of the characters. According toKartohadikoesoemo (1984:16), the village is a legal entity, in which a ruling society livesits own government. In this paper, other meanings of the rural environment, which hascontributed in the character formation of the characters from both comics are discussed.The method of cultural comparative is used with the application of relevant theories. Thisbrief study aims to complete the study of comics which is still very limited in Indonesia.Keywords: Village, Comic, Naruto, Astérix, Cultural Comparison


Author(s):  
Артур Анатолійович Василенко

UDC 336.74   Vasylenko Artur, post-graduate student. Mariupol State University. Cryptocurrency Phenomenon in the International Monetary System. The main prerequisites of cryptocurrency emergence in the international monetary system in terms of regionalization of the world economy are defined in the article. Determination of «cryptocurrency» category was analysed from the point of two main approaches to its treatment: on the one hand cryptocurrency is admitted to be the currency equally to the sovereign currency, and on the other hand it is considered as an unrecognized virtual asset. The main consequences which arise in case of widespread use of crypto currency for the country and for the parties that agreed to use cryptocurrency were analysed and systematized. On the basis of the research, given the current trends in the world economy, the author put forward and substantiated the hypothesis to classify the phenomenon of cryptocurrency as the effects of a famous philosophical «Negation of negation law» formulated by G. Hegel at the beginning of the XIX century.   Keywords: cryptocurrency, material money, electronic money, digital currency, regional currency integration, blockchain, mining, capitalization, «Negation of negation law».


Author(s):  
Valentyna Bohatyrets

The paper provides the framework for embracing multiculturalism as a source of national identity, a political ‘profession de foi’, and an engine for a government to gain positive outcomes, leading to better immigrant integration and economic advantages for any country in the world. Noteworthy, Canadian federal policy of multiculturalism, since its official adoption in 1971, is witnessed to work stunningly and in contrast to developments elsewhere – in Canada, public support for multiculturalism is seeing unprecedented growth. Currently, the diversity of the Canadian populace is increasing faster than at any time in its history; Canada’s ethnic makeup has notably altered over the time due to changing immigration patterns. According to the latest poll findings, 84% of Canadians agree with the statement that ‘Canada’s multicultural makeup is one of the best things about this country’; 61% of Canadians believe multiculturalism ‘strengthens national identity’. Moreover, released data from Environics reveals that 27% of Canadians believe ‘multiculturalism is the one characteristic about Canada that most deserves to be celebrated on its upcoming 150thanniversary. Undeniably, people around the world tend to view Canada as “good”. Importantly, the election of Justin Trudeau is viewed as an excellent opportunity to invigorate brand Canada. Noteworthy, brand Justin Trudeau is currently composed of his belief in and promotion of the values of tolerance, equality and diversity. While recognizing the value for society of the human dignity inherent in each individual, Trudeau’s government aims to push beyond mere tolerance to mutual understanding and respect. Keywords: Multiculturalism of Canada, immigration, digital diplomacy, brand, national identity, poll, ethnic groups


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