Visualizing Berio’s Sinfonia: Choreographing Animation for Indeterminate Narratives

In 1968, a year of massive political and cultural upheaval, Luciano Berio composed a score that would shape his legacy. Entitled Sinfonia, which literally means sounding together, the symphony was sparked by the assassination of Martin Luther King. Heralded as “the ultimate pre-postmodernist musical palimpsest” (Service, 2012). Sinfonia reverberates with the political assassinations and massive protests punctuated by police repression that marked 1968. In late 2019, I was offered an animated projection commission with a primary voice in choosing a piece for live symphonic performance/projection. After some researching, I found Berio’s Sinfonia. It had what I was looking for - a “contemporary” piece, it resisted illustration, linear narrative and 19th century romanticism while eschewing the rigid formality of serialism. Instead, it embraced two core Modernist principles – fragmentation and use of the archive. Berio quoted/sampled disparate chunks of literature, music, and events of 1968 in the service of the political and the poetic to discover unity in the heterogeneous. His score seemed ripe for visual interpretation - and exposition - with animation as the prime driver. Following Berio’s lead, I chose visual sampling as my entre and turned to Google. By animating in and out of iconic (and lesser known) images in the orb of 1968, I created a commensurate puzzle piece that mirrored the suggested avant-garde intent I found in Sinfonia – “Where now? Who now? When now?” (Beckett, 1965, p. 291).

Motion and the Noise

William Faulkner's dislike of unwanted sound is well documented. The acoustic environment of rural Mississippi amplified irreversibly after the introduction of the automobile, airplane, and automated farm machinery. In his Intruder in the Dust (1948), the jukebox and radio absorb pointed criticism for producing "canned" sounds outside of their "proper" environment. The narrowing gap between town square and dance hall signifies encroaching chaos, as noise drowns out the attenuated "harmony" that keeps elite whites in power and Intruder's African American protagonist Lucas Beauchamp out of the hands of the lynch mob. For Faulkner, the shift in the auditory environment presents both a disruption and an impediment to a system built on white bourgeois ideals. However, Faulkner's pessimism is counterpointed by sociological studies undertaken by Fisk University researchers. The Fisk study identifies the emergence of a blues culture in the Delta whose energy and boundary-crossing impulses illustrate the liberating possibilities of an expanding soundscape. By juxtaposing Faulkner's damning descriptions of "the motion and the noise" with the Fisk University researchers' illuminating fieldwork, this essay interprets a transformative period in the constantly shifting soundscape of the U.S. South. In line with Jacques Attali's dictum that "our music foretells our future," Intruder in the Dust anticipates the cultural upheaval that would energize the Civil Rights Movement. Both in fiction and in fact, the "noise" emanating from jukeboxes and radios in 1940s Mississippi accelerated social change at a volume much higher and a tempo much faster than Faulkner and other gradualists desired.

In the Maelstrom

The author recounts and interprets May’s reactions to the three most major issues in American life of the early 1970s—Vietnam, civil rights, and women’s rights. He publishes Power and Innocence, which reads the cultural upheaval in terms of powerlessness, and appears on the Dick Cavett Show seated between Hugh Hefner and feminist Susan Brownmiller.

Mary Douglas, Purity and Danger (1966)

Mary Douglas’s masterpiece Purity and Danger holds a troubled place in the social sciences and humanities. Both classic and cast out, the book’s analysis cannot be ignored. In fact, Douglas’s thesis, “Dirt is matter out of place,” can help explain the fate of the very book that made it famous. Purity and Danger presents a probing cultural analysis. Douglas argued that social systems should be understood by what they expel but also that the true power of dirt lies in the acts of cleansing. Cultural upheaval, decolonization, and war together appeared to render Douglas’s interest in social stability naive, however, and Purity and Danger languished following its publication in 1966. Today’s politics of purity, from white nationalism to rule by imprisonment, makes Purity and Danger more necessary than ever. The tension between the search for human universals and the social and historical particularism at its heart continues to haunt social inquiry today.

Obedience as Belonging: Catholic Guilt and Frequent Confession in America

From the late 19th to the mid-20th century, the practice of private confession to a priest was a mainstay of Catholic parish life in the United States. By the 1970s, Catholics had largely abandoned the practice of private confession. One dominant narrative among Catholic theologians and clergy, identified chiefly with the papacy of John Paul II, attributes the decline in confession to the loss of healthy guilt that took place during the cultural upheaval of the 1960s. In conversation with the work of psychologist and philosopher Antoine Vergote, the present article challenges this narrative, arguing that a collective and unhealthy Catholic guilt existed among American Catholics well before the 1960s and in fact characterized the period in which private confession was practiced most frequently. I contend that obedience to moral prescriptions was not, for ordinary Catholics, part of an ethical program of self-reform but the condition for belonging to a church body that emphasized obedience. Finally, examining the relationship between weekly reception of communion and confession, I suggest that private confession emerged to support frequent communion, persisting only until the latter became standard practice among Catholics in the United States.

“The Operation of the Machine”

The Clark Kerr era in the history of the University of California (1952–1967) was marked by momentous social and cultural upheaval, much of which was fought out across the UC system's then eight campuses, particularly Berkeley and UCLA. No issue sparked greater student action than civil rights, which was a challenge that Kerr confronted first as Berkeley chancellor and then as president of the entire UC system. This challenge was met in every area of the university's affairs, including its athletics programs. Kerr demanded that the university's teams schedule games with the nation's most prestigious colleges and universities, whose academic profiles matched its own. These included segregated southern institutions, whose varsity teams were still composed entirely of white athletes and, in some cases, demanded the segregation of competitors by race. These games presented unique challenges for a university that Kerr considered “a portal open to all able young people,” since such competitive and commercial affiliations with segregated institutions called into question the university's sincerity in committing itself to equal educational opportunity. By digging deeply in the university archives at both Berkeley and UCLA, this article reveals how Kerr and his administration promoted the university's affiliation with these southern institutions without taking the racial politics of these games into serious consideration. In turn, the article reassesses the university's racial record in the Kerr era and its commitment to protecting the civil rights of the black student athletes who competed on its varsity teams.

Writing the therapeutic waterscape: Bodies, memories, and nature in post-socialist Chinese texts

This article takes an ecocritical approach that challenges the urban imaginary informing the notion of place and the identity of inhabitants in mainland China. It explores an alternative mode of imagination, symbolized by the flow and instability of water. The work of documentary filmmaker Dong Jun and renowned writer Su Tong can be seen as attempts to evaluate and revisit history and memories through a reconnection with water, whether it be the Yellow River in Dong Jun’s Flood or the river/water world in Su Tong’s The Boat to Redemption. Instead of commenting directly on the destruction of nature as a result of human development and cultural upheaval, both works use water as an indirect means to raise these issues.

Religion and Cultural Crisis

This chapter describes the cultural and political crisis that liberationists encountered while participating in multiple protest movements of the 1960s. It examines the hemispheric cultural upheaval and the religious disillusionment expressed in the rise of Black Power, women’s liberation, and Latin American movements incited by the Cuban Revolution. It introduces the background and key complaints of liberation theologians expressed by James Cone, Gustavo Gutiérrez, Rosemary Radford Ruether and Mary Daly and how as the first generation of liberation theologians emerged as an intellectual movement with an overlapping set of immediate concerns.

Visceral visions: art, pedagogy and politics in Revolutionary France

In late eighteenth-century France, at the seeming height of neoclassicism in the arts with its goal of idealized form al’antica in the depiction of the human figure, an intensified fascination with the visual experience of viscera emerged. Picturing viscera became increasingly common in visual culture. These developments occurred during a period of intense political and cultural upheaval and concomitant violence and bloodshed in France. Graphic anatomical plates, prints, and caricatures as well as wax models of viscera cast from the body parts of corpses, were used for pedagogical instruction as were écorché figures, either sculpted or cast from cadavers. Paintings were made that engaged the subject of death and disembowelment. We also see the actual participation in dissection by artists as well as anatomists. Artists, anatomists, and amateurs (sometimes working in concert) produced compelling images of what lies beneath the skin for a variety of purposes and functions.

Hallucinogens: Spiritual and Therapeutic Use, Overuse, and Complications

A fascinating class of psychoactive substances possessing a long and mysterious history of human use are the classic hallucinogens. Forming a vital component of prehistorical and aboriginal culture and belief systems, hallucinogens were ultimately condemned and repressed by evolving civilizations, only to the “rediscovered” in the 20th century. Of compelling interest to anthropologists, ethnobotanists, pharmacologists, medical scientists, and mental health clinicians, their use was diverted to the general culture, particularly among youth during the politically tumultuous 1960s: it was determined to be the cause of a period of cultural upheaval associated with a perceived public health crisis. After decades of quiescence, however, the careful examination of hallucinogens under rigorous and approved research conditions has resumed. This chapter will explore the historical background, neuropharmacology, cultural use, risks of adverse events/addiction, recent renaissance of controlled research, and models for optimal use and implications for the future.