Netflix speaks Arabic, Arabs speak Netflix: How SVOD is transforming Arabic series screenwriting

While subscription of video-on-demand (SVOD) services has become increasingly popular across the world in recent years, the arrival of Netflix to the Arab world was transformational. As it stepped up to produce original Arabic series, Netflix-modelled services from the region proliferated, promising to challenge the existing Arabic series’ (musalsalat) routines in content and form. Since the Arab World is scarcely mentioned in the growing scholarly literature on SVODs, this article attempts to understand how the Arabic TV drama industry is recalibrating to this new transnational co-production context, particularly when it comes to developing series ideas and screenplays. Our aim is to analyse the creative interplay in which these ideas and screenplays are evaluated and developed. To this effect, we draw on original interviews with screenwriters, development producers and creative executives who have worked with Netflix on original Arabic series, as well as those who have worked with Shahid VIP, a Saudi-owned pan-Arab SVOD platform. Informed by the ‘Screen Idea System’ framework that suggests an understanding of the dynamics between the shaping elements of any new idea made for the screen, we explore whether the current business model results in certain cultural narratives and how this affects the perceptions of quality and success of the produced series. Our findings show that transnationalism is instigated by the writers’ perception of a transnational target audience, and is reflected strongly on the levels of production and creative decision-making. Moreover, the systems in which the series of both platforms are developed are in constant negotiations with the musalsalat conventions, while aiming to prompt novelty based on a Western perception of the idea of quality.

Egyptian imaginaries of resistance: Cinematic remembrance of the Suez crisis

Current politics in Egypt has revived the idea of a strong connection between the army, the Egyptian people and its leaders. This imaginary was introduced by Egyptian cinema about the time of the 1952 revolution. In the early days of national independence, the Suez crisis of 1956 in particular holds the symbols and images needed to create the set of semantics supporting this imaginary. Based on theories on national and postcolonial imaginaries, I analyse two Egyptian films on the Suez crisis: Port Said from 1957 and Maliqat al-Bihar (Giants of the Sea) from 1960 including shorter references to other films from the period. By examining the postcolonial semantics of these films, I identify three elements that together retell the Egyptian nation. First, the Suez crisis is pictured as eliminating the colonial enemies due to the actions of strong leaders. Second, a pan-Arab alliance is installed. Third, enemies from within are disconnected from the true Egyptian assessed by loyalty to the nation. The result is a strong imaginary of the correlation between the army, people and in particular its leaders.

Broadcasting and national identity construction in Qatar: The case of Al-Rayyan TV

This research sought to study the contents of Al-Rayyan TV programmes and their relationship to the construction of national identity in Qatar, a task this channel has taken as an editorial line since its inception in 2012. In this article, we present findings of an audience-based exploration of Al-Rayyan TV’s viewership. Fieldwork data was gathered via a base of 720 survey questionnaires from a sample of Qatari society as well as fifteen interviews conducted with experts and social media activists. The aim was to find out respondents’ views about the role of the channel in promoting Qatari identity and culture. Research questionnaires were managed at intervals between August and November 2020. Fieldwork results showed that the surveyed viewers believe that the channel plays a significant role in preserving Qatari national culture and heritage. However, when it comes to rating Qatari TV channels in order of importance, respondents’ favourite TV broadcaster in terms of news and current affairs programmes was Al Jazeera, followed by beIN Sports, Qatar TV, Al-Rayyan TV and finally Al Kass. Research findings also reveal an evident trend among young Qataris and professionals who find social media networks the most convenient platforms to view and share content from Al-Rayyan TV. People watch video clips from the most popular programmes, such as Al-Sabah Rabah, Umm Rashid, Taraheeb and In the Shadows of Doha, among others, which they receive via Twitter, Instagram and Facebook. However, concerns via-à-vis Al-Rayyan TV’s repetitive content and a programme schedule that does not include much entertainment content cannot be missed from viewers’ responses. The dwindling popularity of the channel among Qatari youth is perceived as one such result of its inability to transform itself in the age of digital explosion.

Digital communication and Ramadan at the time of COVID-19

COVID-19 has presented both a health and an information risk with the viral spread of sometimes partial, false or erroneous news. In the Arab region, the media spheres have been saturated with information regarding coronavirus news. From social and traditional media, Arab audiences have been bombarded with a plethora of information, some of which was confusing and contradictory. As coronavirus sweeps across the world, many questions have been raised about the possibility of practicing the rites of the month of Ramadan and to observe fasting by Muslims. With the multiplication of the responses from medical staff, doctors of the law and political representatives, COVID-19 has simultaneously become a health, religious, political and ethical problem for the Muslim world. The premise elaborated so far calls for an in-depth research on the return of news on the official Facebook pages of three online magazines during the coronavirus emergency. The research carries out a qualitative media content analysis of all the news published by three digital ethnic newspapers: The Muslim News (United Kingdom), the Saphir News (France) and the Daily Muslim (Italy). The magazines have undertaken to stem the spread of fake news by offering users data and updates on COVID-19, proposing themselves as authoritative voices and reliable sources of information. Ramadan turns out to be a very central element in the three magazines in different measures, since it is an issue that becomes more and more urgent for the Muslim community as the weeks go by. The centrality of the religious element in the information flows is in line with the centrality of Islam in the individual and community life of the faithful. The health and religious emergency were narrated together providing updates on the daily measures to be put in place. Individuals have been called to face the health emergency stimulated by their sense of responsibility towards others also through religious principles. Social media have played an important role from religious, cultural and social points of view in one of the most important moments of the year for the Islamic community.

Arab online news platforms: Innovating language, narratives, audiences and business models. Experiences from Lebanon and Jordan

This article analyses the rising relevance of online news platforms in the Arab region, particularly those created after the social uprisings that commenced in late 2010 in Tunisia and spread across the southern Mediterranean basin. As the online environment does not contemplate borders, the article refers to the term ‘Arab’, as these initiatives aimed at reaching regional audiences. However, the cases addressed in this article are based only in two countries, Jordan and Lebanon. The research focuses on four specific media start-ups: Raseef22 and Daraj in Lebanon, and 7iber and Sowt in Jordan. The selection of these news platforms integrated in the research exercise was not a simple task as many initiatives of this type were born in the last years such as Al Jumhuriya, MadaMasr and Inkyfada just to mention a few. The author has decided to follow objective aspects such as audience rates, business consolidation, external support from partners and the ability to reach new audiences, particularly young readers, which were not traditionally engaged in conventional media. The methodology to develop the present article has been based on structured interviews with the editors and/or founders of the analysed news platforms together with an analysis of the content that they produce. Research results demonstrate that despite the challenges and the difficulties to become economically sustainable, as well as the continuous political pressures suffered, these initiatives have been able to build unique narratives of unprecedented nature and innovative business models based on international agreements with global organizations. Therefore, they are becoming transformative drivers of journalism and critical thinking across the region, something that was unimaginable just few years ago.

Living with difference: Ontological security and identification of second-generation members of the Nigerian diaspora in Peckham, ‘Little Lagos’, London

This article presents the impact of digital technologies and small media on the second-generation members of the Nigerian diaspora in Peckham (London, United Kingdom). Situated within the larger context of global trends, cultural production and commodification that have become central to contemporary identity articulation, the article argues that cultural production and consumption have become the site of creativity in negotiating multiple attachments for this second-generation offspring of the initial migrants in such a way that living with ‘difference’ has become a part of everyday diasporic experiences. The article shows how second-generation Nigerians in Peckham perform their diasporic identities around the popularity and the inclusion of Afrobeats music, Nollywood films and the representation of ankara clothing styles in the host society and in the global mainstream. It reveals the dialectic interaction between local cultures and global media by showing how digital technologies not only make it possible to connect across space and time but also aid the production of new identities. In contrast to the fear of the older migrants over their perception of non-involvement of young Nigerians in belonging to their homeland, a sense of patriotic pride is demonstrated by their offspring. Insights are drawn from seven-month ethnography of the Nigerian diaspora in Peckham, London. The findings suggest that the inclusion of local artefacts from Nigeria in the host society provides a sense of national pride for the born abroad children in their country of heritage.

Kurdish women and TV journalism in Iraqi Kurdistan: Experiences and strategies

Few studies on female TV journalists in the Middle East have been conducted. Neither have Bourdieu’s theoretical concepts been used to analyse women journalists’ experiences of their professional practice and their strategies for navigating a male-dominated media world in the Middle East. For this unique study, ten Kurdish women journalists that work for six different TV stations in Iraqi Kurdistan were interviewed. Informed by different forms of capital, the thematic analysis revealed four themes that capture the respondents’ experiences and strategies: coping with perceptions of pretty dolls and honorary men; coping with the threat of violence and a bad reputation; coping with the gendered distribution of news assignments; and tackling glass ceilings and unwritten rules. A particularly interesting result of the study was that while the strategies range from proclaiming any news hard news to openly defying orders from the managers, and to claiming that one’s ability to advance depends on having a strong personality, the focus is consistently on individualistic survival strategies. When masculinity and male norms still dominate the contents of symbolic capital, it may result in seemingly counterproductive practices such as the lack of a distinct ‘we’ feeling among women journalists. For women journalists, the cost of transforming their cultural and social capital into symbolic capital that is effective in the journalistic field is affected by both the journalistic field and the society at large, which creates contextually bound obstacles to women journalists in Iraqi Kurdistan.

The Role of the Social Media in Empowering Saudi Women’s Expression, Hend T. Alsudairy (2020)

Review of: The Role of the Social Media in Empowering Saudi Women’s Expression, Hend T. Alsudairy (2020) Newcastle upon Tyne: Cambridge Scholar Publishing, 121 pp., ISBN 978-1-5275-4974-6, 358.30 QAR

Social media and the COVID-19 pandemic: The dilemma of fake news clutter vs. social responsibility

This article examines the relationship between fake news and social media as increasingly important sources of news, at a time when mainstream media no longer have exclusive control over news production and dissemination. It has been evident that few media outlets and professionals tend to draw conflicting news about COVID-19 from social media feeds, which are largely produced by common citizens with mostly no journalism training. This pervasive use makes social media key sources to scores of media outlets for news, whether it is related to COVID-19 or public affairs issues, even though it is susceptible to torrents of credibility and accuracy issues. As a result, of the overwhelming spread of fake news on coronavirus, which is contributing to framing events from several angles, media professionals are now obliged to track and vet information circulating on social media. Due to the scale of disinformation spreading on the Web, it has become imperative that the credibility and accuracy of news is thoroughly verified. Media organizations have already been putting in place various mechanisms to monitor false news. This article will attempt to identify and assess these monitoring efforts in the Arab world. For this purpose, I have put together a list of Arab observatories launched on the internet in order to monitor fake news circulating in relation to COVID-19, and to discuss their methods of monitoring work, in the context of mobilization carried out by governments and many organizations such as the World Health Organization. This article is pinned down on social responsibility approach which helps pave the way the different propositions to combat fake news and avoid abuses in social media uses. This article proposes an evaluation of the monitoring initiative via-a-vis fake news and proposes a set of guidelines for improving the work of such monitoring bodies. Hence, this research reveals that social media outlets have diversified their goals to match the power of the conventional media in disseminating information and bringing up issues for debate. However, in the light of the framework of social responsibility, social media actors have to constantly develop a set of ethical practices to be observed by users, establish codes of conduct regulating content production, and lay down a code of integrity to assure accuracy in news and information transmission.

Insta-hate: An exploration of Islamophobia and right-wing nationalism on Instagram amidst the COVID-19 pandemic in India

The COVID-19 pandemic has brought to light a crisis of racism and violence on social media by right-wing nationalists in India. Twitter and Instagram have become the online spaces to spew misinformation about the pandemic. Instagram pages such as Hindu_Secret and Hindu_he_hum have been unrelenting and vicious in spreading Islamophobic campaigns using the COVID-19 pandemic. This has opened up opportunities for targeting the Muslim community in India. This study positioned itself within the theoretical framework of Stuart Hall’s encoding and decoding theory to uncover the visual and textual codes used to create stigma and blatant stereotypes that dehumanize and demonize certain communities using social media. This is an explorative inquiry that engaged in a semiotic analysis of the Instagram pages of Hindu_Secret and Hindu_he_hum. The study found encoded stereotypes of threat in the use of colour, religious structures, clothes and other physical markers of cultural identity in generating content for Islamophobia. Coronavirus was portrayed to have Islamic parentage in the memes; thus, it portrayed the Muslim community of nurturing and intentionally spreading the virus across India.