The Social Construct of Value and Its Significance in the Development of “The Productivity Paradox of the New Digital Economy”

2021 ◽  
pp. 993-1002
Author(s):  
Evgeniya K. Karpunina ◽  
Elena A. Yurina ◽  
Maryna V. Andryiashka ◽  
Maria E. Konovalova ◽  
Olga D. Kosorukova
Keyword(s):  
Digital Economy ◽  
Social Construct ◽  
Productivity Paradox ◽  
The Social

The Alluring Nature of Children's Culture: Fairy Tales, the Carnival and the World Wide Web

2015 ◽  
Vol 8 (2) ◽  
pp. 169-184
Author(s):  
Željka Flegar
Keyword(s):  
Children's Literature ◽  
Fairy Tales ◽  
Fairy Tale ◽  
Mikhail Bakhtin ◽  
Children’S Literature ◽  
Social Construct ◽  
Time Out ◽  
The Social ◽  
Children's Culture ◽  
Language And Ideology

This article discusses the implied ‘vulgarity’ and playfulness of children's literature within the broader concept of the carnivalesque as defined by Mikhail Bakhtin in Rabelais and His World (1965) and further contextualised by John Stephens in Language and Ideology in Children's Fiction (1992). Carnivalesque adaptations of fairy tales are examined by situating them within Cristina Bacchilega's contemporary construct of the ‘fairy-tale web’, focusing on the arenas of parody and intertextuality for the purpose of detecting crucial changes in children's culture in relation to the social construct and ideology of adulthood from the Golden Age of children's literature onward. The analysis is primarily concerned with Roald Dahl's Revolting Rhymes (1982) and J. K. Rowling's The Tales of Beedle the Bard (2007/2008) as representative examples of the historically conditioned empowerment of the child consumer. Marked by ambivalent laughter, mockery and the degradation of ‘high culture’, the interrogative, subversive and ‘time out’ nature of the carnivalesque adaptations of fairy tales reveals the striking allure of contemporary children's culture, which not only accommodates children's needs and preferences, but also is evidently desirable to everybody.

The identity policy and its effect in the stability of Middle East after 2010

2019 ◽  
pp. 434
Author(s):  
Ali Hussein Kadhim Alesammi
Keyword(s):  
Middle East ◽  
International Relations ◽  
Social Construct ◽  
Stability And Instability ◽  
The Social ◽  
The Stability ◽  
International Interactions ◽  
Regional Interests ◽  
Political Groups ◽  
Identity Policy

Since 2010 Middle East have many events or what they call "Arab spring events" which it result of overthrow governments and the rise of new political groups, all of this elements was resulting of many international and regional activities and making new regional and international axles, as well as the intersections of the different regional interests, therefore this research will try to study the stability and instability in the region as an independent variable not according to the neorealism or neoliberalism theories, but according to the constructivism theory which it base their assumptions on:  "In the international relations the non-physical structures of international interactions are determined by the identities of the players, which in turn determine the interests that determine the behavior of international players." So the research questions are: 1-What is the identity policy and haw affect in international relations? 2-How the social construct affect in international relations? 3-How the elite's identities for the main actors in the Middle East affect in the regional axles?  

Performing Masculinity and the Crisis of Transclass Man in August Wilson’s Drama

2019 ◽  
Vol 15 (2) ◽  
Author(s):  
Khatija Bibi Khan ◽  
Owen Seda
Keyword(s):  
Social Identity ◽  
Social Values ◽  
Social Construct ◽  
Cultural Experience ◽  
Great Cost ◽  
Social Milieu ◽  
Male Characters ◽  
The Social ◽  
North End

Feminist critics have identified the social constructedness of masculinity and have explored how male characters often find themselves caught up in a ceaseless quest to propagate and live up to an acceptable image of manliness. These critics have also explored how the effort to live up to the dictates of this social construct has often come at great cost to male protagonists. In this paper, we argue that August Wilson’s Ma Rainey’s Black Bottom and Joe Turner’s Come and Gone present the reader with a coterie of male characters who face the dual crisis of living up to a performed masculinity and the pitfalls that come with it, and what Mazrui has referred to as the phenomenon of “transclass man.” Mazrui uses the term transclass man to refer to characters whose socio-economic and socio-cultural experience displays a fluid degree of transitionality. We argue that the phenomenon of transclass man works together with the challenges of performed masculinity to create characters who, in an effort to adjust to and fit in with a new and patriarchal urban social milieu in America’s newly industrialised north, end up destroying themselves or failing to realise other possibilities that may be available to them. Using these two plays as illustrative examples, we further argue that staged masculinity and the crisis of transclass man in August Wilson’s plays create male protagonists who break ranks with the social values of a collectively shared destiny to pursue an individualistic personal trajectory, which only exacerbates their loss of social identity and a true sense of who they are.

scholarly journals Social Representations of Physical Disability in a Professional Environment

2021 ◽  
pp. 193672442098296
Author(s):  
Bernardeau-Moreau Denis
Keyword(s):  
Physical Disability ◽  
Social Representations ◽  
Social Construct ◽  
The Social ◽  
Professional Environment

Our article addresses disability as a social construct. More precisely, our intention is to see to what degree practices and exchange and interaction situations operate on social representations of physical disability in professional environments. Our aim is to provide some elements for reflection with regard to the imagined issues of physical disability in the workplace by focusing, in particular, on the social representations that they trigger among employees and managers who work with disabled colleagues on a day-to-day basis.

scholarly journals Twenty years of unnecessary forward slashes: towards a post-ontological critique of Tim Berners-Lee's evolving aspirations for the Web and the World Wide Web Consortium from the cultural studies perspective

2021 ◽  
Author(s):  
Michael Dick
Keyword(s):  
World Wide Web ◽  
Cultural Studies ◽  
World Wide ◽  
Technological Determinism ◽  
Uniform Resource Identifier ◽  
Social Construct ◽  
The Social ◽  
The World ◽  
Alternative Means ◽  
The Web

Since it was first formally proposed in 1990 (and since the first website was launched in 1991), the World Wide Web has evolved from a collection of linked hypertext documents residing on the Internet, to a "meta-medium" featuring platforms that older media have leveraged to reach their publics through alternative means. However, this pathway towards the modernization of the Web has not been entirely linear, nor will it proceed as such. Accordingly, this paper problematizes the notion of "progress" as it relates to the online realm by illuminating two distinct perspectives on the realized and proposed evolution of the Web, both of which can be grounded in the broader debate concerning technological determinism versus the social construction of technology: on the one hand, the centralized and ontology-driven shift from a human-centred "Web of Documents" to a machine-understandable "Web of Data" or "Semantic Web", which is supported by the Web's inventor, Tim Berners-Lee, and the organization he heads, the World Wide Web Consortium (W3C); on the other, the decentralized and folksonomy-driven mechanisms through which individuals and collectives exert control over the online environment (e.g. through the social networking applications that have come to characterize the contemporary period of "Web 2.0"). Methodologically, the above is accomplished through a sustained exploration of theory derived from communication and cultural studies, which discursively weaves these two viewpoints together with a technical history of recent W3C projects. As a case study, it is asserted that the forward slashes contained in a Uniform Resource Identifier (URI) were a social construct that was eventually rendered extraneous by the end-user community. By focusing On the context of the technology itself, it is anticipated that this paper will contribute to the broader debate concerning the future of the Web and its need to move beyond a determinant "modernization paradigm" or over-arching ontology, as well as advance the potential connections that can be cultivated with cognate disciplines.

scholarly journals RELIGION AND RELATIONS BETWEEN GENDERS

2008 ◽  
Vol 2 (1) ◽  
pp. 145-158
Author(s):  
Miroljub Jevtić
Keyword(s):  
Religious Tradition ◽  
Social Construct ◽  
Contemporary World ◽  
Legal Structure ◽  
Political Relations ◽  
Positive Rights ◽  
The Social ◽  
The World ◽  
Familial Relations

Contemporary world rests on an idea of an inalienable equality regardless of one’s faith, ethnicity or race. An important factor that impacts such inalienable equality is religion. Religions have a well developed view of the world and society that includes detailed arrangements between genders. In some religions, the legal social construct is very much related to the theology. These religions demand that the rules of familial relations acquire the power of positive rights. It is through these channels that religious tradition and practice become part of a legal structure in some parts of the world. The consequences are felt on the social and political relations between genders as well as on relations between religions in those societies.

scholarly journals The Need for Shared Nomenclature on Racism and Related Terminology in Psychology

2021 ◽  
Vol 16 (5) ◽  
pp. 886-892
Author(s):  
Angela M. Haeny ◽  
Samantha C. Holmes ◽  
Monnica T. Williams
Keyword(s):  
Clinical Research ◽  
Negative Impact ◽  
Racial Microaggressions ◽  
The United States ◽  
Multiple Forms ◽  
Social Construct ◽  
Racial Hierarchy ◽  
The Social ◽  
The Many ◽  
The Impact

With the increased desire to engage in antiracist clinical research, there is a need for shared nomenclature on racism and related constructs to help move the science forward. This article breaks down the factors that contributed to the development and maintenance of racism (including racial microaggressions), provides examples of the many forms of racism, and describes the impact of racism for all. Specifically, in the United States, racism is based on race, a social construct that has been used to categorize people on the basis of shared physical and social features with the assumption of a racial hierarchy presumed to delineate inherent differences between groups. Racism is a system of beliefs, practices, and policies that operate to advantage those at the top of the racial hierarchy. Individual factors that contribute to racism include racial prejudices and racial discrimination. Racism can be manifested in multiple forms (e.g., cultural, scientific, social) and is both explicit and implicit. Because of the negative impact of racism on health, understanding racism informs effective approaches for eliminating racial health disparities, including a focus on the social determinants of health. Providing shared nomenclature on racism and related terminology will strengthen clinical research and practice and contribute to building a cumulative science.

scholarly journals Dom jako miejsce emocjonalne

2018 ◽  
Vol 62 (3) ◽  
pp. 191-208
Author(s):  
Małgorzata Kubacka
Keyword(s):  
Public Sphere ◽  
Everyday Life ◽  
Social Order ◽  
Social Conditions ◽  
Social Construct ◽  
Emotional Dimension ◽  
The Social ◽  
Emotional Work ◽  
Private And Public ◽  
And Control

The aim of this article is to show the home as an emotional place. The sphere of social conditions, which has been neglected until recently, can help explain emotion as a social construct. Many researchers have pointed to the emotional dimension of the experience of the home and living practices. A home is a complex place, a conglomerate of three aspects: material, symbolic, and relational. The experience of domesticity can be considered to have multiple aspects and to be variable. Taking emotions into account enables a fuller understanding of the duality of household practices, in connection with both their “function” and their role in creating, recreating, and changing the rules of the social order. In this sense, a home is located between the private and public sphere, emotional authenticity and emotional work, freedom and control, socialization and de-socialization, everyday life and celebration.

Drawing Down the Moon: Defining Magic in the Ancient Greco­Roman World

2019 ◽  
pp. 1-34
Author(s):  
Radcliffe G. Edmonds III
Keyword(s):  
Cultural Tradition ◽  
The Moon ◽  
Social Construct ◽  
Perceived Efficacy ◽  
Roman World ◽  
Greco Roman ◽  
The Social ◽  
Definition Of ◽  
Over Time

This introductory chapter provides a definition of magic. One of the most useful adjustments in the recent scholarship on magic has been the turn to considering magic as a dynamic social construct, instead of some particular reality. Magic is not a thing, but a way of talking. Thus, magic is a discourse pertaining to non-normative ritualized activity, in which the deviation from the norm is most often marked in terms of the perceived efficacy of the act, the familiarity of the performance within the cultural tradition, the ends for which the act is performed, or the social location of the performer. Such a discourse always has a history, since such a way of talking about things shifts over time as different people do the talking. When one speaks of “magic,” therefore, one should always explain: “magic for whom?” Any specific piece of evidence from the ancient Greco-Roman world provides an example of magic for that particular person, from one particular perspective. To speak of “magic in the ancient Greco-Roman world” is thus to refer to the whole range of things that various people in those cultures during those times could label as “magic.” The chapter then considers the act of drawing down the moon.

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