Design Process of Public Space and Its UN Mandate Framework

Author(s):  
Beatrice Galimberti
Keyword(s):  
2021 ◽  
Vol 14 ◽  
pp. 56-71
Author(s):  
Kai Cao ◽  
Chunmei Wei ◽  
Qiannan Liang

Traditional museum space design is generally limited to cost and engineering volume, and follows the conventional unified design process of large-scale space fixtures, isolating the design contents of space hard decoration and internal soft decoration and display, and even flood lighting intelligence, lacking unified overall consideration and response. The disjointed design in the early stage led to a large number of space contradictions in the exhibition placement and actual use and operation after the completion of the hard installation and delivery. The intervention of new media art changes the traditional exhibition form. At the same time, the traditional public space design process also begins to change because the exhibition activity of new media art forms has many requirements such as technology, process, material, sound and light, and even environmental psychological effect on the space form and scale. Based on case studies of different characteristics, this paper summarizes the systematic design methods of new media art's involvement in the hard installation of museum exhibition space from three dimensions of spatial layout, spatial form and spatial scope.


2021 ◽  
Author(s):  
◽  
Izack Franklin

<p>My research begins with an investigation into existing public space to reveal its appropriation and determinants to determine if the site is successful or not. These findings will inform the design research through introducing small interventions which create new site qualities.  This research aims to find what influences use and appropriation within public space. Observations of the determinants and qualities of different sites, will lead to the identification of key aspects, the discoverings will be analysed to determine what makes a public space successful or unsuccessful.  The objective is to use these discoveries to introduce a change in the design process through developing ideas that amplify the surrounding existing environment/ structures.  I aim to use designed and non-designed elements that reconfigure the way users manipulate space. I was offered an opportunity to work with a kindergarten (Awatea Kindergarten) as a case study to test my findings.  Findings from the design research highlight how the introduction of new elements into a space, can reconfigure the existing area and amplify those existing natural elements into the design.</p>


2021 ◽  
Vol 933 (1) ◽  
pp. 012036
Author(s):  
S P Anggraini

Abstract Physical distancing is part of the design process affected by the spread of Covid-19. 4 work precedents use physical distancing due to the Covid-19 as part of the problem that must be overcome by adapting and finding new design strategies. This paper analyses a precedent study on a public space design proposal designed for post-Covid-19. This paper aims to provide an overview of the design strategy concept to become a design reference as a solution to Covid-19 Pandemic. The method used in this paper is a precedent method by analysing the case studies that relate between public space and physical distancing with placemaking and physical elements. The results of this paper show that the various functions of the public space proposal show a variety of design approaches in the form of public with considering the physical distancing.


2018 ◽  
Vol 3 (6) ◽  
pp. 147
Author(s):  
Mohamed Ikhwan Nasir Mohamed Anuar ◽  
Masran Saruwono

Designer’s job is no longer to produce unalterable solutions; the fact that there is a need to consult the end users in the design process has been discussed in various literatures. Previous works on public participation have given the depiction of very low public participation. This study is about establishing the obstacles of public participation in the design process of public parks as perceived by landscape architects. Six main factors that are detrimental to public participation were extracted and assessed by representatives from landscape consulting. Data was descriptively analyzed and the results have shed some light regarding the main obstacles. Keywords: Public Participation; Landscape; Public Space; Public Parks eISSN 2514-7528 © 2018. The Authors. Published for AMER ABRA cE-Bs by e-International Publishing House, Ltd., UK. This is an open-access article under the CC BY-NC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer–review under responsibility of AMER (Association of Malaysian Environment-Behaviour Researchers), ABRA (Association of Behavioural Researchers on Asians) and cE-Bs (Centre for Environment-Behaviour Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia.


2021 ◽  
pp. 193
Author(s):  
Anisa Fitri ◽  
Naniek Kohdrata ◽  
Anak Agung Gede Sugianthara

Conceptual Design of Mumbul Christian Cemetery Badung Regency, Bali. Mumbul Christian Park has a land area of 1.6 ha and is located in a residential area. This study aims to identify the characteristics of the Mumbul Christian Cemetery, analyze and synthesize the potential and constraints on the site. This study useda survey method with data collection techniques through observation, interviews, and literature study. This study uses the Simonds (1996) design process stage method. The design process is divided into four stages, namely: Research, Analysis, Syntesis, and Design Plan. The division of space zones on the site is based on a concept that is in accordance with the meaning of death in Christianity, namely the zone of birth, the zone of temporary life and the zone of eternal life. The concept of Paradise of Memorial Park is the concept of a park as a garden of memories as well as a public space. The results of this research design can be used as a reference for thought and consideration in designing the landscape site and in other tomb garden areas.


2001 ◽  
Vol 11 (1) ◽  
pp. 136-142
Author(s):  
Pauline Hurley-Kurtz

There are growing employment opportunities in the burgeoning landscape industry for well trained, ecologically sensitive landscape designers. This paper describes an approach to beginning design for horticulture and landscape architecture students at Temple University's Ambler, Pa., campus, where the emphasis is on teaching design process and principles within an ecological framework. Preliminary exercises focus on an examination of landscape values, the application of design principles and the study of design precedent. Students then apply principles learned within an ecological design process as they design a campus garden or public space.


Author(s):  
Juan Alejandro Saldarriaga

Resumen: El proceso de diseño para el CCVA comienza con dos frases que escribe Le Corbusier durante su primera visita al sitio en 1959. Sólo cinco meses después hace los primeros dibujos. De ahí la relación de este edificio con la sintaxis, si ésta se entiende como la búsqueda del orden y de la relación de los espacios. La sintaxis se observa aquí desde las primeras imágenes literarias hasta el nivel de definición de la forma, en el que se usan maquetas esquemáticas y desarmables, así como recortes de las áreas requeridas por el programa, con los que se experimenta de diversas maneras en un plano del sitio. Además de su interés persistente por diversos tipos de circulación, esta metodología emparenta al edificio con algunos proyectos de Le Corbusier donde también hace uso de los diagramas funcionales, o "diagrammes à bulles", como él los llama. El mismo tipo de diagrama fue usado más tarde por Bill Hillier en un método para analizar la arquitectura que llamó la "sintaxis espacial". Este método, además de analizar el orden y la relación de los espacios, permite entender su permeabilidad con el espacio público. Al ser un edificio atravesado por una ruta pública, y al iniciarse con imágenes literarias, se hace pertinente verlo a través de su sintaxis espacial. Abstract: The design process for the CCVA begins with two phrases that Le Corbusier writes during his first visit to the site in 1959. Only five months later the first drawings appear. Hence the relationship of the building with the syntax, if this is understood as the search for the order and the relationships in space. The syntax is observed here from the first literary images up to the definition of the form, in which schematic architectural models are used, but also cut-out areas required by the program, which are disposed in different ways on a site plan. In addition to his persistent interest in various types of movement, this methodology can also be seen in other projects where Le Corbusier also makes use of functional diagrams, or as he calls them: "diagrammes à bulles ". The same kind of diagram was used later by Bill Hillier in a method for analyzing architecture that he called the "space syntax". This method, in addition to analyzing the order and the relationship of spaces, can help to understand their permeability with respect to public space. As a building crossed by a public path, and as design process that starts with literary images, it becomes relevant to see it through its spatial syntax.  Palabras clave: Le Corbusier; diagrama, sintaxis espacial; espacio público; métodos de creación. Keywords: Le Corbusier; diagram, space syntax; public space; creation methods. DOI: http://dx.doi.org/10.4995/LC2015.2015.888


2019 ◽  
Vol 4 (2) ◽  
pp. 237-248 ◽  
Author(s):  
Peter J. Ellery ◽  
Jane Ellery

The concept of community involvement and the effect that the act of “making” has on the community itself is a key consideration in the placemaking discussion (Project for Public Spaces, 2015a; Silberberg, Lorah, Disbrow, &amp; Muessig, 2013). From a historical perspective, community development has been placed in the hands of individuals who are considered experts in the creative process. This approach often results in targeted criticism of the proposed development by the host community and a lack of trust in the motives and priorities of the professionals involved (Nikitin, 2012) and diminishes community involvement in the development of public space, a practice that empowers communities and fosters a sense of place among community members. This article discusses the theoretical foundations of community participation and the value of coproduction in the planning and design process, explores the role of placemaking as a strategy for developing a host community’s sense of place, and proposes a continuum of placemaking strategies based on Arnstein’s ladder of citizen participation to increase the likelihood that a sense of place within the host community will be developed as an outcome of the planning and design process. This continuum is designed to help planning and design professionals better understand how they might include the community in a co-produced process and to highlight the degree to which a placemaking approach to community planning and design promotes a sense of place as an outcome of the process.


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