A brief history of space and time: The scope-year index as a patent value indicator based on families and renewals

2008 ◽  
Vol 75 (2) ◽  
pp. 319-338 ◽  
Author(s):  
Bruno van Pottelsberghe de la Potterie ◽  
Nicolas van Zeebroeck
2020 ◽  
pp. 45-53
Author(s):  
Vadym Skurativskyi

The genesis of cinema (in 1890) is immediately accompanied by the almost global resonance around the "moving picture", a rather unusual communicative phenomenon. Unfortunately, all the root causes of the resonance have not yet been sufficiently studied. Today, however, given the achievements of a whole range of humanities and (not only) scientific disciplines, it becomes obvious that the "moving picture" invented by engineers Edison and the Lumière brothers arises, above all, as an upgrade to completely new aesthetic, technological and other settings of human culture of the ancient phenomenon of socalled "original syncretism". It is as if the breakdawn of the artistic and generally semiotic-communicative culture of the humanity. That syncretism combines all the receptive means of a man to create a holistic space-and-time picture of the world. The "moving picture", which characteristically arose almost synchronously with the advent of the efforts of the science of the time (the school of Academician Alexander Veselovsky and others) around the phenomenon of original syncretism with a surprising sequence restores decisively the whole semiotic sum of it — but clearly, on a completely new so-called technological basis. Accordingly, this circumstance immediately casts a new cognitive light on the whole history of the "moving picture" — from its debut to our present.


2021 ◽  
Vol 41 (1) ◽  
pp. 88-105
Author(s):  
Natalie Koch

Abstract In 2014 the largest dairy company in the Middle East, Almarai, purchased a farm near Vicksburg, Arizona, to grow alfalfa as feed for cattle in Saudi Arabia. Almarai is headquartered at Al Kharj farms, just outside of Riyadh, where it has a herd of more than 93,000 milk cows. Given that dairy and alfalfa farms both require an immense amount of water to maintain, what explains these developments in the deserts of Arizona and Arabia? The answers are historical and contemporary, demanding an approach to “desert geopolitics” that explains how environmental and political narratives bind experts across space and time. As a study in political geography and environmental history, this article uncovers a geopolitics of connection that has long linked the US Southwest and the Middle East, as well as the interlocking imperial visions advanced in their deserts. To understand these arid entanglements, I show how Almarai's purchase of the Vicksburg farm is part of a genealogy of exchanges between Saudi Arabia and Arizona that dates to the early 1940s. The history of Al Kharj and the decades-long agricultural connections between Arizona and Saudi Arabia sheds light on how specific actors imagine the “desert” as a naturalized site of scarcity, but also of opportunity to build politically and economically useful bridges between the two regions.


2021 ◽  
Vol 1 (2) ◽  
pp. 80-87
Author(s):  
Toji Omonovich Norov ◽  

The universe, the space that make up their basis planets in it, their creation, the main essence of their creation, form, composition, meaning, movements, interactions, their influence on human life and activities, the role of man in the universe and in life on Earth, life, the criteria of activity and processes occurring in time and space have long been of interest to humanity. One of the main problems in the history of philosophy is the question of space and time. This problem was defined in different ways in the great schools of thought by thinkers of different periods. One of these great thinkers is Alisher Navoi. Navoi's works, along with other socio-philosophical themes, uniquely express and analyze the problems of the firmament and time. Its main feature is that it is based on the divine (pantheistic) religion, Islam, its holy book, the Koran and other theological sources, as well as on the secrets of nature and the Universe, the main miracle of Allah - human intelligence, the power of enlightenment, they are the key revealing all these secrets.


Author(s):  
Holly Walters

The history of Mustang, Nepal is complicated and can vary significantly depending on the textual sources one uses. For local Mustangis and pilgrims, however, issues of place, space, and time are a vital part of what it means to be Hindu or Buddhist as well as Nepali, Indian, or Tibetan, even though these categories remain continuously blurred and fluid. Beginning with the paleontological history of Mustang’s extensive fossil formations and ending with an overview of the political history of the region, this chapter focuses on the ways in which historical narratives have affected access to the Kali Gandaki River Valley, and to Shaligrams specifically, since the earliest days.


2016 ◽  
Vol 130 (2) ◽  
pp. 146 ◽  
Author(s):  
William D. Halliday

Diet is an important aspect of the natural history of all animals, but diet can vary through space and time because of variations in prey availability. The diet of the Common Gartersnake (Thamnophis sirtalis) consists mainly of earthworms and frogs, but other prey items might be important when they are locally abundant. I report an observation of a female Eastern Gartersnake (Thamnophis sirtalis sirtalis) regurgitating 2 nestling birds in Ottawa, Ontario, Canada. Birds are seldom present in the diet of the Common Gartersnake. This rare food choice highlights the opportunistic nature of foraging by adult Common Gartersnakes and, further, demonstrates that diet depends not only on prey preference, but also on prey availability.


2008 ◽  
Vol 24 (3) ◽  
pp. 222-228 ◽  
Author(s):  
Jerzy Limon

Time structures are essential to any analysis of drama or theatre performance, and in this article Jerzy Limon takes the final scene from Tom Stoppard's Arcadia as an example to show that non-semantic systems such as music gain significance in the process of stage semiosis and may denote both space and time. The scene discussed is particularly complex owing to the fact that Stoppard introduces two different time-streams simultaneously in one space. The two couples presented dance to two distinct melodies which are played at two different times, and the author explains how the playwright avoided the confusion and chaos which would have inevitably resulted if the two melodies were played on the stage simultaneously. Jerzy Limon is Professor of English at the English Institute at the University of Gdańsk. His main area of research includes the history of English drama and theatre in the sixteenth and seventeenth centuries, and various theoretical aspects of theatre. His most recent works, published in 2008, include a book on the theory of television theatre, Obroty przestrzeni (Moving Spaces), two chapters in books, and articles in such journals as Theatre Research International, Shakespeare Jahrbuch, Journal of Drama Theory and Criticism, and Cahiers élisabéthains.


1991 ◽  
Vol 27 (1) ◽  
pp. 39-48 ◽  
Author(s):  
Robin Le Poidevin

Could a theory concerning the temporal structure of the universe have any implications for the possibility of a creator? A recent remark by Stephen Hawking suggests that it could. In A Brief History of Time, Hawking writes:The idea that space and time may form a closed surface without boundary … has profound implications for the role of God in the affairs of the universe… So long as the universe had a beginning, we could suppose it had a creator. But if the universe is really completely self-contained, having no boundary or edge, it would have neither beginning nor end: it would simply be. What place, then, for a creator?


2021 ◽  
pp. 38-50
Author(s):  
Andrei Gennadievich Ivanov

This article is dedicated to examination of the dynamic aspect and mythological dimension of social memory. The structure of the latter distinguishes the two levels – “archaic” and ”conjunctural”. The “archaic” level plays a determinant role for the current functionality of mythology , including the mythology of family memory, which is interrelated with such spheres of everyday life as life, work, and recreation). The transformation of family mythology is viewed on the example of manifestation of myth-containing phenomena, such as the sacred leader (hero) and the victim, in everyday life. The following changes are indicated: the representations on causality and ratio between the part and the whole are imparted sacred meaning, while the representations on space and time are being rationalized. The systematic approach was applied towards studying the mythology of family memory. The theoretical conclusions are reinforced by the results of analysis of a series of narrative interviews conducted among the residents of Lipetsk Region about the history of their families. It is established that the basic (constitutive) events for the mythology of family memory indicate more abstract and profound phenomena (for example, hero or victim) than for the social memory. Special work is required for identification of these phenomena and further reconstruction of the mythology of family memory in each particular case. Special attention is given to observations of one of the respondents on the miracle as the phenomenon immanently inherent in life.


Author(s):  
Andrea Reichenberger

The following article describes a pilot study on the possible integration of digital historiography into teaching practice. It focuses on Émilie Du Châtelet’s considerations of space and time against the background of Leibniz’s program of analysis situs. Historians have characterized philosophical controversies on space and time as a dichotomy between the absolute and relational concepts of space and time. In response to this, the present case study pursues two aims: First, it shows that the common portrayal simplifies the complex pattern of change and the semantic shift from absolute-relational concepts of space and time to invariance and conservation principles. Second, against this background, I present the Online Reading Guide on Émilie Du Châtelet’s Foundations of Physics, a teaching and research project designed to help navigate Du Châtelet’s Institutions physiques (1740/42). This project makes Du Châtelet’s important text visible to a broad audience and allows for a more critical and deeper view on classical topics of the history of philosophy and science in a more accessible way than traditional introductions.


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