The Sound of Politics in Early Nineteenth-Century Ireland

2021 ◽  
Vol 60 (2) ◽  
pp. 389-402
Author(s):  
Katie Barclay

AbstractIn the early 1800s, Jonah Barrington, an Irish judge, bemoaned that the air chosen as the march for the Irish Volunteer Movement had “no merit whatever, being neither grand, nor martial, nor animating,” contrasting it with the zeal of French revolutionary music. The emotional impact of music might be a matter of taste, but such a statement is suggestive of an aesthetics, where political music, or music used for political purposes, should have specific qualities that could be identified and judged by listeners. This article explores how people in late eighteenth- and early nineteenth-century Ireland identified music as political, using theories of the effects and affects of sound during the period and a corpus of Irish political music as an access point into historical experiences of musical enjoyment. While the impacts of music on the body are challenging for historians to retrieve, scholarship from the history of emotions highlights the important role of normative frameworks of emotion in accessing embodied experience. Working from this perspective, this article argues that we can begin to access the sound of politics for audiences of this period, contributing to our understanding of the role of music in political life.

Author(s):  
Sarah Collins

This chapter examines the continuities between the categories of the “national” and the “universal” in the nineteenth century. It construes these categories as interrelated efforts to create a “world” on various scales. The chapter explores the perceived role of music as a world-making medium within these discourses. It argues that the increased exposure to cultural difference and the interpretation of that cultural difference as distant in time and space shaped a conception of “humanity” in terms of a universal history of world cultures. The chapter reexamines those early nineteenth-century thinkers whose work became inextricably linked with the rise of exclusivist notions of nationalism in the late nineteenth century, such as Johann Gottfried Herder and John Stuart Mill. It draws from their respective treatment of music to recover their early commitment to universalizable principles and their view that the “world” is something that must be actively created rather than empirically observed.


2021 ◽  
Vol 73 (3) ◽  
pp. 255-269
Author(s):  
Waïl S. Hassan

Abstract According to a well-known narrative, the concept of Weltliteratur and its academic correlative, the discipline of comparative literature, originated in Germany and France in the early nineteenth century, influenced by the spread of scientism and nationalism. But there is another genesis story that begins in the late eighteenth century in Spain and Italy, countries with histories entangled with the Arab presence in Europe during the medieval period. Emphasizing the role of Arabic in the formation of European literatures, Juan Andrés wrote the first comparative history of “all literature,” before the concepts of Weltliteratur and comparative literature gained currency. The divergence of the two genesis stories is the result of competing geopolitical interests, which determine which literatures enter into the sphere of comparison, on what terms, within which paradigms, and under what ideological and discursive conditions.


Author(s):  
Bill Jenkins

The introduction sets the scene by exploring the role of Edinburgh as a centre for the development and propagation of pre-Darwinian evolutionary theories. It gives essential background on natural history in the Scottish capital in early nineteenth century and the history of evolutionary thought and outlines the aims and objectives of the book. In addition, it explores some of the historiographical issues raised by earlier historians of science who have discussed the role of Edinburgh in the development of evolutionary thought in Great Britain.


Author(s):  
Michelle McCann

This chapter examines the function, status and qualifications of the men that served in the role of county coroner in Ireland in the first half of the nineteenth century. This remains an under-researched area when compared to other local government figures of authority. The history of the office exposes tensions within a politically polarised society and the need for changes in legislation. A combination of factors initially undermined the social standing and reputation of coroners. An examination of the legislation on coroners that the administration subsequently introduced suggests that the authority of the office in early-nineteenth-century Ireland was not strictly jurisprudential, but political and confessional by nature. By analysing the personal background, work experience, social standing, political alliances and religious patronage of coroner William Charles Waddell (1798-1878), the paper charts the wider social and political narrative that allowed this eminently respectable Presbyterian figure to secure the role of coroner of County Monaghan.


Author(s):  
U.A. Nebesnyuk

The article presents the analysis of composition, forms and functions of a calendar as a cumulative text of mass media in the ethnic culture of Germany from the mid-fifteenth until the early nineteenth century. It was revealed that, in connection with the growing role of narrative entertainment part since the 10s of the nineteenth century and the politicization of social consciousness during the great French Revolution, the calendar as a truly national medium of information has been undergone literarization, having lost its original meaning. Calendar stories have formed an independent literary genre which had received the name «Kalendergeschichte» in German tradition.


1989 ◽  
Vol 28 (1) ◽  
pp. 23-42 ◽  
Author(s):  
J. A. Jaffe

The role of evangelical religion in the social history of the English working class has been an area of both bewildering theories and un-founded generalizations. The problem, of course, was given a degree of notoriety by Elie Halévy who, according to the received interpretation, claimed that the revolutionary fervor characteristic of the Continental working class in the first half of the nineteenth century was drained from its British counterpart because of the latter's acceptance of Evangelicalism, namely, Methodism.It was revived most notably by E. P. Thompson, who accepted the counterrevolutionary effect of Methodism but claimed that the evangelical message was really an agent of capitalist domination acting to subordinate the industrial working class to the dominion of factory time and work discipline. Furthermore, Thompson argued, the English working class only accepted Methodism reluctantly and in the aftermath of actual political defeats that marked their social and economic subordination to capital. This view has gained a wide acceptance among many of the most prominent labor historians, including E. J. Hobsbawm and George Rudé who believe that Evangelicalism was the working-class's “chiliasm of despair” that “offered the one-time labour militant … compensation for temporal defeats.”There could hardly be a starker contrast between the interpretation of these labor historians and the views of those who have examined the social and political history of religion in early industrial Britain. Among the most important of these, W. R. Ward has claimed that Methodism was popular among the laboring classes of the early nineteenth century precisely because it complemented political radicalism.


2012 ◽  
Vol 25 (1) ◽  
pp. 49-71 ◽  
Author(s):  
Paul White

ArgumentDarwin's narrative of the earthquake at Concepción, set within the frameworks of Lyellian uniformitarianism, romantic aesthetics, and the emergence of geology as a popular science, is suggestive of the role of the sublime in geological enquiry and theory in the early nineteenth century. Darwin's Beagle diary and later notebooks and publications show that the aesthetic of the sublime was both a form of representing geology to a popular audience, and a crucial structure for the observation and recording of the event from the beginning. The awesome spectacle of the earthquake proved in turn the magnitude of the forces at stake in earth history, and helped to make geology an epic conjoining the history of civilization with the history of the earth.


The Forum ◽  
2017 ◽  
Vol 15 (4) ◽  
pp. 685-709
Author(s):  
Daniel Schlozman ◽  
Sam Rosenfeld

Abstract This article pursues a developmental understanding of American parties as autonomous and thick collective actors through a comparison of four key historical actors we term “prophets of party”: partisans of the nineteenth-century Party Period; Progressive reformers; mid-twentieth century liberal Democrats; and activists in and around the body popularly known as the McGovern-Fraser Commission. Leading theories portray political parties as the vehicles either of ambitious politicians or of groups eager to extract benefits from the state. Yet such analyses leave underdetermined the path from such actors’ desires for power to the parties’ wielding of it. That path is mediated by partisan forms and practices that have varied widely across institutional and cultural context. As parties search for electoral majority, they do so in the long shadow of ideas and practices, layered and accreted across time, concerning the role of parties in political life. We analyze four such prophesies, trace their layered contributions to their successors, and reflect on their legacy for contemporary party politics.


2017 ◽  
Vol 51 (2) ◽  
pp. 350-374 ◽  
Author(s):  
SAMIRA SHEIKH

AbstractBy examining the career of a woman agrarian entrepreneur in early nineteenth-century Gujarat, this article seeks to foreground the role of family firms specializing in the assessment, realization, and investment of land revenue. The article argues that such firms, which were commonly found service providers in the eighteenth and early nineteenth centuries, were deemed to be alienators of the loyalties and revenues that the East India Company state considered its due. They were allowed to persist on sufferance for a few decades but were phased out by the 1830s, an obliteration that has erased their role from the history of South Asian capitalism.


2019 ◽  
Vol 46 (2) ◽  
pp. 136-160 ◽  
Author(s):  
Oskar Cox Jensen

This article considers three case studies – the first aqua-drama at Sadler's Wells in 1804, the naumachia in Hyde Park of 1814, and the launching of HMS Nelson at Woolwich, also in 1814 – in order to discuss maritime spectacle in Regency London. I identify an essentially political distinction between the representation of ships and the role of sailors, linked to wider questions of authenticity as understood by contemporary London audiences. I argue that the Thames riverscape itself contributed to Londoners' self-identification as nautically literate connoisseurs, unlikely to acclaim spectacles they perceived to be inauthentic. By this reading, the maritime spectacles of early nineteenth-century London constitute a misstep in a longer and more successful history of nautical theatre and melodrama, that remained fundamentally entangled with questions of democratic representation, the real versus the represented, and London's maritime identity.


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