The Stanwick Excavations, 1951. Interim Report

1952 ◽  
Vol 32 (1-2) ◽  
pp. 1-13 ◽  
Author(s):  
R. E. M. Wheeler
Keyword(s):  
Analytical Investigation ◽  
The Other ◽  
Interim Report ◽  
The North ◽  
The One ◽  
Hadrian's Wall

In the parishes of Stanwick St. John and Forcett-with-Carkin, eight miles north of Richmond in the North Riding of Yorkshire, are more than six miles of rampart and ditch, forming a complex of enclosures of a very remarkable kind. Since Leland's day they have been a sufficiently notorious archaeological problem, but their size and remoteness on the one hand, and possibly the counter-attractions of Hadrian's Wall on the other, have combined to deter analytical investigation of them.

Ugliness and Beauty: the Politics of Landscape in Walter Greenwood's Love on the Dole

2013 ◽  
Vol 29 (1) ◽  
pp. 35-47
Author(s):  
Claire Warden
Keyword(s):  
Twentieth Century ◽  
Working Class ◽  
The Other ◽  
Surrounding Area ◽  
North West ◽  
Avant Garde ◽  
The North ◽  
The One ◽  
The University ◽  
Open Fields

The multi-spatial landscape of the North-West of England (Manchester–Salford and the surrounding area) provides the setting for Walter Greenwood's 1934 play Love on the Dole. Both the urban industrialized cityscape and the rural countryside that surrounds it are vital framing devices for the narrative – these spaces not simply acting as backdrops but taking on character roles. In this article Claire Warden reads the play's presentation of the North through the concept of landscape theatre, on the one hand, and Raymond Williams's city–country dialogism on the other, claiming that Love on the Dole is imbued with the revolutionary possibility that defines the very landscape in which it is set. From claustrophobic working-class kitchen to the open fields of Derbyshire, Love on the Dole has a sense of spatial ambition in which Greenwood regards all landscapes as tainted by the industrial world while maintaining their capacity to function independently. Ugliness and beauty, capitalist hegemony and socialistic hopefulness reside simultaneously in this important under-researched example of twentieth-century British theatre, thereby reflecting the ambivalent, shifting landscape of the North and producing a play that cannot be easily defined artistically or politically. Claire Warden is a Lecturer in Drama at the University of Lincoln. Her work focuses on peripheral British performances in the early to mid-twentieth century. She is the author of British Avant-Garde Theatre (Palgrave MacMillan, 2012) and is currently writing Modernist and Avant-Garde Performance: an Introduction for Edinburgh University Press, to be published in 2014.

scholarly journals Fashion industry, innovation and intellectual property / Indústria da moda, inovação e propriedade intelectual

2019 ◽  
Vol 1 (2) ◽  
pp. 62
Author(s):  
Maristela Basso
Keyword(s):  
Intellectual Property ◽  
Intermediate Position ◽  
The Other ◽  
Legal Norm ◽  
Fashion Design ◽  
Fashion Industry ◽  
Degree Of Protection ◽  
North Americans ◽  
The North ◽  
The One

Bearing in mind the absence of specific legal norm on “fashion design” and the lack of expertise of ourjudges, Brazilian courts have recognized some degree of protection for designs granted by the fashion industry.They do not deny protection, as the North Americans who exclude the utilitarian aspects, nor even declarerights as vast as in French law. The trend of the judged in Brazil is in an intermediate position. That is, they aimto encourage innovation, on the one hand, and on the other, limit copying, requiring incremental elements toprovide protection.

FORMATION OF THE GENRE OF THE STORY IN THE CHERKESS LITERATURE: IDELOGICAL GUIDES AND THEMATIC REFERENCES

Kavkazologiya ◽  
2021 ◽  
pp. 219-288
Author(s):  
M.A. KHAKUASHEVA ◽  
◽  
L.B. KHAVZHOKOVA ◽  
Keyword(s):  
The Other ◽  
North Caucasus ◽  
Research Attention ◽  
The North ◽  
Initial Stage ◽  
Great Patriotic War ◽  
History Of ◽  
Formation And Evolution ◽  
The One ◽  
Artistic Analysis

The article examines some of the issues of the formation and evolution of the genre of the story in Circassian literature. The relevance of the study is due, on the one hand, to the insufficient development of the stated topic, on the other hand, to the need to identify trends in the development of national prose, starting from the problems of its genesis. In the center of research attention is the ideological and thematic orientation of the Circassian story mainly of the initial stage of evolution, i.e. Soviet era. In particular, the author examines the stories of S. Temirov, I. Amirokov, M. Adamokov, H. Gashokov and others, who laid the foundations of the genre in Circassian literature. During the indicated period, the Circassian tale was the first attempt to comprehend the problems of collective farms, youth brigades, the Soviet attitude to work, the range of urgent problems of young people, their aspirations, the formation of the criteria of Soviet morality. It also reflects various aspects of the Great Patriotic War, mainly as a war for independence. The research uses the method of artistic analysis. The results obtained can be used in compiling special courses on Adyghe (Kabardino-Circassian) prose, writing the history of the literature of the peoples of the North Caucasus.

Postbellum America

2000 ◽  
Author(s):  
William B. Meyer
Keyword(s):  
Internal Migration ◽  
The Other ◽  
National Unity ◽  
Climatic Zones ◽  
The North ◽  
Human Trait ◽  
The One ◽  
North And South ◽  
The U.S ◽  
Over Time

One of the earliest historians of the Civil War saw it as a fundamental clash between the peoples of different latitudes. Climate had made the antebellum North and South distinct societies and natural enemies, John W. Draper argued, the one democratic and individualist, the other aristocratic and oligarchical. If such were the case, the future of the reunited states was hardly a bright one. But Draper saw no natural barriers to national unity that wise policy could not surmount. The restlessness and transience of American life that many deplored instead merited, in his view, every assistance possible. In particular, he wrote, Americans needed to be encouraged to move as freely across climatic zones as they already did within them. The tendency of North and South to congeal into hostile types of civilization could be frustrated, but only by an incessant mingling of people. Sectional discord was inevitable only if the natural law that "emigrants move on parallels of latitude" were left free to take its course. These patterns of emigration were left free, for the most part, but without the renewed strife that Draper feared. After the war as before it, few settlers relocating to new homes moved far to the north or south of their points of origin. As late as 1895, Henry Gannett, chief geographer to the U.S. Census, could still describe internal migration as "mainly conducted westward along parallels of latitude." More often as time went on, it was supposed that race and not merely habit underlay the pattern, that climatic preferences were innate, different stocks of people staying in the latitudes of their forbears by the compulsion of biology. Thus, it was supposed, Anglo-Saxons preferred cooler lands than Americans of Mediterranean ancestry, while those of African descent preferred warmer climates than either. Over time, though, latitude loosened its grip and exceptions to the rule multiplied. As the share of the population in farming declined, so did the strongest reason for migrants to stay within familiar climates. Even by the time Gannett wrote, the tendency that he described, though still apparent, was weaker than it had been at mid-century. It weakened because a preference for familiar climates was not a fixed human trait but one shaped by experience and wants, and capable of changing as these variables changed.

Predicting the Chemistry Inside a Cell

2016 ◽  
Author(s):  
Ben McFarland
Keyword(s):  
Scientific Discovery ◽  
The Other ◽  
The South ◽  
Google Maps ◽  
The North ◽  
Closed Circle ◽  
Stone Wall ◽  
Small Stone ◽  
A Cell ◽  
Hadrian's Wall

The process of scientific discovery is something like a walk near Freswick Castle. I assume you’ve never been there. (Neither have I, but a friend has.) Freswick Castle stands at the end of Scotland’s northeast end, at the mouth of the Burn of Freswick in the district of Caithness. As of this writing, it is unlisted in Google Maps, and I had to manually scan the coast to find it. Outside the castle is a simple, unlabeled structure that doubles as a biochemical parable. The castle itself is narrow and three stories tall, with orange shingles and gray stone, set on an arc of narrow beach between hills to the north and cliffs to the south. The building is approximately the cruciform shape of a shrunken cathedral, with the rightward wing moved to the top of the structure so it resembles a lowercase f. If you wander the grounds near Freswick Castle, you will discover a stone wall in the wind-blown waves of yellow- green grass, worn but still standing firm like Hadrian’s Wall. From above, it is a period preceding the castle’s f. Let’s approach this as a scientist, with measurement. From the castle side, this structure resembles the circular stump of a roofless tower, eight feet tall and twice that wide. The stones are ancient sand, compacted and weathered, stained different shades of red from iron deposited millions of years ago, but the mortar is new. But inspection is not enough—we should go in. Walk around to the other side, and an opening appears, as shown in Figure 2.1. The structure is not a closed circle, but it is a spiral wall open to the sea, and to you. Inside, a small stone bench invites you to sit. A window slit next to the bench is an eye to the outside. Surrounded by a jigsaw of rocks, you can hear the echo of waves all around and watch the blue-gray sky above. If the spiral’s opening is a mouth, then you are Jonah in the whale. You are both inside and outside at once.

A Historical Whodunit: The So-Called “Kano Chronicle” and its Place in the Historiography of Kano

1994 ◽  
Vol 21 ◽  
pp. 127-146 ◽  
Author(s):  
John Hunwick
Keyword(s):  
Seventeenth Century ◽  
Oral Tradition ◽  
The Other ◽  
The North ◽  
Other Hand ◽  
The One

Murray Last obliquely suggests that [the “Kano Chronicle”] is best regarded as a rather free compilation of local legends and traditions drafted in the mid-seventeenth century by a humorous Muslim rationalist who almost seems to have studied under Levi-Strauss.The danger lies in being carried away by one's own ingenuity.The question of the authorship and date(s) of writing of the so-called “Kano Chronicle” (KC) and hence how historians should evaluate it as a source, have intrigued students of Kano (and wider Hausa) history since the work was first translated into English by H. R. Palmer in 1908. Palmer himself had the following to say:The manuscript is of no great age, and must on internal evidence have been written during the latter part of the decade 1883-1893; but it probably represents some earlier record which has now perished….The authorship is unknown, and it is very difficult to make a guess. On the one hand the general style of the composition is quite unlike the “note” struck by the sons of Dan Hodio [ʿUthmān b. Fūdī, Abdulahi and Muḥammad Bello, and imitated by other Fulani writers. There is almost complete absence of bias or partizanship…. On the other hand, the style of the Arabic is not at all like that usually found in the compositions of Hausa mallams of the present day; there are not nearly enough “classical tags” so to speak, in it…. That the author was thoroughly au fait with the Kano dialect of Hausa is evident from several phrases used in the book, for instance “ba râyi ba” used in a sense peculiar to Kano of “perforce.” The original may perhaps have been written by some stranger from the north who settled in Kano, and collected the stories of former kings handed down by oral tradition.

X. An account of some experiments upon coloured shadows

1794 ◽  
Vol 84 ◽  
pp. 107-118 ◽  
Keyword(s):  
White Paper ◽  
The Other ◽  
Proper Position ◽  
Clear Sky ◽  
The North ◽  
Darkened Room ◽  
The One ◽  
Experimental Researches ◽  
To Receive ◽  
Opaque Body

Dear Sir, Since my last letter, being employed in the prosecution of my experiments upon light, I was struck with a very beautiful, and what to me appeared to be a new appearance. Desirous of comparing the intensity of the light of a clear sky, by day, with that of a common wax candle, I darkened my room, and letting the daylight from the north, coming through a hole near the top of the window-shutter, fall at an angle of about 70° upon a sheet of very fine white paper, I placed a burning wax candle in such a position that its rays fell upon the same paper, and as near as I could guess, in the line of reflection of the rays of daylight from without; when interposing a cylinder of wood, about half an inch in diameter, before the centre of the paper, and at the distance of about two inches from its surface, I was much surprised to find that the two shadows projected by the cylinder upon the paper, instead of being merely shades without colour, as I expected, the one of them, that which, corresponding with the beam of daylight, was illuminated by the candle, was yellow ; while the other, corresponding to the light of the candle, and consequently illuminated by the light of the heavens, was of the most beautiful blue that it is possible to imagine. This appearance, which was not only unexpected, but was really in itself in the highest degree striking and beautiful, I found, upon repeated trials, and after varying the experiment in every way I could think of, to be so perfectly permanent, that it is absolutely impossible to produce two shadows at the same time from the same body, the one answering to a beam of daylight, and the other to the light of a candle or lamp, without these shadows being coloured, the one yellow and the other blue . The experiment may very easily be made at any time by day, and almost in any place, and even by a person not in the least degree versed in experimental researches. Nothing more is necessary for that purpose than to take a burning candle into a darkened room in the day time, and open one of the window-shutters a little, about half or three quarters of an inch for instance; when the candle being placed upon a table or stand, or given to an assistant to hold, in such a situation that the rays from the candle may meet those of daylight from without, at an angle of about 40°, at the surface of a sheet of white paper, held in a proper position to receive them, any solid opaque body, a cylinder, or even a finger, held before the paper, at the distance of two or three inches, will project two shadows upon the paper, the one blue, and the other yellow.

scholarly journals XII.—On Dust, Fogs, and Clouds

1881 ◽  
Vol 30 (1) ◽  
pp. 337-368 ◽  
Author(s):  
John Aitken
Keyword(s):  
The Other ◽  
Close Connection ◽  
Fair Weather ◽  
Human Interest ◽  
The North ◽  
The Earth ◽  
Regular Succession ◽  
The Subject ◽  
Successive Season ◽  
The One

Water is perhaps the most abundant and most universally distributed form of matter on the earth. It has to perform more varied functions and more important duties than any other kind of matter with which we are acquainted. From its close connection with all forms of life, it has been the subject of deepest interest in all ages. It is constantly changing from one of its states to another. At one time it is solid, now liquid, and then gaseous. These changes take place in regular succession, with every return of day and night, and every successive season; and these changes are constantly repeating themselves with every returning cycle. Of these changes, the one which perhaps has the greatest interest for us, and which has for long ages been the subject of special observation, is the change of water from its vaporous state, to its condensation into clouds, and descent as rain. Ever since man first “observed the winds “and “regarded the clouds,” and discovered that “fair weather cometh out of the north,” this has been the subject of intensest human interest, and at present forms one of the most important parts of the science of meteorology, a science in which perhaps more observations have been made and recorded than in all the other sciences together.

Some Littoral Sites of Early Post-Glacial Times Located in North Ireland

1934 ◽  
Vol 7 (3) ◽  
pp. 366-372 ◽  
Author(s):  
J. P. T. Burchell
Keyword(s):  
Central Europe ◽  
The Other ◽  
Northern Europe ◽  
Stone Age ◽  
North East ◽  
The North ◽  
Time Periods ◽  
The One ◽  
Culture Sequence

In 1931 I described two newly-discovered stone age industries of post-glacial age situated in north-east Ireland which had been made by myself and worked in conjunction with my friend C. Blake Whelan: the one from the Lower Estuarine Clay on Islandmagee, and the other from what is probably a fluviatile gravel intercalated between the Upper and Lower Estuarine Clays in the raised-beach formation at Cushendun.The former of these cultures has its counterpart in the blade industry beneath alluvium in the Orwell Estuary at Ipswich, Suffolk; whilst the latter finds its parallel in the raised-beach at Campbeltown in Argyllshire, Scotland. Adopting the familiar culture-sequence of Central Europe I had previously designated these two groups as phases of the Magdalenian period, but, in order to avoid confusion between the time-periods and the nomenclature of continental cultures, I have decided to base my chronology of the north Irish industries upon the natural changes of climate revealed by a study of the deposits in which they were found. The industries to be described below were contemporary with the Mesolithic Forest Cultures distinguished by Childe and Clark over the plain of northern Europe.

COLEOPTERA OF THE NORTH SHORE OF THE GULF OF THE ST. LAWRENCE

1930 ◽  
Vol 62 (11) ◽  
pp. 239-246
Author(s):  
W. J. Brown
Keyword(s):  
The Other ◽  
The Third ◽  
North Shore ◽  
The North ◽  
Basal Margin ◽  
The One

Length 2.3-2.4 mm. ; width 1.1 mm. Elongate, suboval, moderately convex, fulvo-pubescent. Piceous with distinct aeneous lustre; each elytron with two yellow spots; the one as long as wide, including hunerus and basal margin and extending inwardly to the third interval; the other elongate oval and slightly oblique, extending from apical third to a point near apex.

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