Ali Modarres Modernizing Yazd: Selective Historical Memory and the Fate of Vernacular Architecture, Bibliotheca Iranica, Urban Planning History of Iranian Cities: No. 1 (Costa Mesa, Calif.: Mazda Publishers, 2006). Pp. 210. $45.00 paper.

2008 ◽  
Vol 40 (2) ◽  
pp. 325-327
Author(s):  
June Komisar
Urban History ◽  
2012 ◽  
Vol 40 (1) ◽  
pp. 114-135 ◽  
Author(s):  
NOAH HYSLER RUBIN

ABSTRACT:The article presents the short urban history of Tel Aviv as a case-study for critical readings in urban planning. Focusing on Patrick Geddes’ celebrated plan for the city (1925) and its various interpretations along the years, the main claim made in the article is that when present planners are confronted with a past which does not suit current needs, history is contested, or reinvented entirely. The appreciation of Geddes’ plan over the years always reflected the city's contemporary image and its planners’ attitudes, which initially reflected the pioneering spirits of the city's Zionist creation. The plan was later blamed for the city's deterioration; and finally celebrated again, alongside the city's new found architectural heritage and urban spirit.


2021 ◽  
Vol 274 ◽  
pp. 01031
Author(s):  
Maria Granstrem ◽  
Milena Zolotareva

This paper discusses the urban planning history of an area in Saint Petersburg around the former Moskovskaya Zastava, a historical gateway that travelers passed through when approaching Saint Petersburg from Moscow. Specifically, we are interested in the architecture of the carriage building plant. By the end of the 19th century, this part of the city had turned into an industrial area, which saw dense development from 1897 to 1917. For the next one hundred years, this vast space did not see any transformations, constituting a complete, self-sufficient environment. The carriage building plant, originally constructed at the very end of the 19th century, remained standing near Moskovskaya Zastava until the early 21st century. In 2013, the industrial area ceased its existence, and the former carriage building plant was given for residential development.


Urban History ◽  
2000 ◽  
Vol 27 (3) ◽  
pp. 384-396 ◽  
Author(s):  
Kevin Hourihan

Over the past thirty years, one of the fastest growing fields of urban history has been the history of planning. In some respects, this is surprising, as urban planning had existed on an institutional basis only since the early twentieth century. In other ways, though, it was a very logical development. Planning reached its high point during the 1960s, and by the 1970s was being condemned in many quarters, being blamed, for example, for disasters like high-rise tower blocks and sacrificing old cities to crude commercial and transport developments. Historical research was necessary to understand how a movement which promised so much at the start of the century had degenerated so badly in sixty years. Criticism became so severe that, in the words of one historian, ‘many planners have certainly thought in more pessimistic moments . . . that the past may be the only thing they have to look forward to’. For whatever reason, the Planning History Group was set up in 1974 and a massive body of historical research on planning has been produced. This paper reviews four recent books on planning, two from North America and two European. They represent different aspects of planning and different time periods and will be treated in chronological order.


2016 ◽  
Vol 44 (2) ◽  
pp. 203-218
Author(s):  
Steven Jacobs ◽  
Bruno Notteboom

During the nineteenth and early twentieth centuries, the photographic visualization of the Belgian city of Ghent is closely connected to its urban planning. On one hand, the city is transformed according to the logics of industrial modernization with its functional and spatial zoning. On the other hand, the city’s historical heritage is rediscovered and many medieval buildings were preserved and restored. The planning history of Ghent is usually described in two stages: first, the “Haussmannization” of the city, the creation of boulevards and vistas according to the model of Brussels and Paris, and second, the return to regionalism and a picturesque sensibility during the preparation of the 1913 World’s Fair. The photographic representation of the city seems to mirror this evolution, exchanging the image of the city as a series of isolated monuments for a more sensory and immersive experience. However, a close look at a broad range of images produced by both foreign and local photographers allows us to nuance this assumption. Particularly, the work of Edmond Sacré, who photographed Ghent over half a century, combines a “topographical” and a “picturesque” sensibility.


2019 ◽  
Vol 9 (4) ◽  
pp. 91-98
Author(s):  
Natalya A. KOSENKOVA ◽  
Denis Vladimirovich LITVINOV ◽  
Elizaveta V. KOSENKOVA

The urban planning history of Samara and the features of the formation of its planning structure are considered. The main historical periods in the history of the development of the city are revealed. The structural features of the pre-regular, regular city are considered, the main historical areas are investigated. The role of urban squares in modern Samara is analyzed. Based on the defi nition of the term architectural dominant, several main classifi cations of architectural dominants are given, and Samara’s historical dominants are identifi ed. The role of the main architectural dominants in the formation of the urban environment, historical and modern, and the transformation of this role with the growth and development of the city are examined in detail. The infl uence of later development on the historical dominants of the city is revealed.


Author(s):  
К.А. Панченко

Abstract The article examines the conquest of the County of Tripoli by the Mamelukes in 1289, and the reaction of various Middle Eastern ethnoreligious groups to this event. Along with the Monophysite perspective (the Syriac chronicle of Bar Hebraeus’ Continuator and the work of the Coptic historian Mufaddal ibn Abi-l-Fadail), and the propagandist texts of Muslim Arabic panegyric poets, we will pay special attention to the historical memory of the Orthodox (Melkite) and Maronite communities of northern Lebanon. The contemporary of these events — the Orthodox author Suleiman al-Ashluhi, a native of one of the villages of the Akkar Plateau — laments the fall of Tripoli in his rhymed eulogy. It is noteworthy that this author belongs to the rural Melkite subculture, which — in spite of its conservative character — was capable of producing original literature. Suleiman al-Ashluhi’s work was forsaken by the following generations of Melkites; his poem was only preserved in Maronite manuscripts. Maronite historical memory is just as fragmented. The father of the Modern Era Maronite historiography — Gabriel ibn al-Qilaʿî († 1516) only had fragmentary information on the history of his people in the 13th century: local chronicles and the heroic epos that glorified the Maronite struggle against the Muslim lords that tried to conquer Mount Lebanon. Gabriel’s depiction of the past is not only biased and subject to aims of religious polemics, but also factually inaccurate. Nevertheless, the texts of Suleiman al-Ashluhi and Gabriel ibn al-Qilaʿî give us the opportunity to draw conclusions on the worldview, educational level, political orientation and peculiar traits of the historical memory of various Christian communities of Mount Lebanon.


Author(s):  
Elena N. NARKHOVA ◽  
Dmitry Yu. NARKHOV

This article analyzes the degree of demand for works of art (films and television films and series, literary and musical works, works of monumental art) associated with the history of the Great Patriotic War among contemporary students. This research is based on the combination of two theories, which study the dynamics and statics of culture in the society — the theory of the nucleus and periphery by Yu. M. Lotman and the theory of actual culture by L. N. Kogan. The four waves of research (2005, 2010, 2015, 2020) by the Russian Society of Socio¬logists (ROS) have revealed a series of works in various genres on this topic in the core structure and on the periphery of the current student culture; this has also allowed tracing the dynamics of demand and the “movement” of these works in the sociocultural space. The authors introduce the concept of the archetype of the echo of war. The high student recognition of works of all historical periods (from wartime to the present day) is shown. A significant complex of works has been identified, forming two contours of the periphery. Attention is drawn to the artistic work of contemporary students as a way to preserve the historical memory of the Great Patriotic War. This article explains the necessity of preserving the layer of national culture in order to reproduce the national identity in the conditions of informational and ideological pluralism of the post-Soviet period. The authors note the differentiation of youth due to the conditions and specifics of socialization in the polysemantic sociocultural space.


2011 ◽  
Vol 46 (3) ◽  
pp. 415-443 ◽  
Author(s):  
JOSEPH L. YANNIELLI

AbstractIn March 1742, British naval officer John Byron witnessed a murder on the western coast of South America. Both Charles Darwin and Robert FitzRoy seized upon Byron's story a century later, and it continues to play an important role in Darwin scholarship today. This essay investigates the veracity of the murder, its appropriation by various authors, and its false association with the Yahgan people encountered during the second voyage of theBeagle(1831–1836). Darwin's use of the story is examined in multiple contexts, focusing on his relationship with the history of European expansion and cross-cultural interaction and related assumptions about slavery and race. The continuing fascination with Byron's story highlights the key role of historical memory in the development and interpretation of evolutionary theory.


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