scholarly journals The Denouncers: Populism and the Press in Venezuela

2016 ◽  
Vol 49 (1) ◽  
pp. 1-27 ◽  
Author(s):  
ROBERT SAMET

AbstractDespite recent attention to the relationship between the media and populist mobilisation in Latin America, there is a misfit between the everyday practices of journalists and the theoretical tools that we have for making sense of these practices. The objective of this article is to help reorient research on populism and the press in Latin America so that it better reflects the grounded practices and autochthonous norms of the region. To that end, I turn to the case of Venezuela, and a practice that has been largely escaped attention from scholars – the use of denuncias.

2021 ◽  
pp. 31-39
Author(s):  
Petar VODENICHAROV

The paper is provoked by the rejection and falsification of the messages of the Istanbul Convention in Bulgaria and other post-communist countries which caused a wave of homophobia. The author tries to prove that neither in the communist period nor in the post-communist period a real emancipation of women was achieved, the theme of homosexuality was a taboo (in the communist period), over-presented in the first decade of the transition and later stigmatize by the rise of the populist nationalistic discourse. During the communist period, the so called “Unions of the fighters against fascism” turned into the male clientelistic networks granted with many privileges and marginalizing female antifascists. The critical discourse analysis of the press (1976) reveals male dominance and silencing of women playing mostly a decorative role. After the democratic changes the same male actors (nomenclature and former state security officers) benefited from the privatization, but the so called “mugs” (wrestlers) presented the new masculinity in the media: women were extremely sexualized and the new femininity was presented by the prostitutes and the girls in the entertaining industry, the professional women were rarely mentioned. The second part of the paper is a gender analysis of the lexical and grammatical system of the Bulgarian language. The analysis of the dominating metaphors reveals the means of male dominance in the everyday speech. Although the Slav languages have morphemes to denote women’s professions the media discourse prefers the male forms as more prestigious. The definite article and the plural forms serve to emphasise the male forms and to provide their euphony.


2019 ◽  
pp. 130-156
Author(s):  
Katherine Isobel Baxter

Chapter Six provides an extended examination of the newspaper reporting of the treason trial of Obafemi Awolowo, the second major treason trial after independence. How the Nigerian press covered the trial illuminates the ways in which legal process as a mode of nation formation was woven into the daily lives of newspaper readers. Moreover, attending to that press coverage illustrates the importance of narrative and literary form in the process of national self-construction. The chapter begins by outlining the relationship of politics and the press in Nigeria before looking at the defining features of the trial itself. The chapter examines how the trial was presented in the press and the readerly engagement that the press sought to foster. The chapter concludes by reflecting on the larger significance of the trial and its coverage in the media at the dawn of Nigeria’s first Republic.


2019 ◽  
Vol 41 (4) ◽  
pp. 554-566 ◽  
Author(s):  
Patrick Flavin ◽  
Fielding Montgomery

The media can play an important role in the relationship between citizens and their government by acting as a watchdog and providing timely information about malfeasance and corruption. We examine whether citizens’ perceptions of government corruption are closer to country experts’ assessments in countries where there are higher levels of press freedom. Using data on citizens’ perceptions of government corruption and country expert evaluations of levels of political corruption for over 100 countries, we present evidence that the relationship between expert measures of corruption and citizens’ perceptions is heightened as the level of press freedom increases across our sample. These findings suggest that a free press can play an important role in bringing corruption to light, educating citizens, and potentially allowing them to better hold their elected officials accountable.


Sociology ◽  
2017 ◽  
Vol 52 (4) ◽  
pp. 830-848 ◽  
Author(s):  
Helen Kennedy ◽  
Rosemary Lucy Hill

This article highlights the role that emotions play in engagements with data and their visualisation. To date, the relationship between data and emotions has rarely been noted, in part because data studies have not attended to everyday engagements with data. We draw on an empirical study to show a wide range of emotional engagements with diverse aspects of data and their visualisation, and so demonstrate the importance of emotions as vital components of making sense of data. We nuance the argument that regimes of datafication, in which numbers, metrics and statistics dominate, are characterised by a renewed faith in objectivity and rationality, arguing that in datafied times, it is not only numbers but also the feeling of numbers that is important. We build on the sociology of (a) emotions and (b) the everyday to do this, and in so doing, we contribute to the development of a sociology of data.


Popular Music ◽  
2006 ◽  
Vol 25 (2) ◽  
pp. 221-234 ◽  
Author(s):  
MATT BRENNAN

This article explores the relationship between musicians and the music press from the musicians' point of view, based on a collection of recent interviews with musicians working in the pop and jazz fields. It will expose some of the concrete effects of the music press using examples from the everyday experiences of musicians, which include the influence of the press in record retail, genre labelling, and creating industry buzz. But while musicians may have a pragmatic understanding of the role of music criticism, their perspectives are emotionally heated in direct proportion to the influence the press holds over their own livelihoods. The interests of the working music critic often conflict with the interests of the working musician, and this article will conclude with a discussion of how the practical conflict of interests between musicians and critics is reflected in ideological differences between the two groups.


Author(s):  
Rebekah Jackson

This chapter uses observation and semi-structured interviews to explores the everyday practices, habits and routines of playworkers in an afterschool club in the northwest of England and how these help shape children’s experiences within the setting. Of key interest is the relationship between espoused playwork intentions for the design of a play environment and what happens in practice. The chapter draws on a number of interrelated concepts drawn from the field of children’s geographies that suggest spaces are not fixed containers for action or a background against which humans carry out their interactions, but are actively produced by the ongoing encounters between adults, children, materials, movements, affects, imaginations and so on. While spaces are always in the process of being produced and are open to all sorts of possibilities, they are also imbued with power relationships, and dominant forces have considerable influence in shaping the possible movements and encounters within the setting. The intention here was to pay closer attention to these entanglements and how they produce environments that might be more or less open to moments of play emerging.


2020 ◽  
Vol 6 (4) ◽  
pp. a9en
Author(s):  
Raphael Diego Greenhalgh

Censorship in the Military Dictatorship has its origins in the processes of repression of the press institutionalized in the Estado Novo. In the military government, in addition to prior censorship, there was also a widespread repression on the media, based on methods such as: surveillance, harassment and punishment of journalists, and coercion of the press through tax audits and advertising control, among other means. The paper aims to analyze the relationship between the great national press, leading local press and journalists based in Brasilia, with the censorship apparatus of the military regime. Based on an exploratory and descriptive research, with a qualitative approach, it used archival materials from institutions and truth commissions, as well as interviews with journalists. The paper concludes that despite the repression of the great press in Brasília, there were also resistance initiatives.


2018 ◽  
Vol 45 (3) ◽  
pp. 109-123 ◽  
Author(s):  
Ariel Alejandro Goldstein

Comparison of the policies vis-à-vis the press of the classical populist governments of Argentina and Brazil reveals that the populist elites came into conflict with traditional media elites over exclusionary views that modified the contours of the public sphere. Newspapers committed to liberal principles engaged in intransigent struggle with populism, and this struggle created opportunities for new entrepreneurs to form political alliances with these governments to expand their businesses. The relationship between these “mediatized populisms” and the new media entrepreneurs contributed to the patrimonialism that came to characterize the link between the media and Latin American states in subsequent years. Una comparación de las políticas relativas a la prensa por parte de los gobiernos populistas clásicos de Argentina y Brasil muestra que las élites populistas entraron en conflicto con las élites de los medios tradicionales. Dichas desavenencias fueron causadas por puntos de vista excluyentes que alteraban el contorno de la esfera pública. Los periódicos comprometidos con los principios liberales sostuvieron una lucha intransigente con el populismo, lucha que dio la oportunidad a nuevos empresarios de formar alianzas políticas con dichos gobiernos y expandir así sus negocios. La relación entre estos “populismos mediáticos” y los empresarios de los nuevos medios contribuyó al patrimonialismo que asumiría el vínculo entre dichos medios y los Estados latinoamericanos en años subsiguientes.


Author(s):  
Keith B. Alexander ◽  
Jamil N. Jaffer

Leaks of highly classified information, popular views of government national security efforts, and changes in the media environment in recent years have resulted in a significant decay in the relationship between the government and the media and public trust in both institutions. To correct this harmful trend, a significant recalibration of the government-media relationship and the establishment of a new compact between them would best serve the public interest. The government should be more transparent about its national security efforts and more self-critical in classification decisions and should explain national security activities it undertakes, defending and justifying classified programs in detail whenever possible. The press must likewise be willing to afford the government fair treatment, including noting government efforts to protect national security, and to appropriately balance civil rights and privacy. It is important that these institutions work together to establish new mores on classification, government transparency, and a more responsible approach to classified disclosures.


2020 ◽  
Vol 48 (3) ◽  
pp. 623-631
Author(s):  
Lauren Eriks Cline

It's March 2020 as I write this, and the theaters are closed. Broadway is dark, and the Globe is once again shut due to a plague. Perhaps “self-isolation” is a strange condition under which to be thinking about crowded Victorian playhouses. As I make dates to watch movies with friends hundreds of miles away on the Netflix Party app, the media environment in which I pursue entertainment has perhaps never felt more dissimilar to that of nineteenth-century theatergoers. But, then again, maybe the photos of empty auditoria and deserted streets are the best demonstration of the space that public culture has taken up in our lives. The vacuum shows us that what's missing mattered. And if scholars of Victorian theater have shared a primary goal, it's to insist on how deeply the collective experience of playgoing influenced the everyday practices and beliefs of the period—even when theater and drama may not always appear on Victorian syllabi or conference programs. This essay considers three recent studies in Victorian theater—The Cambridge Companion to English Melodrama (2018), edited by Carolyn Williams; The Drama of Celebrity (2019), by Sharon Marcus; and Everyone's Theater: Literature and Daily Life in England, 1860–1914 (2019), by Michael Meeuwis—to register the force that theatrical performance exerted on Victorians and to explore how that force could change our sense of the field. By dwelling with archives and objects that might otherwise get classed as cultural “ephemera,” these studies push us to acknowledge that the run of Victorian theater hasn't ended. In the collective pause before a moment of intense feeling, or in a contradictory attachment to a public figure who is both imitable and extraordinary, they find a repertoire of spectator behavior from which many of our own modes of attention derive.


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