Regional Growth and the Persistence of Regional Income Inequality in Argentina in the First Half of the Twentieth Century

2020 ◽  
Vol 52 (2) ◽  
pp. 293-316 ◽  
Author(s):  
María Florencia Aráoz ◽  
Esteban A. Nicolini
Keyword(s):  
Twentieth Century ◽  
Sixteenth Century ◽  
Regional Growth ◽  
Consistent Estimation ◽  
Sectoral Analysis ◽  
Central Regions ◽  
Regional Income Inequality ◽  
Per Capita ◽  
Economies Of Agglomeration ◽  
The City

AbstractSouthern and central regions of Argentina moved from being relatively poor in the sixteenth century to being the richest in the country today. Although there is some evidence of this reversal, the process of regional growth in Argentina in the first half of the twentieth century is, in the main, unknown. In this paper, we present an estimation of the GDPs of Argentina's 25 provinces in 1914: this is the first consistent estimation of this variable for any period before the 1950s. Our results confirm that in 1914 the city of Buenos Aires and some districts in Patagonia had the highest per capita GDP, and a comparison with the available data for 1953 shows strong persistence in incomes per capita in this period; sectoral analysis of provincial GDPs suggests that growth in the leading districts was driven by economies of agglomeration in some cases and land abundance in others.

John Knox’s International Network

2012 ◽  
Vol 14 ◽  
pp. 96-115
Author(s):  
Alec Ryrie
Keyword(s):  
Twentieth Century ◽  
Sixteenth Century ◽  
The Netherlands ◽  
John Calvin ◽  
International Network ◽  
Tourist Attractions ◽  
Reformed Church ◽  
Early Twentieth Century ◽  
The Reformation ◽  
The City

In the early twentieth century, the city of Geneva added to its existing tourist attractions with one of the most peculiar items of civic commemoration in Europe. The Reformation Wall is a queasy monument to Geneva’s glorious past, in which the tensions and prejudices of a very particular view of the sixteenth century are frozen into stone. As one moves towards the centre of the monument, one draws closer to the Genevan fount of Reformed Christian truth. Luther and Zwingli are commemorated, tersely, at the wall’s outermost extremes. Further in, a series of friezes celebrate the deeds of Reformed Protestants in France, the Netherlands, Scotland and England. The monument’s centre, however, is the set of four larger-than-life statues, fixing the viewer with their stern gazes. Three of the figures are obvious. John Calvin himself, of course, stands to the fore. The wall is at heart a memorial to him, to the man who wished to be buried in an unmarked grave, and it was begun on the quatercentenary of his birth. He is joined by Guillaume Farel, the Frenchman who first established the Reformed Church in Geneva and persuaded Calvin to join him in his ministry there; and by Theodore de Béze, Calvin’s successor, biographer and systematizer.

“Our Enemies Are Gathered Together”

2019 ◽  
Vol 36 (3) ◽  
pp. 295-330
Author(s):  
Mary Ellen Ryan
Keyword(s):  
Twentieth Century ◽  
Sixteenth Century ◽  
The Political ◽  
Civic Life ◽  
Political Upheaval ◽  
Twentieth Century Music ◽  
The Republic ◽  
The Government ◽  
The Individual ◽  
The City

The return of the Florentine republic (1527–30) ushered in a tense period of political upheaval. As the city faced an imperial siege and bouts of famine and plague, the government promoted a vibrant spiritual program to combat dangers to its independence. The motet flourished within this environment, but the connections between this repertory and civic life in early sixteenth-century Florence have yet to be fully explored. Since the mid-twentieth century, music historians have examined Florentine manuscript sources of the motet (the Newberry Partbooks and Vallicelliana Partbooks) and have articulated various arguments for the political significance of these collections and the individual pieces they contain. Viewed as a whole, however, the repertory does not typically express partisan support for the Medici or the republic. One underlying thread tying many of these motets together is their function within ritual celebrations, particularly in uniting the community in prayer for collective relief. Philippe Verdelot’s wartime Congregati sunt inimici nostri exemplifies the multiple performance uses of motets in Florentine ritual contexts. Its compositional design and content reveal how Florentines turned to the motet to demonstrate communal solidarity and to seek divine aid in times of crisis.

Atlas of economic complexity, Russian regional pages

2018 ◽  
pp. 71-91 ◽  
Author(s):  
I. L. Lyubimov ◽  
M. V. Lysyuk ◽  
M. A. Gvozdeva
Keyword(s):  
Value Added ◽  
Growth Strategy ◽  
Gdp Per Capita ◽  
Export Diversification ◽  
Russian Regions ◽  
Economic Complexity ◽  
Diversification Strategies ◽  
Central Regions ◽  
Per Capita ◽  
Regions Of Russia

Well-established results indicate that export diversification might be a better growth strategy for an emerging economy as long as its GDP per capita level is smaller than an empirically defined threshold. As average incomes in Russian regions are likely to be far below the threshold, it might be important to estimate their diversification potential. The paper discusses the Atlas of economic complexity for Russian regions created to visualize regional export baskets, to estimate their complexity and evaluate regional export potential. The paper’s results are consistent with previous findings: the complexity of export is substantially higher and diversification potential is larger in western and central regions of Russia. Their export potential might become larger if western and central regions, first, try to join global value added chains and second, cooperate and develop joint diversification strategies. Northern and eastern regions are by contrast much less complex and their diversification potential is small.

Review: Urban Latino Cultures: La Vida Latina en LA by Gustavo Leclerc, Raúl Villa, and Michael J. Dear (eds.)

1999 ◽  
Vol 22 (1) ◽  
pp. 126-128
Author(s):  
Catherine S. Ramirez
Keyword(s):  
Twentieth Century ◽  
Los Angeles ◽  
Mexican American ◽  
History Of ◽  
Crime Wave ◽  
Eighteenth And Nineteenth Centuries ◽  
The City ◽  
History Of Los Angeles

Throughout the twentieth century (and now the twenty-first), the specter of a Latina/o past, present, and future has haunted the myth of Los Angeles as a sunny, bucolic paradise. At the same time it has loomed behind narratives of the city as a dystopic, urban nightmare. In the 1940s Carey McWilliams pointed to the fabrication of a “Spanish fantasy heritage” that made Los Angeles the bygone home of fair señoritas, genteel caballeros and benevolent mission padres. Meanwhile, the dominant Angeleno press invented a “zoot” (read Mexican-American) crime wave. Unlike the aristocratic, European Californias/os of lore, the Mexican/American “gangsters” of the 1940s were described as racial mongrels. What's more, the newspapers explicitly identified them as the sons and daughters of immigrants-thus eliding any link they may have had to the Californias/os of the eighteenth and nineteenth centuries or to the history of Los Angeles in general.

Regeneration of a historic city block: the example of the relocation of the historic Atelier building to the cloister area of the Congregation of the Resurrection in Krakow

2019 ◽  
Vol 63 (1) ◽  
pp. 77-86 ◽  
Author(s):  
Bogusław Podhalański ◽  
Anna Połtowicz
Keyword(s):  
Twentieth Century ◽  
Cultural Heritage ◽  
Steel Structure ◽  
City Block ◽  
Raising Awareness ◽  
Straight Line ◽  
Heritage Buildings ◽  
Heritage Building ◽  
Historic City ◽  
The City

Abstract The article discusses a project that features the relocation of the historic Atelier building, built by Krakow-based architect Wandalin Beringer (1839–1923) who was active in the early twentieth century, and the regeneration of a plot belonging to the Congregation of the Resurrection since 1885, which is located at 12 Łobzowska Street in Krakow. The method includes cutting the entire structure off at the foundation and then after reinforcing it with a steel structure transporting it in its entirety to the new location. The project included two possible variants of moving the building in a straight line, either by 21 or 59 metres and evaluates two projects of further regeneration, the adaptive reuse of the building as an exhibition and religious space as well as a proposal for the remodelling of the nearby plot that belongs to the Congregation into a space for meditation and as a recreational park. The aim of these measures is to prevent the demolition of this building, now over a century old, as a result of which a forgotten element of the cultural heritage of the city will be saved. This project was based on the results of analyses of the cultural and historical conditions of Krakow. The block of buildings in which the Atelier in question is located is a very attractive location, near to the very centre of Krakow, adjacent to residential, service and educational buildings. It is directly adjacent to the Monastery Complex of the Congregation of the Resurrection, listed as a heritage building under conservation protection (municipal registry of heritage buildings). In the second half of the twentieth century, the building was used as a workroom by artists such as Xawery Dunikowski and later by the sculptress Teodora Stasiak. The case of the Atelier may provide an inspiration for discussion as well as raising awareness among citizens and city authorities to avoid future situations in which cultural heritage may become forgotten or demolished.

A Tower of Tangled Histories: The Upper Silesia Tower in Poznań and the Making of an Unromantic Poland, 1911–1955

Slavic Review ◽  
2020 ◽  
Vol 79 (3) ◽  
pp. 566-590
Author(s):  
Patryk Babiracki
Keyword(s):  
Twentieth Century ◽  
National Identity ◽  
Cold War ◽  
World War I ◽  
Material Structure ◽  
World War ◽  
Upper Silesia ◽  
The Cold War ◽  
The City ◽  
Over Time

Engaging with regional, international, and spatial histories, this article proposes a new reading of the twentieth-century Polish past by exploring the vicissitudes of a building known as the Upper Silesia Tower. Renowned German architect Hans Poelzig designed the Tower for the 1911 Ostdeutsche Ausstellung in Posen, an ethnically Polish city under Prussian rule. After Poland regained its independence following World War I, the pavilion, standing centrally on the grounds of Poznań’s International Trade Fair, became the fair's symbol, and over time, also evolved into visual shorthand for the city itself. I argue that the Tower's significance extends beyond Posen/Poznań, however. As an embodiment of the conflicts and contradictions of Polish-German historical entanglements, the building, in its changing forms, also concretized various efforts to redefine the dominant Polish national identity away from Romantic ideals toward values such as order, industriousness, and hard work. I also suggest that eventually, as a material structure harnessed into the service of socialism, the Tower, with its complicated past, also brings into relief questions about the regional dimensions of the clashes over the meaning of modernity during the Cold War.

Kampungs and Conflict in Colonial Semarang

1988 ◽  
Vol 19 (2) ◽  
pp. 266-291 ◽  
Author(s):  
James L. Cobban
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
The United States ◽  
City Council ◽  
Economic Life ◽  
North Coast ◽  
The North ◽  
Central Java ◽  
The Government ◽  
The City

By the beginning of the twentieth century, Semarang was a major port city and administrative centre on Java. Attainment of this position was due partly to the expansion of its hinterland during the nineteenth century. This expansion was closely related to developments in the means of transportation and the consequent ability of plantation owners to bring the products of their plantations to the port for shipment to foreign markets. By the end of the century virtually the whole economic life of central Java focused upon Semarang. The city also exercised administrative functions in the Dutch colonial administration and generally had been responsible for Dutch interests in the middle and eastern parts of the island. The importance of Semarang as an administrative centre increased after 1906. In that year the government incorporated the city as an urban municipality (stadsgemeente). In 1914 it had consular representation from the United States, Belgium, Denmark, France, Great Britain, Italy, Norway, Germany, and Thailand. Subsequently, in 1926 it became the capital of the Province of Central Java under the terms of an administrative reform fostered by the colonial government at Batavia. Status as an urban municipality meant that local officials sitting on a city council would govern the domestic affairs of the city. The members of the city council at first were appointed from Batavia, subsequently some of them were elected by residents of the city. By the beginning of the twentieth century Semarang had enhanced its position as a major port on the north coast of the island of Java. It was one of the foremost cities of the Dutch East Indies, along with Batavia and Surabaya, a leading port and a centre of administration and trade. This article outlines the growth of the port of Semarang during the nineteenth century and discusses some of the conflict related to this growth over living conditions in parts of the city during the twentieth century, a conflict which smouldered for several decades among the government, members of the city council, and the non-European residents of the city, one which remained unresolved at the end of the colonial era.

Using Land Cover, Population, and Night Light Data for Assessing Local Temperature Differences in Mainz, Germany

2015 ◽  
Vol 54 (3) ◽  
pp. 658-670 ◽  
Author(s):  
Jenny Lindén ◽  
Jan Esper ◽  
Björn Holmer
Keyword(s):  
Twentieth Century ◽  
Light Intensity ◽  
Central Europe ◽  
Urban Growth ◽  
Urban Areas ◽  
Surface Coverage ◽  
Daily Maximum ◽  
Source Areas ◽  
Maximum Temperatures ◽  
The City

AbstractUrban areas are believed to affect temperature readings, thereby biasing the estimation of twentieth-century warming at regional to global scales. The precise effect of changes in the surroundings of meteorological stations, particularly gradual changes due to urban growth, is difficult to determine. In this paper, data from 10 temperature stations within 15 km of the city of Mainz (Germany) over a period of 842 days are examined to assess the connection between temperature and the properties of the station surroundings, considering (i) built/paved area surface coverage, (ii) population, and (iii) night light intensity. These properties were examined in circles with increasing radii from the stations to identify the most influential source areas. Daily maximum temperatures Tmax, as well as daily average temperatures, are shown to be significantly influenced by elevation and were adjusted before the analysis of anthropogenic surroundings, whereas daily minimum temperatures Tmin were not. Significant correlations (p < 0.1) between temperature and all examined properties of station surroundings up to 1000 m are found, but the effects are diminished at larger distance. Other factors, such as slope and topographic position (e.g., hollows), were important, especially to Tmin. Therefore, properties of station surroundings up to 1000 m from the stations are most suitable for the assessment of potential urban influence on Tmax and Tmin in the temperate zone of central Europe.

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