John Knox’s International Network
In the early twentieth century, the city of Geneva added to its existing tourist attractions with one of the most peculiar items of civic commemoration in Europe. The Reformation Wall is a queasy monument to Geneva’s glorious past, in which the tensions and prejudices of a very particular view of the sixteenth century are frozen into stone. As one moves towards the centre of the monument, one draws closer to the Genevan fount of Reformed Christian truth. Luther and Zwingli are commemorated, tersely, at the wall’s outermost extremes. Further in, a series of friezes celebrate the deeds of Reformed Protestants in France, the Netherlands, Scotland and England. The monument’s centre, however, is the set of four larger-than-life statues, fixing the viewer with their stern gazes. Three of the figures are obvious. John Calvin himself, of course, stands to the fore. The wall is at heart a memorial to him, to the man who wished to be buried in an unmarked grave, and it was begun on the quatercentenary of his birth. He is joined by Guillaume Farel, the Frenchman who first established the Reformed Church in Geneva and persuaded Calvin to join him in his ministry there; and by Theodore de Béze, Calvin’s successor, biographer and systematizer.