Building a ‘Lofty, Beloved People's Amusement Centre’: The socialist transformation of Shanghai's Great World (Dashijie) (1950–58)

2020 ◽  
pp. 1-42
Author(s):  
WENMING XIAO ◽  
YAO LI

Abstract Based on a detailed case study of the socialist transformation of the Shanghai Great World Amusement Centre (Dashijie), this article documents state-building efforts during the early years of the People's Republic of China (PRC). Between 1950 and 1958, the Communist regime incrementally transformed the power configuration within Dashijie, promoting dramatic changes in its personnel, institutional structures, drama performances, and physical space. Over the course of this process, Dashijie seemed to become a ‘loftier’ cultural organization in accordance with the aims of its transformation. This transfigured Dashijie, however, fell out of favour with the people of Shanghai. This multifaceted transformation process reflects considerable state capacities on the one hand and illustrates the complexity of state capacities—their unevenness and the limitations of a strong state—on the other. The complexity of state capacities thus shaped and was embedded in the process and outcome of this socialist cultural transformation. Since the Chinese state is once again making strenuous efforts at culture-building, an overview of cultural transformation in the early PRC era has important contemporary implications.

Author(s):  
Ching Kwan Lee

This introductory chapter provides a background of the Umbrella Movement, which emerged in the fall of 2014. The genesis of the Umbrella Movement can be traced to an intensification of popular discontent against the Hong Kong government and its principal, the government of the People's Republic of China (PRC). Since China's resumption of sovereignty in July of 1997, the end of British colonialism has been experienced by many Hong Kong citizens as the beginning of another round of colonization, this time by the Mainland Chinese communist regime. Such recolonization, which proceeded with fits and starts in the early years after the handover and had become more aggressive since 2003, can be broken down into three constitutive processes: political disenfranchisement, colonization of the life world, and economic subsumption. Increasing encroachment by China to turn Hong Kong into an internal colony has spurred the rise of new political actors and groups to defend Hong Kong's way of life and liberal civic values. The chapter then looks at the series of contentious mobilizations leading up to the Umbrella occupations, to trace how the contradiction constitutive of this Hong Kong regime in transition from liberalism to authoritarianism have contributed to nurturing and growing the collective capacity of at least three general categories of political actors who would converge during the Umbrella protests: the self-mobilized citizenry, the localists, and the student activists.


2017 ◽  
Vol 10 (1) ◽  
pp. 1 ◽  
Author(s):  
Eymal B. Demmallino ◽  
M. Saleh S. Ali ◽  
Abd. Qadir Gassing ◽  
Munsi Lampe ◽  
La Nalefo ◽  
...  

The study aimed to analyze the social position of the maritime community in the context of maritime economic behavior and attempt to determine the direction for socio-cultural transformation in an effort to build a maritime civilization in State Bugis Makassar South Sulawesi. This study uses Verstehen (qualitative interpretative) to the maritime community's social position and the possibility of choice over the direction of its transformation process. The results showed that the social position the maritime community in the position marked with the mentality of economic behavior kelemah adab ~ karsaan, where on the one hand weak capital owners tend to behave in manners (exploit workers) as a consequence of the influence of capitalism and on the other, workers tend to behave weak intention (not productive, excessive dependence ~ resigned, and consumptive life style) as a consequence of the influence of classical Sufism. Worsened by the presence of modernization (acceleration technology ~ carbide) that are not relevant to the potential maritime and impartiality of policy makers resulting in further social pathology (each claimed), environmental destruction, and the destruction of the local culture. This study merekomendir necessity of directing the transformation of socio-cultural community of the maritime community in efforts to grow ~ develop economic behavior that mentality kekuat adab ~ karsaan as a major foundation in building a maritime civilization. In this effort the government alignments and selection of appropriate technologies to realize it is absolutely necessary.


2016 ◽  
Vol 51 (1) ◽  
pp. 194-226 ◽  
Author(s):  
SOFIA GRAZIANI

AbstractSoon after the founding of the People's Republic of China (PRC), youth exchanges came to be a major part of the Chinese campaign to reach out and influence the people of other nations. Despite the growing scholarly discussion regarding the role of people-to-people diplomacy and external propaganda in China's foreign policy, so far no direct attention has been paid to the Chinese Communist Party's efforts to institutionalize youth exchanges and use them as a tool to promote the new Chinese government's foreign relations. This article locates the position of young people within the PRC's people-to-people diplomacy. It attempts to explore youth exchanges with the West in the early years of the Cold War by focusing on relations between Italian and Chinese youth groups in the 1950s. Relying mainly on unexplored archival material and memoirs, this article documents contacts and exchanges between adult-led youth organizations and their members, and shows how Italian left-wing party-affiliated youth groups and Soviet-dominated transnational organizations provided important channels for Sino-Italian encounters and for building long-lasting contacts among potential future leaders of these countries.


2021 ◽  
Vol 43 (4) ◽  
pp. 125-136
Author(s):  
Katarzyna Liżyńska ◽  
Anna Płońska

The authoritarian ideology that guided the authorities of the communist Polish state did not remain indifferent to the emerging model of jurisprudence in petty offence cases. Eliminating the possibility of court proceedings, the location of adjudicating boards in petty offence cases at national councils, the introduction of collegial jurisprudence exercised by the social factor, giving the jurisprudence an educational character, and abandoning it in favour of severe penalties implemented for hooligan petty offences — these are just some of the features that distinguish the jurisprudence model in petty offence cases in the People’s Republic of Poland. The pursuit of the authorities to subordinate the individuals by, on the one hand, handing over the jurisprudence in petty offence cases into the hands of the people, and, on the other hand, filling the adjudication boards with members subordinate to the authority, did not bring independence in the decisions issued. It is evidenced, for example, by the excessive repressive adjudication boards judgments issued against participants of the political crisis of March 1968. The Authors present the development of the model of jurisprudence in petty offence cases in the controversial period of the communist regime.


2020 ◽  
Vol 9 (2) ◽  
Author(s):  
Ryan Selig ◽  
Bridget Gagne ◽  
Nick MacDonald

Since 1997 Hong Kong has operated as a Special Administrative Region (SAR) of the People’s Republic of China under a policy known as “One Country, Two Systems.” An analysis of the critical period of 1997-2020 (which came to a close with the 2020 National Security Law) demonstrates the ways in which the People’s Republic of China has used its influence to limit the democratic autonomy and ideological independence of the Hong Kong Special Administrative Region. By breaking down China’s actions into three distinct sections of politics, media, and education this review addresses the many layers and facets of Chinese encroachment on the freedoms of the people of Hong Kong. In the political sector, China has worked to limit democratic representation in Hong Kong via interference in the executive, legislative, and judicial branches of Hong Kong’s government. In the field of media, China has used direct and indirect editorial action as well as economic influence to limit negative perceptions of Beijing. In the education system, China has taken a top-down approach to instill Chinese patriotism in Hong Kong’s curriculum to expand the support for China in Hong Kong’s youth. Tracking these violations of Hong Kong’s autonomy and also the people’s response demonstrates that although China continues to push the “One Country” aspect of the “One Country, Two Systems” policy, the people of Hong Kong will continue to fight for their freedoms as long as they have a voice.


2001 ◽  
Vol 10 (1-2) ◽  
pp. 53-92
Author(s):  
Evelyn Goh

AbstractIn February 1972, President Richard Nixon made a historic visit to the People”s Republic of China (PRC), marking a Sino-American rapprochement and the beginning of the route to normalization of relations. This came more than twenty years after mainland China turned Communist and fought American-led United Nations forces in Korea. Thereafter, the United States had sought to ”contain“. Communist China by means of bilateral alliances and military bases in East Asia, and to isolate it by refusing to recognize the Communist regime. The next twenty years were marked by American opposition to UN membership for the PRC, three crises in the Taiwan Strait, much offensive rhetoric, and a proxy war in Vietnam. Thus it appeared in 1972 that Nixon had executed a dramatic reversal of U.S. China policy in ending this hostile estrangement.


2016 ◽  
Vol 9 (2) ◽  
Author(s):  
Brian Hart

Since the founding of the People’s Republic of China in 1949, the Chinese Communist Party has used publicly displayed propaganda art as a means of maintaining power. During the early years of the PRC, propaganda posters played a large role in establishing a cult of personality around Mao Zedong. Today’s propaganda art seeks primarily to garner popular support for President Xi Jinping’s “China Dream” campaign. The China Dream, popularized by Xi in 2012, is a nebulous concept that shares many of the materialistic components of the “American Dream,” but simultaneously—and more importantly—emphasizes the Chinese nation’s rejuvenation to a position of wealth and power. China Dream art deviates significantly from Mao era posters and ideology by heavily incorporating ancient Confucian concepts and images. The art focuses not on communist values, but on moralistic ones drawn from the teachings of Confucius that emphasize hierarchy and filial piety. This paper argues that China Dream art is being used not only to create a new source of legitimacy for the Communist Party, but also to establish a cult of personality around President Xi Jinping. As a result, China is transforming into a leader state where the relationship between Xi Jinping and the people is becoming a relationship between ruler and ruled.


2005 ◽  
Vol 181 ◽  
pp. 82-99 ◽  
Author(s):  
Chang-tai Hung

Yangge is a popular rural dance in north China. In the Yan'an era (1936–47) the Chinese Communist Party used the art form as a political tool to influence people's thinking and to disseminate socialist images. During the early years of the People's Republic of China, the Communists introduced a simpler form of yangge in the cities. In three major yangge musicals performed in Beijing, the Party attempted to construct “a narrative history through rhythmic movements” in an effort to weave the developments of the Party's history into a coherent success story, affirming various themes: the support of the people, the valour of the Red Army, the wise leadership of the Party and the country's bright future. However, urban yangge's simplicity as an art form, the professionalization of art troupes, the nation's increasing exposure to a variety of alternative dance forms and, worse still, stifling government control all contributed to the rapid decline of this art form in urban China.


Trictrac ◽  
2018 ◽  
Vol 10 ◽  
Author(s):  
Petru Adrian Danciu

Starting from the cry of the seraphim in Isaiahʹ s prophecy, this article aims to follow the rhythm of the sacred harmony, transcending the symbols of the angelic world and of the divine names, to get to the face to face meeting between man and God, just as the seraphim, reflecting their existence, stand face to face. The finality of the sacred harmony is that, during the search for God inside the human being, He reveals Himself, which is the reason for the affirmation of “I Am that I Am.” Through its hypnotic cyclicality, the profane temporality has its own musicality. Its purpose is to incubate the unsuspected potencies of the beings “caught” in the material world. Due to the fact that it belongs to the aeonic time, the divine music will exceed in harmony the mechanical musicality of profane time, dilating and temporarily cancelling it. Isaiah is witness to such revelation offering access to the heavenly concert. He is witness to divine harmonies produced by two divine singers, whose musical history is presented in our article. The seraphim accompanied the chosen people after their exodus from Egypt. The cultic use of the trumpet is related to the characteristics and behaviour of the seraphim. The seraphic music does not belong to the Creator, but its lyrics speak about the presence of the Creator in two realities, a spiritual and a material one. Only the transcendence of the divine names that are sung/cried affirms a unique reality: God. The chant-cry is a divine invocation with a double aim. On the one hand, the angels and the people affirm God’s presence and call His name and, on the other, the Creator affirms His presence through the angels or in man, the one who is His image and His likeness. The divine music does not only create, it is also a means of communion, implementing the relation of man to God and, thus, God’s connection with man. It is a relation in which both filiation and paternity disappear inside the harmony of the mutual recognition produced by music, a reality much older than Adam’s language.


2020 ◽  
Vol 11 (SPL1) ◽  
pp. 469-471 ◽  
Author(s):  
Bhagyashri Vijay Chaudhari ◽  
Priya P. Chawle

“A lesson learned the hard way is a lesson learned for a lifetime.” Every bad situation hurts; however, it sure does teach us something a lesson. In the same manner of a new lesson for Human lifetime, history is observing 'The Novel COVID-19 ’, a very horrible and strange situation created due to fighting with a microscopic enemy. WHO on 11 February 2020 has announced a name for new disease as - 19 and has declared as a global public health emergency and subsequently as pandemic because of its widespread. This began as an outbreak in December 2019, with its in Wuhan, the People Republic of China has emerged as a public health emergency of international concern. is the group of a virus with non-segmented, single-stranded and positive RNA genome. This bad situation of pandemic creates new scenes in the life of people in a different manner, which will be going to be life lessons for them. Such lessons should be kept in mind for the safety of living beings and many more things. In this narrative review article, reference was taken from a different article published in various databases which include the view of different authors and writers on the "Lessons to be from Corona".


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