Whitehead's Philosophy: The World as Process

Philosophy ◽  
1948 ◽  
Vol 23 (85) ◽  
pp. 140-160
Author(s):  
Sydney E. Hooper

This paper will endeavour to present an outline of the Organic Philosophy associated with the name of Whitehead. Whitehead resembles Spinoza and Leibniz in that he is a philosopher who has tried to construct a world-outlook that will do justice to science and to the other aspects of life and knowledge. Moreover, just as in his day Leibniz was an eminent mathematician and scientist, so Whitehead in our day enjoys the same distinction. But Whitehead's philosophy differs both from that of Spinoza and from that of Leibniz. Spinoza based his philosophy upon the monistic substance, of which the actual events in the world are the inferior modes. Whitehead bases his philosophy upon the actual events themselves and derives the solidarity of the world as a whole from their mutual interplay. Thus the organic philosophy is pluralistic in contrast with Spinoza's monism. In comparing Whitehead's philosophy with that of Leibniz, we find that they agree in both being pluralistic, but they differ in the emphasis placed upon the notion of mentality. Leibniz's monads are best conceived as generalizations of the notion of mentality, and the conception of physical bodies only enters into his philosophy subordinately and derivatively. Whitehead, however, in his philosophy of organism endeavours to hold the balance between the physical and mental more evenly, and thus does justice to both aspects of reality.

2021 ◽  
Vol 26 (3) ◽  
pp. 529-536
Author(s):  
Alexander G. Kovalenko ◽  
Polina V. Porol

The article considers N. Gumilevs poem The Moon at Sea from the cycle Porcelain Pavilion. New in the work is the interpretation of the poem, the identification and explanation of the Chinese realities of N. Gumilevs poetic text. Revealed the original texts, which became the basis for the creation of N. Gumilevs poem The Moon on the Sea, considered a version of the poem, preserved in the poets manuscript. The authors reasoning and conclusions are based on critical research, which compares two cultures. The analysis of N. Gumilevs poem is carried out in the semantic aspect using the search for textual parallels. Interpretation of N. Gumilevs poem The Moon on the Sea allows, on the other hand, to approach the world outlook of the Silver Age culture, explains the genesis of the image of China in N. Gumilevs poetry.


The purpose of this article is research of role individual ethical world outlook in individual attributing Theory of Mind to Other. On the one hand we have a cognitive science conceptions and in the other hand – the ethical philosophical heritage of the question about establishing general role of ethical aspect in human being. As intersection of the both spheres we consider Lifeworld concept, linguistic vision of the world and naive vision of the world – all of them are scene for realization a social act and space for growing actor’s ethical outlooks.


2010 ◽  
pp. 1-8
Author(s):  
Silvija Papaurėlytė-Klovienė

  The paper sets out to discuss character features attributed to Byelorussians, Latvians, Poles, Russians, Germans, i.e. representatives of neighbouring nations or those most prominent in the history of Lithuania as identified in the world outlook of the Lithuanian language. In other words, the paper aims at identifying ethnical stereotypes entrenched in the world outlook of the Lithuanian language. The data includes all collocations with all the words baltarusiškas (-a), latviškas (-a), lenkiškas (-a), rusiškas (-a), vokiškas (-a) in all their forms collected from the Corpus of Contemporary Lithuanian compiled at the Centre of Computer Linguistics of Vytautas Magnus University in Kaunas. The results of the analysis into actual usage have been supplemented by the results of the content analysis of international anecdotes. The methodology of research is based on conceptual analysis.The results of investigation have shown that the closest neighbours are unlikely to be the best known. Representatives of Latvia and Belarus, or countries bordering on Lithuania, have been only fragmentary reflected in the world outlook of the Lithuanian language. Poles, Russians or Germans, the latter are usually not treated as neighbours, are much better known. The language world outlook has identified Polish patriotism and sometimes self-esteem going to the extremes. Russians are thought of as open, ingenuous people whose patriotic feelings might overstep certain boundaries and pose danger. The dominant feature of German national character is their inclination to order, sometimes also rather extreme.Such features might be due to several causes. Russians and Poles make up a large part of the population of national minorities of Lithuania, which is why they are seen as slightly closer. On the other hand, Lithuania is historically related to Poland, Russia and Germany.The language world outlook tends to provide more details on negative features. The tendency also applies when discussing the national character of representatives of other nations. Most outstanding features are verbalised hyperbolically and ironically.


TEKNOSASTIK ◽  
2018 ◽  
Vol 14 (2) ◽  
pp. 1
Author(s):  
Dina Amelia

There are two most inevitable issues on national literature, in this case Indonesian literature. First is the translation and the second is the standard of world literature. Can one speak for the other as a representative? Why is this representation matter? Does translation embody the voice of the represented? Without translation Indonesian literature cannot gain its recognition in world literature, yet, translation conveys the voice of other. In the case of production, publication, or distribution of Indonesian Literature to the world, translation works can be very beneficial. The position of Indonesian literature is as a part of world literature. The concept that the Western world should be the one who represent the subaltern can be overcome as long as the subaltern performs as the active speaker. If the subaltern remains silent then it means it allows the “representation” by the Western.


Author(s):  
Iia Fedorova

The main objective of this study is the substantiation of experiment as one of the key features of the world music in Ukraine. Based on the creative works of the brightest world music representatives in Ukraine, «Dakha Brakha» band, the experiment is regarded as a kind of creative setting. Methodology and scientific approaches. The methodology was based on the music practice theory by T. Cherednychenko. The author distinguishes four binary oppositions, which can describe the musical practice. According to one of these oppositions («observance of the canon or violation of the canon»), the musical practices, to which the Ukrainian musicology usually classifies the world music («folk music» and «minstrel music»), are compared with the creative work of «Dakha Brakha» band. Study findings. A lack of the setting to experiment in the musical practices of the «folk music» and «minstrel music» separates the world music musical practice from them. Therefore, the world music is a separate type of musical practice in which the experiment is crucial. The study analyzed several scientific articles of Ukrainian musicologists on the world music; examined the history of the Ukrainian «Dakha Brakha» band; presented a list of the folk songs used in the fifth album «The Road» by «Dakha Brakha» band; and showed the degree of the source transformation by musicians based on the example of the «Monk» song. The study findings can be used to form a comprehensive understanding of the world music musical practice. The further studies may be related to clarification of the other parameters of the world music musical practice, and to determination of the experiment role in creative works of the other world music representatives, both Ukrainian and foreign. The practical study value is the ability to use its key provisions in the course of modern music in higher artistic schools of Ukraine. Originality / value. So far, the Ukrainian musicology did not consider the experiment role as the key one in the world music.


CounterText ◽  
2018 ◽  
Vol 4 (1) ◽  
pp. 98-113
Author(s):  
Shaobo Xie

The paper celebrates the publication of Ranjan Ghosh and J. Hillis Miller's Thinking Literature across Continents as a significant event in the age of neoliberalism. It argues that, in spite of the different premises and the resulting interpretative procedures respectively championed by the two co-authors, both of them anchor their readings of literary texts in a concept of literature that is diametrically opposed to neoliberal rationality, and both impassionedly safeguard human values and experiences that resist the technologisation and marketisation of the humanities and aesthetic education. While Ghosh's readings of literature offer lightning flashes of thought from the outside of the Western tradition, signalling a new culture of reading as well as a new manner of appreciation of the other, Miller dedicatedly speaks and thinks against the hegemony of neoliberal reason, opening our eyes to the kind of change our teaching or reading of literature can trigger in the world, and the role aesthetic education should and can play at a time when the humanities are considered ‘a lost cause’.


Author(s):  
Laura Hengehold

Most studies of Simone de Beauvoir situate her with respect to Hegel and the tradition of 20th-century phenomenology begun by Husserl, Heidegger, and Merleau-Ponty. This book analyzes The Second Sex in light of the concepts of becoming, problematization, and the Other found in Gilles Deleuze. Reading Beauvoir through a Deleuzian lens allows more emphasis to be placed on Beauvoir's early interest in Bergson and Leibniz, and on the individuation of consciousness, a puzzle of continuing interest to both phenomenologists and Deleuzians. By engaging with the philosophical issues in her novels and student diaries, this book rethinks Beauvoir’s focus on recognition in The Second Sex in terms of women’s struggle to individuate themselves despite sexist forms of representation. It shows how specific forms of women’s “lived experience” can be understood as the result of habits conforming to and resisting this sexist “sense.” Later feminists put forward important criticisms regarding Beauvoir’s claims not to be a philosopher, as well as the value of sexual difference and the supposedly Eurocentric universalism of her thought. Deleuzians, on the other hand, might well object to her ideas about recognition. This book attempts to address those criticisms, while challenging the historicist assumptions behind many efforts to establish Beauvoir’s significance as a philosopher and feminist thinker. As a result, readers can establish a productive relationship between Beauvoir’s “problems” and those of women around the world who read her work under very different circumstances.


2016 ◽  
Vol 46 (1) ◽  
pp. 38-47
Author(s):  
Geoffrey Squires

Modernism is usually defined historically as the composite movement at the beginning of the twentieth century which led to a radical break with what had gone before in literature and the other arts. Given the problems of the continuing use of the concept to cover subsequent writing, this essay proposes an alternative, philosophical perspective which explores the impact of rationalism (what we bring to the world) on the prevailing empiricism (what we take from the world) of modern poetry, which leads to a concern with consciousness rather than experience. This in turn involves a re-conceptualisation of the lyric or narrative I, of language itself as a phenomenon, and of other poetic themes such as nature, culture, history, and art. Against the background of the dominant empiricism of modern Irish poetry as presented in Crotty's anthology, the essay explores these ideas in terms of a small number of poets who may be considered modernist in various ways. This does not rule out modernist elements in some other poets and the initial distinction between a poetics of experience and one of consciousness is better seen as a multi-dimensional spectrum that requires further, more detailed analysis than is possible here.


2017 ◽  
Vol 39 (2) ◽  
pp. 265-276 ◽  
Author(s):  
Kas Saghafi

In several late texts, Derrida meditated on Paul Celan's poem ‘Grosse, Glühende Wölbung’, in which the departure of the world is announced. Delving into the ‘origin’ and ‘history’ of the ‘conception’ of the world, this paper suggests that, for Derrida, the end of the world is determined by and from death—the death of the other. The death of the other marks, each and every time, the absolute end of the world.


2019 ◽  
Vol 10 (3) ◽  
pp. 244-257
Author(s):  
İclal Kaya Altay ◽  
◽  
Shqiprim Ahmeti ◽  

The Treaty establishing a Constitution for Europe ads territorial cohesion as Union’s third goal, beside economic and social cohesion and lists it as a shared competence. In the other hand, the Lisbon Strategy aims to turn Europe into the most competitive area of sustainable growth in the world and it is considered that the Territorial cohesion policy should contribute to it. This paper is structured by a descriptive language while deduction method is used. It refers to official documents, strategies, agendas and reports, as well as books, articles and assessments related to topic. This paper covers all of two Territorial Agendas as well as the background of territorial cohesion thinking and setting process of territorial cohesion policy.


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