scholarly journals X.—A Fifteenth Century Treatise on Gardening

Archaeologia ◽  
1894 ◽  
Vol 54 (1) ◽  
pp. 157-172
Author(s):  
John Gardener ◽  
Alicia M. Tyssen Amherst
Keyword(s):  
Sixteenth Century ◽  
Fifteenth Century ◽  
The World ◽  
The Subject

We have few writings on the subject of English gardening before the sixteenth century, when Turner, Tusser, Hill, Fitzherbert, and Gerard gave their well-known works to the world, and were quickly followed by numerous other writers on the same subject.

IV. John Lingard and the Simancas Archives

1967 ◽  
Vol 10 (1) ◽  
pp. 57-76
Author(s):  
Edwin Jones
Keyword(s):  
Sixteenth Century ◽  
Point Of View ◽  
English History ◽  
Parish Priest ◽  
The Reformation ◽  
The World ◽  
History Of ◽  
The Subject ◽  
State Archives ◽  
Source Materials

John Lingard (1771–1851) was the first English historian to attempt to look at the history of England in the sixteenth century from an international point of view. He was unconvinced by the story of the Reformation in England as found in the works of previous historians such as Burnet and Hume, and believed that new light needed to be thrown on the subject. One way of doing this was to look at English history from the outside, so to speak, and Lingard held it to be a duty of the historian ‘to contrast foreign with native authorities, to hold the balance between them with an equal hand, and, forgetting that he is an Englishman, to judge impartially as a citizen of the world’. In pursuit of this ideal Lingard can be said to have given a new dimension to the source materials for English history. As parish priest in the small village of Hornby, near Lancaster, Lingard had few opportunities for travel. But he made good use of his various friends and former pupils at Douai and Ushaw colleges who were settled now in various parts of Europe. It was with the help of these friends that Lingard made contacts with and gained valuable information from archives in France, Italy and Spain. We shall concern ourselves here only with the story of Lingard's contacts with the great Spanish State Archives at Simancas.

Ut musica poesis: Music and Poetry in France in the Late Sixteenth Century

1994 ◽  
Vol 13 ◽  
pp. 1-63 ◽  
Author(s):  
Howard Mayer Brown
Keyword(s):  
Sixteenth Century ◽  
Subject Matter ◽  
Ancient Greece ◽  
World Order ◽  
Pierre De Ronsard ◽  
Ideal Form ◽  
Literary Sources ◽  
The World ◽  
The Subject ◽  
Crucial Part

By praising rulers, whose magnificence formed a crucial part of the world order, Pierre de Ronsard and his French colleagues in the second half of the sixteenth century often depicted the world not as it was but as it ought to be. This idea informs Margaret McGowan's book on ideal forms in the age of Ronsard, in which she explores the ways poets and painters extolled the virtues and the theatrical magnificence of perfect princes following the Horatian dictum ut pictura poesis: as is painting so is poetry. McGowan demonstrates the virtuosity of the painters and poets of the sixteenth century in shaping their hymns of praise from the subject matter and ideals of ancient Greece and Rome by following Horace's advice to regard paintings as mute poems and poems as speaking pictures. McGowan shows how artists and intellectuals pursued their goals by creating four kinds of ideal form: iconic forms, sacred images derived from classical literary sources offering princes some guarantee of immortality; triumphal forms that evoke the heroic imperial past; ideal forms of beauty to be found in contemplating the beloved; and dancing forms that mirror rituals of celebration. McGowan claims that such ideal forms were intended to enlighten the ruler himself as much as they celebrated his grandeur in the eyes of others.

Music, Architecture, Proportion and the Renaissance Way of Thinking

2020 ◽  
pp. 1-16
Author(s):  
Vasco Zara
Keyword(s):  
Sixteenth Century ◽  
Fifteenth Century ◽  
Middle Ages ◽  
Unified Theory ◽  
The World ◽  
Universal Truth ◽  
Way Of Thinking ◽  
The Middle Ages

During the Renaissance, the language of proportion became a unified theory capable of encompassing the understanding of the world within a coherent theological, philosophical and artistic framework. Music, with its harmonic paradigm, plays a key role in this construction. From the fifteenth century through to the end of the sixteenth century, architects and architectural theorists made reference, both in new treatises and commentaries to Vitruvius, to musical matters, transforming architecture into the summa of knowledge. The affinity to music was grounded on both a common mathematical and rhetoric gnosiology. Formerly conceived of as ideal, numbers became eloquent, reinforcing the quantitative paradigm of proportion with its qualitative one. The language of proportion as a compositional tool reveals the shift between the Middle Ages and the Renaissance: while the Medieval tèchne based on modular thinking provides beauty and universal truth using the technique of repetition, the Humanist paradigm of variety produces pleasure and individual truth – a condition typical of the premodern.

“What in the World Have You Done To Me, My Lover?” Sex, Servitude, and Politics among the Pre-Conquest Nahuas as seen in the Cantares Mexicanos

2006 ◽  
Vol 62 (3) ◽  
pp. 349-389 ◽  
Author(s):  
Camilla Townsend
Keyword(s):  
Sixteenth Century ◽  
Fifteenth Century ◽  
First Century ◽  
Spanish Conquest ◽  
The People ◽  
The World ◽  
Twenty First Century ◽  
In The Beginning ◽  
First Time ◽  
Warrior Women

The year 13-Reed [1479]. It was at this time that the people of Ame-cameca and the Chalcas Tlalmanalcas came to sing for the first time in Mexico. At that time they performed the song of the women of Chalco, the Chalca Cihuacuicatl. They came to sing for the lord Axayacatzin.The song and the dance were begun in the patio of the palace while Axayacatl was still inside in the house of his women. But in the beginning the song was poorly performed. A noble of Tlalmanalco was playing the music very clumsily, and making the great drum sound in a lazy offbeat way until finally in desperation he leaned down over it, not knowing what else to do.There, however, close to the place of the drums, was a man called Quecholcohuatzin, noble from Amecameca, a great singer and musician as well. When he saw that all was being lost and that the song and the dance were being ruined, he quickly placed himself next to the drum section. He picked up a drum and through his effort he gave new strength to the dance so that it would not be ruined. Thus Quecholcohuatzin made the people sing and dance. . . . Axayacatl who was still inside the palace, when he heard how marvelously Quecholcohuatzin played the music and made the people dance, was surprised, and his heart filled with excitement. He quickly arose and left the house of his women and joined in the dance. As Axayacatl approached the place of the dance his feet began to follow the music and he was overcome with joy as he heard the song and so he too began to dance and spin round and round.When the dance was over, the lord Axayacatl spoke, saying, “Fools, you have brought this fumbler before me, who played and directed the song. Don’t let him do it again.” The people from Chalco answered him, saying, “It is as you wish, supreme lord.” And because Axayacatl had given this command, all the nobles of Chalco became terrified. They stood there looking at each other, and it is said that truly they were very frightened.. . . But the lord Axayacatl was well pleased [with Quecholcohuatzin] and continued to take delight in the “Song of the Women of Chalco,” the Chalca Cihuacuicatl. So it was that once again he had the Chalcas, all of the nobles, return, and he asked them to give him the song and he also asked all those from Amecameca, because the song was theirs, it belonged to the tlailotlaque, the men who had returned. The song was their property, the “Song of the Warrior Women of Chalco.” Chimalpahin, Seventh Relation Ms. Mexicain 74, Bibliothèque Nationale de Paris Folios 174-176The indigenous historian Chimalpahin seemed quite certain that events on a certain day in 1479 had unfolded as he described them, though he wrote over a century later and saw it all through the refracting lens of the intervening Spanish conquest. Posterity has been the more inclined to believe him since there exists a song amongst those collected in the sixteenth century under the auspices of the Franciscans entitled “The Song of the Women of Chalco” (Chalca cihuacuicatl) in which the singer addresses Axayacatl as the conqueror of Chalco and as her own lord and master. But what can we in the twenty-first century make of these two sources? We might pursue a number of interpretive avenues. In this article I will ask specifically what we actually know about the fifteenth-century performance event, and what, if anything, we can glean from the song concerning the lives of the Nahua women in that nearly untranslatable category whom we know in English as “concubines.”

A Neglected Eucharistic Controversy: The Afterlife of John Wyclif's Eucharistic Thought in Bohemia in the Early Fifteenth Century

2015 ◽  
Vol 84 (1) ◽  
pp. 64-89 ◽  
Author(s):  
Marcela K. Perett
Keyword(s):  
Sixteenth Century ◽  
Fifteenth Century ◽  
Fourteenth Century ◽  
Late Medieval ◽  
European Culture ◽  
Real Presence ◽  
The Subject ◽  
John Wyclif ◽  
Full Century

The renewed interest in John Wyclif (d. 1384) has brought this late medieval figure back into the spotlight of historians, giving rise to numerous studies evaluating his thought and its implications in the context of late fourteenth century England. However, it is not possible fully to appreciate Wyclif's importance in late medieval European culture without understanding the legacy of his ideas on the continent. According to the accepted narrative, John Wyclif's thought was mediated to the continent through the scholarly contacts between the universities in Oxford and in Prague, and re-emerged in the Latin writings of Jan Hus. This article argues that John Wyclif's thought, especially his critique of the church's doctrine of transubstantiation, found a larger audience among the rural clerics and laity in Bohemia, whom it reached through Peter Payne, who simplified and disseminated the works of the Oxford master. Wyclif's critique of transubstantiation sparked a nationwide debate about the nature of the Eucharist, generating numerous treatises, both in Latin and in the vernacular, on the subject of Christ's presence in the sacrament of the mass. This debate anticipated, a full century earlier, the famous debate between Luther and Zwingli and the Eucharistic debates of the sixteenth century Reformation more generally. The proliferation of vernacular Eucharistic tractates in Bohemia shows that Wyclif's critique of transubstantiation could be answered in a number of different ways that included both real presence (however defined) and figurative theologies—a fact, which, in turn, explains the doctrinal diversity among the Lollards in England.

scholarly journals Trigonometry in Two Sixteenth Century Works; The de Revolutionibus Orbium Coelestium and the Sidra Al-Muntahā

1987 ◽  
Vol 91 ◽  
pp. 209-214
Author(s):  
Sevim Tekeli
Keyword(s):  
Sixteenth Century ◽  
Fifteenth Century ◽  
Thirteenth Century ◽  
Individual Characteristics ◽  
The West ◽  
Islamic World ◽  
The Subject

In Greece, Autolycos (4th cent. B.C.), Aristarchos of Samos (3rd cent.B.C.), Hipparchos (2nd cent.B.C.), Menelaos (1st cent. A.D.), and Ptolemaos (2nd cent. A.D.) are the forerunners of trigonometry. The Greeks used chords and prepared a table of chords.Later, the Hindus produced Siddhāntas (4th cent.A.D.). The most important feature of these works is the use of jyā instead of chords, and utkramajyā (versed sine).In Islam, al-Battānī al-Ṣābī (858-929) used the sine, cosine, tangent, and cotangent with clear consciousness of their individual characteristics.As is known, trigonometry developed as a branch of astronomy. Although in the thirteenth century Naṣīr al-Dīn al-Ṭūsī (in the Islamic world) and in the fifteenth century Regiomontanus (in the West) established trigonometry as a science independent of astronomy, the essential situation did not change, and the subject went on developing as before.

The Monetary Thought of Two Sixteenth-Century Muslim Scholars

2008 ◽  
Vol 25 (4) ◽  
pp. 46-60
Author(s):  
Abdul Azim Islahi
Keyword(s):  
Sixteenth Century ◽  
Fifteenth Century ◽  
Economic Thought ◽  
Background Information ◽  
European Monetary ◽  
Ibn Khaldun ◽  
History Of ◽  
The Subject ◽  
Islamic Economic ◽  
Muslim Scholars

Muslim scholars of the sixteenth century continued the tradition of writing on economic issues. Their work, however, is characterized by the period’s overall feature of imitation and repetition and thus reflects hardly any advancement of monetary thought since the works of earlier Muslim scholars. This is clearly reflected in the two representative treatises on money: those of al-Suyuti (d. 1506), written at the beginning of the century, and of al-Tumurtashi (d. 1598), written at its end. The history of Islamic economic thought is a well-researched area of Islamic economics. To the best of our knowledge, however, all such research stopped at the end of the fifteenth century, the age of Ibn Khaldun and al-Maqrizi. The present paper seeks to advance this research and intends to investigate the monetary thought of Muslim scholars during the sixteenth century (corresponding to the hijr¥ years of 906 to 1009.) Beginning with an overview of earlier monetary thought in Islam to provide the necessary background information, it then goes on to note that particular century’s monetary problems in order to provide a perspective for the discussion of monetary thought among Muslim scholars. For the purpose of comparison, European monetary thought of the same period is also analyzed. Due to limitations of time and space, this paper concentrates on the relevant treatises and does not deal with the piecemeal opinions scattered throughout the voluminous corpus of Islamic literature. Thus, it focuses on al-Suyuti and al-Tumurtashi, as I could locate only their two exclusively monetary works. Hopefully this modest initiative will spur others to conduct more extensive research on the subject.

Wangara, Akan and Portuguese in the fifteenth and sixteenth centuries. I. The matter of Bitu

1982 ◽  
Vol 23 (3) ◽  
pp. 333-349 ◽  
Author(s):  
Ivor Wilks
Keyword(s):  
Seventeenth Century ◽  
Sixteenth Century ◽  
Early Modern ◽  
Fifteenth Century ◽  
Trade Agreements ◽  
Late Medieval ◽  
Modern Times ◽  
The World ◽  
Early Modern Times ◽  
Late Fifteenth

In late medieval and early modern times West Africa was one of the principal suppliers of gold to the world bullion market. In this context the Matter of Bitu is one of much importance. Bitu lay on the frontiers of the Malian world and was one of its most flourishing gold marts. So much is clear from sixteenth- and seventeenth-century writings, both African and European. A review of this body of evidence indicates that the gold trade at Bitu was controlled by the Wangara, who played a central role in organizing trade between the Akan goldfields and the towns of the Western Sudan. It is shown that Bitu cannot be other than Bighu (Begho, Bew, etc.), the abandoned Wangara town lying on the northwestern fringes of the Akan forest country, which is known (from excavation) to have flourished in the relevant period. In the late fifteenth century the Portuguese established posts on the southern shores of the Akan country, so challenging the monopolistic position which the Wangara had hitherto enjoyed in the gold trade. The Portuguese sent envoys to Mali, presumably to negotiate trade agreements. The bid was apparently unsuccessful. The struggle for the Akan trade in the sixteenth century between Portuguese and Malian interests will be treated in the second part of this paper.

scholarly journals Recovering of an identity: restoration works of the Orsini-Colonna castle in Avezzano, Italy

X ◽  
2020 ◽  
Author(s):  
Marco Felli ◽  
Antonello Incerto
Keyword(s):  
Sixteenth Century ◽  
Fifteenth Century ◽  
Historical Development ◽  
Modern Art ◽  
Historic Buildings ◽  
Art Gallery ◽  
Corps Of Engineers ◽  
Concert Hall ◽  
The World ◽  
The City

The Orsini Colonna castle of Avezzano represents one of the most important historic buildings in the internal area of Abruzzo. Founded at the end of the fifteenth century, on the rests of an older structure, with continuing modification till the sixteenth century, the building had several damages with the earthquake of January thirteenth 1915, which destroyed the entire city Avezzano and the neighborhood, causing more than 30000 victims. After the quake event, the efforts and the works for the preservation didn’t have the time to start, because of the beginning of the world wars; in particular, the castle suffered more damages with the three different bombardments on the city in 1943 and 1944. The first works of recovering and restoration were achieved in 1964 by the Genio Civile of Avezzano, the corps of engineers, with the direction of Tommaso Orlandi; in this intervention, the building had been interested by the recovering of the structures, with the reconstruction of the perimeter walls, also with the purpose of avoiding deterioration and the complete abandonment. The second works were conducted by the architect Alessandro Del Bufalo, who designed the restoration of the entire building, inserting an internal concert hall in the courtyard with a new structure in steel and glass, recovering the castle basement under the towers, and creating a modern art gallery museum in the second level. The works finished in 1994. This paper aims to redefine the historical development of the building, focusing in particular on the restoration interventions of the last century, and their different methods in the efforts of preservation, which approached to the preservation and reconstruction of the building in different ways.

Sixteenth-century patronage at St Mark's, Venice

1988 ◽  
Vol 8 ◽  
pp. 81-115 ◽  
Author(s):  
Giulio Ongaro
Keyword(s):  
Sixteenth Century ◽  
Economic Status ◽  
Western Music ◽  
Musical Life ◽  
The Social ◽  
The World ◽  
History Of ◽  
The Subject ◽  
Modern Work ◽  
Comprehensive Study

The chapel of St Mark's in Venice occupied a prominent place in the musical life of most of the sixteenth and seventeenth centuries, so that a Venetian writer could justly remark: ‘The chapel of these Lords is thought to be among the best in the world, and [singers] have come to serve from France and Spain.’ Yet, in spite of its importance in the history of Western music, our knowledge of its development and organisation is far from complete and contains large gaps. It will suffice to point out that we know a lot more about the Gabrielis – organists – than we do about Zarlino in his capacity as maestro and composer, that the first modern study of the chapel, barely eight years old, is the recent Vespers at St Mark's by James Moore, and that the venerable Storia della musica sacra nella già cappella ducale di S. Marco in Venezia by Francesco Caffi, the only comprehensive study of the subject, has, in default of more modern work, been reprinted several times in recent years. The situation is gradually improving, with several new studies on music in Venice and at St Mark's already available or in preparation, but one of the issues not yet treated adequately is the question of patronage at St Mark's and of the social and economic status of its singers.

Sign in / Sign up

Export Citation Format

Share Document