scholarly journals II.—Some Fourteenth-Century Accounts of Ironworks at Tudeley, Kent

Archaeologia ◽  
1913 ◽  
Vol 64 ◽  
pp. 145-164 ◽  
Author(s):  
M. S. Giuseppi
Keyword(s):  
Fourteenth Century ◽  
Subject Matter ◽  
Iron Industry ◽  
The Future ◽  
History Of ◽  
The Subject

I have ventured to bring the documents which form the subject-matter of this paper to the notice of the Society because they seem to suggest a possible source of material to any one who may have a mind to be the future historian of the iron industry of the Weald. Due attention has already been paid to the later and more distinguished period of the history of that industry, and we are now able to form a fair idea of its extent and the processes in use, after the discovery of the art of casting and the subsequent employment of the works, in the production of the iron ordnance of the kingdom, had made it something more than of mere local importance. For the earlier period, when casting was not, our knowledge of the industry must probably remain imperfect, but that it may possibly be a little less vague than it is at present will, I hope, appear from the evidence which I now produce.

scholarly journals Escritos sobre o céu para homens ao mar - considerações e estudos sobre astrologia e astronomia dos séculos XV e XVI * Writings about the sky for men at the sea - considerations and studies about astrology and astronomy of the XV and XVI centuries

2018 ◽  
Vol 7 (2) ◽  
pp. 5
Author(s):  
Simone Ferreira Gomes de Almeida
Keyword(s):  
Fourteenth Century ◽  
History Of Astronomy ◽  
The Past ◽  
Key Points ◽  
The Future ◽  
History Of ◽  
The Subject

A escrita da história da astronomia foi conduzida por alguns pontos chaves: a relação deste saber com as viagens de expansão e o aprimoramento da náutica, a diferenciação da astrologia e o questionamento do lugar da ciência e da superstição para o estudo do céu, bem como a construção das estruturas deste saber pelos escritos que desdobraram o assunto. Todas estas tópicas foram desenvolvidas em maior ou menor grau nos estudos historiográficos das décadas passadas que trataram da ciência do céu. Assim, este texto trata da astronomia dos séculos XV e XVI como objeto de estudos historiográficos que privilegiaram determinados aspectos deste saber, confluindo muitas vezes com a recusa – que já estava explícita nos escritos quatrocentistas – daquilo que veio se afirmar no futuro como algo totalmente desvinculado da astronomia – a astrologia.*The writing of the history of astronomy was conducted by a few key points: the relation of this knowledge to voyages of expansion and improvement of nautical, the differentiation of astrology and the questioning of the place of science and superstition for the study of the sky, as well as the construction of structures of this knowledge by the writings that unfolded the subject. All these topics were developed to a greater or lesser extent in the historiographical studies of the past decades about the science of the sky. Thus, this text deals with the astronomy of the fifteenth and sixteenth centuries as an object of historiographical studies that privileged certain aspects of this lore, often converging with the refusal - which was already explicit in the writings of the fourteenth century - of what came to be affirmed in the future as something totally unrelated to astronomy - astrology. 

scholarly journals The Spiritual-Conservative Phenomenon of Gregory Skovoroda and the Reality of the Ukrainian Neo-Baroque in the Context of the Revival of Christian Individuality

2005 ◽  
pp. 121-132
Author(s):  
P.M. Yamchuk
Keyword(s):  
Subject Matter ◽  
Modern History ◽  
The West ◽  
The Future ◽  
History Of ◽  
The Subject ◽  
Cultural Movement

To start thinking about the Gregory Skovoroda phenomenon and its promising interconnectedness with the culture of the hoped for, we want from a series of somewhat unexpected considerations and parallels that we hope will reflect both the subject matter itself and the prospects for the future. It is well-known that Kharkov entered the modern history of Ukraine as the “second capital of our statehood, as the capital of constructivist modern Ukraine of the 1920s, which, and this is often forgotten, favoring Kyiv and the West of Ukraine, became the birthplace and epicenter of a powerful national-cultural movement Ukrainianization. It was in Kharkov that a unique aesthetic phenomenon was born and flourished - literature and art of the firing Renaissance.

Mickiewicz. Poeta alternatyw

2021 ◽  
Author(s):  
Bogusław Dopart
Keyword(s):  
Subject Matter ◽  
Open Universe ◽  
Literary Life ◽  
History Of ◽  
The Subject ◽  
National Literatures ◽  
Adam Mickiewicz

The title of the present monograph refers to one of the most fundamental traits of the oeuvre and literary life of Adam Mickiewicz. While constantly occupied with invigorating and broadening the subject- -matter of his works, Mickiewicz is careful to follow a steady track of ideas, concepts, and truths. In constructing successive models of poetic worlds and varying them even within single works, he incessantly integrates them into a dynamic, open universe of the ‘man of transformations’ (in Wacław Borowy’s phrasing) in accordance with the ontic position and experience of a Romantic writer. Diversity and variance of poetic forms in Mickiewicz is counterbalanced by his leaning towards regularity and structural connectedness: cycles. As early as his first critical manifesto, he opposes a schematic labeling of his creative output; he presents the history of European poetry in terms of overlapping traditions and gradual differentiation of national literatures.

Science and common sense in the study of international politics

1984 ◽  
Vol 10 (1) ◽  
pp. 19-39
Author(s):  
Roger D. Spegele
Keyword(s):  
Social Sciences ◽  
Common Sense ◽  
Subject Matter ◽  
International Politics ◽  
Scientific Research ◽  
Natural Sciences ◽  
Mind And Body ◽  
History Of ◽  
The Subject ◽  
Humean View

The history of recent efforts to establish a science of international politics may be usefully viewed as elaborate glosses on David Hume's powerful philosophical programme for resolving, reconciling or dissolving a variety of perspicuous dualities: the external and the internal, mind and body, reason and experience. Philosophers and historians of ideas still dispute the extent to which Hume succeeded but if one is to judge by the two leading ‘scientific’ research programmes1 for international politics—inductivism and naive falsificationism —these dualities are as unresolved as ever, with fatal consequences for the thesis of the unity of the sciences. For the failure to reconcile or otherwise dissolve such divisions shows that, on the Humean view, there is at least one difference between the physical (or natural) sciences. and the moral (or social) sciences: namely, that while the latter bear on the internal and external, the former are concerned primarily with the external. How much this difference matters and how the issue is avoided by the proponents of inductivism and naïve falsification is the subject matter of this paper.

scholarly journals CATEGORY OF FUTURALITY WITHIN THE SYSTEM OF MODUS CATEGORIES

2019 ◽  
pp. 38-44
Author(s):  
Inga Kirkovs’ka
Keyword(s):  
Subject Matter ◽  
French Language ◽  
Communicative Function ◽  
Action Event ◽  
The Future ◽  
The Subject ◽  
The Moment ◽  
Future 2

The aim of the investigation under consideration is to study the nature of the category of futurality within the system of modus categories in the French language. The object of the work is the category of futurality in contemporary French, the subject is the study of the category of futurality in contemporary French within the system of modus categories of evidentiality, modality and persuasiveness. In the course of the study, the distinctions between modality and modus have been outlined, the place of the category of futurality within the modus categories has been identified, the peculiarity of the category of futurality as a modus category has been analysed. Conclusions: the peculiarity of futurality as a modus category is that it belongs to the modus categories denoting action/event, real in the future “in the speaker’s view”. In this sense the category of futurality is closer to the categories of modality (real information stated by the speaker) and predicativity (confidence in the information stated by the speaker) in meaning, whereas differing from them by the semantics of the stated temporality denoting the relation of consequence in reference to the moment of speaking. The category of futurality is connected with other modus categories: category of assertion with semantics of neutral prospection, category of persuasiveness with the seme of assurance in reference to the future and category of modality with the seme of reality in reference to the future. The major types of modal meanings forming the modus category of futurality are: 1) speaker’s estimation of the subject matter of the utterance from the perspective of reality/irreality in the future; 2) estimation of the environment of the utterance from the perspective of probability/necessity/desirability in the future; 3) speaker’s estimation of the level of assurance (persuasiveness) of the subject matter of the utterance from the perspective of the future; 4) communicative function of the utterance defined by the purpose of the speaker from the perspective of the future (wish, intention, preference); 5) confirmation/negation of objective relations between objects, phenomena, events of the future. 

scholarly journals Ironia i nihilizm. Figura bibliotekarza w Posłuchaniu u Lucypera Józefa Sękowskiego

2019 ◽  
pp. 83-94
Author(s):  
Jarosław Ławski
Keyword(s):  
National Identity ◽  
Present Article ◽  
Short Story ◽  
Subject Matter ◽  
Russian Literature ◽  
Absolute Power ◽  
Polish Literature ◽  
The World ◽  
History Of ◽  
The Subject

The subject matter of the present article is the image of library and librarian in a forgotten short story by a Polish-Russian writer Józef Julian Sękowski (1800−1858). Sękowski is known in Polish literature as a multi-talented orientalist and polyglot, who changed his national identity in 1832 and began to write only in Russian. In the history of Russian literature he is famous for Library for Reading and Fantastic Voyages of Baron Brambeus, an ironic-grotesque work, which was precursory in Russian prose. Until 1832 Sękowski was, however, a Polish writer. His last significant work was An Audience with Lucypher published in a Polish magazine Bałamut Petersburski (Petersburgian Philanderer) in 1832 and immediately translated into Russian by Sękowski himself under the title Bolszoj wychod u Satany (1833). The library and librarian presented by the author in this piece are a caricature illustration proving his nihilistic worldview. Sękowski is a master of irony and grotesquery, yet the world he creates is deprived of freedom and justice and a book in this world is merely a threat to absolute power.

Santa y Andrés: A dossier

2020 ◽  
Vol 17 (3) ◽  
pp. 377-382
Author(s):  
Dunja Fehimović ◽  
Ruth Goldberg
Keyword(s):  
Subject Matter ◽  
Film Industry ◽  
Cuban Revolution ◽  
Original Essays ◽  
Starting Point ◽  
Online Archive ◽  
History Of ◽  
The Subject ◽  
Cuban Cinema

Carlos Lechuga’s film Santa y Andrés (2016) has enjoyed worldwide acclaim as an intimate, dramatic portrayal of the unlikely friendship that develops in rural Cuba between Andrés, a gay dissident writer, and Santa, the militant citizen who has been sent to surveil him. Declared to be extreme and/or inaccurate in its historical depictions, the film was censored in Cuba and was the subject of intense controversy and public polemics surrounding its release in 2016. Debates about the film’s subject matter and its censorship extend ongoing disagreement over the role of art within the Cuban Revolution, and the changing nature of the Cuban film industry itself. This dossier brings together new scholarship on Santa y Andrés and is linked to an online archive of some of the original essays that have been written about the film by Cuban critics and filmmakers since 2016. The aim of this project is to create a starting point for researchers who wish to investigate Santa y Andrés, evaluating the film both for its contentious initial reception, and in terms of its enduring contribution to the history of Cuban cinema.

Hume and the Customary Causes of Industry, Knowledge and Humanity

2018 ◽  
pp. 184-207
Author(s):  
Christopher J. Berry
Keyword(s):  
Economic Development ◽  
Social Change ◽  
Human Nature ◽  
Subject Matter ◽  
Causal Analysis ◽  
Test Case ◽  
Treatise Of Human Nature ◽  
Scientific Analysis ◽  
History Of ◽  
The Subject

Examines Hume’s account of economic development as a subset of the history of civilisation, which is presented by him as a history of customs and manners. Since Hume believes that the subject matter of ‘economics’ is amenable to scientific analysis, the focus is on his employment of causal analysis and how he elaborates an analysis of customs as causes to account for social change. This is executed chiefly via an examination Hume’s Essays, though the History of England (as a test case) and the Treatise of Human Nature for its expression of Hume’s seminal analysis of causation are also incorporated.

Jewish Martyrdom in the Works of Adolf Rudnicki

1998 ◽  
pp. 247-262
Author(s):  
Józef Wróbel
Keyword(s):  
Subject Matter ◽  
Life And Death ◽  
Jewish Society ◽  
History Of ◽  
The Subject ◽  
The 1950S

This chapter discusses the theme of Jewish martyrdom in the works of Adolf Rudnicki. Without losing sight of the universal dimensions of the theme he was taking up, Rudnicki enriches the subject-matter with characteristics that are specifically Jewish. First, the situation of Jewish society during the occupation differed from that of other nations. Jews were pushed to the very bottom of the invader's hierarchy. Their life and death depended not only on Germans but also on the aid of Poles among whom they lived, which was not always forthcoming. A second specific feature is derived from Rudnicki's chosen artistic genre, which monumentalized the suffering of Jews by including them in the biblical circle and the almost 2,000-year history of the Diaspora, the wandering and persecution with which God tries his chosen people. This problem dominated the writing of Rudnicki for at least ten years. Undoubtedly, the literary situation in the first half of the 1950s was decisive in Rudnicki's abandonment of the theme, since the subject of the war was quickly recognized as outdated. The chapter then studies occupation literature.

Dlaczego w koncepcji Jaspersa postać Jezusa znajduje się poza „czasem osi”?

2021 ◽  
pp. 117-134
Author(s):  
Paweł Wójs ◽  
Keyword(s):  
Human Spirit ◽  
The Past ◽  
Axial Age ◽  
The Future ◽  
History Of ◽  
The Subject ◽  
Spiritual History ◽  
Whole Earth

Karl Jaspers’s concept of the Axial Age (German: Achsenzeit), or the unprece- dented age of the highest rise of the human spirit, shows the kinship of people belonging to such different civilizations as Greek, Jewish, Hindu and Chinese. The Axial Age is not only the subject of research for many scholars dealing with the past, but also a possible foundation for the future realization of the peaceful unity of people of the whole Earth. The article focuses on the figure of Jesus, considered by Jaspers as one of the four paradigmatic individuals (German: die maßgebenden Menschen), i.e. people with the greatest influence in the spiritual history of humanity. Therefore, the presence or absence of Jesus in the Axial Age will bring serious consequences. The article presents Jaspers’s arguments for recognizing the period between the 8th and 2nd century BC as the Axial Age, and the possibility of expanding it.

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