The Military Orders and the Spanish Reconquest in the Twelfth and Thirteenth Centuries

Traditio ◽  
1984 ◽  
Vol 40 ◽  
pp. 197-234 ◽  
Author(s):  
A. J. Forey

In recent years renewed interest has been shown in the history of the military orders in the Iberian peninsula, and a considerable number of studies have been published both in Spain and elsewhere. Yet most of the works that are concerned with the medieval period treat of a single order, and little attempt has been made to provide general surveys. Obviously much detailed research still needs to be undertaken before definitive conclusions can be formulated, and the nature of the evidence makes the discussion of some topics more difficult than that of others. The surviving sources supply more direct information about rights and privileges than about the orders' role in the struggle against Islam. But, as the function of the military orders was to fight against the infidel, their contribution to the reconquista is a subject that merits investigation, despite the limitations of the evidence.

Traditio ◽  
1980 ◽  
Vol 36 ◽  
pp. 317-345 ◽  
Author(s):  
A. J. Forey

The most outstanding event in the history of the military orders at the end of the thirteenth and start of the fourteenth centuries was, of course, the dissolution of the Temple. This was not, however, an isolated happening. Although the accusations which led to the abolition of that order had been publicly voiced only shortly before the Templars‘ arrest, the proceedings against the Temple took place at a time when criticism of the military orders in general was mounting, and this growth of hostile opinion no doubt facilitated Philip IV's attack on the Templars. Ever since their foundation the military orders had been subjected to some criticism, but much early censure had been of a kind which might be directed against any religious establishment, especially by members of the secular clergy who found that their authority and resources were being impaired by the privileges which the military orders and other religious institutions enjoyed: it was not primarily concerned with the orders’ contribution to the struggle against the infidel. But as the fortunes of the crusading states declined, the military orders became increasingly criticised for their inadequacies as defenders of Christendom. Defeat in the Holy Land had to be explained by faults on the Christian side rather than in terms of Muslim superiority, and the military orders were an obvious target for attack. The authors of the numerous crusading proposals which were put forward in the late-thirteenth and early-fourteenth centuries were inevitably influenced by this growing criticism, and many crusading plans therefore included suggestions concerning the military orders. Those who drew up proposals did not themselves provide a reasoned or detailed account of the orders' faults or attempt to judge to what extent these failings contributed to Christian defeats, but the criticisms on which they based their plans were clearly not altogether groundless: although some strictures were ill-informed or excessive, the policies which the orders themselves pursued certainly provided a starting-point for the growth of hostile opinion. Yet some writers did not seek merely to remedy existing defects in the orders; they sought also to discuss what the role of the military order should be in the struggle against the infidel, and thus viewed the subject in a rather wider context.


Author(s):  
A. O. Zakharov ◽  

Military awards and decorations glorify winners, immortalize victories and reflect world outlooks of their times. These functions place them among the most attractive, informative and curious cultural things in human history. The highest military awards, like the Soviet Order of Victory, symbolize the scale of battles, whereas campaign medals reflect the course of warfare. Military decorations usually imply mortal threats or even acts of heroism of their owners, not being awarded for labour or other civilian activities. Military orders and medals are in great demand among the collectors, being better known for public than other orders and medals. For example, the Japanese military Order of the Golden Kite seems to be the most famous decoration of Japan even now, seventy years after its abolition. The first order of Indonesia is the Bintang Gerilya — The Guerilla Star, instituted in 1949. Its form looks like an imitation of the Ottoman Gallipoli Star. The Bintang Gerilya reflects the modus operandi adopted by Indonesia during its wars for Independence against the Dutch. During the late fifties, the Indonesian Army took control over the nationalized factories and other businesses previously belonging to the Dutch. The Indonesian Army also turned more professional due to actions of several top grass commanders, like Nasution and Gatot Soebroto. The Army and Indonesian Government managed to put down some important separatist movements across the Malay (Indonesian) Archipelago. Obvious military success needed to be praised. In 1958 the highest military award of Indonesia — the Bintang Sakti, or Sacred Star — was instituted. The statute and history of the Bintang Sakti are the subjects of this paper.


2020 ◽  
Vol 65 ◽  
pp. 5-40
Author(s):  
Elvira Valero de la Rosa

Reconstructing the history of El Rosario inn, before it was lodging, has brought us to its true owners: The Pando Barnuevo family, nobles in whose union converge several branches of the most ancient local nobility: Los Cantos, from Albacete, and Barnuevo or Barrionuevo from Chinchilla. Investigating notarial protocols we have discovered other main houses of the family such as the one known as the Marquis of Montortal house that disappeared at the beginning of the 20th century and that presented a beautiful quartered shield, whose fields have been known almost entirely thanks to the military orders archives.


2020 ◽  
Vol 48 (3-4) ◽  
pp. 13-26
Author(s):  
Brandon W. Hawk

Literature written in England between about 500 and 1100 CE attests to a wide range of traditions, although it is clear that Christian sources were the most influential. Biblical apocrypha feature prominently across this corpus of literature, as early English authors clearly relied on a range of extra-biblical texts and traditions related to works under the umbrella of what have been called “Old Testament Pseudepigrapha” and “New Testament/Christian Apocrypha." While scholars of pseudepigrapha and apocrypha have long trained their eyes upon literature from the first few centuries of early Judaism and early Christianity, the medieval period has much to offer. This article presents a survey of significant developments and key threads in the history of scholarship on apocrypha in early medieval England. My purpose is not to offer a comprehensive bibliography, but to highlight major studies that have focused on the transmission of specific apocrypha, contributed to knowledge about medieval uses of apocrypha, and shaped the field from the nineteenth century up to the present. Bringing together major publications on the subject presents a striking picture of the state of the field as well as future directions.


Author(s):  
Felix S. Kireev

Boris Alexandrovich Galaev is known as an outstanding composer, folklorist, conductor, educator, musical and public figure. He has a great merit in the development of musical culture in South Ossetia. All the musical activity of B.A. Galaev is studied and analyzed in detail. In most of the biographies of B.A. Galaev about his participation in the First World War, there is only one proposal that he served in the army and was a bandmaster. For the first time in historiography the participation of B.A. Galaev is analyzed, and it is found out what positions he held, what awards he received, in which battles he participated. Based on the identified documentary sources, for the first time in historiography, it occured that B.A. Galaev was an active participant in the First World War on the Caucasian Front. He went on attacks, both on foot and horse formation, was in reconnaissance, maintained communication between units, received military awards. During this period, he did not have time to study his favorite music, since, according to the documents, he was constantly at the front, in the battle formations of the advanced units. He had to forget all this heroic past and tried not to mention it ever after. Therefore, this period of his life was not studied by the researchers of his biography. For writing this work, the author uses the Highest Orders on the Ranks of the Military and the materials of the Russian State Military Historical Archive (RSMHA).


Author(s):  
Timur Gimadeev

The article deals with the history of celebrating the Liberation Day in Czechoslovakia organised by the state. Various aspects of the history of the holiday have been considered with the extensive use of audiovisual documents (materials from Czechoslovak newsreels and TV archives), which allowed for a detailed analysis of the propaganda representation of the holiday. As a result, it has been possible to identify the main stages of the historical evolution of the celebrations of Liberation Day, to discover the close interdependence between these stages and the country’s political development. The establishment of the holiday itself — its concept and the military parade as the main ritual — took place in the first post-war years, simultaneously with the consolidation of the Communist regime in Czechoslovakia. Later, until the end of the 1960s, the celebrations gradually evolved along the political regime, acquiring new ritual forms (ceremonial meetings, and “guards of memory”). In 1968, at the same time as there was an attempt to rethink the entire socialist regime and the historical experience connected with it, an attempt was made to reconstruct Liberation Day. However, political “normalisation” led to the normalisation of the celebration itself, which played an important role in legitimising the Soviet presence in the country. At this stage, the role of ceremonial meetings and “guards of memory” increased, while inventions released in time for 9 May appeared and “May TV” was specially produced. The fall of the Communist regime in 1989 led to the fall of the concept of Liberation Day on 9 May, resulting in changes of the title, date and paradigm of the holiday, which became Victory Day and has been since celebrated on 8 May.


2019 ◽  
pp. 134-197
Author(s):  
V.E. . Sergei

The article is dedicated to the history of the Military Historical Museum of Artillery, Engineering and Signal Corps. The author examines the main stages of the museums formation, starting with the foundation of the Arsenal, established in St. Petersburg at the orders of Peter the Great on August 29th 1703 for the safekeeping and preservation of memory, for eternal glory of unique arms and military trophies. In 1756, on the base of the Arsenals collection, the General Inspector of Artillery Count P.I. created the Memorial Hall, set up at the Arsenal, on St. Petersburgs Liteyny Avenue. By the end of the 18th century the collection included over 6,000 exhibits. In 1868 the Memorial Hall was transferred to the New Arsenal, at the Crownwork of the Petropavlovsky Fortress, and renamed the Artillery Museum (since 1903 the Artillery Historical Museum). A large part of the credit for the development and popularization of the collection must be given to the historian N.E. Brandenburg, the man rightly considered the founder of Russias military museums, who was the chief curator from 1872 to 1903. During the Civil and Great Patriotic Wars a significant part of the museums holdings were evacuated to Yaroslavl and Novosibirsk. Thanks to the undying devotion of the museums staff, it not only survived, but increased its collection. In the 1960s over 100,000 exhibits were transferred from the holdings of the Central Historical Museum of Military Engineering and the Military Signal Corps Museum. In 1991 the collection also received the entire Museum of General Field Marshal M.I. Kutuzov, transferred from the Polish town of Bolesawjec. The Military Historical Museum of Artillery, Engineering and Signal Coprs is now one of the largest museums of military history in the world. It holds an invaluable collection of artillery and ammunition, of firearms and cold steel arms, military engineering and signal technology, military banners, uniforms, a rich collection of paintings and graphic works, orders and medals, as well as extensive archives, all dedicated to the history of Russian artillery and the feats of our nations defenders.Статья посвящена истории создания ВоенноИсторического музея артиллерии, инженерных войск и войск связи. Автор рассматривает основные этапы становления музея, начиная с основания Арсенала, созданного в СанктПетербурге по приказу Петра I 29 августа 1703 года для хранения и сохранения памяти, во имя вечной славы уникального оружия и военных трофеев. В 1756 году на базе коллекции Арсенала генеральный инспектор артиллерии граф П. И. создал мемориальный зал, установленный при Арсенале, на Литейном проспекте СанктПетербурга. К концу 18 века коллекция насчитывала более 6000 экспонатов. В 1868 году Мемориальный зал был перенесен в Новый Арсенал, на венец Петропавловской крепости, и переименован в Артиллерийский музей (с 1903 года Артиллерийский Исторический музей). Большая заслуга в развитии и популяризации коллекции принадлежит историку Н.Е. Бранденбургу, человеку, по праву считавшемуся основателем российских военных музеев, который был главным хранителем с 1872 по 1903 год. В годы Гражданской и Великой Отечественной войн значительная часть фондов музея была эвакуирована в Ярославль и Новосибирск. Благодаря неусыпной преданности сотрудников музея, он не только сохранился, но и пополнил свою коллекцию. В 1960х годах более 100 000 экспонатов были переданы из фондов Центрального исторического военноинженерного музея и Музея войск связи. В 1991 году коллекцию также получил весь музей генералфельдмаршала М. И. Кутузова, переданный из польского города Болеславец. Военноисторический музей артиллерии, инженерных войск и войск связи в настоящее время является одним из крупнейших музеев военной истории в мире. Здесь хранится бесценная коллекция артиллерии и боеприпасов, огнестрельного и холодного оружия, военной техники и сигнальной техники, военных знамен, обмундирования, богатая коллекция живописных и графических работ, орденов и медалей, а также обширные архивы, посвященные истории русской артиллерии и подвигам защитников нашего народа.


Author(s):  
Danylo Kravets

The aim of the Ukrainian Bureau in Washington was propaganda of Ukrainian question among US government and American publicity in general. Functioning of the Bureau is not represented non in Ukrainian neither in foreign historiographies, so that’s why the main goal of presented paper is to investigate its activity. The research is based on personal papers of Ukrainian diaspora representatives (O. Granovskyi, E. Skotzko, E. Onatskyi) and articles from American and Ukrainian newspapers. The second mass immigration of Ukrainians to the US (1914‒1930s) has often been called the «military» immigration and what it lacked in numbers, it made up in quality. Most immigrants were educated, some with college degrees. The founder of the Ukrainian Bureau Eugene Skotzko was born near Western Ukrainian town of Zoloczhiv and immigrated to the United States in late 1920s after graduating from Lviv Polytechnic University. In New York he began to collaborate with OUN member O. Senyk-Hrabivskyi who gave E. Skotzko task to create informational bureau for propaganda of Ukrainian case. On March 23 1939 the Bureau was founded in Washington D. C. E. Skotzko was an editor of its Informational Bulletins. The Bureau biggest problem was lack of financial support. It was the main reason why it stopped functioning in May 1940. During 14 months of functioning Ukrainian Bureau in Washington posted dozens of informational bulletins and send it to hundreds of addressees; E. Skotzko, as a director, personally wrote to American governmental institutions and foreign diplomats informing about Ukrainian problem in Europe. Ukrainian Bureau activity is an inspiring example for those who care for informational policy of modern Ukraine.Keywords: Ukrainian small encyclopedia, Yevhen Onatsky, journalism, worldview, Ukrainian state. Keywords: Ukrainian Bureau in Washington, Eugene Skotzko, public opinion, history of journalism, diaspora.


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