POSSIBLE MIGRATIONS AND SHIFTING IDENTITIES IN THE CENTRAL MEXICAN EPICLASSIC

2013 ◽  
Vol 24 (1) ◽  
pp. 131-149 ◽  
Author(s):  
George L. Cowgill
Keyword(s):  
Material Culture ◽  
Cultural Identities ◽  
Internal Stresses ◽  
Archaeological Record ◽  
Western Mexico ◽  
Basin Of Mexico ◽  
Slow Decline ◽  
Shifting Identities ◽  
The City ◽  
Lines Of Evidence

AbstractAfter a century or so of slow decline, major civic-ceremonial structures in the city of Teotihuacan were burned and desecrated, probably arounda.d. 600/650, at least some residential structures were abandoned, and the Teotihuacan state collapsed. Few features of Teotihuacan material culture survive in the Basin of Mexico in the ensuing Epiclassic period, which lasted from approximatelya.d. 600/650––800/850. Ceramic and other lines of evidence suggest a sizable in-migration of peoples from western Mexico. These newcomers may have arrived in time to add to internal stresses responsible for bringing about Teotihuacan's collapse, arrived later to take advantage of that collapse, or both. Whatever the case, interactions with Teotihuacan survivors were complex and still poorly understood. Descendants of Teotihuacanos probably soon adopted new cultural identities, making them untraceable in the archaeological record, except possibly by biological markers.

Ibero-American Architecture and Urbanism

2019 ◽  
pp. 285-311
Author(s):  
Paul Niell
Keyword(s):  
Material Culture ◽  
New World ◽  
Human Subjects ◽  
Urban Spaces ◽  
Counter Reformation ◽  
American Architecture ◽  
Political Norms ◽  
The City

The Baroque in Ibero-American Architecture and Urbanism, in parts of the Americas formerly comprising the Spanish and Portuguese empires, has been traditionally studied as a question of adherence to or deviation from a Counter-Reformation style promoted primarily by ecclesiastical institutions. This article expands upon what is meant by “Baroque” in the architecture and urbanism of the Iberian empires in the Americas. Through the analysis of urban plans, images of the city, architectural interiors and exteriors, physical urban spaces, and other forms of material culture, this article argues that Ibero-American architecture and urbanism in the age of the Baroque belonged to a phenomenon of ordering and thereby creating the “New World” as ideologically constituted colonial spaces that reified social and political norms. Furthermore, human subjects actively negotiated the spaces created by architecture and the city, making the American Baroque also part of a process of negotiating order and thereby producing American spaces.

Coda: Repositioning Early Modern Prague on the Global Stage

2021 ◽  
pp. 1-2
Author(s):  
Suzanna Ivanič
Keyword(s):  
Material Culture ◽  
Early Modern ◽  
Cultural History ◽  
Early Modern Period ◽  
Religious Change ◽  
Early Modern Europe ◽  
Modern Period ◽  
Musical Knowledge ◽  
Historical Moment ◽  
The City

The question that sparked this forum was to what extent we can see Prague as an important stage for Renaissance and Reformation exchange and as an internationally connected city. It is striking, though not unexpected, that all the authors have been drawn to some extent to sources and subjects in Rudolfine Prague. It must be stressed, however, that the emphasis of each of these studies is somewhat different to an older field of “Rudolfine studies.” The researchers here do not focus on the emperor's court but use it as context. It is tangential to their main focal points—on Jewish communities, religious change, and the exchange of scientific and musical knowledge—and these are first and foremost historians not of Prague but of social and cultural history, music, art, material culture, and religion. This indicates a marked shift from the historiography. For this generation of scholars, Prague is not only a city that is home to a fascinating and intriguing art historical moment but is also a city of early modern international connections. It provides a unique context for understanding communities, everyday experiences, religion, and culture in early modern Europe—a multilingual, multiconfessional, and multicultural mixing pot whose composition changed dramatically across the early modern period. Rudolf's court was certainly a catalyst for these crossings and encounters, but they did not fade away after his death in 1612, nor were they limited to the confines of the castle above the city.

Mortuary Practices and the Social Order at La Quemada, Zacatecas, Mexico

1992 ◽  
Vol 3 (4) ◽  
pp. 298-315 ◽  
Author(s):  
Ben A. Nelson ◽  
J. Andrew Darling ◽  
David A. Kice
Keyword(s):  
Comparative Analysis ◽  
Social Relations ◽  
Social Order ◽  
Mortuary Practices ◽  
Community Members ◽  
Ancestor Worship ◽  
Western Mexico ◽  
The Social ◽  
The Rich ◽  
Lines Of Evidence

Epiclassic occupants of the site of La Quemada left the disarticulated remains of 11-14 humans in an apparently sacred structure outside the monumental core of the site. Several lines of evidence are reviewed to generate propositions about the ritual meanings and functions of the bones. A comparative analysis reveals the complexity of mortuary practices in northern and western Mexico, and permits the suggestion that these particular remains were those of revered ancestors or community members. The sacred structure is seen as a charnel house, in which the more ancient tradition of ancestor worship expressed in shaft tombs was essentially perpetuated above ground. Hostile social relations are clearly suggested, however, by other categories of bone deposits. Recognition of the rich variability of mortuary displays leads to questions about their role in the maintenance of the social order.

Goods and States: The Political Logic of State-Socialist Material Culture

2009 ◽  
Vol 51 (2) ◽  
pp. 426-459 ◽  
Author(s):  
Krisztina Fehérváry
Keyword(s):  
Material Culture ◽  
Democratic Governance ◽  
Soviet Bloc ◽  
The Political ◽  
State Socialism ◽  
Iron Curtain ◽  
The Everyday ◽  
Widespread Phenomenon ◽  
The City ◽  
State Socialist

In the two decades since the fall of state socialism, the widespread phenomenon ofnostalgiein the former Soviet satellites has made clear that the everyday life of state socialism, contrary to stereotype, was experienced and is remembered in color. Nonetheless, popular accounts continue to depict the Soviet bloc as gray and colorless. As Paul Manning (2007) has argued, color becomes a powerful tool for legitimating not only capitalism, but democratic governance as well. An American journalist, for example, recently reflected on her own experience in the region over a number of decades:It's hard to communicate how colorless and shockingly gray it was behind the Iron Curtain … the only color was the red of Communist banners. Stores had nothing to sell. There wasn't enough food… . Lines formed whenever something, anything, was for sale. The fatigue of daily life was all over their faces. Now… fur-clad women confidently stride across the winter ice in stiletto heels. Stores have sales… upscale cafés cater to cosmopolitan clients, and magazine stands, once so strictly controlled, rival those in the West. … Life before was so drab. Now the city seems loaded with possibilities (Freeman 2008).

Kharkiv Scenography School of O. Khvostenko-Khvostov: The Experience of Professionalization

2021 ◽  
Vol 2021 (02) ◽  
pp. 85-95
Author(s):  
V. Chechyk ◽  
Keyword(s):  
Material Culture ◽  
Teaching Practice ◽  
Early Years ◽  
Music And Literature ◽  
Avant Garde ◽  
Theatrical Design ◽  
Outstanding Teachers ◽  
History Of ◽  
Compulsory Subject ◽  
The City

The article is devoted to the early years of formation of Kharkiv scenography school and to the creative and pedagogical activities of Olexander Khvostenko-Khvostov (1895–1967). It was reported that the bold experiments of this artist, in the field of theatrical design of 1918–1922, made him one of the central figures of Kharkiv avant-garde scene (“Mystery Buff”; “The Army in the City”; “Lilyuli”, etc), strengthening the reputation of an innovator and causing the beginning of pedagogical activity at the Kharkiv Art College in 1921. The theatrical and decorative workshop was opened at the faculty of painting at the Kharkiv Art College in 1922, it was headed by A. Khvostenko-Khvostov. Among the first graduates were such bright alumni as A. Volnenko, P. Suponin, V. Ryftin, A. Bosulaev, B. Chernyshov, and others. Fundamental provisions of the educational program, which A. Khvostenko borrowed from the teaching practice of A. Exter (Kyiv Studio, 1918–1920), reflected the formation idea of future theater artist’s synthetic thinking. It is known that the education program of the Theater and Scenery Workshop of KAC, equally with the Studio of A. Exter, in addition to the subjects common to all students of painting and drawing faculty as special subjects (theatrical scenery, technique and technology of the stage, etc.) included also the history of theater (I. Turkeltaub), material culture, costume, music and literature (A. Beletsky). O. Khvostenko paid special attention to theoretical and practical issues of composition. He introduced the course of fundamentals of directing (V. Vasilko) as a compulsory subject. Much of what the students mastered at the Workshop was tested on the professional stages of Kharkiv theaters. Associated with the Kharkiv Art School for a quarter of a century (1921–1946), O. Khvostenko-Khvostov has not still been included in the pantheon of its outstanding teachers.

scholarly journals Aegean diffusions - Diffusions of power: Cultural connections between Minoan Crete and Pharaonic Egypt

2021 ◽  
Author(s):  
◽  
Vinko Kerr-Harris
Keyword(s):  
Material Culture ◽  
Bronze Age ◽  
Eastern Mediterranean ◽  
Archaeological Record ◽  
The People ◽  
Minoan Crete ◽  
Cultural Connections ◽  
Economic Nature ◽  
The Bronze Age

<p>The development of Minoan society has traditionally been considered by scholars to have been an insular phenomenon unique to the southern Aegean. Such assumptions, however, fail to acknowledge the wider context of the Bronze Age in the Eastern Mediterranean. Contact between the people of Crete and their contemporaries in Egypt and the Levant is well attested in the archaeological record, with a plethora of artefacts – imported and imitation – appearing on both sides of the Libyan Sea. Whilst investigations into the economic nature of these exchanges have been undertaken, little thought has been given to the cultural consequences of inter-regional contacts. This thesis examines the evolution of palatial society upon Crete and considers the extent to which interactions with comparatively more mature civilisations may have influenced the increasingly hierarchal trajectory of Minoan society, by re-evaluating the corpus of material culture and interconnectivity.</p>

“As if she were Jerusalem”: Placemaking in Sephardic Salonica

2014 ◽  
Vol 30 (1) ◽  
pp. 141-169
Author(s):  
Peter Christensen
Keyword(s):  
Material Culture ◽  
Ottoman Empire ◽  
Social Systems ◽  
Demographic Shift ◽  
Early Nineteenth Century ◽  
Broad Array ◽  
Specific Concept ◽  
And Gender ◽  
Gender Groups ◽  
The City

No Mediterranean city witnessed as dramatic a demographic shift as Salonica following the expulsion of the Jews from Iberia in 1492. This article explores the specific concept of placemaking in the context of this transformation, examining how the industries, devotional spaces, mythology, and material traditions of Iberian Jews tactically engaged with extant forms of Ottoman multicultural governance and social systems. Drawing upon a broad array of visual and textual information, this article argues that under the evolving mechanics of the millet and dhimmi systems, the nimbler aspects of material culture–color, fabric, dress, spoliation–proved to be the most effective in articulating and developing diasporic Sephardic identity within both the city and the empire. This article further analyzes the ways in which this identity was capable of, if not inclined to, the delimiting of regional, class, and gender groups, ultimately contouring and challenging notions of a monolithic minority culture within the Ottoman Empire from the sixteenth through the early nineteenth century.

Women, Food, and Diet in the Middle Ages

2020 ◽  
Author(s):  
Theresa A. Vaughan
Keyword(s):  
Material Culture ◽  
Middle Ages ◽  
Great Book ◽  
Italian Renaissance ◽  
Food Material ◽  
Early Modern Italy ◽  
Cultural Life ◽  
The Social ◽  
Health Accounts ◽  
The City

Latini’s masterpiece of Baroque cooking and household management was the first book to publish recipes using tomatoes and chilli peppers. This first complete English translation presents the text with contextual introduction and notes to aid the reader’s understanding. The Modern Steward was published in Naples in 1692-94, when the city was a major cultural centre. It includes a wealth of recipes, plus discussions of the kitchen and serving staff, setting the table, menus, protocol, entertainment, and wines. There are also sections on health, accounts of specific banquets, and even a description of an eruption of Vesuvius. It is the last great book of the Italian Renaissance and Baroque cooking tradition. Latini was also interested in local ingredients and customs, and open to new French trends. The book will interest historians of early modern Italy, food, material culture, and the social and cultural life of the European elites, as well as connoisseurs of fine dining, and cooks.

Pre-Colombian Mesoamerica Childhoods

2022 ◽  
Keyword(s):  
Material Culture ◽  
Social Identities ◽  
Health Conditions ◽  
Archaeological Research ◽  
Archaeological Record ◽  
Social Actors ◽  
The Past ◽  
Cultural Specificity ◽  
The Social ◽  
Social Realm

Research on pre-Columbian childhood refers to all those studies that consider the different evidence and expressions of children in Mesoamerica, prior to the Spanish invasion in the 16th century. Archaeology, understandably by its very focus, has been one of the most prolific disciplines that has approached this subject of study. Currently, archaeological research focuses on highlighting the different social experiences of the past (or multi-vocality) of social identities, such as gender and childhood, and its relationship with material culture. In addition, archaeologists recognize a modern stereotype that considers children as passive or dependent beings and therefore biases childhood research in the past. Consequently, it is necessary to critically evaluate the cultural specificity of past childhood since each culture has its own way of considering that stage of the life cycle. Another problem, in the archaeological study of childhood, is to consider that children are not socially important individuals. It has been said that their activities are not significant for the economy or the social realm of communities and societies of the past. From archaeology, there exists a general perception that children are virtually unrecognizable from the archaeological record because their behavior leaves few material traces, apart from child burials. It has been since feminist critiques within the discipline that the study of childhood became of vital importance in archaeology to understand the process of gender acquisition through enculturation. This process refers to the way children learn about their gender identity through the material world that surrounds them and the various rituals that prepare them to become persons. Thus, the intent of recent studies on childhood has been to call upon archaeologists to consider children as social actors capable of making meaningful decisions on their own behalf and that they make substantial contributions to their families and their communities. In this sense, studies on pre-Hispanic Mesoamerican cultures have focused at the most basic sense on identifying the presence of children in the archaeological record or ethnohistoric sources. Its aim has been to document the different social ages that make up childhood, the ritual importance of Mesoamerican children, funerary practices, and health conditions marked in children’s bones as well as the different material and identity expressions of childhood through art and its associated material culture.

Slaves without Shackles: An Archaeology of Everyday Life on Gorée Island, Senegal

2011 ◽  
Author(s):  
Ibrahima Thiaw
Keyword(s):  
Eighteenth Century ◽  
Material Culture ◽  
Everyday Life ◽  
Settlement Pattern ◽  
Heterogeneous Population ◽  
Archaeological Record ◽  
Urban Settlement ◽  
Archaeological Evidence ◽  
Transnational Community ◽  
Changing Patterns

This chapter examines how slavery was imprinted on material culture and settlement at Gorée Island. It evaluates the changing patterns of settlement, access to materials, and emerging novel tastes to gain insights into everyday life and cultural interactions on the island. By the eighteenth century, Gorée grew rapidly as an urban settlement with a heterogeneous population including free and enslaved Africans as well as different European identities. Interaction between these different identities was punctuated with intense negotiations resulting in the emergence of a truly transnational community. While these significant changes were noted in the settlement pattern and material culture recovered, the issue of slavery — critical to most oral and documentary narratives about the island — remains relatively opaque in the archaeological record. Despite this, the chapter attempts to tease out from available documentary and archaeological evidence some illumination on interaction between the different communities on the island, including indigenous slaves.

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