scholarly journals EDITORIAL

2005 ◽  
Vol 2 (2) ◽  
pp. 201-203 ◽  
Author(s):  
ALLAN BADLEY

Although musicology as a discipline has expanded enormously over the past few decades, many of its core interests remain much as they were a century ago, when the primary task facing scholars was to take stock of what had been written and by whom. We now possess good if not yet definitive catalogues of many composers’ oeuvres and in some cases complete or near-complete critical editions. Less systematically organized performing editions of works by non-canonical composers have also begun to appear in increasing numbers in recent years to complement the pioneering surveys in publications like Denkmäler der Tonkunst in Österreich and Musica Britannica. Systematic studies of contemporary documents relating to individual musicians and musical establishments have proved exceptionally useful, though much of the picture remains obscure. Thus, after a century of unremitting labour, we have a musical chart that is extravagantly detailed in some areas yet frustratingly blank in others. The chance survival of documents enables us, for example, to know how many coffee spoons Leopold Hofmann owned at the time of his death, yet few if any documents survive that shed light on his personal and professional life. None the less, in spite of the incompleteness of our knowledge we possess an incomparably more detailed understanding of music in the eighteenth century than seemed possible even twenty years ago.

2020 ◽  
pp. 189-206
Author(s):  
Colin Foss

This chapter deals with the kind of revolution France was undergoing during the Siege, and particularly how the book publishing industry—which created more lasting, less ephemeral literature than other sites of production—conceptualized this revolutionary moment. Publishers tended to look towards the past, rather than the future, to find their way out of the political instability of the Siege. Incarnated in the revival of the eighteenth-century libelle, the fixation on the perceived crimes of previous governments created an artificial revolution in print, one in which future change seemed unnecessary. This was a decidedly anti-revolutionary politics that attempted to build complacency rather than incite action. To make a break with the past, to turn public opinion against the politics of the Second Empire that had just fallen, Parisian publishers turned to the etymological definition of publication: to make matters public. The Siege saw the publication of hundreds of books that claimed to expose secrets and shed light on lies. The accusatory publications of the Siege exposed the crimes, both real and imagined, of the Second Empire.


2021 ◽  
Vol 15 (2) ◽  
pp. 17-33
Author(s):  
Valérie Nègre

Abstract This article aims to shed light on the exchange of technical knowledge between architects, master craftsmen and workmen on building sites at the end of the eighteenth century. In the Age of Enlightenment, major building sites were places where a large number of skilled practitioners of various ranks met (engineers, architects, contractors, experts, craftsmen). These were therefore places where the exchange of knowledge and know-how occurred but also places of struggle for power and knowledge. The article examines these exchanges and struggles using the case study of the building site for the dome of the Halle au Blé in Paris (1782-1783).


2005 ◽  
Vol 9 (2) ◽  
pp. 289-311 ◽  
Author(s):  
John Powell ◽  
Nicola Dibben

The association of certain keys with specific moods continues to be widespread despite technical evidence that all equally tempered keys are identical. This paper provides experimental results which shed light on this phenomenon. First, approximately three-quarters of participants questioned claimed to have key-mood associations. Second, the key-mood associations held by participants showed a very strong correlation to late eighteenth century associations which attributed brightness to keys with sharps in their key signature and mellowness to those with flats. Third, key-mood associations were proven to be invalid for the modern, equal temperament keyboard; the participants showed no ability to be able to identify mood from key or key from mood and, overall, there was no change in perceived mood of a piece if it was performed in a different key. One reason why the key-mood association myth persists to the present day is the tradition of associating sharp keys with bright and positive moods and flat keys with dark and negative moods, which has been perpetuated by some musical commentators over the past two hundred years. In addition, there are a number of aspects of early musical training which encourage these associations for the sharp and flat keys.


Author(s):  
Volker Scheid

This chapter explores the articulations that have emerged over the last half century between various types of holism, Chinese medicine and systems biology. Given the discipline’s historical attachments to a definition of ‘medicine’ that rather narrowly refers to biomedicine as developed in Europe and the US from the eighteenth century onwards, the medical humanities are not the most obvious starting point for such an inquiry. At the same time, they do offer one advantage over neighbouring disciplines like medical history, anthropology or science and technology studies for someone like myself, a clinician as well as a historian and anthropologist: their strong commitment to the objective of facilitating better medical practice. This promise furthermore links to the wider project of critique, which, in Max Horkheimer’s definition of the term, aims at change and emancipation in order ‘to liberate human beings from the circumstances that enslave them’. If we take the critical medical humanities as explicitly affirming this shared objective and responsibility, extending the discipline’s traditional gaze is not a burden but becomes, in fact, an obligation.


2020 ◽  
Vol 50 (1-2) ◽  
pp. 58-66
Author(s):  
Giuliano Pancaldi

Here I survey a sample of the essays and reviews on the sciences of the long eighteenth century published in this journal since it was founded in 1969. The connecting thread is some historiographic reflections on the role that disciplines—in both the sciences we study and the fields we practice—have played in the development of the history of science over the past half century. I argue that, as far as disciplines are concerned, we now find ourselves a bit closer to a situation described in our studies of the long eighteenth century than we were fifty years ago. This should both favor our understanding of that period and, hopefully, make the historical studies that explore it more relevant to present-day developments and science policy. This essay is part of a special issue entitled “Looking Backward, Looking Forward: HSNS at 50,” edited by Erika Lorraine Milam.


Author(s):  
Piero Ignazi

Chapter 1 introduces the long and difficult process of the theoretical legitimation of the political party as such. The analysis of the meaning and acceptance of ‘parties’ as tools of expressing contrasting visions moves forward from ancient Greece and Rome where (democratic) politics had first become a matter of speculation and practice, and ends up with the first cautious acceptance of parties by eighteenth-century British thinkers. The chapter explores how parties or factions have been constantly considered tools of division of the ‘common wealth’ and the ‘good society’. The holist and monist vision of a harmonious and compounded society, stigmatized parties and factions as an ultimate danger for the political community. Only when a new way of thinking, that is liberalism, emerged, was room for the acceptance of parties set.


133 letters are edited. They range from 30 July 1770, when Charles Hutton was a schoolteacher in Newcastle, to February 1823. Most are from Hutton’s time at the Royal Military Academy in Woolwich, and shed light on his contacts, his activities, and his role as a recipient and distributor of mathematical patronage. A long series of letters illuminates his role as editor of the Ladies’ Diary and the development of his relationship with the provincial mathematician Lewis Evans. The letters range across various subjects in mathematics, natural philosophy, and civil engineering. They touch on Hutton’s personal and professional life and his various publication projects. Correspondents include the mathematicians Burrow, Playfair, and Frend, the scientists Maskelyne, Cavendish, Banks, Herschel, Baily, Laplace, and Babbage, and literary figures such as Catherine Hutton and Alexander Tilloch.


Author(s):  
Elizabeth Bouldin

This chapter explores the range of ideas and activities that engaged Quaker women educators during the eighteenth century, a critical period in the development of Friends’ educational efforts. It analyses key writings of Deborah Bell, Rebecca Jones, and Priscilla Wakefield. These women adopted a variety of approaches to instructing youth, ranging from informal mentorship to formal teaching that stressed a ‘guarded’ (Quaker-only) environment. Bell, Jones, and Wakefield shed light on the leading role that Quaker women played in the education and socialization of young Friends. Their writings highlight the importance of the meetinghouse, the schoolhouse, and the printed word as public venues for women who sought to instil Quaker values in future generations.


Author(s):  
Charles Roddie

When interacting with others, it is often important for you to know what they have done in similar situations in the past: to know their reputation. One reason is that their past behavior may be a guide to their future behavior. A second reason is that their past behavior may have qualified them for reward and cooperation, or for punishment and revenge. The fact that you respond positively or negatively to the reputation of others then generates incentives for them to maintain good reputations. This article surveys the game theory literature which analyses the mechanisms and incentives involved in reputation. It also discusses how experiments have shed light on strategic behavior involved in maintaining reputations, and the adequacy of unreliable and third party information (gossip) for maintaining incentives for cooperation.


2021 ◽  
pp. 105971232199468
Author(s):  
Jeannette Pols

The response asks about the relationship between artist and audience in the RAAAF artworks. Is the artist an Autonomous Innovator who breaches the ties with the past and the environment? Or is the aesthetic practice located in the creation of relationships around these objects, hence expanding the artwork by using know-how, experiences and enthusiasm of the audience/users?


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