scholarly journals In the World of Molecules, Optical Illusions; Trust not Your Eye, and more

1913 ◽  
Vol 108 (10) ◽  
pp. 226-227
Author(s):  
Alfred J. Lotka
Keyword(s):  
Author(s):  
Brian P. McLaughlin

We learn about the world through our five senses: by seeing, hearing, smelling, tasting and feeling. Sense perception is a primary means by which we acquire knowledge of contingent matters of fact. We can also acquire such knowledge by, for instance, conscious reasoning and through the written and spoken testimony of others; but knowledge so acquired is derivative, in that it must be based, ultimately, on knowledge arrived at in more primary ways, such as by sense perception. We can perceive something without acquiring any knowledge about it; for knowledge requires belief, and we can perceive something without having any beliefs about it. Viewing any but the most simple visual scenes we see many things we form no beliefs about. However, when we perceive something, we are acquainted with it by its sensorially appearing (looking, sounding, smelling and so on) some way to us. For we see something if and only if it looks some way to us, hear something if and only if it sounds some way to us, and so on. When, based on how they appear, we form true beliefs about things we perceive, the beliefs sometimes count as knowledge. Often the way something appears is the way it is. The red, round tomato looks red and round; the sour milk tastes sour. But the senses are fallible. Sometimes the way something appears is different from the way it is. Appearances can fail to match reality, as happens to various extents in cases of illusion. There are, for instance, optical illusions (straight sticks look bent at the water line) and psychological ones (despite being exactly the same length, the Müller-Lyer arrows drawings look different in length). In such cases, looks are misleading. The ever-present logical possibility of illusion makes beliefs acquired by perception fallible: there is no absolute guarantee that they are true. But that does not prevent them from sometimes counting as knowledge – albeit fallible knowledge. Recognitional abilities enable us to obtain knowledge about things from how they perceptually appear. Sense perception thus acquaints us with things in a way that contributes to positioning us to acquire knowledge about them. The central epistemic issues about sense perception concern its role in so positioning us.


2019 ◽  
Vol 3 (2) ◽  
pp. 55
Author(s):  
Okky Fajar Tri Maryana ◽  
L. Y. Ginting ◽  
F. Pahlawan ◽  
M. Y. Darmawan

Creating optical illusions or invisible objects by using cloaking devices is still being a concern for many researchers in the world. The cloaking devices are working in visible spectrum regime, large dimention, and replicable. Addition with the full-field of light, no new materials, simple infrastructure, and scale easily may be considered an ‘ideal’ cloaking device. Based on four lenses cloaking system by Choi’s work shows an idea for solution of blindspot large vehicle’s problem. The set up for this optical system is regular covex lenses non-aberation based on educational laboratory framework. The experimental confirmation that cloaking area with 4f convex lenses is limited to certain areas only, not 100 % of the object to be observed can disappear from the view. Vibration disturbance generated by rotor module (wheels disturbance analogy on vehicles) applied on the system demonstrate that below on 2000 rotation per minutes (rpm) equal 33.34 hertz, optical illusion is still consistent. The results support the information to create optical cloaking prototype for optimizing large vehicle driver’s visibility as alternative solution blindspot’s problem.


2021 ◽  
pp. 113-124
Author(s):  
Nataliya P. Malyutina ◽  

The purpose of the paper is to analyze how the thematization of the perception of the world is implemented in the plays by A. Stroganov: ‘Halo,’ ‘Halo and the Night,’ ‘The Greatness of the Swing,’ ‘Black, White, Accents of the Red, Orange. Control Prints in two acts.’ The analysis of poetics proves that the visualization of metaphors creates the effect of optical illusions, resulting in the action acquiring a symbolic-magical character. The metatheatrical way of multiplying action plans (conditional-substantial and projective-illusory) allows presenting the technique of switching one’s attention to the imaginary elements. Visual projections of parareal events objectify the ability of the characters (and consequently readers/viewers) to see and perceive their inner world. A conclusion is made that in the plays under study, the integrity of the dramatic action is lost, whereas voices, gestures, images-paths, and photographs are constantly pulsating in the poetics of the text, with their ability to visualize the world vision image embodying the performative potential of action. The way to complete the integrity is the reader / viewer’s preexisting representations and interactive participation in the creation of textual projections of image-metaphors. Such absolutization of a single dramatic technique leads to a multidimensional artistic reading of A. Stroganov’s plays in the context of his theory of pararealism.


Humaniora ◽  
2012 ◽  
Vol 3 (2) ◽  
pp. 645
Author(s):  
Jonata Witabora

Visual is everything to do with vision. The ability of our brain to interpret visual is what we call visual perception. In the development of art and design, many artists and designers study visual perception and embody it in their works. One part of visual perception which attracts artists and made as the base on their work is optical illusion. This, in turn creates new streams in the world of art and design. Optical illusion is an anomaly in visual perception, a deceiving experience occurs beyond the control of the observer. Article maps out what optical illusions is, and identify a variety of optical illusions and their application in art and design. 


2021 ◽  
Vol 10 (1) ◽  
pp. 18-35
Author(s):  
Andrew J. Wodehouse ◽  
Kathleen MacKenzie Castell

This paper describes the creation and evaluation of four novel, interactive objects that have been used to evaluate the effectiveness of 2D optical illusions within 3D objects. Illusions are recognised as a key means to understand how one processes visual input and perceives the world around them. A huge number of 2D illusions have been generated from the 18th century onwards, and a significant body of work exists that explores their characteristics, classifications, and operations. This paper identifies and selects four established 2D geometric illusions and explores their viability as 3D objects. A controlled experiment was conducted to ascertain whether they retained their perceptive illusory strength. A sample population of 30 participants was used and their interaction with purpose-built models was measured. Means are discussed whereby the illusions can be utilised in product design to either emphasise or counteract optical effects in geometric form.


2018 ◽  
Vol 41 ◽  
Author(s):  
Ana Gantman ◽  
Robin Gomila ◽  
Joel E. Martinez ◽  
J. Nathan Matias ◽  
Elizabeth Levy Paluck ◽  
...  

AbstractA pragmatist philosophy of psychological science offers to the direct replication debate concrete recommendations and novel benefits that are not discussed in Zwaan et al. This philosophy guides our work as field experimentalists interested in behavioral measurement. Furthermore, all psychologists can relate to its ultimate aim set out by William James: to study mental processes that provide explanations for why people behave as they do in the world.


2020 ◽  
Vol 43 ◽  
Author(s):  
Michael Lifshitz ◽  
T. M. Luhrmann

Abstract Culture shapes our basic sensory experience of the world. This is particularly striking in the study of religion and psychosis, where we and others have shown that cultural context determines both the structure and content of hallucination-like events. The cultural shaping of hallucinations may provide a rich case-study for linking cultural learning with emerging prediction-based models of perception.


2019 ◽  
Vol 42 ◽  
Author(s):  
Nazim Keven

Abstract Hoerl & McCormack argue that animals cannot represent past situations and subsume animals’ memory-like representations within a model of the world. I suggest calling these memory-like representations as what they are without beating around the bush. I refer to them as event memories and explain how they are different from episodic memory and how they can guide action in animal cognition.


1994 ◽  
Vol 144 ◽  
pp. 139-141 ◽  
Author(s):  
J. Rybák ◽  
V. Rušin ◽  
M. Rybanský

AbstractFe XIV 530.3 nm coronal emission line observations have been used for the estimation of the green solar corona rotation. A homogeneous data set, created from measurements of the world-wide coronagraphic network, has been examined with a help of correlation analysis to reveal the averaged synodic rotation period as a function of latitude and time over the epoch from 1947 to 1991.The values of the synodic rotation period obtained for this epoch for the whole range of latitudes and a latitude band ±30° are 27.52±0.12 days and 26.95±0.21 days, resp. A differential rotation of green solar corona, with local period maxima around ±60° and minimum of the rotation period at the equator, was confirmed. No clear cyclic variation of the rotation has been found for examinated epoch but some monotonic trends for some time intervals are presented.A detailed investigation of the original data and their correlation functions has shown that an existence of sufficiently reliable tracers is not evident for the whole set of examinated data. This should be taken into account in future more precise estimations of the green corona rotation period.


Popular Music ◽  
2003 ◽  
Vol 22 (2) ◽  
pp. 241-245
Author(s):  
Inez H. Templeton
Keyword(s):  
Hip Hop ◽  

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