scholarly journals Research on the design and Creation of contemporary Powder enamel based on NURBS modeling method

2021 ◽  
Vol 236 ◽  
pp. 02043
Author(s):  
Dong Cheng
Keyword(s):  
Digital Technology ◽  
Modeling Method ◽  
The Creation ◽  
Ceramic Design ◽  
The Times ◽  
Powder Enamel

as an important discovery of ceramic design, contemporary ceramic design must be able to keep pace with the development of the times, learn to actively introduce new elements into the creation. This paper attempts to carry out the research of contemporary ceramic design and creation based on NURBS modeling, which is to integrate digital technology into the traditional ceramic design, and use NURBS modeling to innovate the decoration design of contemporary Famile-rose porcelain, so that the pastel porcelain works have a stronger sense of the times.

scholarly journals The Beginning of the Glass Age with Holographic Game Technology

2021 ◽  
Vol 11 (11) ◽  
pp. 48-52
Author(s):  
Yogi Udjaja ◽  
◽  
Chang Minhuei
Keyword(s):  
Human Activities ◽  
Modern Technology ◽  
The Creation ◽  
The Times

The development of technology has now begun to shift to society 5.0, this technology has helped many human activities. The development of technology is also followed by the development of games, games in holographic form have been made by several developers, however, there are not many games in the holographic form that are marketed and played by many players. Hologram technology is a technology that is starting to develop at this time. There have been several games made from holograms, in fact, there are already tools to view or display holographic shapes. This paper explains that the creation and development of games using holographic technology has been around for decades. The development of the times has slowly begun to expand and develop knowledge about hologram technology by making hologram games and adding or developing ways of interacting with these hologram games. Keywords—Hologram Game Technology, 3D Hologram, Hologram for Game, Modern Technology

scholarly journals Historiography at the Crossroads

2020 ◽  
Vol 13 (33) ◽  
pp. 229-270
Author(s):  
Dmitri Starostin
Keyword(s):  
Old Testament ◽  
End Of History ◽  
The End Of History ◽  
The Creation ◽  
The Times ◽  
First Time ◽  
Sacred History

This article suggests that the Carolingian effort in resetting the calendar of history at the time of Charlemagne’s coronation to the year 6000 from the Creation and 801 from the Incarnation of Christ must be considered as only one of the period in the cycle of the processes of realigning, resetting and redeploying the calendar since the times of Augustine. During this period, the calculations necessary for the construction of the calendars and timelines lead to concerns regarding the end of history and the “end of times”. The first time scholars like Jerome and Augustine had to address the ending of the calendar of the universal sacred history that the Christians inherited from the Old Testament was during the 4th and 5th centuries. The Carolingian period witnessed the second “time of reckoning” when Eusebius’ date for the Incarnation of the Anno Mundi 5199 prompted scholars to reconsider the meaning of the Carolingian rule around the year 801, that is, the Anno Mundi 6000.

Digital Ethics as Translational Ethics

2022 ◽  
pp. 1-15
Author(s):  
David Danks
Keyword(s):  
Digital Technology ◽  
Digital Technologies ◽  
Ethical Research ◽  
Digital Ethics ◽  
Ethical Decisions ◽  
Different Types ◽  
Practical Guidance ◽  
The Creation ◽  
The Many

There are growing calls for more digital ethics, largely in response to the many problems that have occurred with digital technologies. However, there has been less clarity about exactly what this might mean. This chapter argues first that ethical decisions and considerations are ubiquitous within the creation of digital technology. Ethical analyses cannot be treated as a secondary or optional aspect of technology creation. This argument does not specify the content of digital ethics, though, and so further research is needed. This chapter then argues that this research must take the form of translational ethics: a robust, multi-disciplinary effort to translate the abstract results of ethical research into practical guidance for technology creators. Examples are provided of this kind of translation from principles to different types of practices.

Dundreary’s Whiskers

2020 ◽  
pp. 16-45
Author(s):  
Sarah Meer
Keyword(s):  
United States ◽  
New York ◽  
The United States ◽  
American Student ◽  
The Creation ◽  
Martin Chuzzlewit ◽  
The Times ◽  
Pedagogical Relationship ◽  
Great Exhibition

This chapter introduces precursors to the claimant—the theatrical Yankee and his vehicle the trip play, in which Britons travelled to the United States, or Americans to Britain. The trip plays cast light on Frances Trollope’s Domestic Manners of the Americans, and on Dickens’s Martin Chuzzlewit and American Notes. In Tom Taylor’s Our American Cousin, a trip play involves a claimant, inaugurating patterns evident in the structure and characterization of subsequent claimant texts. The chapter relates mid-century transatlantic tensions to the creation and staging of Our American Cousin, as reflected in Great Exhibition dramas and the newsprint duels of The Times and the New York Herald. It also suggests that the play drew on a pedagogical relationship between Tom Taylor and an American student at Cambridge, Charles Astor Bristed.

A Graphics Tablet as a Fine Art Tool

2011 ◽  
pp. 181-195
Author(s):  
Nicola Quinn ◽  
Annette Aboulafia
Keyword(s):  
Qualitative Study ◽  
Digital Technology ◽  
Digital Technologies ◽  
Fine Art ◽  
Artistic Expression ◽  
Artistic Process ◽  
Recent Developments ◽  
The Creation

People have used tools for artistic expression for millennia. Relatively recent is the use of digital technology to afford the creation of art. However, many draw into question digital technologies conduciveness to creativity during the artistic process. Recent developments of digital technology for artists have lead to the creation of a graphics tablet from Wacom Technologies. It is claimed that the graphics tablet is more favorable to creativity than other existing digital technologies. This chapter addresses this issue through a qualitative study of five artists using the Wacom graphics tablet, in particular the artist’s own experience using the graphics tablet is explored. The outcome of this study indicates that the graphics tablet is a useful tool. However, there are still several improvements required to advance the graphics tablet to a stage suitable for fine artists.

From Sixpenny Entry to Five Shilling Subscription: Charting Cathedral Outreach and Friends’ Associations in the 1920s and 1930s

2011 ◽  
Vol 10 (1) ◽  
pp. 94-118 ◽  
Author(s):  
Judith A. Muskett
Keyword(s):  
Social Welfare ◽  
Letters To The Editor ◽  
News Reports ◽  
The North ◽  
Gradual Development ◽  
History Of ◽  
The Creation ◽  
The Times

AbstractAll Anglican cathedrals in England have formal associations of Friends (like other institutions in the heritage sector). The majority arose in the 1920s/30s, a period that coincided with the gradual development of a focused outreach strategy by cathedrals, and the abandonment of sixpenny entrance fees. By analysing Letters to the Editor and news reports in The Times, this article explores the origins of cathedral Friends’ associations. The sources illustrate the benefits of Friendship for both sides of the dyad: for the cathedrals, primarily the five shilling subscriptions and the creation of an informed supporter base; and for the members, mainly esoteric benefits. It is also demonstrated that, in the north, Friends’ gifts directly replaced cathedral/diocesan resources being deployed for social welfare. A particular value in focusing on the history of the cathedral Friends’ movement is that it highlights the history of the cathedrals themselves in this difficult inter-war period.

scholarly journals Electroacoustic Music and the Digital Future

2010 ◽  
Vol 13 (1) ◽  
pp. 21-26
Author(s):  
Barry Truax
Keyword(s):  
Digital Technology ◽  
Electroacoustic Music ◽  
Economic Situation ◽  
The Internet ◽  
Digital Audio ◽  
Artistic Practice ◽  
Digital Audio Workstation ◽  
The Creation ◽  
Definition Of

This article outlines the author's views on the contemporary social and economic situation of electroacoustic music and digital technology in general. The dominance of commercial interests in shaping the listener, the artist, and the definition of culture is examined. Issues associated with digital technology, such as standardization, de-skilling, and upgrades, are discussed with respect to artistic practice. It is argued that marginalized artforms such as electroacoustic music have benefited from the windsurfer availability of the digital audio workstation (DAW) for production and the Internet for distribution, but no analogous avenue exists for the creation of the consumer.

scholarly journals THE FACT OF CREATION AND THE LIMITS OF SCIENTIFIC KNOWLEDGE

2020 ◽  
Vol 4 (1) ◽  
pp. 85-101
Author(s):  
Ion Marian CROITORU ◽  
Keyword(s):  
New Physics ◽  
The Body ◽  
Christian Theology ◽  
The World ◽  
The Creation ◽  
Science And Theology ◽  
To Come ◽  
The Times ◽  
The Moment ◽  
The Universe

Although scientific research is in full bloom regarding, for instance, the environment, the fact of creation cannot be ignored either, even if some scientists deny it, while others ascertain it, albeit from perspectives, however, foreign to the patristic vision specific of the Orthodoxy. Consequently, the limits of cosmology are structured as well by Christian theology, which shows that the study of the world, guided by laws of physics in a limited framework, is carried out inside the creation affected by the consequences of the primordial sin, so that the reality of the world before sin is known only to those who reach spiritual perfection and holiness, therefore, from an eschatological perspective, since they, too, go through the moment of separation of the soul from the body, waiting for the general resurrection. Therefore, a new way of being is affirmed in the Orthodox Church, by the personal experience of each believer, which is a transformation on the personal and cosmic level, according to Jesus Christ’s resurrected body, which means the reality of a new physics, which concerns both the beginning of the universe, but also its new dimension, at the Lord’s Second Coming, when heaven and earth will be renewed by transfiguration. Regarding the existence of the universe, the differences are given by the perceptions of two cosmologies. Thus, the theonomous cosmology highlights man’s purpose on earth, the necessity of moral and spiritual life, and the transfiguration of creation, explaining God’s presence in His creation, but also His work in it, namely the transcendence and the immanence in relation to the creation. The autonomous cosmology engenders the evolutionist theory, which leads to secularism and, consequently, to the gap between the contemporary man’s technological progress, and his spiritual and moral regress. Today, more scientists are turning their attention also to the data of the divine Revelation, the way it makes itself known by its organs, the Holy Scripture and the Holy Tradition, in the one Church, which will mean a deepening of the dialogue between science and theology in favour of the man from everywhere and from the times to come.

scholarly journals Efforts to Improve MSME Commodity Marketing in Tasikmalaya Regency during the Covid-19 Pandemic through Training and Mentoring Programs

2021 ◽  
Vol 2 (1) ◽  
pp. 38-43
Author(s):  
Mohamad Arief Setiawan ◽  
Kalfin Kalfin ◽  
Perdi Setiawan
Keyword(s):  
Digital Technology ◽  
Small And Medium Enterprises ◽  
Mentoring Programs ◽  
Online Media ◽  
Marketing System ◽  
Continuous Training ◽  
Online Stores ◽  
The Times ◽  
Medium Enterprises

The COVID-19 pandemic has had a very bad impact and decreased income in the Micro, Small, and Medium Enterprises (MSME) sector. An effort is needed that can increase the marketing of MSME products that are in accordance with consumer conditions. There are still many MSME actors who market their products in stores and in the market which are not in accordance with the conditions in the field. Continuous training and assistance are needed in introducing a marketing system that is in accordance with the conditions of the times. One of them is marketing using online media. Based on these circumstances, this study aims to determine efforts to increase the marketing of MSME commodities in Tasikmalaya Regency during the Covid-19 pandemic through training and mentoring programs. The method used in this research is descriptive quantitative. The data used were obtained from interviews with the help of a questionnaire given to MSME actors. Based on the results obtained, the use of online media in marketing MSME products was 19%. From the results of the analysis, it is found that the level of ability to use digital technology is 26%, which means that there are still many MSME actors who do not understand using digital technology, especially in creating online stores. Therefore, continuous training and assistance are needed in improving the understanding of MSME actors and keeping up with the times.  

scholarly journals The historical-biographical film: destinies and personalities

2021 ◽  
Author(s):  
Dumitru Olarescu ◽  
Keyword(s):  
Significant Role ◽  
National Cinema ◽  
Nonfiction Film ◽  
Non Fiction ◽  
History Of ◽  
Biographical Film ◽  
The Creation ◽  
The Times

The history of national cinema shows that the evolution of non-fiction biographical film began with subjects dedicated to prominent personalities. These were included in the film magazine “Soviet Moldova” and in the almanac “Life in pictures”. In 1961, the first historical-biographical film “The Legendary Brigade Commander”- a eulogy to Grigore Kotovski (director A. Litvin) appeared at the “Moldova-film” studio, followed by other films dedicated to the heroes of the times: Pavel Tkacenko, Elena Sârbu, Tamara Cruciok, which were dominated by a pronounced propagandistic character. A new level of national historical-biographical film can be noticed in the late 1960s and early 1970s, when the filmmakers: Emil Loteanu (“Academician Tarasevici”), Andrei Buruiană (“Ştefan Neaga”), Vlad Druc (“Ion Creangă”) made their debut. Yet, the idea of biography especially predominates in the creation of Anatol Codru, who played a significant role in the affirmation stage of this kind of nonfiction film, bringing through his films, “Alexandru Plămădeală”, “Alexei Şciusev”, “Dimitrie Cantemir”,”Vasile Alecsandri” a new breath in the context of the films made before him. He imposed himself through a poetic-philosophical vision on the destinies and the creation of the personalities, who contributed to the spiritual prosperity of the nation.

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