scholarly journals Dimensions of the creative industry in individual regions of the Slovak Republic

2021 ◽  
Vol 115 ◽  
pp. 02008
Author(s):  
Slavka Šagátová

The creative industries are an area of the economy that uses human creativity for their production and thus becomes an important sector in promoting the ideas of sustainable development. However, differences of opinion in the definition of the term keat industry complicate the study of its potential. The present article therefore focuses on identifying the basic areas of the creative industries and revealing their links to other elements of the economy. It also examines the representation of the creative industry in individual regions of the Slovak Republic in terms of their number and achieved revenues. The survey confirms the presence of the creative industry in all regions of the Slovak Republic. Its greatest concentration is in large cities and the most represented industry is the advertising industry.

2020 ◽  
Vol 74 ◽  
pp. 04023
Author(s):  
Slavka Sagatova

The creative industry represents the potential for economic growth worldwide. Even though there is no single definition of it, it can be generally said that these are the economic sectors in which the primary production factor are people, their individual creativity, ability, and talent. Creative industries can also be said to be created at the interface of innovation and culture, where they overlap. The article focuses on the analysis of the creative industries development in the Slovak Republic in the context of the development of creative industries in other European Union countries. Based on the gained knowledge, it points out the regional differences in the creative world of European countries. The article also tries to identify the link between globalization influences and the development of the creative industry, using the KOF index. This index represents a quantitative expression of the level of globalization in terms of its economic, political, and sociological development. This enables a comparison of the the selected indicator development of the creative industry with the development of globalization. The research methods used include time series analysis as well as correlation methods. The obtained results suggest that the creative industries is developing independently of globalization trends.


2020 ◽  
Vol 74 ◽  
pp. 03009
Author(s):  
Daniela Rybarova

The global economy is understood as an economy of information, knowledge, creativity, networks and services. The creation of value in the economy is involved in the economic, social and cognitive mechanisms. The economic mechanism emphasizes the processes of cooperation and production, the social mechanism, in turn, communication and marketing techniques, the cognitive mechanism is based on human imagination and interpretation. Under the cognitive mechanism is meant creativity, the ability to bring new motive, ideas. Cognitive mechanisms are in value creation process complementary to economic and social mechanisms and they are capable of producing value separately. One of the approaches to measuring creativity is to define and analyse creative industries. The creative industries are industries in which “combine and overlap the fields of art, culture, business and technology. They create a cycle of creation, production and distribution, using their intellectual capital as primary capital [1]. The contribution of the creative industry lies in its cross-sectoral dimension with minimal territorial constraints. The article will focus on the definition of creative industries and the analysis of creative industries in the Slovakia. The method used was the analysis of trends in the form of percentage year-on-year change. The creative industry is the sensitive on the state and development of the economy in Slovakia.


2019 ◽  
Vol 7 (3) ◽  
pp. 25-31 ◽  
Author(s):  
Absori . ◽  
Nunik Nurhayati ◽  
Moh. Indra Bangsawan

Purpose of Study: The purpose of this study is to describe the growth of the creative industries in the city of Surakarta, formulate the sustainable development licensing model of creative industries in the era of ASEAN economic community (AEC) through legitimacy as a legal umbrella by designing the local regulation on creative industry. Methodology: This type of research is a juridical-empirical study with a qualitative non-doctrinal approach. The policy offered is a policy with the Fishbone model analysis which sequentially describes a visual list composed of various causes that affect in process who has done by connecting one cause to another. Each affect will be arranged according to the cause, and aims to classify some causes based on category. The identification process is done by looking for the root cause which influences in irrelevance the sustainable development creative industries legality in the city of Surakarta, namely: Local Government; Regulation; Creative Industry Businessman and the environment who will describe with a small bone. While the big bone is the result of the analysis of the root of the problem of the four indicators mentioned above, which is the root of the problem (the big bone) the irrelevance of the sustainable development creative industries legality in the city of Surakarta. Results:  Based on the results,  this research showed that there has been an increasing trend of creative industry growth in the city of Surakarta in 2015-2016 which touched the number 495 creative industries. However, the data show that in 2015-2016 only 10% of creative industries have business licenses and 90% not have the business license. Implications: Therefore, the local government has to make and formulate the local regulations as licence of sustainable development creative industries in the city of Surakarta and designing the guideline book to make easier for the society in order to understand the rules.


2014 ◽  
Vol 962-965 ◽  
pp. 2386-2389
Author(s):  
Da Deng ◽  
Yang Wang

The creative industries are playing an increasingly significant role in the sustainable development of various countries, especially large cities all around the world for its low carbon and high efficiency. On the basis of summarizing the research status of creative industries, this paper focuses on analyzing the particularity of its relevance mode. This paper points out that the creative industries are standing at the top of all traditional industries, and its special industries correlativity mode widely exists inside this industry, between this industry and other industries, among industries in different regions as well as between this industry and traditional industries. The relevance of creative industries shall be utilized to give full play to its promoting function on the transformation of economic growth mode, the upgrading of industrial structure and other aspects, so as to serve for the low carbon economy and sustainable development strategy.


2020 ◽  
Vol 19 (1) ◽  
pp. 005-014
Author(s):  
Justyna Kobylarczyk ◽  
Janusz Marchwinski

This article discusses selected concepts for defining the goals of modern pro-ecological architecture. It highlights a significant diversity of attitudes towards the issue of ecology in architecture. This clear pluralism of goals results from the priorities given to buildings and is the effect of emphasizing individual ecological problems to a various extent. In the present article, it has been demonstrated that two attitudes coexist today: the pro-environmental one and pro-humanistic one, with further variations occurring within the two approaches. Attention was also paid to the evolution of ecological goals in architecture, as well as to threats that may lead to its distortions under the influence of a narrow perception of these issues. The article is cognitive and is based on the analysis of the abovementioned attitudes. It aims at the organization of the knowledge and observations in this area. The authors recognize that a conscious and, above all, the apposite definition of ecological goals provides a foundation for creating architecture in line with the general concept of ​​sustainable development. The authors are inclined to conclude that the contemporary model of a pro-ecological building should be based on balancing pro-humanistic and pro-environmental goals.


2021 ◽  
Author(s):  
Ilona Kunda ◽  
◽  
Baiba Tjarve ◽  
Zanete Eglite ◽  
◽  
...  

The paper addresses the gap in analysing the complex role of creative industry businesses in small towns with regard to sustainable development. It takes a scholarly literature review approach and in the final section proposes a typology of sustainability-oriented actions, which creative industry businesses may or may not take in practice. As a typology of positive contributions, it lays groundwork for an empirical study, which is envisaged as the next step. The paper reinforces the idea of the complexity of the dimensions of sustainability as context-dependent, negotiated and situated, and the ambivalent role of creative industry businesses, stemming from the material realities of creating, distributing and consuming cultural and digital products.


2021 ◽  
Vol 92 ◽  
pp. 03024
Author(s):  
Monika Raková

Research background: The paper is based on a summary and evaluation of previously conducted domestic and international research on the issue of rights and protection of intellectual property. The own research is part of solution of the scientific project VEGA focused on the field of creative industry and is on processing. Purpose of the article: The creative industries are an integral part of any developed economy. In an effort to protect the results of their activities, it is possible to use several options for the protection of intellectual property through intellectual property rights. The article defines the possibilities of protecting the results of creative intellectual activity of its authors at the global level, as well as defining the rights associated with this protection. Methods: In the paper, there are used general methods such as analysis, synthesis, induction and deduction, which allow us a thorough knowledge of the researched issues and allow us to process information from the research. Findings & Value added: The main value added of the article is to map of the situation with intellectual property rights in a global aspect, and thus what rights are used by countries, to what extent they are used in selected countries in comparison with the Slovak Republic. At the same time, the paper also includes an evaluation of what barriers companies of the creative industry consider to be the most important in solving the protection of intellectual property and suggestions on how to eliminate them.


2019 ◽  
Vol 105 ◽  
pp. 04027
Author(s):  
Jana Ocilková ◽  
Martin Ocilka ◽  
Martin Cvoliga

The article deals with a quantifiable approach which leads to the definition of a strategy for promoting sustainable development through the exploitation of mineral resources in Slovakia. It points to a clear identification of a potential strategy by using SWOT analysis, which integrates the interaction of strengths and weaknesses, opportunities and threats to the exploitation of mineral resources, which forms the basal platform for the functioning of sustainable development of the Slovak Republic. The paper presents the implementation of the principles of Saaty’s matrix in the quantification of the factors weights of individual areas of SWOT analysis with the aim of their objectification. It describes in detail the quantification of predefined weights of the mentioned analysis, which leads to the definition of the strategy of promoting sustainable development of the Slovak Republic through the exploitation of mineral resources. In conclusion, it presents a graphical representation of the SWOT analysis with an emphasis on supporting the mitigation of developmental interregional disparities in Slovakia.


2021 ◽  
Vol 1 (516) ◽  
pp. 27-33
Author(s):  
I. M. Pererva ◽  

The article is aimed at researching the specifics and features of the concept of «creative industries» and defining the criteria that would identify activities as belonging to the creative sector precisely; studying the concept of «creative industries» and their relationship with «cultural industries»; disclosing the essence of various classifications of cultural and creative industries; generalization of theoretical approaches to the studies on this sector. As result of the research, the main approaches of scholars, practitioners and organizations on the definition of the concepts of «cultural industries» and «creative industries» and the peculiarities of the development of this sector of the economy are analyzed and disclosed. The genesis of these concepts in various literary sources is highlighted and the formation of the creative industry as an integral part in the transition from industrial society to intellectual is shown. The relationship and the proportion of cultural and creative industries are examined. The role of creative industries in innovative processes is considered, which allows to identify their impact on both economic and social development of society. Both the personal and the organizational models of classification of creative industries in historical retrospective of periods of creative industries development are provided. The peculiarities and characterizations of the models of classification of creative industries and the basic conditions for the inclusion of industries in the creative sector are determined. Based on the analysis and generalization, the main criteria are allocated that will allow identifying activities as belonging to the creative sector. Prospects for further research in this direction are the use of creative industry criteria to develop a universal system of classification of creative industries and a comprehensive idea of development of the creative sector in general.


2018 ◽  
Vol 21 (2) ◽  
pp. 157-168
Author(s):  
Mumtaz Mokhtar

Malaysia is targeted to become a developed county in the year 2020.  This paper aims to establish an ideology that craft is a high art creation that deals with intellectual, careful and meaningful output. In order to develop an inclusive framework about art and craft, this paper reviews the development of craft and art in Malaysia.  The epistemological discussion on the definition of art and craft will offer a fresh spectacle on art and craft as elements that can ensure the success of the creative industry. The combination of art, craft and Malay aesthetics provides more clues on how the creative industry can go about. In addition, several initiatives from Malaysia are presented due to illustrate how Malaysia engineered the country towards 2050.  Creative industries in Malaysia have a very high potential to be developed and should supported by the government as well as the private sector.  This researcher believes that active and dynamic collaboration, new media exploration, cross discipline and innovation will be the crucial issues to be considered in the development of art and craft in the era of creative industry.


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