scholarly journals The emergence of mind in Henry James’s notebook material

2021 ◽  
Vol 14 (1) ◽  
pp. 68-93
Author(s):  
José A. Álvarez-Amorós

Abstract Inscribed in the field of cognitive narrative theory, this paper asks, and attempts to answer, a number of questions about the early emergence of mind in James’s notebook material for his short fiction. These questions essentially turn on the metarepresentational and aspectualizing potential of notebook entries in genetic relation to the finished tales, that is, on their capacity to present the projected storyworld, from its very conception, as a function of the subjectivity of one or several characters in the cognitive role of metarepresentational sources, or else as a dementalised lump of content to be aspectualised later in the process of execution. Analysis of the relevant notebook material yields a polarity between epistemic and contentual entries, and reveals a set of cognitive phenomena based on the alteration or continuity of the primitive balance of sources which allows one to conclude that James’s characteristic concern with the mental dynamics of his narratives, rather than being a compositional addition, was deeply embedded in his earliest fictional projects.

2019 ◽  
Vol 1 (2) ◽  
pp. 131-144
Author(s):  
Dini Maulana Lestari ◽  
M Roif Muntaha ◽  
Immawan Azhar BA

Islamic banks are present in the community as financial institutions whose activities are based on the principles of Islamic law for the benefit of the people. This study aims to determine the strategic role of Islamic Banks as financial service institutions, the importance of the existence of Islamic Banks and Islamic-based markets and financial instruments in them. In its development, Islamic banks have a role as institutions that turn on public funds, channel funds to the public, transfer assets, liquidity, reallocation of income and transactions. In the Indonesian economic system, the existence of Islamic Banks is important as an alternative solution to the problem of conflict between bank interest and usury. Islamic financial markets and instruments provide a free society of interest and follow a different set of principles. Distribution of profit/ loss according to evidence of participation in the management fund. The division of rental income in the form of musharaka.


2021 ◽  
Author(s):  
Manel Vega ◽  
Salvador Blasco ◽  
Enrique García-España ◽  
Bartolome Soberats ◽  
Antonio Frontera ◽  
...  

In the presence of Ag(I), the monoanion of a cyano-N-squaraine (I) generates an intense fluorescent turn-on response. Experimental evidence and DFT calculations reveal a sequence of deprotonation-coordination events in which...


2019 ◽  
Vol 2 (2) ◽  
pp. 209-222
Author(s):  
Astin Mangean

The tribe of Levi was chosen and ordained by God for hold whorsip in tabernacle of the congregation. Their work is simple but they must to do accordingly with their role in Number 3 and 4 and exactly that God command.  To investigate and review  the Number 3 and 4, the author uses critical history method by putting attention to the situation in the text and the situation gave the text.   The role of the tribe of Levi is offer sacrifices and pray, interpretation the urim dan tumim,  difference between holy and unholy and between clean and unclean, turn on the lamps, blowing of trumpets, unload, transport and rebuild the tabernacle. When the tribe of Levi doing the role they must maintain holiness in front of God. Based on that role then the life of tribe of Levi can be a reference for life of priest it mainly concerns the role of serving the Lord.Abstrak: Suku Lewi dipilih dan ditetapkan oleh Tuhan untuk menyelenggarakan ibadat di kemah suci. Mereka harus melaksanakannya sesuai yang diperintahkan Tuhan. Kajian terhadap peran suku Lewi dalam Bilangan 3 dan 4 ini menggunakan metode penelitian kepustakaan (Library research) dengan pendekatan kritik historis. Metode ini  menaruh perhatian pada situasi yang digambarkan dalam teks dan situasi yang melahirkan teks. Adapun peran suku Lewi yakni mempersembahkan korban-korban serta menaikan doa, menafsirkan urim dan tumim, harus dapat membedakan kudus dan tidak kudus, najis dan tidak najis, menyalakan kandil, meniup serunai perak, memberikan berkat dalam nama Allah, penasehat umat, menjaga kemah suci, membongkar, mengangkut dan mendirikan kembali kemah suci. Ketika melaksanakan peran tersebut suku Lewi harus tetap menjaga kekudusan hidupnya dihadapan Tuhan. Berdasarkan peran tersebut, maka kehidupan suku Lewi dapat menjadi acuan bagi kehidupan pendeta masa kini terutama menyangkut peran sebagai pelayan Tuhan.


2018 ◽  
Vol 29 (4) ◽  
pp. 389-408 ◽  
Author(s):  
Andrew Scull

This paper examines the early origins of the shift away from institutional psychiatry in the USA. It focuses on the period between 1900 and 1950. Attention is paid to the role of neurologists and disaffected asylum doctors in the early emergence of extra-institutional practice; to the impact of the National Committee for Mental Hygiene and Thomas Salmon; to the limited role of psychoanalysis during most of this period; and to the influence of the Rockefeller Foundation’s decision to focus most of its effort in the medical sciences on psychiatry.


Author(s):  
Jade Broughton Adams

This chapter demonstrates how Fitzgerald invokes music in his short fiction, which heavily features jazz. Fitzgerald shows how white artists such as the Castles and Irving Berlin often profited from the appropriation of African American musical culture such as jazz and blues. Fitzgerald’s explorations of Tin Pan Alley’s output demonstrate that a more malleable treatment of established formulae can yield valuable results. This book draws parallels between Irving Berlin’s subversion of tired Tin Pan Alley formulae, and Fitzgerald’s own manipulations of the popular magazine short story genre. In his later use of music, Fitzgerald explores the limitations of language, the role of the artist in society, and questions the value of popular culture itself. He satirises the conventions of popular songs, and subtly parodies short story conventions (particularly romantic short story conventions). Fitzgerald identifies with the songwriter, whose role is to provoke emotion and forge an intimacy with the consumer, much like the commercial short storyist. By positioning Fitzgerald’s thematic and character repetitions and concessions to the magazine format as deliberate rather than desperate, this chapter suggests that his self-parody is a conscious aesthetic decision in the process of exploring the identity of the authentic literary craftsman, dancer, or musician.


2008 ◽  
Vol 36 (3) ◽  
pp. 449-452 ◽  
Author(s):  
Andrew G. Bowie

TLRs (Toll-like receptors) are an important class of pathogen-sensing proteins, which signal the presence of a pathogen by activating transcription factors, such as NF-κB (nuclear factor κB). The TLR pathway to NF-κB activation involves multiple phosphorylation and ubiquitination events. Notably, TRAF-6 [TNF (tumour necrosis factor)-receptor-associated factor-6] Lys63 polyubiquitination is a critical step in the formation of signalling complexes, which turn on NF-κB. Here, the relative role of different IRAKs [IL-1 (interleukin 1)-receptor-associated kinases] in NF-κB activation is discussed. Further, I demonstrate how understanding one molecular mechanism whereby vaccinia virus inhibits NF-κB activation has led to a revealing of a key role for IRAK-2 in TRAF-6-mediated NF-κB activation.


2017 ◽  
Vol 27 (4) ◽  
pp. 501-523 ◽  
Author(s):  
David Tuckett ◽  
Milena Nikolic

We propose conviction narrative theory (CNT) to broaden decision-making theory in order to better understand and analyse how subjectively means–end rational actors cope in contexts in which the traditional assumptions in decision-making models fail to hold. Conviction narratives enable actors to draw on their beliefs, causal models, and rules of thumb to identify opportunities worth acting on, to simulate the future outcome of their actions, and to feel sufficiently convinced to act. The framework focuses on how narrative and emotion combine to allow actors to deliberate and to select actions that they think will produce the outcomes they desire. It specifies connections between particular emotions and deliberative thought, hypothesising that approach and avoidance emotions evoked during narrative simulation play a crucial role. Two mental states, Divided and Integrated, in which narratives can be formed or updated, are introduced and used to explain some familiar problems that traditional models cannot.


PMLA ◽  
2006 ◽  
Vol 121 (3) ◽  
pp. 802-810
Author(s):  
Linda Hutcheon

I hold this truth to be self-evident: that an art form consisting of a literary text, a dramatic stage performance, and music should be studied in all its multimedia and “multimediated” dimensions (Kramer, Opera 25). Today I can make this statement with confidence because the academic study of opera indeed covers all those aesthetic bases, but that has not always been the case. So long as opera fell primarily within the domain of musicology, it was studied first and foremost as music alone. The fact that the music was written for a specific dramatic text was not deemed particularly significant. The very name given to that text betrayed a belief in its secondariness: the diminutive libretto. But things have been changing: in recent years, some musicologists have challenged the dominant positivistic historicism and formalism of their discipline; some have even looked to literary theory for inspiration, bringing new approaches to the music of opera through narratology (e.g., Abbate) or semiotics (e.g., Nattiez). But just as important for opening up the study of opera as an aesthetic and cultural form has been the attention of scholars working in other disciplines. To take but one example, Peter Rabinowitz's rhetorical narrative theory introduced new ways of thinking about opera as narrative, not only as drama and, more pointedly, not only as drama with the composer in the role of dramatist (Kerman). It was opera, not dance, for example, that became a focus for interdisciplinary studies; already multimediated, it attracted diverse lines of inquiry. To cite the title of David Levin's groundbreaking 1994 volume, we can now see “opera through other eyes.” (Musical theater too has been seen through other—especially literary—eyes, but that is not the focus of this piece [see, e.g., Most; Miller; Rabinowitz].)


2020 ◽  
pp. 59-75
Author(s):  
Jonathan Potter

“Picture” stories, a whole genre of short fiction denoted by the central role of a picture, were common in the middle decades of the nineteenth century, from the 1840s to the 1860s. They featured in periodicals publishing fiction aimed towards middle- and lower-class readers, such as Ainsworth’s Magazine, Chamber’s Edinburgh Journal, Bentley’s Miscellany, and Sharpe’s London Magazine of Entertainment and Instruction for General Reading. Titles usually made the genre obvious: e.g. “The Story of a Picture” (1842), “The Fatal Picture” (Elder 1843), “The Adventures of a Picture” (Medwin 1843), “The Unfinished Picture: A Reverie” (Kenney 1845), “The Lost Picture” (1853), “The Unowned Picture” (1856), and “Memoirs of an Old Picture” (1859). Many of the “pictures” in these stories of the 1840s, 1850s, and 1860s are paintings, but not all. Picture stories about photographs often worked in radically different ways from those stories about paintings, with photographs posing a new set of problems for viewers. This essay is about how writers of picture stories explored those problems, and aims to uncover how and why paintings and photographs work differently within this genre of short fiction.


2011 ◽  
Vol 42 (2) ◽  
pp. 331
Author(s):  
Sylvie André

In this article, Professor André considers the nature of legal rules, their methods of creation and their interpretation and application. The role of modern narrative theory in answering these perennial questions is explored and two conclusions are reached: first, the classic explanations of legitimacy that underpin reasoning in the social sciences are increasingly losing ground; and, secondly, contemporary literary accounts based on the reasons for this loss of ground provide a strong challenge to narratives of coherence that are closely linked to Western culture. The existing model of knowledge does not correspond to the reality of contemporary society; the rules and principles that even today are still regarded as universal are seen by a large fraction of the human race as relative and cultural. Insights from narrative theory show that the perennial law questions must now be revisited with a new perspective.


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