scholarly journals The Man

1984 ◽  
Vol 13 (3) ◽  
pp. 39-41
Author(s):  
E. B. Dongala

Short story from collection entitled Jazz et vin de palme which has been banned in the Congo Emmanuel Boundzéki Dongala was born in 1941: his father was from the Congo, his mother from the Central African Republic. He spent his childhood and adolescence in the Congo; he then went abroad to study science, first to the USA then to Montpellier in France, where he obtained his doctorate. He is now Professor of Chemistry at the University of Brazzaville. Dongala's novel, Un fusil dans la main, un poème dans la poche (‘A gun in the hand, a poem in the pocket’), was published in 1973 (Albin Michel, Paris) and won the Ladislas-Dormandi prize. It satirised party members and the official ‘scientific Marxism’ ideology of the Congo. This was followed by a collection of short stories, Jazz et vin de palme (‘Jazz and palm wine’), published in 1982 (Hatier, Paris, Collection Monde Noir Poche). The stories draw on Dongala's experiences as a student in the USA and France, as well as providing further satirical comment on contemporary Congolese political moeurs Jazz et vin de palme has been formally banned by the official Censorship Commission in Brazzaville; it is unobtainable in bookshops there, and the local Cercle Culturel Français is forbidden to display it on its shelves. However, Dongala has himself not been subjected to any restrictive measures in his work, administrative responsibilities, or freedom of movement. The short story ‘Jazz et vin de palme’ has been translated and included in a collection of African short stories by various writers, published under the title Jazz and Palm Wine in 1981 (Longman, London, Drumbeat). But the translation of ‘L’Homme' (‘The Man’) printed below is, as far as we know, the first to be published.

Imbizo ◽  
2017 ◽  
Vol 7 (2) ◽  
pp. 92-98
Author(s):  
Faith Mkwesha

This interview was conducted on 16 May 2009 at Le Quartier Francais in Franschhoek, Cape Town, South Africa. Petina Gappah is the third generation of Zimbabwean writers writing from the diaspora. She was born in 1971 in Zambia, and grew up in Zimbabwe during the transitional moment from colonial Rhodesia to independence. She has law degrees from the University of Zimbabwe, the University of Cambridge, and the University of Graz. She writes in English and also draws on Shona, her first language. She has published a short story collection An Elegy for Easterly (2009), first novel The Book of Memory (2015), and another collection of short stories, Rotten Row (2016).  Gappah’s collection of short stories An Elegy for Easterly (2009) was awarded The Guardian First Book Award in 2009, and was shortlisted for the Frank O’Connor International Short Story Award, the richest prize for the short story form. Gappah was working on her novel The Book of Memory at the time of this interview.


Author(s):  
Azimatusy Syahidah ◽  
Idah Hamidah ◽  
Eko Kurniawan

This research in entitled “The Social Aspects of the Main Characters in Mahou Hakase Short Stories”. The purpose of this research is to know the social aspects including habitus, capital, domain, and practice of the main character named Genko Sensei in the short story of Mahou Hakase by Iwaya Sazanami. The theory used is the theory of literary sociology popularized by Pierre Bourdieu regarding habitus, capital, domain, and practice. This research uses descriptive qualitative research methods as well as data collection by referring to and taking notes. The data used in the form of paragraphs, sentences, and dialogs in the short story. The results of this study found 38 sosial aspects including 7 habitus, 11 capital, 4 domains, and 16 practices owned by Genko Sensei. Habitus that he had was a good relationship, considered to be good and honest, and able to change bad habits into good. This he combined with capital held in the form of money, a college degree, public speaking skills, do not hesitate to act, confident, good cooperation skills and magic abilities. By utilizing the habitus and capital, Genko Sensei able to do a lot of practice (such as lingers though without legs, grow horns to fight the enemy, and others) to master the realm of Germany, the University, and the Palace. In the end, he was able to become famous, get a degree, defeat the enemy, gain power by winning the hearts of the King at the palace, and received a lot of gifts. Above aligned with Pierre Bourdieu's theory about the relationship habitus, capital, and domains, resulting in practice to seize power.


Author(s):  
Anna Girling

Michael Arlen, although now largely forgotten, was one of the most successful novelists of the 1920s. Born Dikran Kouyoumdjian in Ruse, Bulgaria, to Armenian parents, Arlen’s family came to Britain in the early 1900s, and he attended Malvern College. He briefly studied at the University of Edinburgh before moving to London in the mid 1910s to embark on a career as a writer, initially working for A. R. Orage’s magazine, The New Age. His first publication was a collection of his pieces from the magazine, published as The London Venture in 1920. It was at this point that he began writing as Michael Arlen. Arlen produced a steady stream of short stories and novels throughout the early 1920s, all offering a similar whimsical, romantic glimpse of young London socialites, culminating in 1924 with the publication of The Green Hat. It was an immediate success (selling 150,000 copies that year alone), and went on to become one of the bestselling novels of the 1920s, enabling Arlen to fund Noel Coward’s play, The Vortex. Arlen and his novel quickly became short hand for a popular conception of the 1920s; both are referred to in a slew of novels from the time (Michaelis, for instance, in D. H. Lawrence’s Lady Chatterley’s Lover, is thought to be based on him). Arlen moved to the USA in 1941 and continued to write until his death, experimenting with a range of genres, including science fiction, but he never again wrote anything as successful as The Green Hat.


Author(s):  
Una M. Cadegan

In 1933, a twenty-five-year-old writer named Richard Sullivan articulated for himself the qualities a novel should have. In a “Record of Work Begun and Ideas for Stories,” 1932-1933, he wrote:Let all be adoration. 9-14-33a novel must be—?American—constantly; of course, naturally.Scope—heights to depths; and length also: a lifeReligious—naturally; how else?Bitter—like life; intermittently.When he wrote these words, Sullivan had not yet published a novel; the publication of his first short story in a national magazine was still three years away. He eventually published six of his novels and dozens of short stories while teaching English at the University of Notre Dame from 1936 to 1974. Few people have heard of him or his work, and, at first glance, his life looks commonplace, even prosaic—he never lived farther than one hundred miles from his birthplace and seldom traveled; he taught at the same place, largely the same courses, for thirty-eight years; he wrote and published for almost forty years, coming tantalizingly close to major success, which nonetheless always eluded him.


2020 ◽  
pp. 360-371

Novelist and short story writer Jayne Anne Phillips was born in Buckhannon, West Virginia. She began writing at the age of nine, inventing wild adventure stories about herself and her friends, before turning to poetry in her teens at the encouragement of her teachers. She earned a BA in 1974 from West Virginia University and an MA in 1978 from the University of Iowa, where she studied at the Iowa Writers’ Workshop, publishing two collections of short stories while still a graduate student. With the publication of her critically acclaimed short story collection ...


2011 ◽  
Vol 9 ◽  
pp. 265
Author(s):  
Betsabé Navarro Romero ◽  
Toby Litt

English novelist and short story writer, Toby Litt is the author of the novels Beatniks: An English Road Movie (1997), Corpsing (2000), Deadkidsongs (2001), Finding Myself (2003), Ghost Story (2004), Hospital (2007), I Play the Drums in a Band Called Okay (2008), Journey into Space (2009), and King Death (2010). He is also known for his collections of short stories Adventures in Capitalism (1996) and Exhibitionism (2002). Toby Litt was nominated by Granta magazine as one of the 20 “Best of Young British Novelists” in 2003. He is an authorised voice among young writers deconstructing contemporary consumer society. In this interview, held at the University of Almería during the 34th AEDEAN Conference (11-13 November 2010), he provides an assessment of modern politics, shares his ideas concerning the recent political affairs in the UK, such as the ideological modernisation during the previous New Labour years or the latest social changes in Britain, and he finally examines the position of writers and intellectuals as regards to power and their political commitment.


Author(s):  
Paramita Kusumawardhani

This study aimed to know about the use and the most dominant of hyponymy as the semantics features through a story Hank and The Horse. In linguistics, a hyponym is a word or phrase whose semantic field is included within another term, its hypernymy. A hyponym shares a type-of relationship with its hypernymy. Hyponymy is part of semantics, and it is sometimes referred to as meaning inclusion. The research was done by using short stories on YouTube. Technology development has been very significant lately, making it easy for educators to find sources for teaching, learning, and other activities. One of them is a short story. Many short stories on YouTube can be used as the teaching-learning media, depending on the subject that is going to discuss. The method in this research was descriptive qualitative methods in presenting the results. Data were analyzed based on the association with hyponyms by semantic analysis. The study participants were the 5th-semester students of the University of Bina Sarana Informatika. The hyponymy was classified into nouns, pronouns, adverbs, verbs, and adjectives, with a total, were 40 hyponymies. The study's findings were 40 hyponymies found in the short story, then classified into nouns, pronouns, adverbs, verbs, and adjectives. Then they were divided into: (1). 13 nouns; (2). 4 pronouns; (3). 7 adverbs; (4). 12 verb; and (5). 4 adjective and the most dominant is hyponymy in the noun.


Author(s):  
Ezik Firman Syah

The problem that occurs is related to the large number of lecturers using the e-learning application UEU to teach in the environment of the University of America Superior as a medium for distance learning. The purpose of this study was to determine the effect of the use of UEU e-learning media on short story writing skills in the fourth semester for Indonesian language skills courses at Esa Unggul University. This study uses an experimental method with the research design used is the Pre-Experimental Design type (One Group Pretest Posttest Design) because this study uses one class group as a sample, and there is no control class as a comparison. The data used are the results of students' short story writing skills when using e-learning learning media. The instruments of this study used the normality test, homogeneity test, correlation test, regression test, correlation test, coefficient of determination, and hypothesis testing. The results of the study of the influence of the use of UEU e-learning media on short story writing skills in the fourth semester for Indonesian language courses at the University of Esa Unggul showed acceptable if the count ≤ ttabel or sig> α value. This is when the pretest test got 7, 248 when teaching short stories using face-to-face comparisons, but after using the e-learning application UEU experienced a significant change of 23,200 in making short stories. Keywords: Media e-learning, short story writing.


Author(s):  
Craig MacKenzie

A short-story writer, novelist, poet and journalist, Bosman was born in Kuils River near Cape Town, but spent most of his life in the Transvaal, and it is the Transvaal milieu that features in almost all of his writings. He became known in the 1940s for his ‘Oom Schalk Lourens’ stories, and his use of this simple-seeming but wily narrator has ensured his place in South African literature as one of the country’s most enduring and best-loved storywriters. Schalk Lourens features in the short-story collections Mafeking Road (1947) and Unto Dust (1963), while Bosman’s prison memoir, Cold Stone Jug (1949), set the trend for this important genre in South Africa. Bosman was educated at Jeppe Boys’ High School, the University of the Witwatersrand and Normal College, where he qualified as a teacher. In January 1926 he received a posting to the Groot Marico in the remote Western Transvaal, as it was known then. Despite its short duration, this stay later inspired almost all of his 150 short stories. In July 1926, on vacation at the family home in Johannesburg, he became embroiled in a family quarrel and shot and killed his step-brother David Russell. He was tried and sentenced to death—a sentence that was later commuted to imprisonment for ten years with hard labour. He eventually served four years of this sentence and was released on parole in August 1930.


2021 ◽  
pp. 3-20

The article, dealing with the centenary anniversary of James Jones, presents her own subdivision of his creative work into periods, given that the author of the article was the first researcher in the former USSR and the USA defending her monographic work in 1981 on “Problems of War and Peace in James Jones’s creative work”. The aim of her article is to highlight the role of a short story genre in evolution of American writers, including James Jones, choosing their themes and further confirming the manner and peculiarities of their writing style in their novels. The main part of the article is devoted to the analysis of the short stories (which were only 13), published by James Jones in his collection entitled “The Ice-cream Headache” and Other Stories”. The researcher presented her interesting classification of them, showing their different grouping by themes, main characters with their psychology that affected their behavior and, naturally, the writer’s intention to show his attitude to the events described in each story.


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