Sources of legal cynicism among students in China: the role of Western popular culture and social attachment

2020 ◽  
pp. 1-19
Author(s):  
Jihong Zhao ◽  
Hongwei Zhang ◽  
Ruohui Zhao
Keyword(s):  
Popular Culture ◽  
Social Attachment ◽  
Legal Cynicism

Sa’Unine String Orchestra, Orkes Geseknya Indonesia

Panggung ◽  
2012 ◽  
Vol 22 (2) ◽  
Author(s):  
Ranti - Rachmawanti
Keyword(s):  
Popular Culture ◽  
Qualitative Method ◽  
Music Industry ◽  
Main Idea ◽  
String Orchestra ◽  
Characteristic Func ◽  
Orchestra Music ◽  
Research Show ◽  
Func Tion

ABSTRACT This article explains the result of Sa’Unine String Orchestra as one of Indonesian orchestras in popular culture. Main idea of this research is to uncover and describe the characteristic, func- tion, and role of Sa’Unine String Orchestra within the popular culture in Indonesia. This research used qualitative method with ethnographical approaches to identify all facts that discovered during research. The conclusions of this research show that Sa’Unine String Orchestra moves in two ways, there are; the idealism which had a vision to create a real Indonesian string orchestra and a part of music industry. At the end, these two ways are connected to each other because of the earnings of those. Music industry becomes a support factor which create the idealism of Sa’Unine String Or- chestra to be an Indonesian String Orchestra. Keywords: String Orchestra, Music, Popular Culture. 

Culture and the popular: Introduction to essays in memory of Brian Rigby

2018 ◽  
Vol 29 (4) ◽  
pp. 293-299
Author(s):  
Michael Kelly
Keyword(s):  
Popular Culture ◽  
Cultural Studies ◽  
Cultural History ◽  
Rapid Expansion ◽  
Daily Lives ◽  
The Us ◽  
The 1960S ◽  
The Uk ◽  
French Cultural Studies

This article introduces the special number of French Cultural Studies commemorating the role of Brian Rigby as the journal’s first Managing Editor. It situates his contribution in the emergence of cultural history and French cultural studies during the rapid expansion of higher education from the 1960s in France, the UK, the US and other countries. It suggests that these new areas of study saw cultural activities in a broader social context and opened the way to a wider understanding of culture, in which popular culture played an increasingly important part. It argues that the study of popular culture can illuminate some of the most mundane experiences of everyday life, and some of the most challenging. It can also help to understand the rapidly changing cultural environment in which our daily lives are now conducted.

scholarly journals Japanese Concepts of Angels: Analyzing Depictions of Celestial Beings in the shōjo Manga Kamikaze Kaitō Jeanne

2021 ◽  
Vol 12 (1) ◽  
Author(s):  
Dunja Sharbat Dar
Keyword(s):  
Popular Culture ◽  
The Other ◽  
Religious Traditions ◽  
Cultural Perspectives ◽  
Christian Religion ◽  
Hermeneutic Approach ◽  
Shojo Manga ◽  
Insight Into

White wings, long hair, 'pure' faces: the appearance of angels frequently follows similar aesthetics connected to Christian imagery. Angels and Christian religion also are popular themes in manga, Japanese comics, often intermingled with Buddhist or Shinto notions. Since imagery in popular culture resonates and shapes vernacular and cultural perspectives, manga like Kamikaze Kaitō Jeanne (KKJ) provide an important insight into the conceptualization of angels in Japan. This article therefore analyzes the contrary role of angels in KKJ as the Other, the mysterious, serene one, while simultaneously angels are depicted as part of the circle of life every creature undergoes in Buddhist cosmology. Based on a visual hermeneutic approach, this article demonstrates how the intermix of both visual and religious traditions in Japan shape the depiction of angels in Japanese popcultural media.

Od kultury popularnej do geopolityki popularnej

1970 ◽  
Vol 22 (297) ◽  
pp. 53-66
Author(s):  
Jarosław Macała
Keyword(s):  
Popular Culture ◽  
Mass Media ◽  
Research Methods ◽  
Research Area ◽  
Stages Of Development ◽  
Starting Point ◽  
The World ◽  
Cultural Order ◽  
Popular Geopolitics

A large portion of geopolitical research of the last decades, especially geopolitical criticism, undertakes the concept of the importance of culture, value and identity in explaining the relation between the space and politics, which was an aspect underappreciated by classical and neoclassical geopolitics. It might be assumed that the currently growing role of popculture and mass-media in our lives lead to the establishment of a kind of a “cultural order”, a particular filter that decides on the perception of the world and, consequently, geopolitics. This article relates to this issue as it deals with the meaning of popular culture in contemporary geopolitical research, mostly accentuated by popular geopolitics. This review briefly analyses what popular geopolitics is, how to sketch its research area, stages of development, applied definitions and research methods. The starting point is the assumption that the hegemonic structure of geographical/geopolitical thinking that the elites are trying to impose on the society by using popcultural artifacts may, in fact, be reconstructed thanks to popular geopolitics studies. It shows the scale and reach of resistance towards such imaginations as displayed by the non-elites, who also reach for symbols, texts and images from popular culture. Such circumstances allow to observe either legitimizing or debunking a particular view of the world and geopolitics.

The Power of Mahjong

2018 ◽  
pp. 181-205
Author(s):  
Di Wang
Keyword(s):  
Popular Culture ◽  
Municipal Government ◽  
Daily Life ◽  
Cultural Transformation ◽  
Individual Rights ◽  
Face To Face ◽  
Current Century ◽  
Socialist Morality ◽  
Political Economic

This chapter brings out conflicts among neighbors, examines the role of the Residential Committee in the neighborhood, observes the responses of the municipal government and official media concerning the city’s image. Mahjong brings us face to face with changes in daily life and popular culture at the turn of the current century, as daily life moves away from communist control and “socialist morality.” It also serves my argument that these changes reflect a much broader political, economic, social, and cultural transformation in which conflicts between individual rights and the collective interests have become prominent.

The Flapper and the Joven Moderna

2020 ◽  
pp. 33-52
Author(s):  
Cecilia Tossounian
Keyword(s):  
Popular Culture ◽  
National Identity ◽  
Mass Media ◽  
Upper Class ◽  
Female Role ◽  
Consumer Capitalism ◽  
The Public ◽  
Media Construction ◽  
Traditional Female Role

Chapter 2 studies how the flapper, the archetypical modern girl, was construed by popular culture in the 1920s and 1930s. Mass media was engaged in a debate about the defining traits of the American flapper and her Argentine counterpart. While the flapper inhabited a distant land, the joven moderna combined popular fashions and mannerisms both foreign and domestic. Portrayed as an upper-class character, she went beyond the traditional female role of the devoted daughter. An oversimplified media construction, the Argentine flapper alerted the public of the dangerous effects of international consumer capitalism and Americanization on gender and national identity.

Epilogue

2017 ◽  
Author(s):  
Jennifer Le Zotte
Keyword(s):  
United States ◽  
Twentieth Century ◽  
Popular Culture ◽  
First Century ◽  
Heroin User ◽  
Average Consumer ◽  
Cultural Currency ◽  
The Social ◽  
Used Goods

The epilogue discusses the contining role of secondhand commerce and style in the twenty-first century United States. Throughout the twentieth century, used goods economies codified and expanded, branching out into million-dollar industries. Vintage exhibitionism and elective poverty merged even more decisively at the end of the millennium. After habitual heroin user Kurt Cobain took his own life with a shotgun in 1994, styles straight-facedly called shabby chic, heroin chic, or poor chic enjoyed greater cultural currency than ever before. Voluntary secondhand dress persists precisely because it suggests both cultural and economic distinction, and shoppers continued to view secondhand venues as exceptions to the social and economic critiques of dominant capitalisms. Secondhand styles satisfy a desire to be seen as different than the average consumer dupe, as willing to invest time in the cultivation of originality without utilizing class and wealth privilege. The success of the 2013 song, “Thrift Shop,” by independent rappers Macklemore and Lewis—born and raised in the hometown of grunge, Seattle— attests to the continuing relevance of secondhand to popular culture.

Cultural Political System

2017 ◽  
pp. 221-237
Author(s):  
Kavita Karan
Keyword(s):  
Popular Culture ◽  
New Media ◽  
Social Issues ◽  
The Political ◽  
Political Issues ◽  
Indian Cinema ◽  
Election Process ◽  
Political Roles ◽  
Political Songs

The use of popular culture of music, dance, songs, theatre, videos and films for electioneering has been part of the Indian election process. Politics has been the narrative of Indian cinema since the beginning of century where political themes, political roles and political issues were exemplified through lead roles of politicians, enactment of political scenes, political satires and songs. This chapter examines the role of film artists in politics, popular political songs in films and campaign films that have expanded the levels of traditional and new media campaigning in India. Films and songs in the films glorify the country, arouse patriotism and whenever needed expose social issues such as high prices, corruption, feudalism, and other political issues. In the process, political campaign films became a way of marketing parties and candidates. This further characterizes the future of the political cultural system and the political economy of Indian cinema.

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