scholarly journals Interior Design: A New Perspective in Supportive Care of Patients with Acute Onset of Debilitating Diseases

2021 ◽  
Vol 2 (1) ◽  
pp. 365-368
Author(s):  
Davide Mauri ◽  
Eleftherios Kampletsas ◽  
George Smyris ◽  
Lampriani Tsali ◽  
Periklis Tsekeris ◽  
...  
Author(s):  
Ervin Garip ◽  
Ceren Çelik

Design process has its own structure which is affected by many aspects. Moreover, there are many tools that contribute in this multidimensional process. Within the framework of this chapter, the tectonics is suggested as a directive tool through the design process. Istanbul Technical University Interior Design students' second year studio, where tectonics was used as a spatial perception tool, was examined. The main title of the studio was festival space design, where festivals were discussed as a performance scene for urban interiors. The main idea of suggested method is to consider environmental aspects in different scales and project those findings to tectonics. The main purpose of this project is to create a new perspective to interior design studio approach. The subject of the project was shaped within the framework of testing that interior architecture is not independent from architectural elements contextually and phenomenologically and that environmental decisions and architectural tectonics can be used as a data to put forth the new ideas for interior design methodology.


2021 ◽  
pp. 71-81
Author(s):  
Zeynep Ceylanli ◽  
◽  
Elif Aktas Yanas ◽  

This paper presents a critical assessment of an interior design studio that was constructed face-to-face then online as an extended studio environment through spatial and technological means. In the Interior Design Studio III, students were expected to design an experiential retail store aiming at answering the contemporary customer and brand interactive experience. The concept of ‘interactive experience’ was central not only in terms of a project outcome but also of the studio process: an experiential learning environment is designed to enhance the understanding of the design studio. Within this scope, the collaboration with the maker lab of the university provided technological interfaces and analog model making methods while also expanding the limits of studio space. The interactive experience would not only result in the project outcome but also be integrated to the studio model. This studio model and the topic was conducted face-to-face in the campus three semesters consecutively, while the following two were held online. The study is based on exploratory research using qualitative techniques to analyze the design process of the students in the face-to-face and online experiential learning environment. The main objective is to overview and assess the interior design studio by providing a new perspective to the students about space and user relationship regarding interaction and atmosphere not only in terms of the given design problem but also the ‘environment’ they are experiencing the ways of design.


Design Issues ◽  
2019 ◽  
Vol 35 (1) ◽  
pp. 4-22 ◽  
Author(s):  
Richard Buchanan

Interior design is a neglected practice within the broader framework of design theory. Indeed, it is often misunderstood by the general public and sometimes regarded problematically among better-recognized design practices such as graphic design, industrial design, interaction design, and service design. However, with careful attention to the central themes of interior design, one may gain a new perspective on the nature of design itself and the unfolding development of design thinking from the late nineteenth century to the twenty-first century. Foremost among these themes is the transformation of the surrounding physical conditions of our lives into environments for human action and experience. This theme is explored through the creative matrix of the four orders of design, reflecting a shifting focus from place, space, and action to interiors of the mind. Interior design is an interesting and perhaps surprising example of fourth order design, where dialectical humanism plays a central role as an organizing theme for the great diversity of fourth order projects in the twenty-first century.


2021 ◽  
Author(s):  
◽  
Patrick Holland

<p>This Master of Interior Architecture design research project proposes that a derelict cargo ship within one of the ship breaking yards of Chittagong, Bangladesh can be reused to accommodate the sites workers and act as a vehicle through which an interior intervention can be used to explore the significance and value of a derelict cargo ship. A design response that acknowledges the context of the site will allow for the exploration of the derelict cargo ship as a viable space for reuse and interior intervention.  As relevant case studies suggest there is a contemporary trend to reuse abandoned and derelict spaces. The implementation of derelict cargo ships as a viable spaces could provide a new perspective on the contemporary tendency to adaptively reuse these types of structures. This speculative research project explores ways in which one such structure could be investigated for interior intervention.   A derelict ship in the shipbreaking yards of Chittagong will become the shell in which a speculative, interior design solution will be explored. This will investigate the viability and significance of the adaptive reuse of cargo ships for the site’s context and the wider built environment. It will allow for a deeper understanding of the implications of inhabiting cargo ships.</p>


2021 ◽  
Author(s):  
◽  
Sophie Kolmer

<p><b>This thesis looks at developing a new method of designing small living spaces using the sensory body. It intends to re-imagine ways to provide a unique experience for each occupant, while offering a new perspective on how interior architectures can be designed for living in.</b></p> <p>In the context of a rising housing crisis and with a specific lack of accommodation for students and young professionals, living in smaller spaces is fast becoming a necessity. A large body of research into the design methods utilised for smaller living within city centres expose an omission of the senses for the greater part of the process.</p> <p>This research looks at a re-thinking of interior design processes where factoring the senses takes precedence over other considerations. More specifically the role of the sense of touch as the primary motivator is considered, supported by the sense of sight as its secondary factor. A series of experiments explore the ways the body interacts with surfaces, and how tactile qualities can define a space and create form. These lead to the making of a framework for design which in turn is tested through the creation of the interior of a small dwelling. This design-led research challenges the ways in which touch is used to design and reimagines ways in which small living spaces are created, with a focus on the senses.</p> <p>Key words: Interior architecture, Exploration of the senses, Touch, Tactile design methods, Design framework, Small space living</p>


2019 ◽  
Vol 12 (5) ◽  
pp. e229307 ◽  
Author(s):  
Manjit Mahendran ◽  
Shubham Agarwal ◽  
Animesh Ray ◽  
Naval Kishore Vikram

A 43-year-old man presented with acute onset rapidly progressive weakness in all four limbs (proximal greater than distal), following an episode of binge alcohol ingestion, and was admitted for evaluation and management. There was a history of decreased urine output since 2 days with dark-coloured urine. He was found to have severe hypokalemia and renal dysfunction. Serum creatine kinase was significantly high, and further investigation revealed significantly elevated serum and urine myoglobin levels suggestive of rhabdomyolysis, which was secondary to severe hypokalemia. Following supplementation with intravenous and oral potassium and supportive care, the weakness improved significantly, and he was subsequently discharged. This case describes severe hypokalemia, resulting in rhabdomyolysis and generalised lower motor neuron weakness, in a setting of binge alcohol ingestion, which is an entity rarely described in literature.


2018 ◽  
Vol 24 (4) ◽  
pp. 396-413 ◽  
Author(s):  
Robert Crawford

Purpose This paper aims to examine the evolution of the advertising agency and its offices in Australia over the course of the twentieth century. Historical accounts of advertising have paid scant attention to agencies’ attempts to organise and manage their offices, as well as the impact that these efforts has had on the work undertaken by agency staff. Design/methodology/approach This study draws on reports in the advertising industry press, as well as oral history testimony to examine the agencies’ changing layout and interior design. It identifies three distinct periods, which reveal the impact of modernist and post-industrialist ideas on the organisation and functions of the advertising agency’s offices and, indeed, their impact on the agency’s outputs. Findings This examination of the office space within the agency setting not only offers a new perspective of the advertising agency business as a whole but also demonstrates the importance of material culture for historians working across management, business and marketing fields. Originality/value The originality of this study lies in its use of material culture and space as a tool for examining management history and understanding its impact on everyday work practices. By charting the changes reflected in advertising agency office spaces, this study also offers a unique overview of the ways that management practices have historically interacted with business work spaces.


Jurnal SCALE ◽  
2019 ◽  
Vol 5 (2) ◽  
pp. 9
Author(s):  
Phebe Valencia

In developing designs expertise we need collaboration in various fields of science, there is no design can exist in isolation. Design is always related, sometimes in very complex ways, to an entire constellation on influencing situations and attitudes. What we call a good design is one which achieves integrity – that is, unity or wholeness – in balanced relation to its environment. From collaboration we will know how to think differently, tackle matters from a new perspective and enhance knowledge. Therefore, to develop this design expertise, a collaborative project between fine arts and interior design is done, where the project aims to tell the meaning of a space by using illustration and installation. At the end, the expectations of this project can bring a deeper understanding of the meaningful space through a story


2021 ◽  
Author(s):  
◽  
Patrick Holland

<p>This Master of Interior Architecture design research project proposes that a derelict cargo ship within one of the ship breaking yards of Chittagong, Bangladesh can be reused to accommodate the sites workers and act as a vehicle through which an interior intervention can be used to explore the significance and value of a derelict cargo ship. A design response that acknowledges the context of the site will allow for the exploration of the derelict cargo ship as a viable space for reuse and interior intervention.  As relevant case studies suggest there is a contemporary trend to reuse abandoned and derelict spaces. The implementation of derelict cargo ships as a viable spaces could provide a new perspective on the contemporary tendency to adaptively reuse these types of structures. This speculative research project explores ways in which one such structure could be investigated for interior intervention.   A derelict ship in the shipbreaking yards of Chittagong will become the shell in which a speculative, interior design solution will be explored. This will investigate the viability and significance of the adaptive reuse of cargo ships for the site’s context and the wider built environment. It will allow for a deeper understanding of the implications of inhabiting cargo ships.</p>


2021 ◽  
Author(s):  
◽  
Sophie Kolmer

<p><b>This thesis looks at developing a new method of designing small living spaces using the sensory body. It intends to re-imagine ways to provide a unique experience for each occupant, while offering a new perspective on how interior architectures can be designed for living in.</b></p> <p>In the context of a rising housing crisis and with a specific lack of accommodation for students and young professionals, living in smaller spaces is fast becoming a necessity. A large body of research into the design methods utilised for smaller living within city centres expose an omission of the senses for the greater part of the process.</p> <p>This research looks at a re-thinking of interior design processes where factoring the senses takes precedence over other considerations. More specifically the role of the sense of touch as the primary motivator is considered, supported by the sense of sight as its secondary factor. A series of experiments explore the ways the body interacts with surfaces, and how tactile qualities can define a space and create form. These lead to the making of a framework for design which in turn is tested through the creation of the interior of a small dwelling. This design-led research challenges the ways in which touch is used to design and reimagines ways in which small living spaces are created, with a focus on the senses.</p> <p>Key words: Interior architecture, Exploration of the senses, Touch, Tactile design methods, Design framework, Small space living</p>


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