Age, Period and Cohort Differences Between the Homicide Trends of Canada and the United States

Author(s):  
Mateus Rennó Santos ◽  
Yunmei Lu ◽  
Rachel E Fairchild

Abstract A robust literature has investigated homicide trends in the United States since 1950. The prevalence of homicide in the country almost doubled in the 1960s, remained high until the 1990s and then declined precipitously. Surprisingly, Canada displayed the same trend. We decompose the age, period and cohort effects on the homicide trends of the United States and Canada since 1950, exploring shared effects in light of these countries’ historical and policy differences over the past seven decades. Our study reveals remarkably similar trends and effects in Canada as those previously documented for the United States, despite diverging approaches to criminal justice and to the use of incarceration since the 1950s. We explore these findings and expand on their implications.

Author(s):  
Montse Feu

España Libre’s editors invigorated the periodical’s proletarian counterculture to both fascism and elitism and sustained an ongoing resistance through times of harsh repression in Spain and Cold War political tensions in the United States. In the 1940s editorials focused on alerting readers about the spread of fascism to the Americas and encouraged fundraising for refugees. By the 1950s, the increasing international diplomatic recognition of the Franco dictatorship disquieted members and the editorials published during that decade were heavily focused on denouncing that recognition. However, by the 1960s the periodical concentrated its efforts on supporting the weakened underground labor opposition in Spain and in coordinating efforts with other political forces. In the 1970s, España Libre published homages to exiles for the antifascist resistance they put forth.


2016 ◽  
Vol 60 (4) ◽  
pp. 2567-2571 ◽  
Author(s):  
Daniel A. Tadesse ◽  
Aparna Singh ◽  
Shaohua Zhao ◽  
Mary Bartholomew ◽  
Niketta Womack ◽  
...  

ABSTRACTWe conducted a retrospective study of 2,149 clinicalSalmonellastrains to help document the historical emergence of antimicrobial resistance. There were significant increases in resistance to older drugs, including ampicillin, chloramphenicol, streptomycin, sulfamethoxazole, and tetracycline, which were most common inSalmonella entericaserotype Typhimurium. An increase in multidrug resistance was observed for each decade since the 1950s. These data help show howSalmonellaevolved over the past 6 decades, after the introduction of new antimicrobial agents.


2007 ◽  
Vol 33 (S1) ◽  
pp. 3-24 ◽  
Author(s):  
NICHOLAS RENGGER ◽  
BEN THIRKELL-WHITE

Twenty-five years ago, theoretical reflection on International Relations (IR) was dominated by three broad discourses. In the United States the behavioural revolution of the 1950s and 1960s had helped to create a field that was heavily influenced by various assumptions allegedly derived from the natural sciences. Of course, variety existed within the behaviourist camp. Some preferred the heavily quantitative approach that had become especially influential in the 1960s, while others were exploring the burgeoning literature of rational and public choice, derived from the game theoretic approaches pioneered at the RAND corporation. Perhaps the most influential theoretical voice of the late 1970s, Kenneth Waltz, chose neither; instead he developed his Theory of International Politics around an austere conception of parsimony and systems derived from his reading in contemporary philosophy of science.


Author(s):  
Francesco Boldizzoni

This chapter begins with a discussion of the roots of economic history. It then turns to the identity crisis faced by economic history today, brought about by the development of a movement founded in the United States at the end of the 1950s known as “new economic history” or “cliometrics.” History is normally expected to improve our understanding of the past. It is probably agreed that what distinguishes good historical research is its capacity to throw light on the workings of societies that differ to varying degrees from our own. However, the aim of cliometrics is not to increase our knowledge of the past. It is to create narratives of the past compatible with neoliberal economics, and often it is a highly ideological exercise to endorse specific worldviews, theories, and policy recommendations.


1994 ◽  
Vol 11 (1) ◽  
pp. 70-78 ◽  
Author(s):  
John George

Over the past 30 years almost all world-class United States sprinters have been black. There were also many fast black sprinters in the United States before the 1960s, but in addition there were a considerable number of world-class white sprinters. In fact, during the 1940s and 1950s the fastest men were white. This was not the case during the 1930s, when the best male sprinters were black. This essay discusses the phenomenon and attempts to give reasons for it. Sociological explanations seem considerably more plausible than physical characteristics based on perceived racial differences.


1977 ◽  
Vol 7 (3) ◽  
pp. 301-320 ◽  
Author(s):  
Martin Harrop

The image of voting in the United States developed by political scientists over the last decade differs markedly from the perspective offered in that classic study of electoral behaviour in the 1950s, The American Voter. Whereas the authors of The American Voter painted a rather unflattering portrait of the way in which the voter of the 1950s made his electoral choice, contemporary research has begun to discover some unexpected virtues in the American electorate of the 1960s and early 1970s. Compared to his counterpart in the previous generation, today's voter seems to attach less significance to his party identification, and more importance to his perceptions of the parties' stands on issues with which he is concerned, in deciding which party to support in presidential elections. Indeed, it would perhaps be only a slight exaggeration to suggest that the notion of electoral choice has now become a realistic, and not merely a metaphorical, manner of speaking about the American voter.


Popular Music ◽  
1987 ◽  
Vol 6 (2) ◽  
pp. 179-189 ◽  
Author(s):  
Robert Pring-Mill

The term ‘protest song’, which became so familiar in the context of the anti-war movement in the United States during the 1960s, has been widely applied to the songs of socio-political commitment which have developed out of traditional folksong in most of the countries of Latin America over the past twenty years (see Pring-Mill 1983 and forthcoming). Yet it is misleading insofar as it might seem to imply that all such songs are ‘anti’ something: denouncing some negative abuse rather than promoting something positive to put in its place. A more helpful designation is that of ‘songs of hope and struggle’, enshrined in the titles of two Spanish American anthologies (C. W. 1967 and Gac Artigas 1973), which nicely stresses both their ‘combative’ and their ‘constructive’ aspects, while one of the best of their singers – the Uruguayan Daniel Viglietti – describes his own songs as being ‘in some measure both de protesta and de propuesta’ (i.e. as much ‘proposing’ as they are ‘protesting’). The document with which this article is chiefly concerned uses the term ‘revolutionary song’, which clearly covers both those aspects, but such songs may be seen to perform a far more complex range of tasks than any of those labels might suggest, as soon as their functions are examined ‘on the ground’ within the immediate context of the predominantly oral cultures of Latin America to which they are addressed: cultures in which traditional folksong has retained its power and currency largely undiminished by the changes of the twentieth century, and in which the oral nature of song (with the message of its lyrics reinforced by music) helps it to gain a wider popular diffusion than the more ‘literary’ but unsung texts which make up the greater part of the genre of so-called ‘committed poetry’ (‘poesía de compromiso’) to which the lyrics of such songs clearly belong (see Pring-Mill 1978, 1979).


2010 ◽  
Vol 1 (1) ◽  
pp. 61-75
Author(s):  
John Higley

A society becomes postindustrial when 40 percent of its workforce is employed in bureaucratic and service work, a proportion that increases quite rapidly to 70-75, even 80 percent (cf. Bell 1999, xv). By the 1950s the composition of workforces in the United States, Great Britain, the Netherlands, Denmark, Sweden, and Canada had reached the 40 percent threshold to postindustrial conditions, and during the succeeding two or three decades virtually all other Western countries, plus Japan, crossed it. Quite unforeseen by nearly all observers at the time, non-elites in the first postindustrial societies began to divide into two loose interest and attitude camps during the 1960s and 1970s. The camps’ boundaries were not contiguous with those of the classes and strata that derived from the agricultural, manual industrial, and non-manual workforce components so prominent during historical socioeconomic development.


Author(s):  
О.В. Бодров ◽  
А.В. Закиров

В 1960-е гг. в США шел процесс становления контркультуры, которую связывают с психоделической революцией, нонконформизмом, разрывом поколений, антивоенным движением, социальными экспериментами. Именно в этот период происходит процесс преобразования бит-поколения 1950-х гг. в субкультуру хиппи 1960-х гг. Одним из показательных событий этого процесса стал факт присоединения битника Нила Кэссиди к коммуне «Весёлые Проказники» во главе с писателем Кеном Кизи. Путешествие «Далше» летом 1964 г. стало катализатором в этой смене субкультур. In the 1960s, a counterculture was being formed in the United States, which was associated with the psychedelic revolution, nonconformism, the generation gap, the anti-war movement, and social experiments. It was during this period that the process of transforming the beat generation of the 1950s into a hippie subculture of the 1960s took place. One of the significant events of this process was the fact that beatnik Neil Cassidy joined the commune «Merry Pranksters» led by writer Ken Kesey. The «Further» trip in the summer of 1964 was a catalyst in this change of subcultures.


Author(s):  
Elizabeth Randell Upton

In the 1960s, recordings and performances of preclassical music brought new sounds to musical performers, creators, and audiences. Through play with new sounds and with ideas about the past, medievalist popular music helped to shape the range of meanings associated with “the medieval” for scholars as well as audiences. At first, early music sounds, especially that of the harpsichord, were used for their novelty, becoming fashionable and hip by the mid-1960s, first in London (as seen in recordings by the Beatles, the Rolling Stones, the Zombies, and Procol Harum; this trend fed into 1970s prog rock) and then, following the British Invasion, in the United States (particularly the Left Banke in New York and the Beach Boys and the Doors in Los Angeles). Some folk-rock performers used early music sounds to signal the past, drawing on tropes of nostalgia and medievalist fantasy (e.g., Simon and Garfunkel’s “Scarborough Fair/Canticle” [1966] and the Beatles’ “Penny Lane” [1967]).


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