Hildegard of Bingen

Music ◽  
2013 ◽  
Author(s):  
Honey Meconi
Keyword(s):  
19Th Century ◽  
Middle Ages ◽  
Structure Determination ◽  
Religious Community ◽  
Direct Supervision ◽  
Substantial Body ◽  
Modal Structure ◽  
Hildegard Of Bingen ◽  
The Middle Ages

Hildegard of Bingen (b. 1098–d. 1179), Benedictine nun and founder of a religious community, is highly unusual in being not merely a woman composer in the Middle Ages, but a named composer of a substantial body of plainchant (seventy-seven songs commonly known as the Symphonia armonie celestium revelationum [Symphony of the Harmony of Celestial Revelations] and a Latin sacred drama, Ordo Virtutum, survive) who normally wrote her own texts and whose music was transmitted in manuscripts likely compiled under her direct supervision. She is further noteworthy in that her compositional activity was merely one aspect of her self-proclaimed identity as a vessel through whom God spoke, better noted in her time for a trio of lengthy theological treatises recounting her visions; an extensive correspondence with both ecclesiastical and secular figures; and various other creations, including scientific writings, shorter theological works, and an invented language and alphabet. Her work is holistic, which means that understanding of her music requires knowledge of her nonmusical output as well. Interest in Hildegard’s prose writings has been sustained since her death, but little evidence survives for posthumous concern with music until the mid-19th century, with, until recently, the greatest activity coming from the nuns of her reconstituted abbey. Burgeoning activity in all areas of Hildegard research has led, since the 1980s, to a dramatic increase in performances and recordings of her compositions as well as more in-depth and critical musicological attention. Major ongoing issues include the challenges posed by the available editions; the question of whether her music was created for liturgical use, and if so in what way; the interconnections among the different notated versions of her music and its text-only sources, including questions of precedence and intent; understanding of the music’s modal structure; determination of the individuality of her style within the context of contemporary chant and reliance on earlier models; and the perennial problem of chant performance.

The Horn of the Unicorn

Antiquity ◽  
1953 ◽  
Vol 27 (105) ◽  
pp. 15-19 ◽  
Author(s):  
Humphrey Humphreys
Keyword(s):  
19Th Century ◽  
Middle Ages ◽  
Old Testament ◽  
The 19Th Century ◽  
Do So ◽  
The Middle Ages

Though everyone now agrees that the unicorn never existed, this unanimity is quite recent. All through the 19th century there were periodic reports of its presence in darkest Africa or on the Asiatic steppes, and hopes that it would turn out to be a reality died hard. But if there never was such a creature why did the men of the Middle Ages believe in it so firmly and depict it so often? As Christians it was incumbent on them to do so, for it was mentioned in the Old Testament and, therefore, must be real. Its presence there was due to the authors of the Septuagint, the Hellenised Jews who, at Alexandria, in the centuries between the city's foundation and the Christian era, translated their sacred books from Hebrew into Greek and on seven occasions used the word μονόκερως (Greek for unicorn).

scholarly journals NATIONALHISTORIE EFTER MODERNISMEN - FOLKEBEGREBET I LYSET AF EUROPAS STORE FORTÆLLINGER

1970 ◽  
Vol 42 (117) ◽  
pp. 159-174
Author(s):  
Michael Böss
Keyword(s):  
19Th Century ◽  
Middle Ages ◽  
French Revolution ◽  
Main Role ◽  
National History ◽  
The Bible ◽  
The People ◽  
History Of ◽  
The Impact ◽  
The Middle Ages

WRITING NATIONAL HISTORY AFTER MODERNISM: THE HISTORY OF PEOPLEHOOD IN LIGHT OF EUROPEAN GRAND NARRATIVES | The purpose of the article is to refute the recent claim that Danish history cannot be written on the assumption of the existence of a Danish people prior to 19th-century nationalism. The article argues that, over the past twenty years, scholars in pre-modern European history have highlighted the limitations of the modernist paradigm in the study of nationalism and the history of nations. For example, modernists have difficulties explaining why a Medieval chronicle such as Saxo Grammaticus’s Gesta Danorum was translated in the mid-1600s, and why it could be used for new purposes in the 1800s, if there had not been a continuity in notions of peoplehood between the Middle Ages and the Modern Age. Of course, the claim of continuity should not be seen as an argument for an identity between the “Danes” of Saxo’s time and the Danes of the 19th-century Danish nation-state. Rather, the modern Danishness should be understood as the product of a historical process, in which a number of European cultural narratives and state building played a significant role. The four most important narratives of the Middle Ages were derived from the Bible, which was a rich treasure of images and stories of ‘people’, ‘tribe’, ‘God’, King, ‘justice’ and ‘kingdom’ (state). While keeping the basic structures, the meanings of these narratives were re-interpreted and placed in new hierarchical positions in the course of time under the impact of the Reformation, 16th-century English Puritanism, Enlightenment patriotism, the French Revolution and 19th-century romantic nationalism. The article concludes that it is still possible to write national histories featuring ‘the people’ as one of the actors. But the historian should keep in mind that ‘the people’ did not always play the main role, nor did they play the same role as in previous periods. And even though there is a need to form syntheses when writing national history, national identities have always developed within a context of competing and hierarchical narratives. In Denmark, the ‘patriotist narrative’ seems to be in ascendancy in the social and cultural elites, but has only partly replaced the ‘ethno-national’ narrative which is widespread in other parts of the population. The ‘compact narrative’ has so far survived due the continued love of the people for their monarch. It may even prove to provide social glue for a sense of peoplehood uniting ‘old’ and ‘new’ Danes.

scholarly journals The Middle Ages are not enough: the fourth paradox and the marginalization of the Roman Empire

2017 ◽  
pp. 335
Author(s):  
Francesc Morales
Keyword(s):  
Roman Empire ◽  
The Netherlands ◽  
19Th Century ◽  
Middle Ages ◽  
Nationalist Movements ◽  
Complex Problems ◽  
The Common ◽  
Siglo Xix ◽  
The 19Th Century ◽  
The Middle Ages

Abstract: The palates of the nationalist authors of the 19th century found the common past exemplified by the Roman Empire to be too homogeneous a taste. Although this premise may be valid for all European nationalist movements of the 19th and early 20th centuries, the discussion here is limited to Spain’s problematic national construction during the 19th century and the group formed by Belgium, the Netherlands, and Luxembourg. Spain and ‘Benelux’ were chosen because they represent complex problems in the construction of a key dynamic of European nationalism: a political contemporary diversity linked to pre-Roman and post-Roman pasts. Despite these political and historical connections, the paths taken by these nationalisms are significantly different.Key words: Rome, Netherlands, Spain, nationalism, EuropeResumen: Un pasado común ejemplificado por el Imperio Romano pasa por ser demasiado homogéneo para el gusto de los autores nacionalistas en el siglo XIX. Esta premisa puede ser válida para todos los movimientos nacionalistas europeos, pero voy a limitarme a la problemática de la construcción nacional en España durante el siglo XIX y al grupo formado por Bélgica, los Países Bajos y Luxemburgo. Ambas regiones representan similares complejidades en la construcción de un nacionalismo europeo: una diversidad política contemporánea enlazada con un pasado prerromano y post-romano. A pesar de tener conexiones políticas e históricas, el camino de estos dos nacionalismos es significativamente diferente.Palabras clave: Roma, Países Bajos, España, nacionalismo, Europa  

scholarly journals Religion as an index of the rise and fall of ‘moral treatment’ in 19th century lunatic asylums in England

1994 ◽  
Vol 18 (10) ◽  
pp. 627-631 ◽  
Author(s):  
Henry R. Rollin
Keyword(s):  
19Th Century ◽  
Middle Ages ◽  
The Other ◽  
Spiritual Needs ◽  
Christian Ethic ◽  
Moral Treatment ◽  
Lunatic Asylums ◽  
City Of London ◽  
The City ◽  
The Middle Ages

“…; and the tone of the chapel bell, coming across the Valley of the Brent, still reminds me, morning and evening, of the weft-remembered and mingled congregation of the afflicted, and who are then assembling, humble yet hopeful, and not forgotten, and not spiritually deserted.”As a function of the Christian ethic, monasteries in Britain from the Middle Ages onwards set aside a section for the care of the sick. The monastic tradition ensured that the spiritual needs of the physically sick were well taken care of: chapels formed an integral part of the building complex and chaplains were, of course, constantly on tap. The mentally sick were less well served, however. For example, the second building to be occupied by St Luke's Hospital, London, opened in 1787, did not even boast a chapel, a distinction shared with Bethlem, the other major charity asylum, then occupying a purpose-built structure in Moorgate in the City of London.

scholarly journals Determination of the historical variation of the trophic state in lakes using sediment stratigraphies

2007 ◽  
Vol 11 (6) ◽  
pp. 1747-1756 ◽  
Author(s):  
G. Olli
Keyword(s):  
Middle Ages ◽  
Trophic State ◽  
Accumulation Rate ◽  
Sediment Cores ◽  
Reference Conditions ◽  
Water Concentration ◽  
P Accumulation ◽  
1960S And 1970S ◽  
The Middle Ages

Abstract. Biogenic silica (BSi) and phosphorous (P) accumulation were investigated in sediment cores from Karlskärsviken, a bay of Lake Mälaren. The aim was to make use of BSi and P relations in sediment stratigraphies in order to investigate the historical nutrient trophy in a near shore lake environment since the Middle Ages, with focus on industrial times, and to evaluate anthropogenic influences on the bay's trophic state. The BSi accumulation in the sediments is a better indicator of former nutrient pelagic trophy than P accumulation in sediments and for this reason a BSi inferred P (BSi-P) water concentration is calculated. This method enables the determination of the background total phosphorous (TP) concentration (which is related to the reference conditions) in the investigated bay; this background TP is determined equal to 0.020–0.022 mg L−1. There is an increasing trend of BSi-P concentration in the bay since the Middle Ages to the present, about 0.025 mg L−1, with a small decrease in the inner bay section during the last decades. The P accumulation rate is not found to have changed since the 1960s and 1970s, which indicates that the P loading to Karlskärsviken has not decreased. In Karlskärsviken, the shallow inner section of the bay, where the water quality is dominated by loading from the bay catchment area, is less nutritious than the water in the outer section, which is influenced by the main streams from the western part of Lake Mälaren.

Paul Kersten. The Bookbinder’s Role in the Development of Decorative Paper

2017 ◽  
Vol 62 (1-2) ◽  
pp. 41-46
Author(s):  
Helma Schaefer
Keyword(s):  
19Th Century ◽  
Middle Ages ◽  
Mass Production ◽  
Art Nouveau ◽  
Paper Production ◽  
Art Deco ◽  
Poor State ◽  
The Poor ◽  
The 19Th Century ◽  
The Middle Ages

In her article, the author discusses the merits of the German craft bookbinder Paul Kersten (1865-1943) in the development of modern decorative papers as an expression of artistic individuality in the field of applied arts. From the Middle Ages, decorative paper had been used in decoration and bookbinding. Bookbinding workshops had traditionally made starched marbled paper. The interest of Paul Kersten, coming from a bookbinding family, in these papers had already dated from his youth. During his travels abroad, he was aware of the poor state of the bookbinding craft, which was affected by the mass production of books and book bindings as well as the industrialisation of paper production at the end of the 19th century. Kersten helped to introduce Art Nouveau into the design of German bookbinding and the methods of the modern production of decorative papers. At first, he worked as a manager in German paper manufactures and then as a teacher of bookbinding. His work was later oriented towards Symbolic Expressionism and he also tried to cope with the style of Art Deco.

scholarly journals Russia. Muslim Christian dialogue. Stages of development

2019 ◽  
Vol 12 (1) ◽  
pp. 208-214
Author(s):  
R. A. Silantiev ◽  
A. R. Krganov
Keyword(s):  
19Th Century ◽  
Middle Ages ◽  
Subsequent Development ◽  
Present Situation ◽  
Point Of View ◽  
Stages Of Development ◽  
Russian Culture ◽  
The Future ◽  
Definition Of ◽  
The Middle Ages

Russia has always been a country with large Islamic population. From the Middle Ages the dialogue between Christians and Muslims has always been an integral part of the Russian culture. The article highlights the stages of the Christian-Muslim dialogue in Russia. From the point of view of its authors, this dialogue became fully developed by the middle of 19th century. In its subsequent development it has already passed the three main stages, which are labelled as the “tsarist”, the “Soviet” and the “early post-Soviet”. According to the authors the present situation can be described as the “late post-Soviet” stage. The article comprises a description and definition of this stage as well as a prognosis of its development in the future.

scholarly journals Problem obcości: opozycja Rosja–Europa w kulturze rosyjskiej (XI–XIX w.)

2018 ◽  
pp. 83-96
Author(s):  
Marek Jedliński
Keyword(s):  
19Th Century ◽  
Middle Ages ◽  
Historical Perspective ◽  
Russian Culture ◽  
The Third ◽  
The World ◽  
Traditional Societies ◽  
The 19Th Century ◽  
The Middle Ages

The article analyzes the historical perspective of the formation of the opposition “friend or foe” in the Russian culture from the Middle Ages to the 19th century. Binary thinking has a universal dimension: it is present in every culture, particularly in traditional societies (in this case it is the opposition Russia–Europe). Hostility towards strangers is already noticeable in the Ruthenian tribes. The outsiders were seen as savages, as animals, and even as evil forces. It relates to the perception of the symbolic center of the world.  It is recognizable in the work of Hilarion and the concept of Moscow as the Third Rome.

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