Perfume between Art and Design

Art Scents ◽  
2020 ◽  
pp. 229-242
Author(s):  
Larry Shiner

Chapter 12 explores two main ways out of the impasse reached in Chapter 11. The first way would adopt one of the current composite or disjunctive definitions of (fine) art; the second way would abandon the quest for defining (fine) art and consider instead what it would take to promote some perfumery practices to the status of art perfumes, parallel to the way some kinds of photography or quilt making have become art photography or art quilts. Since this solution to the impasse would mean that only certain types of perfumes could be considered art perfumes, leaving most standard perfumes part of design, a postlude to Part III, “Free Art versus Design Art,” answers the concern of perfume admirers that this would demote the finest perfumes for wear to “minor art” status.

Art Scents ◽  
2020 ◽  
pp. 209-228
Author(s):  
Larry Shiner

Chapter 11 considers the claim that the best perfumes should be classified as part of the fine arts. The chapter argues that from the perspective of contemporary aesthetic definitions of fine art, perfumes have all it takes to be fine art since they have complex structures that develop over time that can be used to represent ideas and express emotions. Yet the second half of the chapter argues that from the perspective of contemporary contextual and historical definitions of art, perfumes are more like design art than fine art. The contextual case against fine art status is based on a model of art and design practices that involves roles, intentions, media, norms, and institutions. If we compare the creation of a commercial perfume designed by a perfumer with a “perfume” commissioned by an artist for an installation, commercial perfume looks like a design art. Chapter 11 ends in an impasse.


SUHUF ◽  
2017 ◽  
Vol 9 (2) ◽  
pp. 193-214
Author(s):  
Afifur Rochman Sya'rani

Most of traditional Muslim exegetes interpret Q. 4:34 in terms of maintaining the superiority of men over women. Some progressive Muslim scholars then insist a contextual approach to the verse to criticize gender inequality. Among some progressive Muslim scholars, this article comparatively examines the interpretations of Amina Wadud and Mohammed Talbi of Q. 4:34. Although both of them propose a contextual reading of the verse, they have different intellectual background, approach and method in interpreting the Qur’ān. The questions are to what extent the similarities and differences of both Wadud’s and Talbi’s interpretation of Q. 4:34 and how far their interpretations reflect their respective intention and perspective? Applying Gadamer’s hermeneutical approach, the article concludes that [1] Both Wadud and Talbi argue that the verse does not establish the superiority of men over women, but acknowledges duties division among married couple; [2] the difference among their interpretations is on the status of relationship among married couple; [3] Wadud’s and Talbi’s interpretations represent their respective hermeneutical situations and the way they define ontologically the nature of  interpretation and Qur’anic hermeneutics affect on producing the meanings of the verse.


Author(s):  
Derek Parfit

This third volume of this series develops further previous treatment of reasons, normativity, the meaning of moral discourse, and the status of morality. It engages with critics, and shows the way to resolution of their differences. This volume is partly about what it is for things to matter, in the sense that we all have reasons to care about these things. Much of the book discusses three of the main kinds of meta-ethical theory: normative naturalism, quasi-realist expressivism, and non-metaphysical non-naturalism, which this book refers to as non-realist cognitivism. This third theory claims that, if we use the word ‘reality’ in an ontologically weighty sense, irreducibly normative truths have no mysterious or incredible ontological implications. If instead we use ‘reality’ in a wide sense, according to which all truths are truths about reality, this theory claims that some non-empirically discoverable truths — such as logical, mathematical, modal, and some normative truths — raise no difficult ontological questions. This book discusses these theories partly by commenting on the views of some of the contributors to Peter Singer's collection Does Anything Really Matter? Parfit on Objectivity.


Author(s):  
Jenny Andersson

Alvin Toffler’s writings encapsulated many of the tensions of futurism: the way that futurology and futures studies oscillated between forms of utopianism and technocracy with global ambitions, and between new forms of activism, on the one hand, and emerging forms of consultancy and paid advice on the other. Paradoxically, in their desire to create new images of the future capable of providing exits from the status quo of the Cold War world, futurists reinvented the technologies of prediction that they had initially rejected, and put them at the basis of a new activity of futures advice. Consultancy was central to the field of futures studies from its inception. For futurists, consultancy was a form of militancy—a potentially world altering expertise that could bypass politics and also escaped the boring halls of academia.


Author(s):  
Clara Rübner Jørgensen

On the basis of data collected during fieldwork in the city of León, Nicaragua, this article discusses the paradox of many Nicaraguan parents describing their children’s school as being free of charge despite the fact that they are frequently asked to pay for it. The article shows that, in spite of the constitutional definition of education as free and equal for all Nicaraguans, parents are often asked for economic contributions. By analysing the values surrounding the school I suggest that values of responsibility and solidarity influence the way that parents conceptualize their school expenditures and, in relation to this, confirm the status of the school as free. Furthermore, the article describes how Nicaraguan parents often compare the school to their home and describe the relation between teacher and students by using family terms. Inspired by the theory of the American sociologist James Carrier, I argue that this comparison, in addition to the values of responsibility and solidarity, further influences the way Nicaraguan parents and children experience their economic contributions. Finally, I argue that even though the users of the school describe it as free of charge, it remains necessary to recognize its economic aspects, since a lack of recognition can turn out to have important individual and social consequences for the people involved, especially, for the most economically marginalized families.  


2018 ◽  
Vol 2 (2) ◽  
pp. 37
Author(s):  
Yifan Wang

 Against the backdrop of growing national strength and rapid economic development, the government has placed more emphasis on education. In recent years, remarkable achievements have been registered in terms of education in China, which lays a solid foundation for cultivating comprehensive professionally-trained personnel in the new era. However, the current education system is ridden with many setbacks and problems. This paper conducts an analysis of the specific conditions of education both at home and abroad, status quo of education in China, makes some reflections on the direction and measures of China's education reform based on the practical reality of education in China. Measures should be taken to inject personalities into the traditional, exam-oriented education system, which keeps pace with the new era. As is known to all, it's important to strike a balance between public education and non-government funded education in a scientific and reasonable manner. The overhauling of traditional education policies will pave the way for China's educational renaissance and realize the great blueprint of the Chinese dream. 


2018 ◽  
Vol 2 (1) ◽  
pp. 76-91
Author(s):  
Dominic Bryan

This article examines the way in which the availability of cheaply produced polyester flags has changed the symbolic landscape in the public places of Northern Ireland. The “tradition” of flying flags to express identity is common throughout the world and an important feature of an annual marking of residential and civic spaces in Northern Ireland. Such displays have been a consistent part of the reproduction of political identities through commemoration and the marking of territory. However, the availability of cheaply produced textiles has led to a change in the way the displays take place, the development of a range of new designs and helped sustain the control of areas by particular paramilitary groups. It highlights how the “symbolic capital” of the national flags can be used by different social groups having implication on the status and value of the symbol.


2014 ◽  
Vol 9 (10) ◽  
Author(s):  
Khairul Anuar Mohamed

The working paper entitles ''The status of Quranic Digital from Fiqh Perspective''. There is no doubt taht in recent years, IT has been widely used in all aspect especially in our daily life. Our religion also accepts IT as one of the way to preach and it also has been widely used in Islamic world. One of the proof was the invention of Quranic Digital. Islamic technocrats have invented the Digital Quran for Muslim to make good use of it but also to help us to draw closer to Allah. The objective of this paper is to identify and explain about the fiqh's problems between Digital Quran and physical Quran such as Mushaf. This explanation hopefully can help Muslims to have confidence when using the Quranic Digital especially in the mainstream. A research has been conducted to study about the fiqh's problem in Quranic Digital and the author found out that the Quranic Digital can be touch even without wudhu' or during period (Haidh) because of it was not physically written like Mushaf and the words was stored in the device with other equipment.


2021 ◽  
Vol 14 (1) ◽  
pp. 71-80
Author(s):  
Liga Sakse

The work Moving Flowers #1 by the internationally known Dutch artist Kim Boske (born in 1978) was published in the first cover series HOU VOL (“Keep Faith”) of the periodical Het Parool on 30 May 2020. Following the aim of the newspaper to help cope with the disastrous consequences of COVID-19, the artist focused on how our perceptions had changed during the pandemic. If previously the content (or what is being represented) was the element that dominated in photography, then during the pandemic, the representational harmony of the content was replaced by the structural features or the way how something is being represented. The article aims to reflect on the artworks created by Boske in 2020 and to show the circulation of ideas contained in them, and with this case study to highlight more general trends in the recent art photography. 


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