Looking Back, Moving Forward

Marius Petipa ◽  
2019 ◽  
pp. 77-106
Author(s):  
Nadine Meisner

After Petipa’s marriage to his first muse, Maria Surovshchikova, and the death in Russia of his father, Jean, chapter 4 travels back in time to trace Jean’s career as a ballet master in Marseilles and in Brussels at the Théâtre de la Monnaie. It describes Marius’s early family life, his siblings, and the impact of the Belgian Revolution. Returning to Russia, it looks at Petipa’s impact as a teacher and his choreographic beginnings in St Petersburg, which included the one-act Parisian Market. This is the ballet the Petipas took with them to show at the Paris Opera with Maria Petipa dancing, a season which triggered two law-suits, one of them involving Petipa’s old friend Perrot. There then follows an account of the circumstances around The Pharaoh’s Daughter, the big ballet that brought Petipa to prominence.

2017 ◽  
Vol 51 (2) ◽  
pp. 378-395
Author(s):  
Michael Syrimis

This article analyzes Gabriele D’Annunzio’s 1898 play La Gioconda as a form of modern tragedy with respect to Friedrich Nietzsche’s duality of the Apollinian and Dionysian, and with particular emphasis on the motif of light as it appears both in the author’s stage directions and in the dialogues. The story of the play revolves around the recurrent Dannunzian theme of the love triangle. A young sculptor of a Nietzschean sensibility struggles with the dilemma between a peaceful family life and the stormy lifestyle of an artist, played out in his relationships with a gentle and caring spouse and his seductive and implacable model, or la nemica. A study of the diverse ways in which the light motif is used and discussed from one act to the next vis-a-vis the Nietzschean duality, while also considering the stylistic contradiction between a bourgeois domestic drama, on the one hand, and a philosophical and lyrical treatise on aesthetic experience, on the other, the article challenges the dichotomy of spouse vs. lover and argues that the artist’s imagination conflates the two figures in formulating the ideal of a modern muse, a new ‘Gioconda’, a timeless figure that synthesizes an ancient primal dynamism, a restrained Renaissance harmony, and a resounding modernity.


2020 ◽  
Author(s):  
Kustiani

Buddhism is not a new religion in Indonesia because it has existed in the country since 4th century A.C.. After that, due to the Islam domination in the country, Buddhism becomes minor religion and must seek its creative ways to maintain its existence in Indonesia. Buddhist women must be creative too when they face some Islamic concepts regarding women. It is because, many Islamic concepts have different point of view from Buddhism regarding women.Speaking about family and social life, women have pivotal role. Polygamy as the one of many issues that places women in difficult situation sounds very familiar for Indonesian people including Buddhists. This practice has happened in Indonesia in ancient time especially in the royal families. Now, the practice of polygamy flourished everywhere because it is justified and legal in Islam as majority belief in Indonesia, under certain circumstances. Actually, polygamy has also happened in the Buddhist society even during the Buddha’s time. It was shown in the story mentioned in the Dhammapada Aṭṭhakathā (Dh.A. I. 43.ff) about two wives who had endless hatred towards each other in many rebirths due to polygamy. Nevertheless, not like in Islam, it is not getting justification as practicable or recommendable even under certain circumstances. Speaking about family life, having one wife is more conducive for the betterment of spiritual and social life than having many wives. Even when having one wife, the training to not having sexual intercourse is recommendable in Buddhism four times a month during the uposatha day. “What is the impact of polygamy towards the life of Buddhist women in Indonesia?” and “how Buddhist women should lead the family life in the midst of polygamy practice for the betterment of society?” are the main issues of this article.


Author(s):  
Kirsten E. Shepherd-Barr

‘Sex, suffrage, and scandal’ gives a sense of the turbulence and experimentation marking the drama across Europe and America in the early 20th century. There was no single tendency, as this was one of the most vibrant and varied periods of modern drama. The radically different expressionist theatre of Strindberg’s A Dream Play (1901) is discussed alongside the ‘intimate theatre’ or ‘art theatre’ movement and the Stanislavski acting revolution. The emphasis of repertory and ensemble acting; the Irish dramatic movement; the return of verse drama through Yeats, Synge, and Galsworthy; the one-act play; the impact of World War I; and theatre censorship are also considered.


2013 ◽  
Vol 12 (7) ◽  
pp. 451-459
Author(s):  
Ashraf Yehia El-Naggar ◽  
Mohamed A. Ebiad

Gasoline come primarily from petroleum cuts, it is the preferred liquid fuel in our lives. Two gasoline samples of octane numbers 91 and 95 from Saudi Arabia petrol stations were studied. This study was achieved at three different temperatures 20oC, 30oC and 50oC representing the change in temperatures of the different seasons of the year. Both the evaporated gases of light aromatic hydrocarbons (BTEX) of gasoline samples inside the tank were subjected to analyze qualitatively and quantitatively via capillary gas chromatography. The detailed hydrocarbon composition and the octane number of the studied gasoline samples were determined using detailed hydrocarbon analyzer. The idea of research is indicating the impact of light aromatic compounds in gasoline on the toxic effect of human and environment on the one hand, and on octane number of gasoline on the other hand. Although the value of octane number will be reduced but this will have a positive impact on the environment as a way to produce clean fuel.


2017 ◽  
Vol 13 ◽  
pp. 244-261
Author(s):  
Mariola Tracz ◽  
Małgorzata Bajgier-Kowalska ◽  
Radosław Uliszak

Podkarpackie Voivodeship is one of the regions of Poland in which the number of agritourism entities is very high. Therefore tourism plays a significant role in its development strategy. The aim of the paper is to identify the current state of agritourism and the changes that have occurred in the region in the years 2000–2016. Specific objectives are to determine the distribution of agritourism farms and their offer, together with a comprehensive analysis of the environmental and socio-economic factors, as well as the impact of the Slovak-Ukrainian border. The report was developed on the statistical materials from the Polish Central Statistical Office, Podkarpackie Agricultural Advisory Centre in Boguchwała and data collected from municipalities and district offices that is published on their websites, as well as through interviews with 100 owners of agritourism farms in the Podkarpackie Voivodeship. The research has shown, on the one hand, the decline in the number of farms in the region and, on the other hand, the increase in the diversity of the tourist offer of these entities. Distribution of agritourism farms is closely linked to the attractiveness of natural environment and quality of secondary tourism resources. Traditional agritourism has not yet fully used its countryside, as well as cross-border advantages of its location.


2019 ◽  
Vol 118 (2) ◽  
pp. 7-12
Author(s):  
Ok-Hee Park ◽  
Kwan-sik Na ◽  
Seok-Kee Lee

Background/Objectives: The purpose of the paper is to examine how family-friendly certificates introduced to pursue the compatibility of work and family life affect the financial performance of small and medium-sized manufacturers, and to provide useful information to companies considering the introduction of this system in the future.


Author(s):  
Anna Peterson

This book examines the impact that Athenian Old Comedy had on Greek writers of the Imperial era. It is generally acknowledged that Imperial-era Greeks responded to Athenian Old Comedy in one of two ways: either as a treasure trove of Atticisms, or as a genre defined by and repudiated for its aggressive humor. Worthy of further consideration, however, is how both approaches, and particularly the latter one that relegated Old Comedy to the fringes of the literary canon, led authors to engage with the ironic and self-reflexive humor of Aristophanes, Eupolis, and Cratinus. Authors ranging from serious moralizers (Plutarch and Aelius Aristides) to comic writers in their own right (Lucian, Alciphron), to other figures not often associated with Old Comedy (Libanius) adopted aspects of the genre to negotiate power struggles, facilitate literary and sophistic rivalries, and provide a model for autobiographical writing. To varying degrees, these writers wove recognizable features of the genre (e.g., the parabasis, its agonistic language, the stage biographies of the individual poets) into their writings. The image of Old Comedy that emerges from this time is that of a genre in transition. It was, on the one hand, with the exception of Aristophanes’s extant plays, on the verge of being almost completely lost; on the other hand, its reputation and several of its most characteristic elements were being renegotiated and reinvented.


Author(s):  
Dirk Voorhoof

The normative perspective of this chapter is how to guarantee respect for the fundamental values of freedom of expression and journalistic reporting on matters of public interest in cases where a (public) person claims protection of his or her right to reputation. First it explains why there is an increasing number and expanding potential of conflicts between the right to freedom of expression and media freedom (Article 10 ECHR), on the one hand, and the right of privacy and the right to protection of reputation (Article 8 ECHR), on the other. In addressing and analysing the European Court’s balancing approach in this domain, the characteristics and the impact of the seminal 2012 Grand Chamber judgment in Axel Springer AG v. Germany (no. 1) are identified and explained. On the basis of the analysis of the Court’s subsequent jurisprudence in defamation cases it evaluates whether this case law preserves the public watchdog-function of media, investigative journalism and NGOs reporting on matters of public interest, but tarnishing the reputation of public figures.


Author(s):  
Robert H. Ellison

Prompted by the convulsions of the late eighteenth century and inspired by the expansion of evangelicalism across the North Atlantic world, Protestant Dissenters from the 1790s eagerly subscribed to a millennial vision of a world transformed through missionary activism and religious revival. Voluntary societies proliferated in the early nineteenth century to spread the gospel and transform society at home and overseas. In doing so, they engaged many thousands of converts who felt the call to share their experience of personal conversion with others. Though social respectability and business methods became a notable feature of Victorian Nonconformity, the religious populism of the earlier period did not disappear and religious revival remained a key component of Dissenting experience. The impact of this revitalization was mixed. On the one hand, growth was not sustained in the long term and, to some extent, involvement in interdenominational activity undermined denominational identity; on the other hand, Nonconformists gained a social and political prominence they had not enjoyed since the middle of the seventeenth century and their efforts laid the basis for the twentieth-century explosion of evangelicalism in Africa, Asia, and South America.


2016 ◽  
Vol 40 (2) ◽  
pp. 81-105
Author(s):  
Gabriela Cruz

Sr. José do capote, a worker and an opera lover, is the monad contemplated in this article. He is a theatrical figure, the protagonist of the one-act burlesque parody Sr. José do capote assistindo a uma representação do torrador (Sr. José of the Cloak attends a performance of The Roaster, 1855), but also an idea that expresses in abbreviated form the urban environment of nineteenth-century Lisbon, the theatrical and operatic sensibility of its citizens, and the politics of their engagement with the stage. This article is a history of Il trovatore and of bel canto claimed for a nascent culture of democracy in nineteenth-century Portugal.


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