“We’re Not in Kansas Any More”

2018 ◽  
pp. 161-182
Author(s):  
Dominic McHugh

Chapter 8 explores three contrasting attempts to adapt the film for the theater. First, following the release of the MGM film, in 1942 the St. Louis Municipal Opera hoped to capitalize on the success of the movie by commissioning a stage production that incorporated the familiar songs. Second, in the mid-1980s, the Royal Shakespeare Company returned to the MGM film as the basis for a new stage adaptation. Though their version promoted the supposed authenticity of this approach, expanding the movie into a full theater piece nevertheless caused tensions between practice and nostalgia. Third, a generation later, Andrew Lloyd Webber reteamed with his best-known collaborator, Tim Rice, to write some new songs to interpolate into a new stage version. Here, the text was revised with a new audience and new era in mind: though the movie was celebrating its sixtieth anniversary, the new adaptation brought contemporary values, and therefore a shift of emphasis, to the beloved text. Each of the three adaptations had its pros and cons, though none could match the success of the original movie. This chapter therefore also serves to explore the problems of adapting screen musicals for the stage, as can also be seen from two other disappointing stage adaptations of MGM movies, Meet Me in St. Louis and Seven Brides for Seven Brothers.

2020 ◽  
Vol 5 (1) ◽  
pp. 14-27
Author(s):  
S. Sarkowi ◽  
Agus Susilo

This study was focused on the historical roots of Islamic law’s formalization in Indonesia. It was started from the discourse of pros and cons on which took place since the Indonesian independence, to be exacted when nine committees of BPUPKI formulated the state principles. It was continued during the Liberal Democracy era of the Old Era, New Era until Reformation. The objective of this study was to construct the historical roots of Islamic law formalization using historical methods with the philosophical approach to the contextual analysis. The results of this study show that the historical roots were started from the success of the ulama and their role, until the establishment of Islamic empires, then Islamic law was legalized in the form of legislation by adopting legal books written by the scholars. There was strong legitimacy of the role of ulama, as well as the Sultan’s commitment to governing society through the judiciary and positions of qadhi, mufti and shaykh al-Islam which become the main pillars of the Islamic formalization practice in the sultanate government in Nusantara.


2015 ◽  
Vol 31 (3) ◽  
pp. 213-222 ◽  
Author(s):  
Polly Teale

In this wide-ranging interview of 25 November 2014, Polly Teale, writer, director, and Artistic Director of UK-based Shared Experience theatre company, reflects on her stage adaptations of literary works, the lives of their authors, and the processes of adapting texts between genres. Founded in 1975 by Mike Alfreds, Shared Experience has toured internationally from Sydney to Beijing with highly physical stage adaptations of literary texts and biographies that express the inner lives of complex and fascinating characters. Teale discusses the adaptation of her play Brontë to a screenplay, Shared Experience’s upcoming production of Mermaid, and rehearsal strategies she uses to encourage actors to explore the subjective truths that lie beneath the surface of their characters. Besides Brontë, past productions have included Jane Eyre, The Mill on the Floss, and After Mrs Rochester. Shared Experience was recently awarded a £105,000 grant by the Andrew Lloyd Webber Foundation and has won several theatre awards including Time Out’s Live Award for Best Play in the West End (2004) and an Edinburgh Fringe First Award (2010). Rebecca Waese is a lecturer and researcher in Creative Arts and English at La Trobe University, Melbourne. She is co-writing a book on Polly Teale and has previously written on interdisciplinary adaptations and dramatic modes in Australian and Canadian literature.


2021 ◽  
Author(s):  
Gabrielle Lennox ◽  
Hannah Mason

The proliferation of digital theatre signals a new era of theatrical experiences. The Royal Shakespeare Company's (RSC) Dream is a recent example of how theatre companies are integrating cutting-edge technology to revolutionise their performances. Emerging from the Audience of the Future (AF) program, Dream combined gaming and theatre technology to create a virtual world for audiences to inhabit and explore digitally. The production incorporated motion-capture technology and Virtual Reality (VR) headsets, allowing seven actors to perform live from a purpose-built studio while audiences simultaneously accessed their performance from a compatible device via a bespoke website (https://dream.online). The resulting experience combined live and virtual performance elements to connect global audiences.This venture into technologically enhanced theatre, however, raises questions about the potential implications of audience engagement with digital productions. In this paper, we question how RSC's Dream combined both live and virtual theatre experiences to offer a more interactive viewing experience. We argue that while Dream signalled an exciting step in the development of digital theatre, the interactive features revealed some discrepancies between RSC's goals and the degree of involvement delivered. We thus contend that for theatre organisations to incorporate digital technologies, they must tend to the nuances of technological interventions and weave them seamlessly with theatrical elements to retain the fidelity of the theatre experience.


2018 ◽  
Vol 6 (3) ◽  
pp. 525
Author(s):  
I Wayan Wesna Astara

In the New era, Bali was hegemonized by the politics of the State's law against traditional villages. There is a response from Bali Provincial Government to create a policy to protect traditional villages in Bali. The power of Bali in the traditional village is maintaining Balinese culture based on Hinduism and the philosophy of Tri Hita Karana. Relevant critical theories in this article's discussion are public policy theory which is micro, hegemonic theory, power relation theory and deconstruction theory. Qualitative method with case study design in traditional village of Kuta is used as the research of cultural studies. The result of the research explains that public policy in Bali in defending traditional village is that Bali Provincial Government responds to state law politics by establishing Bali Provincial Regulation. However, when the Provincial Regulation of Bali No. 3 of 2001 on traditional village, the traditional village of Kuta responded to Article 3 paragraph (6) was not accepted by the prajuru and also received a response from the traditional village council, so the pros and cons of the traditional village in Bali emerged.


World is pacing in ultra-high speed with huge population along with drastic changes in the technology day-byday. This results in new era of applications, tools, and devices to make human life simpler. But the advancements in technology and human life leads to number of problems like lack of security, privacy, health and many more. In recent time the most dangerous problem that has been haunting the whole human race in various continents is COVID-19 virus. There are number of assistive technologies that has been created and deployed around the world to cope up and sustain in this pandemic situation. Now we are going to discuss one of the mobile assistive applications which helps to reduce the spreading of this contiguous virus in our country which is named as AAROGYASETU by Indian government. This is a pan India application to monitor, prevent as well as analyse the spreading of covid virus around the country. The assignment follows with the pros and cons of the application along with accessibility audit of the mobile app and finally proposed solution for the problems identified by the analysis.


Author(s):  
H.J.G. Gundersen

Previously, all stereological estimation of particle number and sizes were based on models and notoriously gave biased results, were very inefficient to use and difficult to justify. For all references to old methods and a direct comparison with unbiased methods see recent reviews.The publication in 1984 of the DISECTOR, the first unbiased stereological probe for sampling and counting 3—D objects irrespective of their size and shape, signalled the new era in stereology — and give rise to a number of remarkably simple and efficient techniques based on its distinct property: It is the only known way to obtain an unbiased sample of 3-D objects (cells, organelles, etc). The principle is simple: within a 2-D unbiased frame count or sample only cells which are not hit by a parallel plane at a known, small distance h.The area of the frame and h must be known, which might sometimes in itself be a problem, albeit usually a small one. A more severe problem may arise because these constants are known at the scale of the fixed, embedded and sectioned tissue which is often shrunken considerably.


Author(s):  
Sarah A. Luse

In the mid-nineteenth century Virchow revolutionized pathology by introduction of the concept of “cellular pathology”. Today, a century later, this term has increasing significance in health and disease. We now are in the beginning of a new era in pathology, one which might well be termed “organelle pathology” or “subcellular pathology”. The impact of lysosomal diseases on clinical medicine exemplifies this role of pathology of organelles in elucidation of disease today.Another aspect of cell organelles of prime importance is their pathologic alteration by drugs, toxins, hormones and malnutrition. The sensitivity of cell organelles to minute alterations in their environment offers an accurate evaluation of the site of action of drugs in the study of both function and toxicity. Examples of mitochondrial lesions include the effect of DDD on the adrenal cortex, riboflavin deficiency on liver cells, elevated blood ammonia on the neuron and some 8-aminoquinolines on myocardium.


2007 ◽  
Vol 41 (12) ◽  
pp. 29
Author(s):  
KERRI WACHTER
Keyword(s):  

2011 ◽  
Vol 10 (4) ◽  
pp. 9
Author(s):  
MITCHEL L. ZOLER
Keyword(s):  

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