In the Realm of the Dead

Author(s):  
Anh Q. Tran

Chapter 4 deals with the afterlife and the cult of the dead, according to both Confucian and Vietnamese folk Buddhist practices. It begins with an overview of traditional Vietnamese anthropology and its influence on ancestral worship: outlining several characteristics that are the basis of ancestor worship, the discussion then turns to how the Confucian tradition linked rituals honoring the dead with filial piety, and to traditional conceptions of the soul and the afterlife in Confucianism, Daoism, and Buddhism. Then the chapter proceeds to a detailed description of the traditional funeral rites and ancestral veneration, including an account of practices surrounding the burial, as well as folk Buddhism and the afterlife. The chapter ends with a Christian evaluation of these practices.

2019 ◽  
Vol 10 (1) ◽  
pp. 102
Author(s):  
Opoola Bolanle Tajudeen

This paper focuses on socio-hermeneutic study of gender differentiation in Yoruba burial rites. There are many types of oral genres in Yoruba society. These genres have different functions for different occasion. In essence, Ìrèmọ̀jé eré ìṣípà ọdẹ (hunters funeral dirge) and ìsàà ró (women funeral dirge) are used during men and women funeral rites respectively in Yoruba land. Ogun deity is the founder of Ìrèmọ̀jé chant. Ogun was the first hunter with many adherents who were hunters too. Before the death of Ogun, he ordered his adherents to chant Ìrèmọ̀jé during his funeral rites. He also instructed them to do the same during the funeral rites of fellow great hunters, that is, the hunters that were succeeded by viable children. Ìrèmọ̀jé ìsipaọdẹ is specifically for men and not for women. Ìsàà ró is the final burial rite for the aged women in Yoruba land. This burial rite marks the exit of the aged women from this world to the world beyond. In essence, ìsàà ró is a traditional send-forth for the dead. This type of burial rite was popular in Yoruba land in those days but it was more popular among the Oyo-Yoruba than other Yoruba ethnic groups. Ìsàà ró burial rite is often performed by the Alágbaà (chief head of masquerade) from Ọ̀jẹ̀ family (family of masquerades). It is mandatory for the children of the dead to perform this final burial rite for their dead mother because if they fail to do it, things may not be moving well for either the dead in the world beyond or for the children she left behind in this world. The emergence of western civilization has made great changes both negatively and positively on the popularity of Ìrèmọ̀jé and Ìsàà ró burial rites respectively. This paper discovered that there is that of valuable documentation of Iremoje/Isipa (Hunting chants and funeral rites for Men) and Isaaro (The final funeral rites for Women) in spite of the existence of enormous works on Yoruba Verbal arts and oral literature. The implication of this finding reveal that if a study of this type is not promoted, Yoruba traditions and valuable oral renditions would be endangered. This could further prompt Yoruba journeys to extinction as many studies have shown that English dominance of Yoruba is changing the language attitude of Yoruba native speakers oral and written discusses. The Yoruba natives have flair for us of English than the use of Yoruba because of the inherent values of English in Nigeria and the world at large. This paper concludes that, despite the negative effect of western education and foreign religions in the foregoing, the technological advancement on Ìrèmọ̀jé and Ìsàà ró has shown that the future of both genres are bright as long as the Yoruba race exists.


2021 ◽  
Vol 4 (5) ◽  
pp. 1279-1300
Author(s):  
Anastasia Yu. Blazhkina

The article deals with the authorship of the Confucian treatise Xiao Jing (“The Classic of Filial Piety”). Xiao Jing is one of the classical treatises that constitutes a part of the Confucian corpus Shisan Jing (“The Thirteen Classics”). This confirms the importance and high significance of this text for the traditional philosophical thought of China. The earliest mention of the title “Xiao Jing” was recorded in the work from the 3rd century BC, Lu shi chun qiu (“Spring and Autumn of Mr Liu”), which indicates the terminus ante quem non for the treatise Xiao Jing. According to some Russian scholars, the treatise Xiao Jing was compiled in the IV-II centuries BC. The Chinese scholarship acknowledges eight main versions of authorship, and therefore dating of Xiao Jing. The author stresses the importance to establish the authorship of the Xiao Jing treatise since this can be a piece of additional information for a comprehensive understanding of the philosophical heritage of the Confucian tradition of this text. After presenting an outline of the main versions of authorship of the Xiao Jing treatise, the author states that this issue can hardly be solved unambiguously. Therefore, this article can be considered as a preliminary essay for further research. The appendix offers a complete Russian translation of the Xiao Jing made by the author of the present article.


2021 ◽  
Vol 77 (4) ◽  
Author(s):  
Hundzukani P. Khosa-Nkatini ◽  
Peter White

Burial rites are very common among many Africa communities. In the African context, burials are not the end of life but rather the beginning of another life in the land of the ancestors. In spite of the importance of the African funeral rites, the missional role of the church in mourning and the burial of the dead in the African communities, the COVID-19 pandemic led protocols and restrictions placed a huge challenge on the African religious and cultural practices.Contribution: In the light of the above-named challenges, the article discusses the religious-cultural effect of the pandemic with special focus on the African liturgical and missiological challenges in the context of the COVID-19 restrictions on funerals and burial rites.


2021 ◽  
Vol 3 (S-2) ◽  
pp. 126-129
Author(s):  
Ramarajapandian V

In ancient times, the loved ones had the tradition of worshipping their virtues after their demise. The practice of growing more and more family was practiced when those who worked for their family to progress were worshipped after their deaths. One of the rituals is to make the dead sieve. The ancestral worship is to pay tribute to the experiences of the ancestors who have been with us in the relationship and blood of the tribes. This cult was associated with the middle stone worship of the people of this group over time. These are the foundations of the study of the ancient cult sculptors and theories of the present day.


Author(s):  
Lisa Raphals

The Chinese Classics are a group of texts of divination, history, philosophy, poetry, ritual and lexicography that have, to a significant extent, defined the orthodox Ruhist (Confucian) tradition of China. Since the Song dynasty (960–1279), they have consisted of the following thirteen texts: The Shujing, or Shangshu (Book of Documents, or Documents), the ‘classic’ of Chinese political philosophy. Allegedly compiled by Confucius, it contains a variety of historical documents, mostly dating from the fourth century bc.The Yijing (Book of Changes), a divinatory work using sixty-four permutations of broken (yin) and straight (yang) lines in six positions. It has two parts: the ‘Zhouyi’ (Zhou Changes), an ancient divination manual, and the Shiyi (Ten Wings), a commentary dating from the Warring States period (403–222 bc).The Shijing (Book of Songs, or Odes), a collection of 305 poems, ostensibly selected by Confucius, on a wide variety of subjects. It includes songs of farming, feasting and love that are clearly of popular origin. It also contains a variety of court poetry including dynastic hymns, hunting and banquet songs and political satires from the Zhou court (1121–222 bc).The Yili (Ceremony and Rites), a Warring States ritual text.The Zhouli (Rites of Zhou), another Warring States ritual text.the Liji (Book of Rites), a Han work that provides information about early Confucian philosophy and ritual. Together, works (4), (5) and (6) make up the Lijing (Classic of Rites).The Zuozhuan (Zuo Annals).The Guliangzhuan (Guliang Annals).The Gongyangzhuan (Gongyang Annals). Works (7), (8) and (9) are commentaries to the Chunqiu (Spring and Autumn Annals, or simply Annals), a chronicle of the reigns of twelve rulers of the state of Lu; its presentation of diplomatic and political events from 722–481 bc is terse and factual, but the three commentaries provide substantial elaboration and exegesis.The Analects of Confucius (Lunyu), containing anecdotes and short dialogues between Confucius and his disciples. In this work, Confucius established a new emphasis on humanistic ethics and political and social order.The Xiaojing (Book of Filial Piety), a short dialogue between Confucius and one of his disciples, concerned with filiality in both private and public life; it discusses children’s filiality to their parents and subjects’ filiality toward their rulers.The Erya, a book of glosses of Zhou dynasty terms (the title means ‘Graceful and Refined’).The Mengzi, which records a series of dialogues and debates between the philosopher Mencius and his students, several rulers and a variety of rhetorical and philosophical opponents. Mencius elaborated upon the Analects, arguing that human nature was inherently good and claiming that four ‘sprouts’ of goodness could be educated to create intuitive ability as the correct basis for moral judgments. The practice of appealing to authoritative texts appeared as early as the Analects of Confucius, around 500 bc. An explicit classical canon first appeared some four hundred years later during the Han dynasty (206 bc–ad 220), when Emperor Wu institutionalized a set of five classics associated with Confucius. At the same time he established new procedures for recruiting officials, created official chairs for the study of the Five Classics, restricted official academic appointments to those five areas and founded an imperial academy for the study and transmission of those works. In this way he effectively created a new ‘Confucian’ state religion. The term ‘classic’ (jing) also appears as the first of six categories of literature in the classification system of the bibliographical chapter of the Hanshu (History of the Former Han Dynasty). Classics (jing) are distinguished from masters (zi), the latter being grouped into nine schools starting with the Ru, or Confucians. Since the Han dynasty, the content of the classical canon has grown from the original five (or seven) texts, as established during the Han dynasty. The original group of classical texts that acquired official sanction during the early Han empire was supplemented by additional texts during the Tang (617–907) and Song (960–1279) periods. The Chunqiu (Spring and Autumn Annals) became known under the titles of three commentary editions, the Gongyangzhuan, Guliangzhuan and Zuozhuan, as noted above. The Lijing became known as three separate works on ritual, the Yili, the Zhouli and the Liji, again as noted above. The Erya was added to the classical canon during the Tang dynasty and the Mengzi during the Song dynasty, bringing the total to what became the standard thirteen texts. These works functioned as classics in a number of ways. They formed the core education of the bureaucratic elite, they provided an important source for imperial authority and they set the philosophical agenda for the dominant Confucian tradition. The classics are also significant for what they do not contain. Many of what are now considered the greatest philosophical works of the Warring States period are classified as masters, not classics; examples include the Zhuangzi, the Xunzi and (until the Song dynasty) even the Mengzi.


1996 ◽  
Vol 46 (1) ◽  
pp. 1-26 ◽  
Author(s):  
M. Lynn-George

When Andromache emerges from the inner chamber in Book 22, ascends the walls of Troy and looks out over the plain, she beholds a spectacle of ruthless brutality. She who has not been aware of the final combat, nor of the slaying of her husband, is suddenly confronted by the receding trail of utter defeat. Swift horses drag her husband's corpse into the distance, the cherished head disfigured as it is dragged, raking the dust of what was once their homeland. The violence of the scene is forcefully conveyed by one word in particular. The swift horses drag Hektor ⋯κηδ⋯στως (22.465)—without κ⋯δος without care, ‘sans soucier de, brutalement’. In itself the word ⋯κηδ⋯στως provides a definition of violence, one captured in Shakespeare's phrase ‘careless force’. Violence is, in its harsh brutality, specifically heedlessness, an absence of any form of care. When Achilles hurls the slain suppliant Lykaon into the river he utters the taunt, ‘the fish, ⋯κηδ⋯ες, will lick clean your wound's blood’ (21.122–3). The discarded corpse is denied funeral rites: in place of the care that the relations of the dead traditionally bestow in tending, washing, enshrouding, lamenting, and burying the dead, here the heedless creatures of nature, fleeting visitors, will attend to the corpse, ‘clean’ it, but utterly without care, completely oblivious to the oblivion they create by destroying. In Book 24 Achilles will describe the gods themselves as ⋯κηδ⋯ες (526).


2017 ◽  
Vol 31 ◽  
pp. 279-289
Author(s):  
Ioana Bădocan ◽  

At the ancient peoples, the mask is the representation of the spirit of the ancestor, of the totemic animal and is connected with rites of initiation, agrarian and funeral rites. The mask, by its power, imposes on the bearer his own will because it is endowed with his own individuality. Dances with masks take place in agrarian, nuptials, of initiation, or funeral rituals, the participants being both the living and the dead, both divinities and the protective htoniene spirits.


Early China ◽  
1995 ◽  
Vol 20 ◽  
pp. 195-222 ◽  
Author(s):  
Keith N. Knapp

Scholars have often treated the concept of xiao as an unchanging notion with a transparent meaning. In the West, the translation “filial piety” has reinforced this tendency. By endeavoring to ascertain the precise meaning of the term in pre-Qin texts, this paper shows that xiao had multiple meanings and was constantly being reinterpreted to suit new social and political circumstances. In the Western Zhou, it was inti¬mately related to the cult of the dead and its recipients extended well beyond one's parents or grandparents. The ru of the Warring States emphasized that it meant obedience and displaying respect, and made parents the sole recipients of xiao. By the late Warring States, ru recast xiao not only as obedience to one's parents, but also as obedience to one's lord. Filial sons were reinvented as loyal retainers to meet the needs of the newly emerging bureaucratic state.


Author(s):  
Oksana Kolomiets ◽  
Vladislav Nuvano

В настоящей статье исследуются погребальные чукотские традиции, сохранившиеся до настоящего времени. Многие ученые полагали, что архаичные формы похорон уступят место современному унифицированному обряду. Однако, в некоторых национальных селах Чукотки попрежнему хоронят путем сожжения или оставления тела умершего на холме или на открытой местности; современный похоронный обряд также часто сопряжен с некоторыми элементами традиционной культуры. Авторы рассматривают мировоззренческие установки, связанные со смертью, отношение к смерти у чукчей и соседних этнических групп. Для сравнительного анализа обрядов, бытующих в разные годы, авторы приводят описания погребального обряда учеными и путешественниками XVIII–XX вв. Существующие обрядовые практики в современной чукотской культуре представлены следующими способами погребения умерших: сожжение, оставление тела под открытым небом, захоронение «по-русски». Среди традиционных погребальных практик наиболее распространен обряд сожжения. Причем, в с. Ваеги Анадырского района, похороны «по-чукотски» наиболее предпочтительны для коренных жителей. Исключения составляют случаи, когда супруги, близкие родственники – представители другой национальности, могут не исполнить волю умершего на обряд сожжения. Остальные традиционные способы погребения немногочисленны, однако еще встречаются в с. Илирней (Билибинский район), с. Рыткучи (Чаунский район), в некоторых селах Анадырского и Чукотского районов. Опросы жителей показали, что чаще всего «по-чукотски» хоронят стариков, которые озвучили свою волю еще при жизни, или «тундровиков», занимающихся традиционным хозяйством вдали от поселков. Следует отметить, что сейчас мало кто из информантов может описать обряд целиком, многие знают порядок ритуальных действий, но при этом не могут раскрыть их смысл. Да и сами погребальные обряды не редко проводятся в «усеченном» варианте (некогда обязательные манипуляции с умершим уже не производят, например, надрез сухожилий, «открывание» груди и т. д.). В сельской местности до сих пор остаются знатоки, владеющие традиционными погребальными практиками. Они участвуют в подготовке и проведении обряда, учат молодое поколение проведению ритуалов.This article examines the funeral Chukchi traditions that have survived to the present time. Many scientists believed that archaic forms of funerals would give way to a modern unified ritual. However, in some national villages of Chukotka people are still buried by burning or leaving the dead body on a hill or in an open area; modern funeral rites are also often associated with some elements of traditional culture. The authors consider the worldview associated with death, the attitude to death in the Chukchi and neighboring ethnic groups. For a comparative analysis of the rites occurring in different years, the authors give descriptions of the funeral rites by scientists and travelers of the XVIII–XX centuries. Existing ritual practices in modern Chukchi culture are represented by the following methods of burial of the dead: burning, leaving the body in the open air, laying the body with stones, burial "in Russian". Among the traditional burial practices, the most common is the ritual of burning. Moreover, in the village of Vaegi of Anadyr districts the funeral "in Chukchi" is the most preferable for residents. The exceptions are the cases when the spouses and close relatives of the representatives of other nationalities can not do the will of the dead in the ceremony of burning. Other traditional methods of burial are few but still occur in the village of Ilirney (Iultinsky district), Rytkuchi village (Chaunsky district), in some villages of Anadyr and Chukotka district. Surveys of residents showed that most often "in Chukchi" they bury the old people, who voiced their will during his lifetime, or "tundra-people" engaged in traditional farming away from the villages. It should be noted that nowadays few informants could describe the ritual as a whole, many people know the order of ritual acts, but cannot disclose their meaning. The funeral rites are frequently held in a "truncated" version (once the mandatory manipulations with the dead are no longer produced, for example, tendons cut, "open" chest, etc.). In rural areas, there are still experts who own traditional burial practices. They participate in the preparation and conduct of the rite, teach the younger generation to conduct rituals.


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