Separating the Men from the Boys
The chapter connects theoretical perspectives on the role of masculinity in maintaining gender hegemony to aesthetic and discursive concerns of particular relevance to a study of gender and pop music. Identifying the late 2010s as a period of supposed upheaval in gender politics, it outlines reinvigorated aspiration for “new” masculinities following the emergence of the #MeToo movement and tackles some of the tensions that arise from celebrating pop artists as harbingers of positive social change. The focus then shifts to issues concerning genre, style, and the co-negotiation of masculine and musical authenticity, which provide a platform for homing in on the cultural mechanisms that have subordinated male pop singers in relation to dominant ideals. The chapter ends with further reflections on the social politics of ascribing meaning to pop representations, which direct additional attention to the complicated relationships between artists and audiences.