Theorizing Adaptation

2020 ◽  
Author(s):  
Kamilla Elliott
Keyword(s):  
Social Sciences ◽  
Eighteenth Century ◽  
Sixteenth Century ◽  
Final Section ◽  
Adaptation Studies ◽  
Late Eighteenth Century ◽  
Late Eighteenth ◽  
History Of ◽  
The Relationship

Asking why adaptation has been seen as more problematic to theorize than other humanities subjects, and why it has been more theoretically problematic in the humanities than in the sciences and social sciences, Theorizing Adaptation seeks to both explicate and redress “the problem of theorizing adaptation” through a metacritical history of theorizing adaptation from the late sixteenth century to the present, a metatheoretical theory of the relationship between theorization and adaptation in the humanities, and analysis of and experimentation with the rhetoric of theorizing adaptation. Adaptation was not always the bad theoretical object that it increasingly became from the late eighteenth century: in earlier centuries, adaptation was celebrated and valued as a means of aesthetic and cultural progress. Tracing the falling fortunes of adaptation under humanities theorization, the history nevertheless locates dissenting voices valorizing adaptation in every period. Adaptation studies can learn from history not only how to theorize adaptation more positively, but also to consider “the problem of theorization” for adaptation. The metatheoretical section finds that theorization and adaptation are rival, overlapping, inimical processes, each seeking to remake culture—and each other—in their images. It is not simply the case that adaptation has to adapt to theorization: rather, theorization needs to adapt to and through adaptation. The final section attends to the rhetoric of theorizing adaptation, analyzing how tiny pieces of rhetoric have constructed adaptation’s relationship to theorization, and turning to figurative rhetoric, or figuration, as a third process that can mediate between adaptation and theorization and refigure their relationship.

The Eye of his Master: Children and Charity Schools

1994 ◽  
Vol 31 ◽  
pp. 363-377 ◽  
Author(s):  
W. M. Jacob
Keyword(s):  
Eighteenth Century ◽  
Sixteenth Century ◽  
Mortality Rate ◽  
Physical Punishment ◽  
Late Eighteenth Century ◽  
Children And Parents ◽  
Late Eighteenth ◽  
Values And Beliefs ◽  
The Relationship ◽  
Very High

The aim of this paper is to examine the evidence from a number of charity schools, for attitudes towards the childhood of the ‘poorer sort’ in the early eighteenth century. Conventionally it has been claimed that lack of affection, and even brutality, characterized the relationship between parents, especially fathers, and their children. Lawrence Stone, in particular, has promoted the view that, as a result of the very high mortality rate among children until the late eighteenth century, parents did not invest much affection in them in order to insulate themselves from the sorrow resulting from their likely deaths before reaching adulthood. This view was also taken by Ivy Pinchbeck and Margaret Hewitt. They pointed out the formality of address seen in letters between children and parents of the upper classes, and suggested that cruelty to children and flogging was commonplace at all levels of society. These views have been challenged by Linda Pollock, who has suggested that, when examined carefully, the evidence suggests that, from the sixteenth century at least, nearly all children seem to have been wanted, loved, and cared for. She claims that the majority of children were not subject to brutality, and that physical punishment was used relatively infrequently and as a last resort. Pollock suggests that from the eighteenth century onwards parents were much concerned with ‘training’ a child in order to ensure that he or she absorbed correct values and beliefs and would grow into a model citizen.

The Romanesca as a Spiritual Sign in the Operas of Haydn, Mozart, and Beethoven

2020 ◽  
pp. 163-192
Author(s):  
Olga Sánchez-Kisielewska
Keyword(s):  
Eighteenth Century ◽  
Final Section ◽  
Musical Structure ◽  
Spiritual Dimension ◽  
Late Eighteenth Century ◽  
Late Eighteenth ◽  
The Relationship

This chapter explores the role of a musical pattern, the Romanesca schema, as a signifier of spiritual meanings in opera. It addresses the relationship between the Romanesca and the hymn topic and argues that the schema, semantically empty in its origins, acquired in the late eighteenth century connotations of ceremony, solemnity, alterity, and even transcendence. Several vignettes from operas by Haydn and Mozart illustrate how composers deployed the pattern in scenes depicting worship, prayers, and ritual actions. Beethoven’s Fidelio occupies the final section, a case study that shows the Romanesca interacting with other elements of the musical structure for expressive purposes. The chapter provides a novel interpretation of certain moments of the opera, suggesting that Beethoven relied on the sacred implications of the Romanesca—arguably available to historical listeners—to intensify the spiritual dimension of the drama.

scholarly journals ‘Constitutions selection’: Darwin, race and medicine

BJHS Themes ◽  
2021 ◽  
pp. 1-19
Author(s):  
Suman Seth
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Charles Darwin ◽  
Skin Colour ◽  
Race Science ◽  
Late Eighteenth Century ◽  
Late Eighteenth ◽  
History Of ◽  
History Of Race ◽  
Descent Of Man

Abstract In the course of his discussion of the origin of variations in skin colour among humans in the Descent of Man, Charles Darwin suggested that darker skin might be correlated with immunity to certain diseases. To make that suggestion, he drew upon a claim that seemed self-evidently correct in 1871, although it had seemed almost certainly incorrect in the late eighteenth century: that immunity to disease could be understood as a hereditary racial trait. This paper aims to show how fundamental was the idea of ‘constitutions selection’, as Darwin would call it, for his thinking about human races, tracking his (ultimately unsuccessful) attempts to find proof of its operation over a period of more than thirty years. At the same time and more broadly, following Darwin's conceptual resources on this question helps explicate relationships between conceptions of disease and conceptions of race in the nineteenth century. That period saw the birth of a modern, fixist, biologically determinist racism, which increasingly manifested itself in medical writings. The reverse was also true: medicine was a crucial site in which race was forged. The history of what has been called ‘race-science’, it is argued, cannot and should not be written independent of the history of ‘race-medicine’.

Anthology of Goethe Songs

10.31022/n023 ◽  
1994 ◽  
Keyword(s):  
Eighteenth Century ◽  
Johann Wolfgang Von Goethe ◽  
Art Music ◽  
Ferruccio Busoni ◽  
Late Eighteenth Century ◽  
Late Eighteenth ◽  
German Art ◽  
History Of ◽  
Voice And Piano

Few poets have had so profound an influence on the history of German art music as Johann Wolfgang von Goethe. Since the late eighteenth century, over seven hundred of his poems have been set by nearly six hundred composers as lieder for voice and piano. This anthology gathers twenty-two such settings, in a wide variety of styles, by composers ranging from Goethe's friend Carl Zelter to Hans von Bülow, Ferruccio Busoni, and Othmar Schoeck.

TWO HUNTERS, A MILKMAID AND THE FRENCH ‘REVOLUTIONARY’ CANON

2018 ◽  
Vol 15 (2) ◽  
pp. 177-205 ◽  
Author(s):  
JULIA DOE
Keyword(s):  
Eighteenth Century ◽  
Large Scale ◽  
Stage I ◽  
Performance History ◽  
Late Eighteenth Century ◽  
Late Eighteenth ◽  
History Of ◽  
Printed Music

ABSTRACTLarge-scale programming studies of French Revolutionary theatre confirm that the most frequently staged opera of the 1790s was not one of the politically charged, compositionally progressive works that have come to define the era for posterity, but rather a pastoral comedy from mid-century:Les deux chasseurs et la laitière(1763), with a score by Egidio Duni to a libretto by Louis Anseaume. This article draws upon both musical and archival evidence to establish an extended performance history ofLes deux chasseurs, and a more nuanced explanation for its enduring hold on the French lyric stage. I consider the pragmatic, legal and aesthetic factors contributing to the comedy's widespread adaptability, including its cosmopolitan musical idiom, scenographic simplicity and ready familiarity amongst consumers of printed music. More broadly, I address the advantages and limitations of corpus-based analysis with respect to delineating the operatic canon. In late eighteenth-century Paris, observers were already beginning to identify a chasm between their theatre-going experiences and the reactions of critics: Was a true piece of ‘Revolutionary’ theatre one that was heralded as emblematic of its time, or one, likeLes deux chasseurs, that was so frequently seen that it hardly elicited a mention in the printed record?

scholarly journals La Población De La Jurisdicción De Ixmiquilpan A Través Del Padrón De Revillagigedo,1791

Xihmai ◽  
2013 ◽  
Vol 7 (13) ◽  
Author(s):  
Verenice Cipatli Ramí­rez Calva
Keyword(s):  
Eighteenth Century ◽  
Ethnic Composition ◽  
Economic Activities ◽  
Sheep Breeding ◽  
Late Eighteenth Century ◽  
Palabras Clave ◽  
Late Eighteenth ◽  
Main Activity ◽  
The Relationship ◽  
Los Grupos

Resumen Durante los siglos XVI y XVII la población de la jurisdicción de Ixmiquilpan tení­a dos actividades económicas importantes: la crí­a de ganado menor y el cultivo. Este panorama se transforma radicalmente hacia finales del siglo XVIII; para entonces eran contados los pueblos que se dedicaban a la agricultura, en cambio, abundaban los asentamientos cuya principal actividad era la arrierí­a. En las zonas cercanas a las minas los oficios principales eran los de jornalero, minero o arriero de metales; mientras que en los lugares donde no habí­a cultivos ni posibilidades de vender la fuerza de trabajo en labores agrí­colas o mineras, una opción viable era el tallado y tejido de la lechuguilla. El estudio del padrón 1791 nos permite adentrarnos en estos aspectos e, incluso, conocer la composición étnica, el parentesco entre los miembros y edades de los grupos domésticos. Palabras clave: Ixmiquilpan, padrones, siglo XVIII, economí­a.   Abstract During the sixteenth and seventeenth centuries, the population of the jurisdiction of Ixmiquilpan had two major economic activities: sheep breeding and farming. This view changed radically in the late eighteenth century, by which time there were few people engaged in farming, however, there were many settlements whose main activity was the mule driving. In areas near the mines were the main occupations of laborers, miners, or carriers of metals, while in places where there was no chance of selling crops or the labor force in agriculture or mining, an option was the carving and lettuce tissue.   The study of the 1791 census allows us to get into these issues and even know the ethnic composition, the relationship between members and ages of family groups. Keywords: Ixmiquilpan, census, century  XVIII, economy.

scholarly journals Interpretations of Emanuel Swedenborg’s image of the afterlife in the novel Oneiron by Laura Lindstedt

2020 ◽  
Vol 29 ◽  
Author(s):  
Tiina Mahlamäki ◽  
Tomas Mansikka
Keyword(s):  
Eighteenth Century ◽  
Western Culture ◽  
First Century ◽  
The Novel ◽  
Late Eighteenth Century ◽  
Late Eighteenth ◽  
Twenty First Century ◽  
Postmodern Novel ◽  
Western Esotericism ◽  
The Relationship

This article discusses the relationship between Western esotericism and literature. As an example of a secular author who uses and benefits from esoteric texts, ideas and thoughts as resources in creating a literary artwork, the article analyses Laura Lindstedt’s novel Oneiron. A Fantasy About the Seconds After Death (2015). It contextualises the novel within the frames of Western esotericism and literature, focusing on Emanuel Swedenborg’s impact on discourses of the afterlife in literature. Laura Lindstedt’s postmodern novel indicates various ways that esoteric ideas, themes, and texts can work as resources for authors of fiction in twenty-first century Finland. Since the late eighteenth century Swedenborg’s influence has been evident in literature and among artists, especially in providing resources for other-worldly imagery. Oneiron proves that the ideas of Swedenborg are still part of the memory of Western culture and literature.

Geopolitics of Comparison: World Literature Avant la Lettre

2021 ◽  
Vol 73 (3) ◽  
pp. 255-269
Author(s):  
Waïl S. Hassan
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Comparative Literature ◽  
World Literature ◽  
Medieval Period ◽  
Early Nineteenth Century ◽  
Late Eighteenth Century ◽  
Late Eighteenth ◽  
History Of

Abstract According to a well-known narrative, the concept of Weltliteratur and its academic correlative, the discipline of comparative literature, originated in Germany and France in the early nineteenth century, influenced by the spread of scientism and nationalism. But there is another genesis story that begins in the late eighteenth century in Spain and Italy, countries with histories entangled with the Arab presence in Europe during the medieval period. Emphasizing the role of Arabic in the formation of European literatures, Juan Andrés wrote the first comparative history of “all literature,” before the concepts of Weltliteratur and comparative literature gained currency. The divergence of the two genesis stories is the result of competing geopolitical interests, which determine which literatures enter into the sphere of comparison, on what terms, within which paradigms, and under what ideological and discursive conditions.

Reading Henry Maundrell’s Sacred Geography in Eighteenth-Century England and Germany

2019 ◽  
pp. 210-226
Author(s):  
Simon Mills
Keyword(s):  
Eighteenth Century ◽  
Holy Land ◽  
The Bible ◽  
Late Eighteenth Century ◽  
The World ◽  
Late Eighteenth ◽  
Sacred Geography ◽  
History Of

This chapter explains the remarkable popularity of Henry Maundrell’s A Journey from Aleppo to Jerusalem at Easter AD 1697 (1703). It argues that Maundrell’s eye-witness reportage of his travels in the Holy Land provided the book’s readers with a storehouse of geographical observations and descriptions of eastern customs with which they could recreate imaginatively the world of the Scriptures. Tracing the book’s use by editors, commentators, translators, and paraphrasts, it argues that Maundrell was most often put to work in defence of the Bible against attacks on its claims to truth. Yet in the hands of Maundrell’s late eighteenth-century German translator, the naturalist and historicist tendencies inherent in his account were brought into sharper focus; ‘sacred geography’ was transformed into a history of biblical culture.

Introduction

2020 ◽  
pp. 1-20
Keyword(s):  
Eighteenth Century ◽  
Historical Context ◽  
Philosophy And Literature ◽  
Late Eighteenth Century ◽  
Late Eighteenth ◽  
The Relationship

This introductory chapter provides context for the volume’s subsequent contributions on Goethe’s Wilhelm Meister’s Apprenticeship on a variety of levels. It begins by explaining its aims with regard to the relationship between philosophy and literature. It then locates Goethe’s novel within this set of aims in three ways: first, by providing a brief outline of Goethe’s career; second, by locating his novel in the literary-historical context of late eighteenth-century Europe; and third, by outlining the connections between the Goethe of Wilhelm Meister and specific philosophers and thinkers who influenced his thought and for whom his work was in turn influential.

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