Introduction

2021 ◽  
pp. 1-17
Author(s):  
Laura Stamm
Keyword(s):  
Public School ◽  
Media Studies ◽  
Theoretical Background ◽  
Teaching Tool ◽  
Queer Cinema ◽  
The Way

The Introduction chapter lays out the book’s key arguments, historical and theoretical background, and methodology. By arguing that queer biographical films are biopics, this book asserts that media studies scholars and film critics have failed to appreciate the biopic’s rich queer legacy. The chapter includes discussions of the biopic’s biomedical history and use as a teaching tool in public school classrooms before demonstrating why the biopic might be attractive to queer filmmakers and audiences during the AIDS era and emergence of New Queer Cinema. Through understanding the queer biopic as a biopic, this book reorients the way we understand the biopic genre itself.

scholarly journals A (premature) eulogy of broadcasting: the sense of the ending of television

Matrizes ◽  
2015 ◽  
Vol 9 (1) ◽  
pp. 67
Author(s):  
Milly Buonanno
Keyword(s):  
Media Studies ◽  
Broadcast Television ◽  
The World ◽  
Contemporary Media ◽  
The Way

The vanishing centrality of broadcast television has turned into a key issue within contemporary media studies, thus making the end of television a familiar trope in scholarly discourses and opening the way to a redefinition of the present-day phase in terms of post-broadcast era. Besides recognizing that there are plenty of places in the world where the broadcast era is still alive, this article makes the claim that the discoursive formation of the passing of television as we knew it may offer media scholar-ship the opportunity to assume the viewpoint of the end as the privileged perspective from which the broadcast era can be looked at anew, eventually acknowledging the reasons why it is liable to be praised rather than buried.

scholarly journals UNBEATEN TRACKS IN JAPAN : LETTER I Tinjauan Women Travellers and Travel Writing

2018 ◽  
Vol 6 (2) ◽  
pp. 97
Author(s):  
Akmal Jaya
Keyword(s):  
Travel Writing ◽  
Secondary Data ◽  
Theoretical Background ◽  
Primary Data ◽  
The Novel ◽  
The Way

This research aims to show the influences of the power of discourse: genre, gender, and colonialism in Unbeaten Tracks in Japan by Isabella Lucy Bird. Some travel writing’s paradigms were used as theoretical background in this research, such Sara Mills and Carl Thompson. As an object of the research, the novel became the source of primary data. Another historical and cultural literary and also literary review of Unbeaten Tracks in Japan as secondary data. The result of the research examined that contestation of discourses implied the way of the author to preserve his stories.

Paternalism, Liberal Theory, and Suicide

1982 ◽  
Vol 12 (2) ◽  
pp. 335-352 ◽  
Author(s):  
Alan Soble
Keyword(s):  
Theoretical Background ◽  
Liberal Theory ◽  
The Way

A principle of paternalism must be able to answer three questions. Who are the persons who are the proper object of paternalism? Which actions should we prevent persons from doing or induce them to perform? What should our goals be when acting paternalistically toward these persons? A satisfactory principle will also be reasonably precise in distinguishing appropriate from inappropriate instances of paternalism, and it will be comprehensive, speaking to most (if not all) potential cases, including suicide. My purpose is not to reach a conclusion about the acceptability of paternalistic restrictions on suicide. Rather, because such a conclusion will follow from the way in which a principle of paternalism is formulated, I want to examine several liberal attempts at formulation and the theoretical background underlying these attempts.

The social spaces of hearing apps: problems, partners and intermediaries

2019 ◽  
Vol 171 (1) ◽  
pp. 23-37
Author(s):  
Nicole Matthews ◽  
Isabelle Boisvert ◽  
Catherine McMahon ◽  
Catharine Lumby
Keyword(s):  
Media Studies ◽  
The Self ◽  
Future Research ◽  
Social Environments ◽  
Individual Health ◽  
Health Consumer ◽  
The Social ◽  
The Media ◽  
Start Ups ◽  
The Way

This article offers an analysis of the development of three hearing and communication apps, drawing on interviews with people involved in their production. While a central figure in the media studies literature on apps is the self-managing individual health consumer, this article argues that physical and social environments and relationships within them are central to the way the hearing apps are produced, circulated and used. Often emerging from commercial start-ups, hearing apps become aligned with – or indeed stand in for – various kinds of governmental initiatives, not only in health but also in education and economic development. Partnerships between government, research and commercial organisations and the need to work through app intermediaries to find their end users shaped the way apps create recognisable ‘problems’ to address. This problematising function of apps and its impact on the uptake and use of apps are the key areas for future research.

On the transmodality of signs and their interpretants: Evidence from Peirce’s MS 599, Reason’s Rules

Semiotica ◽  
2019 ◽  
Vol 2019 (228) ◽  
pp. 223-235
Author(s):  
Winfried Nöth
Keyword(s):  
Media Studies ◽  
State Of The Art ◽  
The State ◽  
Close Reading ◽  
Communicative Process ◽  
External Sign ◽  
The One ◽  
The Way

AbstractThe paper begins with a survey of the state of the art in multimodal research, an international trend in applied semiotics, linguistics, and media studies, and goes on to compare its approach to verbal and nonverbal signs to Charles S. Peirce’s approach to signs and their classification. The author introduces the concept of transmodality to characterize the way in which Peirce’s classification of signs reflects the modes of multimodality research and argues that Peirce’s classification of the signs takes modes and modalities in two different respects into consideration, (1) from the perspective of the sign and (2) from the one of its interpretant. While current research in multimodality has its focus on the (external) sign in a communicative process, Peirce considers additionally the multimodality of the interpretants, i.e., the mental icons and indexical scenarios evoked in the interpreters’ minds. The paper illustrates and comments on the Peircean method of studying the multi and transmodality of signs in an analysis of Peirce’s close reading of Luke 19:30 in MS 599, Reason’s Rules, of c. 1902. As a sign, this text is “monomodal” insofar as it consists of printed words only. The study shows in which respects the interpretants of this text evince trans and multimodality.

scholarly journals The Post-Pandemic World: between Constitutionalized and Authoritarian Orders – China’s Narrative-Power Play in the Pandemic Era

2020 ◽  
Author(s):  
Yung-Yung Chang
Keyword(s):  
World Order ◽  
Theoretical Background ◽  
Constitutional Order ◽  
Low Profile ◽  
Strategic Narratives ◽  
Chinese Perspective ◽  
International Image ◽  
Power Play ◽  
The Way ◽  
Changing World

AbstractThe paper aims to address the development of China’s narrative power during the COVID-19 pandemic and its impact on world order. It argues that in the post-pandemic world, the emergence of the authoritarian sub-order would be prompted by China’s more proactive narrative power, given that the climate of opinion is ambiguous when faced with the uncertainty of the pandemic. (This does not imply the end of the existing liberal order; instead, it features the coexistence of both orders.) To understand how China’s narrative power has encouraged the emergence of the authoritarian sub-order to coexist in parallel with the dominant constitutional order, the article first reviews the existing literature concerning the changing world order. In this section, it also briefly defines and differentiates between the constitutional and authoritarian orders, what defines world order, and what distinguishes authoritarian from constitutional liberal order. Second it looks at the theoretical grounding. The nature, role and power of narratives are explored. Ideas about strategic narratives and the economics of attention are discussed. This theoretical background paves the way to examine China’s narrative power during a pandemic. Lastly, it switches to the Chinese perspective to address its support for the plurality of orders and its awareness of the strength of narrative in influencing dominant ideas. It looks at how China’s narrative power has been exercised from three perspectives (formation, projection and reception). Here, it mainly tackles how China has used its narrative power to spin the pandemic to its advantage in the reorganization of world order: improving its international image and advocating the authoritarian order as an alternative. China has been building its narrative along with its changing strategic diplomacy – from restrained and low-profile to proactive and assertive. In the conclusion, some reflections on China’s narrative power and the implications for world order are considered.

Walter J. Ong, Orality and Literacy (1982)

2020 ◽  
Vol 32 (2) ◽  
pp. 431-439
Author(s):  
Stephen Best
Keyword(s):  
African American ◽  
Cultural Studies ◽  
Media Studies ◽  
Historical Change ◽  
Walter Ong ◽  
The Impact ◽  
The Way

Walter Ong published Orality and Literacy: The Technologizing of the Word in 1982, synthesizing his career-long concern with the impact of the shift from orality to literacy on various cultures. Scholars of African American literary and cultural studies were coming to redefine their field around the terms orality and literacy at around the same time that Ong published his book; but where Ong stressed historical change or the fall from orality to literacy, African Americanists tended to accent their mutual mediation. This article explores the way that African Americanists, in stressing mediation, return orality and literacy to the concerns of Ong’s ostensible field: media studies.

scholarly journals The apparatus theory: ‘Religion in the city’

2018 ◽  
Vol 74 (4) ◽  
Author(s):  
Leon Geel ◽  
Jaco Beyers
Keyword(s):  
Urban Environment ◽  
Modern Society ◽  
Theoretical Background ◽  
Diverse Backgrounds ◽  
The One ◽  
Urban Conditions ◽  
Different Cultures ◽  
The Relationship ◽  
The City ◽  
The Way

The apparatus theory is used to challenge the interpretation of religion and also to determine whether religion is a factor to contend with in modern society. Religion could be the element that keeps the city intact or could be the one element that is busy ruining our understanding of reality and the way this interacts with society in the urban environment. Paradigms determine our relationships. In this case, the apparatus theory would be a more precise way of describing not only our relationship towards the city but also the way in which we try to perceive our relationship with religion and the urban conditions we live in. This article gives theoretical background to the interpretation and understanding of the relationship between various entities within the city. The apparatus of the city creates space for religion to function as a binding form. Religion could bind different cultures, diverse backgrounds and create space for growth.

scholarly journals Cyber Yugoslavia: from the World of Nations to the World of Cyber Countries

2017 ◽  
pp. 73
Author(s):  
Lada Stevanović
Keyword(s):  
Federal Republic ◽  
Media Studies ◽  
Theoretical Approach ◽  
The Internet ◽  
Creative Work ◽  
Nation State ◽  
The World ◽  
State Construction ◽  
The Way

This paper examines Cyber Yugoslavia, a state created on the internet, after the fall of the Socialist Federal Republic of Yugoslavia (SFRY). Located in cyberspace, Cyber  Yugoslavia belongs to the corpus of virtual countries appearing as a subversive response to the nationalism and wars that led to the disintegration of the SFRY. The ludic and parodic character of CY makes it a unique example of the way in which it challenges and questions deep structures and ideological mechanisms of nation and nation-state construction. Using parody and laughter, CY deconstructs the concepts that are essential parts in creating the ideology of nation. The very same concepts are the focus of the theoretical approach to nation, wherefore the paper focuses on the intersection of theoretical and IT creative work. Article received: May 5, 2017; Article accepted: May 10, 2017; Published online: September 15, 2017Original scholarly paperHow to cite this article: Stevanović, Lada. "Cyber Yugoslavia: from the World of Nations to the World of Cyber Countries." AM Journal of Art and Media Studies 13 (2017): 73-87. doi: 10.25038/am.v0i13.184

scholarly journals The Effect of the Handheld Camera on Narration and Ocularization in the Dogme 95 Film

2018 ◽  
Author(s):  
Kristian Pandža
Keyword(s):  
Media Studies ◽  
Lars Von Trier ◽  
The Way ◽  
Handheld Camera

This paper aims, based on the method of case study, to investigate how the handheld camera affects narration and ocularization in the Dogme 95 film. The Dogme 95 (hereafter ‘Dogme’) film is a relatively recent filmmaking movement, which has its own set of strict rules – one of which requires shooting the film with a handheld camera. Regardless of the fact that the utilization of a handheld camera causes specific and recognizable image and movement aesthetics, which can be described as a specific handheld camera style, it is also an indispensable theoretical fact that it very much ‘speaks’ through narration, in particular through focalization and ocularization, which is also theoretically confirmed by theoreticians of the Dogme film. The two most representative, and most prominent films of the Dogme filmmaking movement are Idiots [Idioterne] by Lars von Trier and The Celebration [Festen] by Thomas Vinterberg. The Dogme movement, famous for its inescapable and apparent pseudo-documentary filming style – which enables one to ask the question what is here and how is the reality of reality here – raises additional questions, but also provides answers through thoroughly studying the way in which the handheld camera narrates audiovisually and how narration flows in the two aforementioned films. Additionally, it asks whether there is a difference in narration and ocularization, or if it is disabled, and how the handheld camera becomes the narrator, in symbiosis with the character. Article received: December 28, 2017; Article accepted: January 10, 2018; Published online: April 15, 2018; Original scholarly paper How to cite this article: Pandža, Kristian. "The Effect of the Handheld Camera on Narration and Ocularization in the Dogme 95 Film." AM Journal of Art and Media Studies 15 (2018): . doi: 10.25038/am.v0i15.232

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