Stasis
The idea of ‘working though’ the past has played a central role in many literary, historical, philosophical, and wider cultural debates about the Holocaust. However, this chapter argues that two major writers, in different ways and for divergent reasons, refuse ‘working through’ and aim instead at ‘stasis’: the Nobel laureate and survivor, Imre Kertész (with a focus on his Fateless and Kaddish for an Unborn Child) and the hugely celebrated German writer W. G. Sebald (focusing on his The Rings of Saturn and Austerlitz). This stasis is a turn, in the name of memory, against the flexibility and fluidity of memory itself. However, its meaning for the two writers differs profoundly in relation to issues of trauma, evil, complicity, temporality, and responsibility. The chapter concludes by contrasting these with Otto Dov Kulka’s award-winning Landscapes of the Metropolis of Death.