Introduction: Writing Histories of Archaeology

Author(s):  
Tim Murray ◽  
Christopher Evans

Any one of several organic analogies, particularly that of the Tree of Knowledge, might usefully serve as the leitmotif of this volume, and to help justify our choice of the plural in its title—‘Histories of Archaeology’, as opposed to the singular case prefaced with The or A. ‘Trees of Knowledge’ and/or ‘Development’ were widely used to portray nineteenth- and early twentieth-century knowledge systems, be they in architecture, languages, or race, and Pitt Rivers, for example, was especially fond of them. Trees can also symbolize the growth of disciplines. Archaeology had its roots in antiquarianism, history, philology, ethnology, geology, and natural history generally. From this grew the trunk that eventually branched out into various sub-disciplines (e.g. biblical, Roman, medieval, scientific, and ‘new’ archaeology). The great meta-narratives of the history of archaeology have followed this approach, with ‘archaeological thought’ or ‘archaeological ideas’ having a common inheritance or ancestry in nineteenth- century positivist European science. From this main rootstock, it eventually branched into subdivisions and out into the world at large, fostering offspring archaeologies differentiated by geography, tradition, subfield, or time period (Daniel 1975; Trigger 1989). Our aim in this volume, and that of much of recent archaeological historiography, is to challenge this meta-narrative and to demonstrate that there has been a great deal more variability of thought and practice in the Weld than has been acknowledged. In this context we think that Kroeber’s ‘Tree of Life/Culture’ (1948) is a more accurate visualization of the growth of archaeology. Instead of just branching ‘naturally’, Kroeber’s branches have the capacity to grow back on themselves and coalesce in the way that ‘thought’, ‘subjects’, and/or ‘institutions’/‘networks’ do. Yet Kroeber’s model still relies on a single main trunk. If applied to the history of archaeology it would not distinguish, for example, that antiquarianism did not conveniently die out with the advent of archaeology as a discipline, and that its history and development has always involved multiple strands—in essence the existence of other possibilities and practices. We intend this volume to stimulate the exploration of these other possible archaeologies, past, present, and future, and to help us acknowledge that the creation of world archaeologies, and the multiplication of interests and objectives among both the producers and consumers of archaeological knowledge, will drive the creation of still further variability.

Author(s):  
Margarita Diaz-Andreu

Margarita Diaz-Andreu offers an innovative history of archaeology during the nineteenth century, encompassing all its fields from the origins of humanity to the medieval period, and all areas of the world. The development of archaeology is placed within the framework of contemporary political events, with a particular focus upon the ideologies of nationalism and imperialism. Diaz-Andreu examines a wide range of issues, including the creation of institutions, the conversion of the study of antiquities into a profession, public memory, changes in archaeological thought and practice, and the effect on archaeology of racism, religion, the belief in progress, hegemony, and resistance.


1994 ◽  
Vol 45 (1) ◽  
pp. 92-106
Author(s):  
Hans Henningsen

The View of Nature and History in Grundtvig and LøgstrupBy Hans HenningsenGrundtvig’s and K.E. Løgstrup’s thoughts move in two different dimensions, but with the same intention of demonstrating that it was not the capacity of man to create culture that first gave significance to the world. But where Grundtvig speaks about history, Løgstrup speaks about »phenomena«, »nature«, and »universe«.While Grundtvig was largely unaffected by Kant, the latter - with his concepts of the selfexistent subject and the idea of the faculty of cognition as productive - became a challenge to Løgstrup. Kant heralds an era whose relationship with the universe is characterized as a »marginal existence«. Our culture became an emancipatory culture which was all to the good, but the era lost its sense of the .pre-cultural. structures in which life is »encased«.The era has also emancipated itself from Grundtvig’s historical view. But a history on the premisses of relativism is no history. Or, in Løgstrup’s words, there is no other history than the history of what is essential in life. Therefore, in reality, Løgstrup’s phenomenological and philosophical endeavours become a defence of history. Grundtvig’s view of nature was determined by his radical prioritization of history. He prefers to view nature as part of the historical life of man, which again determines his use of nature images. In Grundtvig there is no religious interpretation of any experience or perception of nature in spite of the fact that everything in the Creation is to be understood as images of the eternal.In Løgstrup there is no such cautions attitude towards nature. Here nature and sense perception are liberating, but as is the case with Grundtvig, nature is seen as the foundation of man’s life, as immediate experience.Grundtvig’s radical prioritization of history colours his view of art. The Creation itself is the greatest work of art; part of it is the upbringing through which all history must be the object of the individual’s own experience. Among the art forms, poetry ranks highest, with the song above all other forms, while Grundtvig only uses disparaging words about painting and sculpture because these art forms are wordless and preclude changes. Løgstrup, however, attaches much greater importance to sense perception and self-recognition through art.These contrasts may be regarded as what Løgstrup calls uniting opposites; it must be remembered, however, that such disparities cannot be harmonized so as to disappear, but are uniting precisely by virtue of the tension that exists between them. The actual existence of the contrasts does not preclude the possibility that in a wider sense the two views may be contained within the same framework and express a common intention.


2007 ◽  
pp. 27-37
Author(s):  
Dmytro V. Tsolin

Every reader of the Old Testament, both experienced researcher and newcomer, cannot fail to pay attention to one peculiarity in the presentation of the idea of ​​God: it is a harmonious (and, at times, amazing) combination of transcendence and immanence. The History of the Creation of the World (Genesis 1: 1 - 2: 3), which begins the first book of the Strictly Testament - Genesis - is an example of an exquisite prose genre with elements of epic poetry. In it, the Creator of the Universe appears to the Almighty, the Wise, and the All-Powerful, standing above the created world: Only one word of it evokes the material world from nothingness. This is emphasized by the repeated use of the formulas אלהים וימר / wa-yyo'mer 'ělohîm ("And Elohim said ...") and ויהי־כן / wa-yəhî khēn ("And so it became"). This use of two narrative constructs at the beginning and at the end of messages about the creative activities of God clearly emphasizes the idea of ​​reconciling the divine Word and being. God is shown here to be transcendental.


2018 ◽  
pp. 187-232
Author(s):  
Alison E. Martin

This chapter is devoted to Humboldt’s last, great work Cosmos. This multi-volume ‘Sketch of a Physical Description of the World’ ranged encyclopaedically from the darkest corners of space to the smallest forms of terrestrial life, describing the larger systems at work in the natural world. But, as British reviewers were swift to query, where was God in Humboldt’s mapping of the universe? Appearing on the market in 1846, just a year after Robert Chambers’ controversial Vestiges of the Natural History of Creation, Humboldt’s Cosmos unavoidably underwent close scrutiny. Hitherto overlooked correspondence between Humboldt and Edward Sabine shows how the Sabines deliberately reoriented the second volume of the English translation for Longman/Murray explicitly to include references to the ‘Creator’ and thus restore Humboldt’s reputation. The fourth volume of the Longman edition on terrestrial magnetism – Edward Sabine’s specialism – included additions endorsed by Humboldt which made Sabine appear as co-writer alongside the great Prussian scientist, and Cosmos a more obviously ‘English’ product. Otté, who produced the rival translation for Bohn, was initially under pressure herself to generate ‘original’ work that differed from its rival, producing a version of a work that would remain central to scientific thought well up to the end of the nineteenth century.


2022 ◽  
pp. 930-944
Author(s):  
Anthony J. Gephardt ◽  
Elizabeth Baoying Wang

This chapter explores the world of autonomous vehicles. Starting from the beginning, it covers the history of the automobile dating back to 1769. It explains how the first production automobile came about in 1885. The chapter dives into the history of auto safety, ranging from seatbelts to full-on autonomous features. One of the main focuses is the creation and implementation of artificial intelligent (AI), neural networks, intelligent agents, and deep Learning Processes. Combining the hardware on the vehicle with the intelligence of AI creates what we know as autonomous vehicles today.


Zootaxa ◽  
2006 ◽  
Vol 1325 (1) ◽  
pp. 3
Author(s):  
PETER JÄGER
Keyword(s):  

Anyone involved in research into the natural history of the Himalayas will certainly come across the publications of Jochen Martens or papers based on material collected by him. The same is true for the field of avian systematics and bioacoustics and for the taxonomy and systematics of harvestmen. On the occasion of the retirement of Prof. Dr Jochen Martens from the Johannes Gutenberg University in Mainz, Germany, his colleagues from all over the world would like to honour him with scientific contributions compiled in this commemorative publication.


1996 ◽  
Vol 110 (1) ◽  
pp. 52-56 ◽  
Author(s):  
Hidetoshi Haraguchi ◽  
Hitoshi Hentona ◽  
Hidekazu Tanaka ◽  
Atsushi Komatuzaki

AbstractPleomorphic adenoma arising in the external auditory canal is rare. We report the case of a 38-year-old man. To better grasp the clinical features and natural history of this uncommon tumour, we also reviewed the world wide literature and found 24 similar cases, which we analysed together with our own.


1993 ◽  
Vol 1 (3) ◽  
pp. 273-278
Author(s):  
David M. Wilson

At a time when nationalism grows more strident, the role of national museums assumes great importance. National museums encourage not only an understanding of national identity, but also patriotism. While this is natural, it has dangers in that the museum can be used politically to endorse racial and other charged emotions. The great international museums have provided an antidote to such tendencies by providing a universal view of the culture and natural history of the world from the earliest times. Because these museums have important material from other countries they are often attacked as odious relics of colonialism. Rather they should be seen as representative of internationalism and encouraged to collect as widely as possible—within the law. They should not be pressurized into returning material to its country of origin for narrow nationalistic purposes. National museums should themselves collect outside their own national boundaries so that countries can see themselves against the background of other cultures. As nationalism grows, internationalism must be stressed in national museums so that countries may understand each others' culture and points of view.


2005 ◽  
Author(s):  
Penny Olsen

Australia’s Wedge-tailed Eagle belongs to the family of eagles, which together span the world. Eagles are powerful predators, with exceptional powers of flight and sight. They may kill to survive, but they also sleep, play, enjoy a bath, make tender parents, and form lasting relationships. This book gives a comprehensive overview of Australia’s largest true eagle and one of the country’s few large predators and scavengers. First appearing in Aboriginal rock-paintings more than 5000 years ago, the Wedge-tailed Eagle was little more than a curiosity to the early European settlers. The book traces the subsequent changes in perception—from its branding as a vicious sheep killer to an iconic species worthy of conservation—and covers distribution, habitat, hunting, relationships, reproduction and chick development. A final section deals with threats to the existence of this magnificent bird. Winner of the 2006 Whitley Award for Best Natural History of an Iconic Species.


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